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I Thought She Knew
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
I Thought She Knew
Partitions à imprimer
59 partitions trouvées
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I Thought She Knew
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N Sync
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Manuel Guinand
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I Thought She Knew
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Aumaitre Guinand
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 3 - SKU: A0.1310296 By N Sync. By Robin Wiley. Arranged by Manuel Guinand. A Cappella,Barbershop,Pop,R & B,Soul. 21...
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Choral Choir,Choral (5-Part) - Level 3 - SKU: A0.1310296 By N Sync. By Robin Wiley. Arranged by Manuel Guinand. A Cappella,Barbershop,Pop,R & B,Soul. 21 pages. Aumaitre Guinand #899397. Published by Aumaitre Guinand (A0.1310296). Arrangement for 4 tenors and 1 bass of N'Sync's song I Thought She New. Original key. Ideal for intermediate players.
$30.00
I Thought She Knew (*NSYNC Cover)
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Chorale TTBB
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Pop musique
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N Sync
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Theodore Hicks
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I Thought She Knew
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Theo Hicks Music
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SheetMusicPlus
By N Sync. Arranged by Theodore Hicks. Score. 6 pages. Published by Theo Hicks Music...
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By N Sync. Arranged by Theodore Hicks. Score. 6 pages. Published by Theo Hicks Music
A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.
This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.
Voicings available: TTBB, SSAA
For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.
LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/
For more information on Frontier Quartet or purchasing their albums, visit www.frontierquartet.com.
$4.50
I Thought She Knew
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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N Sync
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Walter Latzko
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I Thought She Knew
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.871894 By N Sync. By Robin Wiley. Arranged by Walter Latzko. Pop. Octavo. 4 pages. Latzko Muzic #5708905. Publis...
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Choral Choir (TTBB) - Level 4 - SKU: A0.871894 By N Sync. By Robin Wiley. Arranged by Walter Latzko. Pop. Octavo. 4 pages. Latzko Muzic #5708905. Published by Latzko Muzic (A0.871894).
$3.99
I Thought She Knew
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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N Sync
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Theodore Hicks
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I Thought She Knew
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo...
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Choral Choir (SSAA) - Level 4 - SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo Hicks Music (A0.512661). A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.Voicings available: TTBB, SSAAFor more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Frontier Quartet or purchasing their albums, visit https://www.frontierquartet.com/
$4.00
I Thought She Knew by NSYNC - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Pop musique
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NSYNC
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I Thought She Knew
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Musicnotes
Performed by: 'N Sync: I Thought She Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: 'N Sync: I Thought She Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Piano;Voice;Guitar; 5 pages -- Pop~~Dance-Pop~~Teen Pop
$5.50
Vanished Trilogy
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Orchestre d'harmonie
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DÉBUTANT
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Imagine Music - Dig...
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Concert band - Grade 1 - SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Imagine Music - Digital (IZ.CBS174-S). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$10.00
Vanished Trilogy
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Orchestre d'harmonie
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DÉBUTANT
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174. Published by I...
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Concert band - Grade 1 - SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174. Published by Imagine Music - Digital (IZ.CBS174). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$50.00
I Knew You Were Trouble
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Taylor Swift
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Levi Comstock
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I Knew You Were Trouble
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Viola Fusion
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Le...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Levi Comstock. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. 20 pages. Viola Fusion #1071356. Published by Viola Fusion (A0.1494791). This dance-pop hit off of her 2012 album Red marked Taylor's first Faure into dubstep, and if you and your quartet feel like becoming international superstars, it could be yours too!Besides just being an all around banger, this song really resonates with anyone who has found themselves regretting a relationship they rushed into against their better judgement, and all because they thought it would be cool to date Harry Styles. You're not alone, we've all been there, and this arrangement is here to help.
$12.99
Since I Thought I Knew It All by Michael Peterson - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Country
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Michael Peterson
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Since I Thought I Knew It All
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Musicnotes
Performed by: Michael Peterson: Since I Thought I Knew It All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital ...
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Performed by: Michael Peterson: Since I Thought I Knew It All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Guitar;Piano;Voice; 3 pages -- Country
$5.50
I Thought I Knew What Love Was by Tom Odell - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Tom Odell
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I Thought I Knew What Love Was
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Musicnotes
Performed by: Tom Odell: I Thought I Knew What Love Was Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guit...
