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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just Another Story
Non classifié
7
Piano & claviers
Piano, Voix et Guitare
18
Piano seul
12
Piano, Voix
3
Orgue
1
Instruments en Do
1
Guitares
Ukulele
1
Basse electrique
1
Guitare notes et tablatures
1
Voix
Chorale SATB
3
Chorale 2 parties
2
Chorale TTBB
1
Chorale 3 parties
1
Vents
2 Saxophones (duo)
4
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Violon (duo)
2
Flûte, Violon
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
+ 6 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Cordes
Violoncelle
2
Violon
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre
6
Orchestre d'harmonie
1
Orchestre de chambre
1
Ensemble de cuivres
1
Orchestre à Cordes
1
Autres
Instruments
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ALTO
AUTRES INST…
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BANJO
BASSE
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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Vous avez sélectionné:
Just Another Story
Partitions à imprimer
97 partitions trouvées
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It's Just Another New Year's Eve
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Piano, Voix
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FACILE
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Barry Manilow
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Jeff Tincher
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It's Just Another New Year's E
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.583863 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. Score. 7 pages. Jeff Tinch...
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Piano,Vocal,Voice - Level 2 - SKU: A0.583863 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. Score. 7 pages. Jeff Tincher #4894401. Published by Jeff Tincher (A0.583863). Here is a song that has become a New Year's standard. In the original key from his Barry Manilow Live album, the lyrics seem to tell a story of a couple who had a fight on New Year's Eve and one is trying to reconcile. A great song for any live venue! Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
It's Just Another New Year's Eve
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Chorale SATB
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FACILE
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Barry Manilow
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Jeff Tincher
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It's Just Another New Year's E
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Jeff Tincher
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.583866 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. Octavo. 9 pages. Jeff Ti...
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Choral Choir (SATB) - Level 2 - SKU: A0.583866 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. Octavo. 9 pages. Jeff Tincher #4894411. Published by Jeff Tincher (A0.583866). Here is a song that has become a New Year's standard. In the original key from his Barry Manilow Live album, the lyrics seem to tell a story of a couple who had a fight on New Year's Eve and one is trying to reconcile. A great song for any live venue! Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
It's Just Another New Year's Eve
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Barry Manilow
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Jeff Tincher
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It's Just Another New Year's E
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583865 By Barry Manilow. By B...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583865 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. 11 pages. Jeff Tincher #4894407. Published by Jeff Tincher (A0.583865). Here is a song that has become a New Year's standard. In the original key from his Barry Manilow Live album, the lyrics seem to tell a story of a couple who had a fight on New Year's Eve and one is trying to reconcile. A great song for any live venue! Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
It's Just Another New Year's Eve
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
Barry Manilow
#
Jeff Tincher
#
It's Just Another New Year's E
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Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.583864 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.583864 By Barry Manilow. By Barry Manilow. Arranged by Jeff Tincher. Contemporary,Rock. Score and parts. 9 pages. Jeff Tincher #4894405. Published by Jeff Tincher (A0.583864). Here is a song that has become a New Year's standard. In the original key from his Barry Manilow Live album, the lyrics seem to tell a story of a couple who had a fight on New Year's Eve and one is trying to reconcile. A great song for any live venue! Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Just Another Story
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Violon
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Rock
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Phil Collins
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Just Another Story
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Hal Leonard Europe
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SheetMusicPlus
Violin Solo - SKU: HX.352093 By Phil Collins. This edition: scorch. Pop,Rock. 7 pages. Hal Leonard Europe #22096. Published by Hal Leonard Europe (HX.35...
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Violin Solo - SKU: HX.352093 By Phil Collins. This edition: scorch. Pop,Rock. 7 pages. Hal Leonard Europe #22096. Published by Hal Leonard Europe (HX.352093).
$2.99
The Story In Your Eyes
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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The Moody Blues
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Jeff Tincher
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The Story In Your Eyes
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1192294 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contempo...
