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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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TROMPETTE
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UKULELE
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VIOLONCELLE
XYLOPHONE
Family Tradition
Non classifié
5
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Piano, Voix et Guitare
5
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5
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4
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3
Orgue
1
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2
Guitare
2
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2
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1
Mandoline, Guitare (duo)
1
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Chorale SSAA
2
Chorale 3 parties
1
Chorale 2 parties
1
Voix Soprano, Piano
1
Chorale SATB
1
Vents
Quatuor de Saxophones: 4 saxophones
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
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Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon et Piano
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Family Tradition
Partitions à imprimer
59 partitions trouvées
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Family Tradition
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Guitare
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Country
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Hank Williams Jr
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Family Tradition
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Hal Leonard - Digital
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SheetMusicPlus
Solo Guitar - SKU: HX.1445374 By Hank Williams Jr. This edition: scorch. Country. Individual part. 2 pages. Hal Leonard - Digital #239007. Published by ...
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Solo Guitar - SKU: HX.1445374 By Hank Williams Jr. This edition: scorch. Country. Individual part. 2 pages. Hal Leonard - Digital #239007. Published by Hal Leonard - Digital (HX.1445374).
$4.99
Family Tradition
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Piano, Voix et Guitare
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Country
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Hank Williams Jr
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Family Tradition
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Hal Leonard - Digital
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: HX.1445375 By Hank Williams Jr. This edition: scorch. Country. Score. 4 pages. Hal Leonard - Digital #239007. Published ...
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Guitar,Piano,Vocal,Voice - SKU: HX.1445375 By Hank Williams Jr. This edition: scorch. Country. Score. 4 pages. Hal Leonard - Digital #239007. Published by Hal Leonard - Digital (HX.1445375).
$4.99
Sifting the Stars
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published b...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
Family Tradition by Hank Williams Jr. - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Hank Williams Jr.
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Family Tradition
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Musicnotes
Performed by: Hank Williams Jr.: Family Tradition Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Hank Williams Jr.: Family Tradition Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Country~~Outlaw Country~~Traditional Country~~Country-Rock
$5.50
Family Tradition by Hank Williams Jr. - Easy Piano
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Piano Facile
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FACILE
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Hank Williams Jr.
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Family Tradition
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Musicnotes
Performed by: Hank Williams Jr.: Family Tradition Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains compl...
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Performed by: Hank Williams Jr.: Family Tradition Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 4 pages -- Country~~Traditional Country~~Country-Rock~~Southern Rock
$4.95
Thanksgiving Holiday
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Piano, Voix
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FACILE
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Rob Mosher
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Thanksgiving Holiday
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Rob Mosher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1027804 Composed by Rob Mosher. Contemporary,Folk,Holiday,Pop,Sacred. Score. 4 pages. Rob Mosher #2991087. Publish...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1027804 Composed by Rob Mosher. Contemporary,Folk,Holiday,Pop,Sacred. Score. 4 pages. Rob Mosher #2991087. Published by Rob Mosher (A0.1027804). Thanksgiving Holiday was written and composed to promote the holiday. It is the composers intent to promote the history, emotions, and family tradition that comprises the holiday. It is appropriate for all ages and settings. It is approximately 5 minutes in duration. I hope you enjoy the piece!
$3.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
望春風 "Desire to the Spring Breeze" (Arranged for String Quartets)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Jaron Khor
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Jaron Khor
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望春風 "Desi
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Jaron Khor
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1366465 By Jaron Khor. By Deng Yuxian. Arranged by Jaron Khor. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1366465 By Jaron Khor. By Deng Yuxian. Arranged by Jaron Khor. 19th Century,Chamber,Classical,Folk,Traditional. 12 pages. Jaron Khor #950798. Published by Jaron Khor (A0.1366465). Deng Yuxian (July 21, 1906 - June 11, 1944) was a Taiwanese Hakka composer known for nearly a hundred iconic compositions, including Rainy Night Flowers, Spring Breeze, and Four Seasons Red. He is acclaimed as the Father of Taiwanese Ballads. Born in Taoyuan into a family with a rich history, Deng attended the Taipei Normal School under Japanese rule and later pursued composition studies in Japan.Upon returning to Taiwan, Deng Yuxian created numerous popular songs. In 1940, he left the music industry to become a teacher. Unfortunately, he succumbed to heart and lung disease in 1944 at the age of less than 40. Deng's musical legacy has had a profound impact on the Taiwanese music scene, leaving an indelible mark on its history.Spring Breeze, also known as Desire to the Spring Breeze, is an ancient traditional music piece with roots in a rich and old musical tradition. Known for its millennia-old melody and profound cultural significance, the song typically expresses anticipation for spring and praises the vibrant natural scenery. In this reimagined arrangement, I aimed to depart from traditional arrangement methods, incorporating rich scene paintings and vivid imagery. Each section has been crafted as a musical canvas, seeking to portray imaginative landscapes between the notes. This innovative approach challenges tradition, breathing new life into this ancient piece, making it more resonant with contemporary audiences. This arrangement is not just a reinterpretation of the music but also a tribute to tradition and an exploration of new perspectives. I hope this musical adventure guides you through the intersection of tradition and modernity, allowing Spring Breeze to blossom anew in a fresh narrative of sound, providing you with a wondrous journey for the soul.
