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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Last Time Around
Non classifié
54
Piano & claviers
Piano seul
39
Piano, Voix
7
Piano, Voix et Guitare
6
Instruments en Do
6
Piano Facile
4
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Guitare
2
2 Guitares (duo)
1
Voix
Chorale SATB
11
Voix Soprano, Piano
4
Chorale SSAA
3
Voix Baryton, Piano
3
Chorale TTBB
2
Chorale 2 parties
1
Chorale 3 parties
1
Voix basse, Piano
1
Voix Soprano
1
Voix Tenor
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
18
2 Saxophones (duo)
10
Saxophone, Clarinette (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
3 Saxophones (trio)
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte traversière
4
Flûte, Clarinette (duo)
4
2 Clarinettes (duo)
4
Saxophone Alto et Piano
4
Saxophone Tenor
3
Saxophone Soprano et Piano
3
Hautbois, Piano (duo)
3
Hautbois, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
2 Flûtes traversières (duo)
2
Hautbois, Flûte
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flûte, Trompette (duo)
2
Clarinette Basse
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette
1
Ensemble de Hautbois
1
Hautbois (partie séparée)
1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
Clarinette et Piano
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
Flûte traversière et Piano
1
Clarinette, Violon (duo)
1
Saxophone et Orgue
1
Flûte, Saxophone (duo)
1
Saxophone (partie séparée)
1
Clarinette, Violoncelle (duo)
1
+ 40 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
4
Trompette
3
Cor et Piano
2
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
1
Trombone
1
Trombone et Piano
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
4
Violon, Alto (duo)
4
Violoncelle
3
2 Altos (duo)
3
Violon et Piano
3
Violon, Violoncelle (duo)
3
Violoncelle, Piano
2
2 Violons (duo)
2
Alto seul
1
Alto, Piano
1
4 Contrebasses
1
2 Violoncelles (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
8
Jazz combo
4
Orchestre à Cordes
3
Ensemble de cuivres
1
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DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Last Time Around
Partitions à imprimer
368 partitions trouvées
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Bridge Over Troubled Water
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2 Clarinettes (duo)
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INTERMÉDIAIRE
#
Rock
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Simon And Garfunkel
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David McKeown
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Bridge Over Troubled Water
#
David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.587174 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. 2 scores. 5 pages. David M...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.587174 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. 2 scores. 5 pages. David McKeown #3106279. Published by David McKeown (A0.587174). Bridge Over Troubled Water, by Paul Simon, was the last song written for the last Simon and Garfunkel album. It was a huge worldwide hit in 1970, selling six million copies and winning several Grammies. Yet the song nearly wasn’t released as a single at all; radio stations at the time rarely played songs longer than three minutes and Bridge Over Troubled Water came in at five. This version is arranged as a duet for two Clarinets. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with plenty of opportunity for expressive playing and dynamic contrast. The overall performance time is around four and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full-length youtube performance is the Clarinet Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills. There are some challenging syncopated rhythms, though knowing the original song well will help. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Bridge Over Troubled Water
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Flûte, Clarinette (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Simon And Garfunkel
#
David McKeown
#
Bridge Over Troubled Water
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.587177 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.587177 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. Score and parts. 5 pages. David McKeown #3106285. Published by David McKeown (A0.587177). Bridge Over Troubled Water, by Paul Simon, was the last song written for the last Simon and Garfunkel album. It was a huge worldwide hit in 1970, selling six million copies and winning several Grammies. Yet the song nearly wasn’t released as a single at all; radio stations at the time rarely played songs longer than three minutes and Bridge Over Troubled Water came in at five. This version is arranged as a duet for one Flute and Clarinet. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with plenty of opportunity for expressive playing and dynamic contrast. The overall performance time is around four and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full-length youtube performance is the Clarinet Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills. There are some challenging syncopated rhythms, though knowing the original song well will help. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Bridge Over Troubled Water
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2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Rock
#
Simon And Garfunkel
#
David McKeown
#
Bridge Over Troubled Water
#
David McKeown
#
SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.587172 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. Score. 5 pag...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.587172 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. Score. 5 pages. David McKeown #3106273. Published by David McKeown (A0.587172). Bridge Over Troubled Water, by Paul Simon, was the last song written for the last Simon and Garfunkel album. It was a huge worldwide hit in 1970, selling six million copies and winning several Grammies. Yet the song nearly wasn’t released as a single at all; radio stations at the time rarely played songs longer than three minutes and Bridge Over Troubled Water came in at five. This version is arranged as a duet for two Tenor Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with plenty of opportunity for expressive playing and dynamic contrast. The overall performance time is around four and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full-length youtube performance is the Alto Saxophone Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills. There are some challenging syncopated rhythms, though knowing the original song well will help. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Bridge Over Troubled Water
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2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Rock