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1192294 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and parts. 20 pages. Jeff Tincher #791736. Published by Jeff Tincher (A0.1192294). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
The Story In Your Eyes
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Quatuor de Saxophones: 4 saxophones
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FACILE
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The Moody Blues
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Jeff Tincher
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The Story In Your Eyes
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1192292 By The Moody Blues. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1192292 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 20 pages. Jeff Tincher #791734. Published by Jeff Tincher (A0.1192292). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
The Story In Your Eyes
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Flûte, Hautbois, Clarinette, Basson
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FACILE
#
The Moody Blues
#
Jeff Tincher
#
The Story In Your Eyes
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Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1192293 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tinch...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1192293 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 19 pages. Jeff Tincher #791735. Published by Jeff Tincher (A0.1192293). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
The Story In Your Eyes
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Piano, Voix et Guitare
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FACILE
#
The Moody Blues
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Jeff Tincher
#
The Story In Your Eyes
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Jeff Tincher
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1192287 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score. 7 pa...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1192287 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score. 7 pages. Jeff Tincher #791729. Published by Jeff Tincher (A0.1192287). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
The Story In Your Eyes
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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The Moody Blues
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Jeff Tincher
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The Story In Your Eyes
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1192289 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contempora...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1192289 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and parts. 19 pages. Jeff Tincher #791731. Published by Jeff Tincher (A0.1192289). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Just Another Story by Phil Collins - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Rock
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Phil Collins
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Just Another Story
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Musicnotes
Performed by: Phil Collins: Just Another Story Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete...
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Performed by: Phil Collins: Just Another Story Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 7 pages -- Adult Contemporary~~Pop Rock~~Soft Rock
$5.50
Consciousness 2.0
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Piano seul
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INTERMÉDIAIRE
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0....
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Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
Christmas in the attic
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Orchestre d'harmonie
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FACILE
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Noël
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Brady Michael Kuhl
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Christmas in the attic
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Brady Kuhl
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1146898 By Brady Michael Kuhl. By Brady Michael Kuhl. Christmas,Holiday. Score and parts. 100 pages. Brady Kuhl #747098...
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Concert Band - Level 2 - SKU: A0.1146898 By Brady Michael Kuhl. By Brady Michael Kuhl. Christmas,Holiday. Score and parts. 100 pages. Brady Kuhl #747098. Published by Brady Kuhl (A0.1146898). This is a composition that might be a mix between a new Christmas song and remix or the others Christmas classics. The reason why I created a composition because other Christmas songs because I remember rehearing many different Christmas songs and never knew what to pick or create so I remixed that and made a story on Christmas in the attic. Based off of the composer's imagination and drama added to the music with a mixed of fun sound effects. This might not just be the Christmas song, but another story made up in a song form. Use your imagination as you are listening, and thank you for being my audences.
$2.00
Peace By Piece
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Chorale 3 parties
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DÉBUTANT
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Rock
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Piece
Words and music b
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words and music by Glyn Lehman
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Peace By Piece
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.510162 Composed by words and music by Glyn Lehmann. Pop,Rock. Octavo. 6 pages. Glyn Lehmann #3507843. Published b...
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Choral Choir (SSA) - Level 1 - SKU: A0.510162 Composed by words and music by Glyn Lehmann. Pop,Rock. Octavo. 6 pages. Glyn Lehmann #3507843. Published by Glyn Lehmann (A0.510162). 'There is no path to peace. Peace is the path'. Mahatma GandhiInspired by the words of Gandhi, an uplifting song encouraging us to make peace everyday - piece by piece. For 2-parts with optional soloPeace By PieceWords and music by Glyn LehmannIntroPeace is the path Not the destinationIt’s a way of living with each otherVerse 1Sister to brotherFather to motherNeighbour to neighbourNation to nationIt takes some patience and inspirationVerse 2It starts with youIt starts with meLike those before usWe join the chorusWe add our voices, we’re making history!ChorusPeace is the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by (S) piece by peace(A) Peace by piece by peace by pieceBy peace by piece by peaceBridgeThey say that Rome wasn’t built in a dayAnd that’s just another way to sayPiece by piece is the only wayTo build something strong that’s here to stay(S) = sopranos (A) = altos© 2016 Glyn Lehmann. All rights reserved.