$2.99
Variations of Joy (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Variations of Joy
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158382 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 49 pages. Https://gildedmusicp...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158382 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 49 pages. Https://gildedmusicpress.com/ #758665. Published by https://gildedmusicpress.com/ (A0.1158382). Brass quintet in six short movements. Duration, approx. 8 minutes. Movement I: “Family Vacations.†Fond memories of childhood vacations as well as leading out on road trips as a father, are reflected by the excitement of this movement. Feel free to reminisce on your own family trips as you listen to or perform this movement. Movement II: “Jovial Banter.†I was going to call this movement “Roughhousing,†but that is only part of what this playful piece conjures. Besides wrestling my five boys (with my one girl amusedly watching off to the side), friendly joking with friends about rival universities, and playing harmless pranks on friends and family, all seem to be rolled up into this truly jovial movement. It has its own tricks and surprises to one who has never heard it before. Movement III: “Holiday Foods.†This waltz displays more elegance and structure than most of the other movements. It primarily elicits memories of the distinctive Thrower Christmas feasts, for which we created a unique tradition. Our yuletide banquets hail from a different country every year. Through the decades, we have discovered and adopted many international favorites that we continue to enjoy! Note the middle section of the waltz gets a bit spicy… Movement IV: “Pets.†Though as an adult I have not had the pleasure of enjoying personal pets, my youngest son developed an affinity for YouTube videos about funny cats and dogs. Nevertheless, my favorite childhood pet was “Blackie,†the splendid satin feline featured on the cover of this work. Pets are often quirky and extremely fun, as is this music. If it doesn’t put a smile on the listener’s face, someone in the line of musical communication may have failed. Movement V: “Sharing God’s Wonders.†Slow and wondrous, the music in this movement yearns to be shared. The theme, though only somewhat related to the other variations, strays to its own content after the first motivic notes. The melody is borrowed from a 2010 band composition of mine titled “Tribute to Joel Robison,†an ancestor, and a Texas hero. One passion I have enjoyed through the years is family history, truly a God-given legacy from which I draw much inspiration. Movement VI: “Personal Triumphs.†Indeed a subject to celebrate, triumphs of self-mastery, conquests over difficult tasks, and achievements of monumental goals all prompt me to break out in triumphant fanfares!
$34.95
Hail, Christmas Day!
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Noël
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Abbie Betinis and John Burt
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Hail, Christmas Day!
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Fred Bock Music Company
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SheetMusicPlus
SATB a cappella Choral (SATB ACAPPEL) SKU: HL.8749951 Composed by Abbie Betinis and John Burt. Fred Bock Publications. Christmas, General Worship, Sacred...
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SATB a cappella Choral (SATB ACAPPEL) SKU: HL.8749951 Composed by Abbie Betinis and John Burt. Fred Bock Publications. Christmas, General Worship, Sacred. Octavo. 8 pages. Fred Bock Music Company #F2354. Published by Fred Bock Music Company (HL.8749951). UPC: 884088352356. 6.75x10.5x0.019 inches. Abbie Burt Betinis/John Burt.The most famous American Christmas carol family is undisputably the Burt family. The carols of Bates and Alfred Burt and the Christmas carol cards they sent are now part of our hymnody and folklore. Abbie Burt Betinis is the great granddaughter of Bates and grand niece of Alfred, and is continuing the tradition with freshness and craftsmanship. A noted and often commissioned composer in her own right, she brings skill and talent to this unique genre in a way no one else could. The verse and chorus form reminds us of an English carol, but the text, taken most often from other Burt family members, are very American. Enjoy this energetic carol with sacred text by John Harris Burt.