#
Simon And Garfunkel
#
David McKeown
#
Bridge Over Troubled Water
#
David McKeown
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.587176 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. 2 scores. 5 pa...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.587176 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. 2 scores. 5 pages. David McKeown #3106283. Published by David McKeown (A0.587176). Bridge Over Troubled Water, by Paul Simon, was the last song written for the last Simon and Garfunkel album. It was a huge worldwide hit in 1970, selling six million copies and winning several Grammies. Yet the song nearly wasn’t released as a single at all; radio stations at the time rarely played songs longer than three minutes and Bridge Over Troubled Water came in at five. This version is arranged as a duet for two Alto Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with plenty of opportunity for expressive playing and dynamic contrast. The overall performance time is around four and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full-length youtube performance is the Alto Saxophone Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills. There are some challenging syncopated rhythms, though knowing the original song well will help. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Bridge Over Troubled Water
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Violon, Alto (duo)
#
INTERMÉDIAIRE
#
Rock
#
Simon And Garfunkel
#
David McKeown
#
Bridge Over Troubled Water
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.587183 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. ...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.587183 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Pop,Rock. Score and parts. 5 pages. David McKeown #3106301. Published by David McKeown (A0.587183). Bridge Over Troubled Water, by Paul Simon, was the last song written for the last Simon and Garfunkel album. It was a huge worldwide hit in 1970, selling six million copies and winning several Grammies. Yet the song nearly wasn’t released as a single at all; radio stations at the time rarely played songs longer than three minutes and Bridge Over Troubled Water came in at five. This version is arranged as a duet for one Violin and one Viola. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with plenty of opportunity for expressive playing and dynamic contrast. The overall performance time is around four and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full-length youtube performance is the Clarinet Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills. There are some challenging syncopated rhythms, though knowing the original song well will help. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Wellerman
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Nathan Evans
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Joel Jacklich (A
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Wellerman
#
Joel Jacklich
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arrang...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
$12.99
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
Ave Maria
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Guitare notes et tablatures
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FACILE
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Musique Sacrée
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F
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Calum Wood
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Ave Maria
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Calum Wood
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum...
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Guitar - Level 2 - SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum Wood #654468. Published by Calum Wood (A0.1050065). Are you a guitarist looking to accompany a singer or instrumentalist? Look no further than our new music score of the beloved classic, Ave Maria.Our score is meticulously crafted to perfectly complement any lead instrument or vocal performance, elevating your rendition to the next level. With its enchanting melody and soul-stirring harmonies, Ave Maria has been a cherished piece for centuries, and our music score captures the essence of this timeless classic.What sets our Ave Maria music score apart from the rest is the level of detail and precision we've put into its creation. Every note and dynamic is carefully notated to ensure that your performance captures the true essence of the song. Our music score will enable you to bring the emotional depth of Ave Maria to life, leaving your audience captivated and moved.Our Ave Maria music score is the perfect addition to your performance repertoire, whether you're a soloist, a choir, or a small ensemble. With its exquisite melodies and rich harmonies, it's sure to leave a lasting impression on your listeners.So don't wait any longer - order your copy of our Ave Maria music score today and take your performance to the next level!The History of the Song 'Ave Maria'The song Ave Maria is one of the most beloved and recognized pieces of classical music. It is a musical setting of the Latin prayer Hail Mary and is often performed at religious ceremonies such as weddings and funerals. The history of Ave Maria dates back several centuries and has been shaped by numerous composers and cultural influences.The origins of the prayer Hail Mary can be traced back to the Bible, where it is recorded in the Gospel of Luke. The prayer is a traditional Catholic devotional that honors the Virgin Mary, and has been an important part of Catholic liturgy and piety for centuries.The musical setting of Ave Maria that is most commonly known today was composed by the Austrian composer Franz Schubert in 1825. Schubert's version of Ave Maria was originally written as part of a song cycle titled Die schöne Müllerin (The Beautiful Miller's Wife) but it soon became popular as a standalone piece.Schubert's version of Ave Maria was written for voice and piano, and its soaring melody and gentle accompaniment captured the beauty and reverence of the prayer. Schubert's composition has been performed and recorded countless times by musicians around the world, and it remains one of his most beloved and enduring works.In addition to Schubert's version, Ave Maria has been set to music by many other composers over the years, including Johann Sebastian Bach, Charles Gounod, and Giulio Caccini. Each composer's interpretation of the prayer reflects their own unique cultural and musical influences, and has contributed to the diverse and rich history of this beloved piece of music.Today, Ave Maria remains a cherished part of religious and cultural celebrations around the world, and its timeless beauty and spiritual power continue to inspire and uplift listeners of all backgrounds and beliefs.
