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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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OCARINA
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ORGUE
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SAXOPHONE
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Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wol…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99
2.76 €
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Wolfgang Amadeus Mozart
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Derek Hasted
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Presto
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Derek Hasted
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SheetMusicPlus
Monteverdi - The Fourth Book of Madrigals (Complete)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
115.24 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
First Love - 1st Movement
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
5.52 €
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Piano Trio: piano, violon, violoncelle
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Dow…
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Classical. Score and parts. 62 pages. Archway Publications #6331857. Published by Archway Publications (A0.945582). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$4.99
4.6 €
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L
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Tony Matthews
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Beethoven - Choral Fantasia Op80
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Archway Publications
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SheetMusicPlus
Beethoven Choral Fantasia Op80 arr. Piano Quartet (Set of Parts)
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945599 …
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Piano Quintet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945599 Composed by Ludwig van Beethoven. Arranged by Tony Matthews. Classical,Contemporary,Romantic Period. 84 pages. Archway Publications #6354529. Published by Archway Publications (A0.945599). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$15.00
13.83 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Ludwig van Beethoven
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Tony Matthews
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Beethoven Choral Fantasia Op80 arr. Piano Quartet
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Archway Publications
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SheetMusicPlus
Great Symphonic Themes - Series 5FC - (Key Map Tablature)
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arrange…
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Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Innovators Workshop #4356973. Published by Music Innovators Workshop (A0.984698). These are easy to play themes from 7 great symphonic works. The themes are placed on key map tablatures that notate the melodies and chords, and provide standard chord symbols as well. Series 5FC - To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
1.84 €
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Piano Facile
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Various
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John M
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Great Symphonic Themes - Series 5FC -
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Music Innovators Workshop
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SheetMusicPlus
In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1257927 Composed by Edvard Grieg. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1257927 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 4 pages. Darek #851163. Published by Darek (A0.1257927). In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]Advanced arrangement for pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Difficult arrangement of music song / advanced verison for pianists. Included: Fingering, Dynamics, video youtube tutorial. Embark on a thrilling musical journey with our advanced-level piano sheet music for Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt. Designed for seasoned pianists seeking a formidable challenge, this sheet music will push the boundaries of your technique and musicality.This masterpiece from the Romantic era showcases Grieg's genius in crafting intense and dramatic compositions. As you delve into this advanced-level arrangement, you'll experience the full power and intricacy of In The Hall Of The Mountain King.Our meticulously crafted sheet music includes detailed fingering suggestions and dynamic markings, providing invaluable guidance to navigate the complex passages and expressively interpret the music. These elements are crucial in capturing the essence of Grieg's composition and conveying the hauntingly suspenseful atmosphere.To support your musical growth and ensure a comprehensive learning experience, we provide a high-quality video YouTube tutorial alongside the sheet music. This tutorial, led by an expert pianist, dissects the piece into manageable sections and offers invaluable insights into interpretation and technique.By offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience. In The Hall Of The Mountain King is an ideal choice for those seeking to expand their repertoire with a demanding yet captivating composition.As an advanced pianist, you understand the importance of investing in high-quality resources. Our advanced-level sheet music is meticulously crafted to meet the demands of virtuoso performers, ensuring a seamless and authentic rendition of Grieg's masterpiece.Elevate your playing and captivate your audience with the complexity and grandeur of In The Hall Of The Mountain King. This advanced-level sheet music opens the door to a world of musical expression, allowing you to showcase your technical prowess and artistic interpretation.The era of Romantic music holds a special place in the hearts of music enthusiasts worldwide, and Grieg's In The Hall Of The Mountain King is a timeless gem from this period. As you delve into this composition, you'll become immersed in the rich harmonies and emotional depth that define the Romantic era.To position yourself for success as an advanced pianist, it's crucial to challenge yourself with repertoire that showcases your skills and musical maturity. Our advanced-level sheet music for In The Hall Of The Mountain King provides the perfect platform for you to demonstrate your virtuosity and command over the instrument.Choose our advanced-level sheet music for In The Hall Of The Mountain King to embark on an extraordinary musical journey. With its meticulous attention to detail, including fingering suggestions, dynamic markings, and a video YouTube tutorial, this sheet music equips you with the tools to conquer the challenges of Grieg's iconic composition.Invest in your musical growth and artistic expression today. Purchase our advanced-level sheet music for In The Hall Of The Mountain King and discover the satisfaction of mastering a truly remarkable piece. Unleash your full potential as an advanced pianist and immerse yourself in the majesty of Grieg's timeless composition.