$2.95
Ready-to-Play Pianist: Advent and Christmas
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Piano seul
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INTERMÉDIAIRE
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Noël
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Ready-to-Play Pianist: Advent
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano - Intermediate - SKU: LX.70-1428L Edited by Kris Kropff. Sacred, Advent, Christmas, Epiphany. Church Piano. 42 pages. Lorenz Publishing - Digital ...
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Piano - Intermediate - SKU: LX.70-1428L Edited by Kris Kropff. Sacred, Advent, Christmas, Epiphany. Church Piano. 42 pages. Lorenz Publishing - Digital Sheet Music #e70/1428L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1428L). UPC: 000308069303.The Christmas season is one deeply rooted in rich traditions that extend to church and family and encompass everything from gatherings to meals to music, all demanding time, energy, and quality. It is for these times that the Lorenz tradition of providing accessible yet musically satisfying collections is ideally suited. In this newest offering of The Ready-to-Play Pianist Series, we continue this time-honored tradition with practical arrangements of thirteen well-known carols, varied in style, designed to help the in-demand pianist survive the busy Christmas season. Durations are provided to help with programming decisions.
$22.95
Silent Night
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Piano seul
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INTERMÉDIAIRE
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Franz Xaver Gruber
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Silent Night
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Soul - Musical Creations
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1501038 Composed by Franz Xaver Gruber. Arranged by André Alberto de Oliveira Santos. Christmas,Contest,Festival,Folk,Ho...
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Piano Solo - Level 3 - SKU: A0.1501038 Composed by Franz Xaver Gruber. Arranged by André Alberto de Oliveira Santos. Christmas,Contest,Festival,Folk,Holiday. Score. 3 pages. Soul - Musical Creations #1076995. Published by Soul - Musical Creations (A0.1501038). Capture the magic of Christmas with a unique Silent Night arrangementBring the timeless beauty of Silent Night to life with this unique arrangement, created to elevate your holiday performances. Perfect for musicians of all levels, this exclusive PDF sheet music offers a fresh take on the classic, combining tradition with a touch of modern elegance.Introduce yourself to family and friends with this arrangement and it will add a special sparkle to your holiday repertoire. Don't miss the opportunity to own this beautifully decorated piece - perfect for adding a comforting touch to your Christmas celebrations.Buy now and let the serene melodies of Silent Night resonate with every note!
$5.99
Silent Night
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Franz Xaver Gruber
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Bisdré Santos
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Silent Night
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Soul - Musical Creations
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1501041 Composed by Franz Xaver Gruber. Arranged by Bisdré Santos. Children,Christ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1501041 Composed by Franz Xaver Gruber. Arranged by Bisdré Santos. Children,Christian,Christmas,Holiday,Instructional. 7 pages. Soul - Musical Creations #1076998. Published by Soul - Musical Creations (A0.1501041). Capture the magic of Christmas with a unique Silent Night arrangementBring the timeless beauty of Silent Night to life with this unique arrangement, created to elevate your holiday performances. Perfect for musicians of all levels, this exclusive PDF sheet music offers a fresh take on the classic, combining tradition with a touch of modern elegance.Introduce yourself to family and friends with this arrangement and it will add a special sparkle to your holiday repertoire. Don't miss the opportunity to own this beautifully decorated piece - perfect for adding a comforting touch to your Christmas celebrations.Buy now and let the serene melodies of Silent Night resonate with every note!
$4.99
Silent Night
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Piano Facile
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DÉBUTANT
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André Alberto de Oliveira San
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Bisdré Santos
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Silent Night
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Soul - Musical Creations
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1501039 By André Alberto de Oliveira Santos. By Franz Xaver Gruber. Arranged by Bisdré Santos. Children,Christian,Chris...