$2.25
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
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Piano, Voix
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INTERMÉDIAIRE
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Flavio Regis Cunha - Tradition
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Flavio Regis Cunha
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Veni, veni Emmanuel
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Instructional,Sacred. Score. 16 pages. Flavio Regis Cunha #6656831. Published by Flavio Regis Cunha (A0.597585). Beautiful, exotic and inspiring arrangement for the well-known Gregorian chant. The arrangement proposes a cathedral atmosphere, with the piano pedal often mixing sounds and chords to provide the reverberation of a cathedral. The text of the first stanza was placed in Latin to evoke the Gregorian ambience of the first centuries of sacred vocal music. You will love playing and singing this arrangement. It will really feel like a cathedral. Your audience will love to hear it. O Come, O Come, Emmanuel, is a song for the Advent period, that is, the four sunday period before the day of Christmas. It's a period of expectation, of wait for the coming of the Messiah. the anthem has a centuries-old and curious history: text and music came from countries different and from different periods of the story! The text already existed in the eighth century! and it was very sung! But the first publication that his if you know it is from the year 1710, coming from the city of Cologne, Germany. The melody we know today, was associated for the first time to the text in 1851, in a English hymnal of that year. But the origin of melody remained obscure. the mystery was solved in 1966, only when Marry Berry, English musicologist, discovered in the National Library of France, a manuscript from the 15th century that brought the melody score, but associated with another text, Bone Jesu dulcis. So, both melody and texts are, in fact, centenarians, but they were not born together: they were joined very late! But this union has become eternal: impossible imagine O Come, O come Emmanuel sung with another melody, just like the melody, our acquaintance, associated with another text! Album link: https://open.spotify.com/album/0PTAmxvGwRXw5788nIDaSU?si=RLRuFSKzQHSqzMx4OYaEZw Intermediate level Format: Concert, 9 x 12 inches 16 pages.
$4.99
Phil Collins: Just Another Story - violin solo
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Violon
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INTERMÉDIAIRE
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Rock
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Phil Collins
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Virtualsheetmusic
Instantly printable sheet music by Phil Collins for violin solo of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Phil Collins for violin solo of MEDIUM skill level. / pop,rock
$6.97
Phil Collins: Just Another Story for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Phil Collins
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Virtualsheetmusic
Instantly printable sheet music by Phil Collins for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Phil Collins for voice, piano or guitar of MEDIUM skill level. / pop,rock
$8.97
Just Another Story
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Piano, Voix et Guitare
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Rock
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Phil Collins
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Rock
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Just Another Story
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Phil Collins. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Phil Collins. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Aphelion
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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M
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Aphelion
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M.Y Owusu
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194).
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Piano Solo - Level 3 - SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
I Wanna Be
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Jackaleen Justice
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Jackaleen Justice
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I Wanna Be
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Angelical Realm
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1039128 By Jackaleen Justice. By Jackaleen Justice. Arranged by Jackaleen Justice. Country,Traditional. Individual...