$5.00
4.61 €
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Piano seul
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offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience
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Edvard Grieg
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Darek
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In The Hall Of The Mountain King
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Darek
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
I Giorni
Piano seul
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Art…
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Artists. By Andreas Romdhane and Josef Larossi. Arranged by Mav Duo. Classical. Score and individual part. 7 pages. Musicial #855600. Published by Musicial (A0.1262587). Embark on a Harmonic Journey: The Captivating Cello and Piano Arrangement of I Giorni by Josef Larossi and Andreas RomdhaneAre you ready to immerse yourself in an enchanting musical voyage that will evoke a tapestry of emotions and transport you to a realm of serene beauty? Prepare to be captivated by the ethereal combination of cello and piano in a breathtaking arrangement of I Giorni by Josef Larossi and Andreas Romdhane.Let the resounding resonance of the cello strings intertwine with the delicate piano melodies, creating a harmonious synergy that will ignite your senses. I Giorni, with its delicate and introspective qualities, finds new life in this exquisite arrangement, painting a vivid musical canvas that reflects the essence of each passing day.Crafted by accomplished musicians and meticulously transcribed with utmost care, this cello and piano arrangement showcases the timeless beauty and emotional depth of I Giorni in a unique and profound manner. The cello, with its rich and expressive tones, weaves intricate melodies that dance gracefully alongside the piano's gentle touch, creating a mesmerizing soundscape that resonates with your very soul.Whether you are an avid cellist seeking a captivating new piece to add to your repertoire, a pianist yearning for a sublime duet, or a devoted fan of Josef Larossi and Andreas Romdhane's work, this cello and piano arrangement is an absolute must-have. It offers an opportunity to immerse yourself in the evocative power of I Giorni, allowing you to experience its poetic essence firsthand.As the haunting melody unfolds, you will be transported to a world where time stands still, where each note carries the weight of a thousand emotions. Feel the gentle caress of the cello as it sings with deep resonance, while the piano delicately embellishes the melodies, adding layers of elegance and depth. Together, they create an exquisite musical dialogue that will leave you spellbound.This cello and piano arrangement of I Giorni is a testament to the profound connection between music and the human spirit. It invites you to embark on a harmonic journey, where the boundaries between reality and dreams blur, and where you are free to explore the depths of your own emotions. Each phrase is a delicate brushstroke, painting a vivid portrait of love, longing, and the beauty found within the passing moments of our lives.Don't miss this extraordinary opportunity to own a piece of musical enchantment. Order your cello and piano arrangement of I Giorni today and let the sublime melodies transport you to a world of serenity and introspection. Embrace the transformative power of music and let it accompany you on a voyage of emotional resonance and artistic discovery.Keywords: cello and piano arrangement, I Giorni, Josef Larossi, Andreas Romdhane, enchanting musical voyage, tapestry of emotions, realm of serene beauty, resounding resonance, harmonious synergy, timeless beauty, emotional depth, unique and profound, captivating new piece, evocative power, poetic essence, haunting melody, musical dialogue, spellbound, profound connection, harmonic journey, passing moments, musical enchantment, transformative power.
$7.00
6.45 €
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Piano seul
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Various Artists
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Mav Duo
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I Giorni
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Musicial
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SheetMusicPlus
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr. for Wind Quintet]
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1228442 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824519. Published by Andrew Lamb (A0.1228442). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite woodwind quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This captivating adaptation brings new life to the timeless beauty of the original composition, allowing woodwind ensembles to explore the intricate harmonies and expressive melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our woodwind quintet arrangement of Chant d'Adieu showcases the unique timbres and characteristics of each instrument. From the rich and resonant tones of the flute to the warm and lyrical expressions of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Chant d'Adieu is a profoundly moving composition that evokes a range of emotions, from introspection to longing. With its poignant melodies and heartfelt harmonies, this arrangement beautifully captures the essence of the original work, allowing woodwind ensembles to convey the depth and emotional impact of the music.Whether you are an established woodwind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our woodwind quintet arrangement of Chant d'Adieu is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the woodwind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of Charles Neustedt's Chant d'Adieu with our woodwind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn intertwine in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing woodwind ensembles to showcase their artistry and convey the timeless allure of Neustedt's composition.