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Easy Piano - Level 1 - SKU: A0.1501039 By André Alberto de Oliveira Santos. By Franz Xaver Gruber. Arranged by Bisdré Santos. Children,Christian,Christmas,Holiday,Instructional. Score. 2 pages. Soul - Musical Creations #1076996. Published by Soul - Musical Creations (A0.1501039). Capture the magic of Christmas with a unique Silent Night arrangementBring the timeless beauty of Silent Night to life with this unique arrangement, created to elevate your holiday performances. Perfect for musicians of all levels, this exclusive PDF sheet music offers a fresh take on the classic, combining tradition with a touch of modern elegance.Introduce yourself to family and friends with this arrangement and it will add a special sparkle to your holiday repertoire. Don't miss the opportunity to own this beautifully decorated piece - perfect for adding a comforting touch to your Christmas celebrations.Buy now and let the serene melodies of Silent Night resonate with every note!
$4.99
Park Day in Japan, Op. 153
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Park Day in Japan, Op. 153
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1489536 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Multicultural,Wedding,World. 22 pages. Https://gildedmusi...
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Brass Quintet - Level 3 - SKU: A0.1489536 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Multicultural,Wedding,World. 22 pages. Https://gildedmusicpress.com/ #1066400. Published by https://gildedmusicpress.com/ (A0.1489536). Park Day in Japan, Op. 153, for brass quintet. This beautiful piece of music was largely composed in my head during a family visit to Showa Park in Tokyo, Japan. Tulip season was at its peak, the weather was superb, and the happy throngs of Japanese people enjoying the beauty of their park were inspiring. The lovely eight-measure chord progression is reminiscent of Pachelbel’s “Canon in D.” The harmonic eight-bar ostinato create a hypnotic foundation over which multiple lines at times reach a high level of polyphonic complexity, while at other times only the chords are present with simple rhythmic statement. This composition could be used for concerts in any setting, or even as a substitute for Pachelbel’s famous work if a bride and groom are tired of the cliché nuptial tradition. Duration: 3:40.
$19.95
Adam Ondi Ahman - Organ Prelude
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Orgue
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FACILE
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William W
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Jacob Hershberger
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Adam Ondi Ahman - Organ Prelud
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiritual. Score. 3 p...
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Organ - Level 2 - SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiritual. Score. 3 pages. Jasberger Music #1064507. Published by Jasberger Music (A0.1487587). Experience the divine serenity of our newest organ prelude sheet music release, Adam Ondi Ahman. This exquisite piece is inspired by the revered Latter-day Saint hymn, Adam Ondi-Ahman, which eloquently captures the essence of a time when the earth was a paradisiacal garden, and humanity lived in holiness, worshipping Jesus Christ face to face.The hymn's text paints a vivid picture of this sacred era:This earth was once a garden place,With all her glories common,And men did live a holy race,And worship Jesus face to face,In Adam-ondi-Ahman.We read that Enoch walked with God,Above the pow’r of mammon,While Zion spread herself abroad,And Saints and angels sang aloud,In Adam-ondi-Ahman.Her land was good and greatly blest,Beyond all Israel’s Canaan;Her fame was known from east to west,Her peace was great, and pure the restOf Adam-ondi-Ahman.Hosanna to such days to come,The Savior’s second coming,When all the earth in glorious bloomAffords the Saints a holy home,Like Adam-ondi-Ahman.In addition to the poetic text, this prelude is deeply rooted in the scriptural texts of Doctrine and Covenants 116:1 and Doctrine and Covenants 107:53–57. These scriptures provide a spiritual foundation that enriches the music, making it not only a beautiful piece to play but also a profound spiritual experience.Key Features: Beginner-Friendly: Designed for novice organists looking to expand their repertoire, this prelude is easy to learn and play. Consistent Key: The piece remains in the key of Eb Major throughout, ensuring a smooth and cohesive performance. Flexible Performance: The composition allows for easy stops midway through, catering to the varying needs of prelude requirements. Spiritual Connection: This music is intended to touch the souls of listeners, evoking feelings of the genesis of the human family and the doctrines of the Latter-day Saint faith. As recorded on the organ album Restoration Hymns from the Church of Jesus Christ of Latter-day Saints available on all major streaming platforms This organ prelude is perfect for church services, personal practice, or any setting where sacred and contemplative music is desired. Adam Ondi Ahman not only offers a delightful musical experience but also provides a profound connection to the spiritual heritage of the Latter-day Saint tradition. Enhance your musical journey with this beautifully crafted piece, and let the timeless message of Adam Ondi Ahman inspire and uplift all who hear it.