$1.99
Die Reise nach Batumi
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Piano seul
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Mulo Francel, Quandro Nuevo
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Die Reise nach Batumi
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Roba Music Verlag
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SheetMusicPlus
Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Publi...
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Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298). This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!
$6.19
Winter Stars
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Chorale 3 parties
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INTERMÉDIAIRE
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Rich Campbell
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Winter Stars
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Pay The Band Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.826985 Composed by Rich Campbell. A Cappella,Contemporary. Octavo. 8 pages. Pay The Band Music #2031155. Publishe...
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Choral Choir (SSA) - Level 3 - SKU: A0.826985 Composed by Rich Campbell. A Cappella,Contemporary. Octavo. 8 pages. Pay The Band Music #2031155. Published by Pay The Band Music (A0.826985). Text by Pulitzer Prize winning American poet Sara Teasdale (1884-1933). A pensive, reflective, universal coming of age theme; perhaps written with WW I in mind; it rings as true today with our current wars. The poem's optimism doesn't fully resonate until the last verse, indeed the last line. The music develops from the melody in the first verse, heard in sixths, in Em, around a pedal tone: the constancy of the heavens. The melody is heard again, but this time simultaneously inverted. When the stars are mentioned, we move from minor to major. In the 3rd verse, about the innocence of childhood, all voices move together into three-part harmony in major keys (with a subtle key shift in the third line). The last verse includes the lyric All things are changed, save in the east.. It begins with all voices singing the inverted melody in harmony; it goes from E major, to G major, and concludes with the melody un-inverted, in E major.
$2.50
Peace Is Like Starlight, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, a sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #651386. Published by Kevin G. Pace (A0.1046890). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$1.99
Peace Is Like Starlight, sacred vocal solo
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, sacre
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Kevin G. Pace
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 p...
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Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 pages. Kevin G. Pace #653450. Published by Kevin G. Pace (A0.1049056). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$3.99
I'll Be Home For Christmas
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Chorale SATB
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FACILE
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Jazz
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Rascal Flatts
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Michael Pilley
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I'll Be Home For Christmas
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Michael Pilley Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Micha...
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Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$4.50
Variations on Adeste fideles, Op. 21
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Orgue
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
String Quartet No 4 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 4
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00
Basquing
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Violon et Piano
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AVANCÉ
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Aaryn S
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Basquing
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Abundant Silence
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1224504 Composed by Aaryn S. Ricucci-Hill. 21st Century,Classical. 26 pages. Abundant Silence #820608. Published by Abu...
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Piano,Violin - Level 5 - SKU: A0.1224504 Composed by Aaryn S. Ricucci-Hill. 21st Century,Classical. 26 pages. Abundant Silence #820608. Published by Abundant Silence (A0.1224504). In 2022 I was commissioned to write a piece which would accompany a proposal submitted to the College Music Society conference in Boise, ID. Part of the proposal suggested music that celebrated the rich musical heritage of the Northwest. In looking around at what that meant, I discovered a curious fact about Boise: it has the only Basque heritage museum in the country. Suddenly the wheels got to turning! Basquing (2022) seeks to invoke... bask, if one will, in the sounds and feelings of another time and place. The inspiration of the piece comes from the Basque region of France with quotations from folksong, fiddle music, and a general vibe of French impressionism. The piece opens with the folksong Atzo Goizean, the lyrics to which invoke the folksy elements of village living (talking about waking to the thrush’s song, fathers arranging marriages, etc.). The urge to ‘word paint’ the folk song with it references to thrushes and partridges, is tempting, but the urge was avoided in this case, instead opting for a general “vibeâ€, or feeling. The next section avoids quotation altogether, instead opting to steep into the mystique environment created before. The last major portion of the piece utilizes what was billed (to me at least) as a Basque fiddle tune (the title lost as it seems the scholarly research on the subject and tunes that comprise the genre are lacking even by those who claim to have some knowledge of it). Assuming the best, however, the fiddle tune quoted in Basquing is meant to be a musical representation of familial resemblance to the fiddle music of the Pacific Northwest and how folk music of all varieties is at one time so specific yet at the same time broad in its understanding across cultures. Commissioned in 2022 by Arthur Houle (pianist) and Joung Hoon Song (violinist) for the Pacific Northwest College Music Society Conference 2023 in Boise, ID and premiered at said conference on March 17th, 2023.