$9.00
8.3 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Neustedt
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Andrew Lamb
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Sonata in F Minor - IV. Rondo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1256758 By Gabriel Lagos. By Gabrie…
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Piano Solo - Level 4 - Digital Download SKU: A0.1256758 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,21st Century,Classical,Romantic Period. Score. 12 pages. Lagos Music #850130. Published by Lagos Music (A0.1256758). It's kind of cool that I've finished an entire four-movement sonata! It's also kind of cool how people can watch my progress as I improve as a composer over time. I hope you enjoy this one. I think this is my best work so far, but I'm curious what others think! Inspiration for this piece came from the Rondo in Mozart's Concerto in E Flat for two pianos and his Finale in Symphony 40 (which I think is a Rondo as well), and all the Bach harpsichord concertos. Why is the cadenza in the style of a Bolero, I hear you ask? Well, it's hinting at a future work. With this Sonata, I set the intention of four movements: sonata-allegro, minuet/trio, funeral march, rondo. For the next work, the intention is a Latin Suite which will consist of a romance, tango, and milonga. That may change, but that's my idea so far and I didn't want to forget that theme...so I put it in the cadenza of this sonata! I will record a more live version of the full sonata on one of the University Of Victoria's Steinways soon. My dream is to write for orchestra, but for now I'll be using piano works as practice and maybe, just maybe, one day I'll find a way to compose for orchestra. I used to want to write for film but I'm now realizing I may want to write for the classical world, instead. This would be an absolute dream come true. Thank you, Gabe.
$4.99
4.6 €
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Piano seul
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Gabriel Lagos
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Gabriel Lagos
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Sonata in F Minor - IV. Rondo
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Lagos Music
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
8.29 €
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Flûte, Hautbois, Clarinette, Basson
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Ave Maria Easter Version SATB violin or flute or cello and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1340935 Composed by Franz Schubert. Arranged by Connie Boss. Easter,Holiday,Religious,Sacred. 18 pages. Connie Boss #926508. Published by Connie Boss (A0.1340935). This Easter version of Ave Maria tells how Mary Magdeline went to the tomb the third day after Jesus was crucified. When she arrives, she sees that the stone has been rolled away. She runs to find help and gets Simon Peter to go with her. They find Jesus was no longer there. He had risen from the dead on the third day as he had told them. He went to Heaven to be with his father. She is telling Mary about their discovery. This version is for SATB with a soloist and choice of flute, violin or cello with parts included and piano. I have other versions on here as well.For requests or questions, email cdboss@cvalley.netAve Maria, I have exciting news for youMaria, I just came from HIs tombMaria, the stone was removedAve, Ave, I ran to get helpTo bring help to the tombSimon Peter went with me to the tombHe found that Jesus was no longer thereHis burial cloths were lying thereLying there on the floor of the tombAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, Jesus was raised on highAve, Ave Maria, it was just as he saidThat he would rise on the third dayAnd now He joins his father in heavenAnd He will sit at His right handYour son has saved the world from sinAve, Maria……….
$7.99
7.37 €
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Franz Schubert
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Connie Boss
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Ave Maria Easter Version SATB violin or flute or cello and piano
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Connie Boss
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SheetMusicPlus
Jesu, Joy of Man's Desiring for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919036 Composed by Johann …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919036 Composed by Johann Sebastian Bach. Arranged by L.C. Harnsberger. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 17 pages. LCH Music #6474799. Published by LCH Music (A0.919036). This set and parts contains TWO VERSIONS: one complete version, and one easier short version (see below)Jesu, Joy of Man’s Desiring is a chorale from J. S. Bach’s cantata Herz un Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. The original scoring was for trumpet, oboes, two violins, basso continuo, and chorus. The melody is instantly recognizable and has been featured in countless films, recordings, and TV shows including Downtown Abbey, The Minority Report, The Muppet Show, the album Switched-On Bach by Moog-synthesizer artist Wendy Carlos, and the song Lady Linda by The Beach Boys. It is also found on most Top-100 lists of All-Time Classical Music Favorites. Two arrangements are included: The Complete Version is the entire cantata and is just over four minutes long. This version is perfect for worship services and recitals. The Short Version is a much simpler arrangement that is ideal for Weddings. It conveniently repeats sixteen measures so it can be as short as one minute (perhaps for a candle lighting ceremony), and may be repeated as needed if the processional takes longer than expected, or for any situation where you need to vamp.