$5.99
Mist-Covered Mountains (Chì mi na mòrbheanna)
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Chorale SATB
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FACILE
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John Cameron, 1856
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Sheena Phillips
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Mist-Covered Mountains
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Sheena Phillips
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1476839 Composed by John Cameron, 1856. Arranged by Sheena Phillips. 19th Century,Celtic,Folk,Irish,...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1476839 Composed by John Cameron, 1856. Arranged by Sheena Phillips. 19th Century,Celtic,Folk,Irish,Multicultural,World. 14 pages. Sheena Phillips #1054352. Published by Sheena Phillips (A0.1476839). Mist-Covered Mountains is a very accessible SATB choral arrangement of the gorgeous 19th century Gaelic song Chì Mi Na Mòrbheanna (usually translated as The Mist-Covered Mountains of Home). The original song was written in 1856 by John Cameron, and since then has entered the folk tradition. It was made famous by The Rankin Family in the 1970s, and many other folk artists have covered it. This arrangement was written for Belsize Community Choir in London, and is well-suited to community choirs. The refrain is in the original Gaelic, but the verses are in English.The Gaelic refrain is easily learned and a pronunciation guide is included. The tune passes among different voice parts, and is sometimes sung in unison. The (optional) piano gives solidity and depth – like the mountains themselves. There is also a part for soprano recorder. If performing the song a cappella, start at bar 7, end at bar 86, and leave out the third beat of bars 38, 54, 70 and 78.
$2.00
"Light a Candle: An Advent Hymn"
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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"Light a Candle: An Adven
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921765 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song M...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921765 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6136123. Published by Servant Song Music and Ministry (A0.921765). Light a Candle was written as an Advent Wreath-Lighting Hymn, with five verses for congregational use throughout the Advent season. This hymn is suitable for family worship at home, also, and there is a free series of videos available on YouTube with the composer (Lisa Waites) singing and playing guitar; you are welcome to stream those videos for digital worship throughout the Covid pandemic. Please also purchase a copy of the score to support the work of Servant Song Music & Ministry. In December of 2019, our congregation began singing this hymn on the first Sunday of the Advent season with just the first verse as a collective response to the first candle in the Advent wreath being lit; the lyrics of the first verse are all about HOPE. On the second Sunday of Advent, we sang the first and second verses of the hymn (hope and PEACE to correspond with the lighting of two Advent candles); on the third Sunday of Advent, we sang three verses (hope, peace, and JOY), and on the fourth Sunday, we sang four verses (hope, peace, joy, and LOVE). Finally, on Christmas Eve, the congregation sang all five verses of the hymn, corresponding with the lighting of all five candles in the Advent wreath. Since Advent hymns are typically in short supply, an alternative approach for this hymn would be to use the first four verses together during Advent as a congregational hymn, reserving the fifth verse for the Christmas Eve service. Not familiar with Advent Wreath-Lighting liturgies? This hymn is a terrific way to introduce this Ancient-Future Christian tradition to your people! .
$2.99
A Simple Christmas Pageant
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Musique Sacrée
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Book by Cindy Sterling and She
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Sheldon Curry
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Choral Worship Cantata
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A Simple Christmas Pageant
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-32333 InstruPax. Composed by Book by Cindy Sterling and Sheldon Curry. Arranged by Sheldon Curry....
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Choir Sacred Instrumental Ensemble - SKU: JX.00-32333 InstruPax. Composed by Book by Cindy Sterling and Sheldon Curry. Arranged by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Christmas; Sacred; Winter. Part(s). 75 pages. Jubilate Music Group - Digital #00-32333. Published by Jubilate Music Group - Digital (JX.00-32333). English. Book by Cindy Sterling; Sheldon Curry.A Simple Christmas Pageant is a multi-generational Christmas program. It is brief (35 minutes), intentionally simple, and reminiscent of a slower gentler time (think A Prairie Home Companion meets A Charlie Brown Christmas). There are only two speaking parts: a Storyteller and Saint Nicholas. Cindy Sterling and Sheldon Curry have created a hassle-free, inexpensive alternative to big Christmas musicals. It requires little rehearsal time and few financial resources and is extremely family-friendly. For the most part, the music and carols are familiar, and the congregation sings along with every piece. It is intended for folks who want to provide a relaxed Christmas program the whole neighborhood will attend and enjoy. A Simple Christmas Pageant is a warm, community-building Christmas worship event---sure to become an annual tradition.