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Performed by: Tom Odell: I Thought I Knew What Love Was Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 5 pages -- Indie Rock~~Alternative Pop/Rock~~Singer-Songwriter
$5.50
Because I Could Not Stop for Death
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
Love Like You (almost Complete Version)
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Guitare notes et tablatures
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Rock
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Rebecca Sugar, Steven Univer
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Daniel Roberts
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Love Like You
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SheetMusicPlus
Guitar Tab - By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts...
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Guitar Tab - By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts
Love like you Acoustic Guitar arrangement.
Lyrics
If I could begin to be
Half of what you think of me
I could do about anything
I could even learn how to love
When I see the way you act
Wondering when I'm coming back
I could do about anything
I could even learn how to love like you
I always thought I might be bad
Now I'm sure that it's true
'Cause I think you're so good
And I'm nothing like you
Look at you go
I just adore you
I wish that I knew
What makes you think I'm so special
If I could begin to do
Something that does right by you
I would do about anything
I would even learn how to love
When I see the way you look
Shaken by how long it took
I could do about anything
I could even learn how to love like you
Love like you
Love me like you
$4.99
I Thought I Knew It All
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Guitare notes et tablatures
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Metal/Hard Rock
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Megadeth
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Pop
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I Thought I Knew It All
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Megadeth. Metal; Pop; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.328072). - Guitar TAB - Metal; Pop; Rock - Hal Leonard - ...
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By Megadeth. Metal; Pop; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.328072). - Guitar TAB - Metal; Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99
Megadeth: I Thought I Knew It All - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Megadeth
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Virtualsheetmusic
Instantly printable sheet music by Megadeth for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Megadeth for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$6.97
The Dreaming Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Publis...
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Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
Taken
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Piano seul
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INTERMÉDIAIRE
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Damien Gauci
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Taken
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1425806 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 6 pages. Damien Gauci #1006566. Published by Damie...
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Piano Solo - Level 3 - SKU: A0.1425806 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 6 pages. Damien Gauci #1006566. Published by Damien Gauci (A0.1425806). How the name came to be for this piece is actually a funny little story. When I created all the folders on my computer for each track, there was one that I already had an idea for in that key and so I simply labelled it as ‘Taken’ so I knew that key was taken already. Then when I came around to writing this piece, I thought “Why don’t I just use this word as the title?”, and that’s how this piece was born.The name then inspired the rest of the piece and I think the story in a general sense is the feeling of someone or something being taken away from you. The feeling of grief, mourning, and loss that underlies your day to day life from that point on. As the piece progresses, it moves through sections that are brighter or darker which reflect the up and down nature of these life experiences, sometimes you feel more hopeful and other days you don’t feel so great.
$1.99
My Only Hope
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Piano, Voix
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INTERMÉDIAIRE
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Judith Vander Wege
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Judith Vander Wege
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My Only Hope
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Spokesman Ink
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1272544 By Judith Vander Wege. By Judith Vander Wege. Arranged by Judith Vander Wege. Christian,Contemporary,Count...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1272544 By Judith Vander Wege. By Judith Vander Wege. Arranged by Judith Vander Wege. Christian,Contemporary,Country,Praise & Worship,Singer/Songwriter. Score. 1 pages. Spokesman Ink #864769. Published by Spokesman Ink (A0.1272544). I was in despair because I thought God had abandoned me when my marriage failed. Vulnerable, I made wrong choices and my life became the 'pits.' I knew I needed to return to God---that was my only hope. But how could I when I had 'told him off' in anger? Yet, he is merciful---just waiting for us to call out to him.
$5.99
In the grove by the Danube
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Harpe
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INTERMÉDIAIRE
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Traditional Ukraine
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Harpoline
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In the grove by the Danube
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Harpoline
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SheetMusicPlus
Harp - Level 3 - SKU: A0.912246 Composed by Traditional Ukraine. Arranged by Harpoline. Folk,Multicultural,Patriotic,World. Score. 4 pages. Harpoline #6...
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Harp - Level 3 - SKU: A0.912246 Composed by Traditional Ukraine. Arranged by Harpoline. Folk,Multicultural,Patriotic,World. Score. 4 pages. Harpoline #6874689. Published by Harpoline (A0.912246). Recently I heard this beautiful traditional song from Ukraine. I knew it would sound lovely on the harp. The song is a sad love song in which a nightingale also features. I thought the a-minor key suited it really well. One will need to set one lever (G ♯) and there will be no lever changes while paying. Fingerings are optional as usual. One needs to have a steady left hand so this is not for total beginners. This piece will also work on the piano but will need different fingering.Now we can only hope for peace in Ukraine.
$4.00
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I Thought She Knew