$9.99
9.21 €
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Quatuor de cuivres: 4 cors
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Johann Sebastian Bach
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L
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Jesu, Joy of Man's Desiring for Horn Quartet
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LCH Music
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SheetMusicPlus
Ballade
Ensemble de Flûtes
Solo Fl. 4 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download Composed b…
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Solo Fl. 4 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download Composed by Carl Reinecke (1824-1910). Arranged by Robert Rainford. This Ballade for flute and orchestra, arranged here for solo flute with flute ensemble, was the last piece Reinecke completed. It belongs firmly in the Romantic tradition of the solo piece for flute and orchestra, showing different aspects of the instrum. Score and Parts. 50 pages. Forton Music - Digital #FM647. Published by Forton Music - Digital
$17.95
16.55 €
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Ensemble de Flûtes
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Carl Reinecke (1824-1910)
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Robert Rainford
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Ballade
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Forton Music - Digital
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SheetMusicPlus
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopi…
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Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95
5.49 €
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Violon et Piano
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Frederic Chopin
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Nicole Elyse DiPaolo
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Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Nicole Elyse DiPaolo
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SheetMusicPlus
STRIDE LA VAMPA! from II Act of “Il Trovatore” for Contralto or Mezzosoprano Voice or Bb Cornet
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1098365 Composed by Giuseppe Verd…
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Concert Band - Level 2 - Digital Download SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco Buono #702227. Published by Francesco Buono (A0.1098365). STRIDE LA VAMPA! from II Act of “Il Trovatore†for Contralto or Mezzosoprano Voice or Bb Cornet Il Trovatore is the second opera in Giuseppe Verdi's popular trilogy created between Rigoletto and La Traviata. Il Trovatore is a drama in four acts and eight pictures, set in Spain at the beginning of the 15th century, which tells, with a beautiful expressive song, flaming passions such as love, jealousy, revenge, hatred and lust. Manrico and the Count of Luna, in love with the same woman, face each other until death as enemies, without knowing that they are brothers. Belonging to two different social classes, they only share Leonora's love which doubles the existing hatred of social conflict. STRIDE LA VAMPA! At the foot of a mountain, in a camp, some gypsies dedicated to their activities cheer their work with songs, dances and toasts (gypsy chorus: See the gloomy nocturnal remains). A pained voice bursts into the general cheerfulness: having woken up from her recurring nightmare, Azucena, mother of Manrico, tells that many years before her she saw her mother die at the stake accused of witchcraft by the old Count di Luna (Stride la vampa) . Her mother's last words had been a plea for revenge, so she had kidnapped the Count's son still in diapers and, blinded by her desperation, decided to throw him into the fire; however, horrified by the vision of her dead mother, she had confused her own son with the child she had kidnapped and had thrown him into her stake in her place.
$15.00
13.83 €
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Orchestre d'harmonie
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Giuseppe Verdi
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Francesco Buono
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STRIDE LA VAMPA! from II Act of “Il Trovatore” for Contralto or Mezzosoprano Voice or Bb Cornet
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Francesco Buono
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.65 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Symphonie Fantastique for Trombone Octet
Ensemble de Trombones
Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed b…
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Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99
8.29 €
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Ensemble de Trombones
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Hector Berlioz
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Phil Thrift
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Symphonie Fantastique for Trombone Octet
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Phil Thrift
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SheetMusicPlus
Rosemary - "That's for remembrance...."
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1035592 Composed by Edward Elgar.…
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Concert Band - Level 3 - Digital Download SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce Pensée (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.
$50.00
46.1 €
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Orchestre d'harmonie
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Edward Elgar
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Joel Jacklich (A
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Rosemary - "That's for remembrance...."