$39.95
Candles Long Ago
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Chorale SSAA
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INTERMÉDIAIRE
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Sharon, Lois And Bram
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Chris Arnold
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Candles Long Ago
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.874627 By Sharon, Lois And Bram. By Glen Roven and Mark Saltzman. Arranged by Chris Arnold. A Cappella. Octavo. ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.874627 By Sharon, Lois And Bram. By Glen Roven and Mark Saltzman. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4285727. Published by Chris Arnold (A0.874627). Made popular by Sharon, Lois and Bram, this is a beautiful Hanukkah song that embraces family and tradition. It's a wonderful choice for multi-faith winter concerts.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.
$12.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Ecce quam bonum
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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Ecce quam bonum
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.818191 Composed by Philip Le Bas. Christian,Sacred. Octavo. 12 pages. Philip Le Bas #6603399. Published by Philip...
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Choral Choir (SAB) - Level 3 - SKU: A0.818191 Composed by Philip Le Bas. Christian,Sacred. Octavo. 12 pages. Philip Le Bas #6603399. Published by Philip Le Bas (A0.818191). A new composition setting the words of Psalm 133 for three-part (SABar) choir and piano. This cheerful, perhaps even rather idealistic psalm expressing the joy of kindred dwelling in unity has long been used to give voice to a human longing for acceptance by others, whether in a family or a community. Its verses compare this familial unity to the tradition of pouring expensive ointment over the head of visitors. Far from our modern use of oil for lubrication, this is an ancient middle-eastern oil of welcome and washing and feeling part of a community. Dwelling in unity is also compared to cloudy mist which regularly descends on the heights of Mount Hermon in Zion, providing moisture to an otherwise arid land and enabling life across the whole country. This setting is unashamedly playful, popular and romantic, with verses adding a more mysterious, metaphorical quality to the piece, and bringing to expression the deep joy of living in harmony with others..., even if finding this is not always easy. The composition is ideal for use by a parish choir, employing relatively easy part singing with a supportive piano part.Psalm 133: Ecce quam bonum et quam iucundum, habitare fratres in unum. Behold, how good it is, how pleasant, for kindred to dwell in unity. It is like precious ointment upon the beard, running down upon the beard of Aaron; like the dew of Hermon, which falls upon the mountains of Zion. For there the Lord bestows his blessing: life for evermore.
$1.99
A Nineteenth-Century Death
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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lyrics: Jennie Litt and music:
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A Nineteenth-Century Death
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Kripplebush Publishing Company
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.976459 Composed by lyrics: Jennie Litt and music: David Alpher. Broadway,Contemporary,Musical/Show. Score. 8 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.976459 Composed by lyrics: Jennie Litt and music: David Alpher. Broadway,Contemporary,Musical/Show. Score. 8 pages. Kripplebush Publishing Company #1987615. Published by Kripplebush Publishing Company (A0.976459). This contemporary cabaret song, in the tradition of Jacques Brel, tells the story of a woman dying at home surrounded by family, friends, and Death herself, personified as a mysterious crone. Dark and dramatic, with classical overtones, this song would feel appropriate programmed alongside the music of Weill, Brel, Spoliansky, Hollaender, Bowie, Morrissey, or Elvis Costello, and is appropriate as a voice-lesson song for students in all styles. This edition is a lead sheet, intended for voice and piano. ASCAP. Check out more contemporary cabaret songs by Alpher & Litt at www.litt-and-alpher.com or at YouTube channel Jennie Litt & David Alpher.
$5.50
Candles Long Ago
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Chorale SSAA
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INTERMÉDIAIRE
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Sharon, Lois And Bram
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Chris Arnold
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Candles Long Ago
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.874629 By Sharon, Lois And Bram. By Glen Roven and Mark Saltzman. Arranged by Chris Arnold. A Cappella. Octavo. ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.874629 By Sharon, Lois And Bram. By Glen Roven and Mark Saltzman. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4285733. Published by Chris Arnold (A0.874629). Made popular by Sharon, Lois and Bram, this is a beautiful Hanukkah song that embraces family and tradition. It's a wonderful choice for multi-faith winter concerts.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.
$1.99
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
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