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Instrumental Solo - Level 2 - SKU: A0.1039128 By Jackaleen Justice. By Jackaleen Justice. Arranged by Jackaleen Justice. Country,Traditional. Individual part. 4 pages. Angelical Realm #644090. Published by Angelical Realm (A0.1039128). Song Creation The creation of this song describes a person who is in love with another person. The Composer, Ms. Jackaleen Justice does a great job using the lyrics to tell a story of love and desire. The musical piece is efficient in describing these loving emotions and the desire to be with the one she loves so dearly. In creating this musical artwork, the composer wanted to evoke an idea of wanting to be in a relationship with the person she has merely only been friends with for years. The other person in the song has been her best friend and the singer is telling the story of her desires to be with them. The Composer wanted to help those around the world who have been in similar positions to be able to relate to those feelings through this piece of musical artwork. Song Composition While creating the rhythm for this song, the composer aimed for a moderately slow tempo. After the lyrics were added, the target of approximately 110 - 120 was perfect resulting in 115 beats per minute. In the end, the tempo was perfect for the song, because it made the final piece sound much more polished and superior. Giving the song the perfect beat and ideal for the lyrics of the song. Song Completion This musical piece is perfect for someone looking for a well-written and well-composed song that has rhythm which makes it stand out from all the others on the market. With the right vocalist, this song has great potential in the music industry. This song is by far, one of my favorite song’s I have written and composed. Song Lyrics The Lyricist, Ms. Jackaleen Justice, truly achieved success in the crafting of an original song that really maximize the emotional notes of this music piece. She desired to exploit this song’s best emotional states through the lyrics of this song. With inspiration from her own life stories, she had much success in arriving at a piece of musical perfection.
$19.99
Si Je Peut T'Aimer
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Colby A
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Si Je Peut T'Aimer
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Colby Aguilar
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby Aguilar (A0.1028776). Si Je Peut T'Aimer details the emotion of love through various seasons from the fruits of Spring to the requiems of Winter, and the roller-coaster rides throughout. Near the end, desperation starts to show, but as acceptance starts to settle in, the music slows and ends with a cadence signifying that it's time to move on.It can be performed by anyone who'd like to use, I have no set audience in mind. It can be performed by schools if they so wish and can be used to show the various displays of emotion that music can display using different methods of composition. However, I would refrain from any sorts of religious service as this is best served as entertainment. In regards to the choir, stagger breathing is highly recommended for the difficult parts, or whenever feels necessary- which could be after ever dotted half note/ measure, or after every phrase. The dynamics are left to the director or the people who shall perform it. This leaves it to be personalised for each group, and unique to each one's own story; I just gave the template. To note: one can replace the choir with another 2 cellos and 2 violins, if desired. It is also important to note that when playing, the choir is the accompaniment to the piano and strings, and serves to reinforce the story that is being told, not explicitly telling the story itself. .
$5.99
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
Danza gitana
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Piano seul
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Monica Bergo
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Danza gitana
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.97684...
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Piano Solo - SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.976849). 2017 Holiday Contest EntryGYPSY DANCE And it is another day that passes and goes I know that one the same will not return I feel restless, I lose my colors Invaded by the gray of the outside world Need love And that sense of emptiness Suspended in limbo, I move in slow motion invent a fairy tale that time which was I miss the affection of my tribe I wear a dress from 1000 colors Weave hair with grass and flowers Again gypsy in this other my life It is not just a fairy tale, it is a never ending story Between the elves, the fairies and gypsy violins In the woods near to ancient kingdoms I feel beautiful too, happy and accepted here's the trivial woman who has transformer dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and I’m the queen Again this decomposes my identity Nemesis goes crazy and unleash My spirit Which is young and free I mud and Diamond Matte and shining I alpha female of a group of witches Unleashed storms, threats suspended Then a rainbow of many colors Here the rain is over, wake up the flowers We dance happy in this my kingdom In a circle, spell of a beautiful dream Another my world I will not return If I’m not anyone Leave me alone I will not return In this tale, I will hide A still picture On the surface I will be Turn the page and I animet and the end will be Disappearance Monica, in the world here But in this my kingdom forever I will live From a cover I will smile I’m not gypsy, not even Queen but inside me I remained a child Gypsy violins do not sound I miss the affection of my tribe and I go back to that time when everything was empty dream and fly was my only game I'm not so bad in the world here in the shoes I wear in my reality dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and I’m the queen I tread with joy my but and my if The inadequacy I do not know what And yet I know that thrill try The apparent death, far and distant The dance gypsy , here,under the moon Ancient ritual that brings good luck You will be welcome in my tribe In this my book, the end can write to you ... Monica Bergo
$3.99
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Just Another Story