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Joel Jacklich
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.51 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.24 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Gymnopedie No. 1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1245160 Composed by Erik Satie. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1245160 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score. 4 pages. Samuel Sequeira #840066. Published by Samuel Sequeira (A0.1245160). Gymnopedie No. 1 - Erik Satie - PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for piano of Gymnopédie No. 1 by Erik Satie.In this arrangement, the piano takes center stage, capturing the ethereal and contemplative essence of Satie's iconic composition. The piece is characterized by its slow tempo, haunting melodies, and subtle harmonies, creating a sense of introspection and tranquility.The arrangement begins with the delicate and sparse opening chords, setting a calm and introspective mood. As the piece progresses, the pianist explores the beautiful melodic lines, carefully shaping each phrase to evoke a sense of longing and introspection.The arrangement preserves the simplicity and elegance of Satie's original composition while adding depth and complexity through nuanced phrasing and dynamic variations. The pianist weaves delicate arpeggios and rich harmonies, creating a tapestry of sound that captivates the listener.Throughout the piece, the pianist maintains a delicate balance between restraint and expressiveness, allowing the music to breathe and resonate with the listener. The arrangement showcases the piano's ability to convey the subtle nuances and emotional depth of Satie's composition.Gymnopédie No. 1 is a timeless piece that has captivated audiences for over a century. This arrangement for piano brings new life to the music, inviting listeners to immerse themselves in its contemplative beauty and experience the introspective journey it offers.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.6 €
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Piano seul
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Bist du bei mir for Bass Trombone or Tuba and Piano
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460…
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460 Composed by Johann Sebastian Bach. Arranged by Philip Brink. Baroque. Score and individual part. 3 pages. Gordon Cherry #862844. Published by Gordon Cherry (A0.1270460). J. S. Bach's Bist du bei mir, BWV 508 is a tender and poignant aria that showcases the composer's mastery of vocal music. Originally attributed to Bach, it is now believed to have been composed by Gottfried Heinrich Stölzel. This beautiful piece, written in the 18th century, is sung in German and translates to If you are with me. Its simple yet heartfelt melody is accompanied by delicate piano or harpsichord chords, creating an intimate atmosphere. Bist du bei mir expresses deep love, longing, and a sense of comfort in the presence of a loved one, making it a cherished gem in the classical vocal repertoire.This mini masterpiece has been arranged for Bass Trombone or Tuba by Phil Brink and is perfect for intermediate level performers.
$12.50
11.52 €
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Johann Sebastian Bach
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Philip Brink
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Bist du bei mir for Bass Trombone or Tuba and Piano
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Gordon Cherry
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SheetMusicPlus
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Brass Quintet]
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228437
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228437 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824515. Published by Andrew Lamb (A0.1228437). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite brass quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This timeless and emotionally evocative piece has been carefully transcribed for brass instruments, breathing new life into an already captivating composition.Crafted with meticulous attention to detail, our arrangement captures the essence of Neustedt's original work while taking full advantage of the unique characteristics of brass instruments. The powerful and resonant tones of the quintet add depth and richness, enhancing the emotional impact of the music.Chant d'Adieu is a profoundly moving piece that touches the heart and stirs the soul. With its melancholic melodies and expressive harmonies, it creates an atmosphere of both longing and serenity. The arrangement beautifully showcases the individual voices of the brass instruments, from the vibrant and commanding trumpet to the warm and lyrical tones of the French horn, trombone and tuba.Whether you are a professional ensemble looking to expand your repertoire or a group of passionate musicians seeking a captivating piece to perform, our brass quintet arrangement of Chant d'Adieu is a remarkable addition to any concert program. Its versatility allows for a wide range of performance settings, from intimate chamber recitals to grand concert hall stages.The sheet music for our arrangement is expertly notated, ensuring clear and accurate scores for each instrument. Detailed performance instructions and dynamic markings guide musicians to fully express the nuances and emotions within the music, allowing for a truly captivating performance.Immerse yourself in the beauty of Charles Neustedt's Chant d'Adieu through our brass quintet arrangement. With its heartfelt melodies, masterful instrumentation, and the timeless allure of brass instruments, this arrangement is a treasure for both performers and audiences alike. Let the power and eloquence of the brass quintet transport you to a world of profound musical expression.
$9.00
8.3 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Charles Neustedt
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Andrew Lamb
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
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