$23.00
Attack of The Toy Planes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Daniel Dade
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Attack of The Toy Planes
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Daniel Dade
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.883410 Composed by Daniel Dade. 20th Century,Contemporary. Score and parts. 75 pages. Daniel Dade #3545561. Published b...
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Concert Band - Level 3 - SKU: A0.883410 Composed by Daniel Dade. 20th Century,Contemporary. Score and parts. 75 pages. Daniel Dade #3545561. Published by Daniel Dade (A0.883410). Your Mission: Win the battle. ATTACK OF THE TOY PLANES brings you back to a simple time, a time when all that was on your mind was playing with your toys. ATTACK tells the story of two children playing with their toy airplanes in an intense mock-battle. ATTACK sets up a constantly driving groove with persistent eighth notes and changing time signatures. The battle starts off in a lighthearted way, but as the music unfolds, it delves deeper into the children’s imaginations, creating lifelike scenes of the air battle swirling around them – the planes flying above and the soldiers battling on the ground. Amidst the turmoil of the ending, all the brass falls out except the french horns, as they let out one last battle cry before they are ultimately silenced.
$70.00
Swallow Love Song
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gaoo
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Swallow Love Song
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published by Johnson Gao (A0.1007063). 燕之戀Johnson Gao今天為2022å¹´2月6æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ç‚ºæˆ‘çš„ <ç®èˆ‡æŒä¹‹æ›²> 寫的幾首燕æ¸ä¾†è©©ã€‚ 殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚我å•ç‡•å…’為何故,åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ?(燕兒唧唧回語é“;哲å¸ä¸æ·±æ„境高:)摩天大樓看似好; çŽ»ç’ƒæ»´æ»‘æ‚²é¢¨ç¹žã€‚å¯Œéº—å ‚ç…Œé›£å®‰çª©; 奪我春光雛å°é³¥ã€‚ Swallow's Love SongJohnson GaoToday is February 6, 2022, the sixth day of the first lunar month. I wrote this seven by eight word poem as a feedback to several poems written by a netizen last year for my Melody of the Arrow and the Song.Swallows make their nests under the eaves of an old house;They are flying around carried with mud and hay.I asked swallows why you are prejudice to select that house,Which looks like a broken temple?(Swallow chirps back to me,although its philosophy is not deep, the artistic conception is high :)Skyscrapers look splendid;However, its glass is slippy and it catches fierce wind all around.The shiny and magnificent halls are difficult to build a nest;How could we waste spring time for nursing our chicks?
$1.99
Beijing Opera Style "Swallow's Serenade" Version 3
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Johnson Gao
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Beijing Opera Style "Swal
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Johnson Gao
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SheetMusicPlus
Small Ensemble Handbell,Ukulele,Violin,Voice - SKU: A0.1007065 Composed by Johnson Gao. Concert,Contemporary,Holiday,Love,World. Score and parts. 14 pag...
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Small Ensemble Handbell,Ukulele,Violin,Voice - SKU: A0.1007065 Composed by Johnson Gao. Concert,Contemporary,Holiday,Love,World. Score and parts. 14 pages. Johnson Gao #6720091. Published by Johnson Gao (A0.1007065). This is a try to use western music instrument to perform Beijing Opera style song. The lyrics are in Chinese characters with English translation below.燕之戀Johnson Gao今天為 2022 å¹´ 2 月 6 æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ 為我的 <ç®èˆ‡æŒä¹‹æ›²> 寫的幾首燕æ¸ä¾†è©©ã€‚殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚ 我å•ç‡•å…’為何故, åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ?(燕兒唧唧回語é“; 哲å¸ä¸æ·±æ„境高:) 摩天大樓看似好;çŽ»ç’ƒæ»´æ»‘æ‚²é¢¨ç¹žã€‚å¯Œéº—å ‚ç…Œé›£å®‰çª©;奪我春光雛å°é³¥ã€‚Swallow's LoveJohnson GaoToday is February 6, 2022, the sixth day of the first lunar month. I wrote this seven by eight word poem as a feedback to several poems written by a netizen last year for my Melody of the Arrow and the Song.A pair of swallow is building a nest under the eaves near the dis-repaired gutter. They are flying around carried with mud and hay.I asked swallows why you are prejudice to select that house, Which looks like a broken temple?(Swallow chirps back to me, although its philosophy is not deep, the artistic conception is high :)Skyscrapers look splendid;However, its glass is slippy and it catches fierce wind all around.The shiny and magnificent halls are difficult to build a nest; How could we waste spring time for nursing our chicks?
$1.99
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Gra...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Soprano (Alto), Alto, Tenor, Baritone  Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/qR5PI78fGqM .
$10.49
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