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ACCORDEON
ALTO
AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
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FUNK
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HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
52878
PIANO & CLAVIERS
Piano seul
65932
Piano, Voix
46922
Piano, Voix et Guitare
35716
Piano Facile
17241
Orgue
6189
Accordéon
3539
Piano grosses notes
2419
1 Piano, 4 mains
1771
Instruments en Do
1341
Accompagnement Piano
873
Piano Trio: piano, violon, violoncelle
742
2 Pianos, 4 mains
534
Piano (partie séparée)
471
Piano Quatuor: piano, violon, alto, violoncelle
152
Piano Quintette: piano, 2 violons, alto, violoncelle
134
Orgue, Trompette (duo)
125
1 Piano, 6 mains
125
Piano Quatuor: piano, 2 violons, violoncelle
123
Accordéon, Voix
122
Orgue, Piano (duo)
100
Ligne De Mélodie, Piano
98
Clavecin
82
2 Accordéons
51
2 Pianos, 8 mains
40
Clavier
31
Ensemble d'Accordéons
30
2 Orgues (duo)
16
Orgue, Voix
14
Accordéon, Corde(s)
7
Tous Les Instruments
7
Accordéon, Piano
6
Accordéon et Orchestre
5
Orgue et Orchestre
3
Accordéon - Piano, Voix, Guitare
2
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
15482
Guitare
8554
Ligne De Mélodie, (Paroles) et Accords
7384
Basse electrique
4941
Ukulele
2821
Guitare (partie séparée)
806
2 Guitares (duo)
773
Mandoline
433
Piano, Guitare (duo)
276
4 Guitares (Quatuor)
264
3 Guitares (trio)
165
Banjo
155
Dulcimer
143
Ensemble de guitares
125
Paroles et Accords
92
Guitare Pedal Steel
60
Basse électrique (partie séparée)
47
Ukulele Baryton
39
Mandoline, Guitare (duo)
22
Mandoline, Piano (duo)
21
3 Dulcimers (trio)
20
2 Dulcimers (duo)
18
Guitare, Violon, Violoncelle (trio)
16
2 Ukuleles
13
Ensemble de Ukulélés
11
Orchestre à Plectres
9
Guitare, Flûte, Clarinette
9
Guitare, Orchestre
8
Dobro
7
Guitare, Quatuor à cordes
7
Luth
6
2 Mandolines (duo)
5
Cithare
2
2 Guitares et Orchestre
2
Bouzouki
2
Partitions De Groupes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
22587
Chorale 3 parties
6390
Voix seule
6288
Chorale 2 parties
4470
Chorale TTBB
2811
Chorale Unison
2444
Chorale SSAA
1372
Voix duo, Piano
933
Voix duo
827
Voix Soprano, Piano
624
Chorale
495
Voix haute
475
Voix Tenor, Piano
364
Voix Baryton, Piano
294
Voix basse, Piano
278
Voix moyenne, Piano
269
Voix Alto, Piano
256
Chorale SSATB
179
Voix, Guitare
170
Chorale SSAATTBB
158
Chorale SSATTB
119
Voix Mezzo-Soprano, Piano
105
Soli, choeur mixte et accompagnement
93
Voix Tenor
76
Voix Moyenne
68
Voix haute, Piano
59
Voix Soprano
50
Chorale SSATBB
25
Voix basse
25
Chorale SSAB a cappella
17
Chorale SATBB
17
Chorale SSAATB
15
Chorale SSAB, Piano
11
Voix d'Enfants
11
Chorale SAATB A Cappella
9
Voix Soprano, Orchestre
9
Chorale SATTB
7
Voix duo, Orgue
6
Chorale SATTBB A Cappella
5
Male Voice
3
Chorale SSAATB A Cappella
2
Voix Baryton
1
Voix et basse continue
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
16715
Flûte traversière
9489
Clarinette
8814
Flûte traversière et Piano
5754
Quatuor de Saxophones: 4 saxophones
3412
Clarinette et Piano
3379
Saxophone (partie séparée)
3281
Hautbois, Piano (duo)
2687
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2654
Saxophone Alto et Piano
2431
Saxophone Alto
2350
Flûte, Hautbois, Clarinette, Basson
2210
2 Saxophones (duo)
2063
2 Flûtes traversières (duo)
2060
Saxophone Tenor
2022
Quatuor de Clarinettes: 4 clarinettes
1977
Saxophone Tenor et Piano
1695
Flûte à Bec
1326
2 Clarinettes (duo)
1275
Saxophone Soprano et Piano
1163
Quintette de Saxophone: 5 saxophones
1143
Quatuor de Flûtes : 4 flûtes
1125
Hautbois
970
Clarinette (partie séparée)
949
Hautbois (partie séparée)
811
3 Clarinettes (trio)
746
Saxophone Soprano
729
Ensemble de Clarinettes
721
Trio de Flûtes: 3 flûtes
641
Flûte, Clarinette (duo)
639
3 Saxophones (trio)
610
Flute (partie séparée)
603
Flûte et Guitare
547
Ensemble de Flûtes
514
Ensemble de saxophones
509
Flûte à bec Soprano
489
Saxophone Baryton, Piano
482
2 Hautbois (duo)
429
2 Flûte à bec (duo)
428
Quintette de Clarinettes: 5 clarinettes
410
Cor anglais, Piano
363
Harmonica
315
Saxophone, Clarinette (duo)
311
Ocarina
304
Clarinette, Violon (duo)
304
Flûte à bec Alto
302
Quatuor de Flûtes à bec
296
Hautbois, Basson (duo)
252
Clarinette, Trompette (duo)
248
Flûte, Violon
234
Hautbois, Clarinette (duo)
223
Clarinette Basse, Piano
221
2 Flûtes traversières, Piano
202
Flûte, Hautbois, Clarinette (trio)
186
Clarinette, Guitare (duo)
185
Flûte, Clarinette et Basson
157
3 Flûtes à bec (trio)
150
Flûte, Clarinette, Piano (trio)
149
Flûte, Alto (duo)
142
Clarinette et Alto
136
Clarinette, Basson (duo)
132
Flûte, Trompette (duo)
132
Hautbois, Flûte
127
Flûte, Saxophone (duo)
125
Flûte à bec Alto, Piano
123
Quintette de Flûte : 5 flûtes
117
Flûte, Hautbois, Basson
116
Clarinette, Harpe (duo)
113
Flûte, Violoncelle
112
Flûte, Violoncelle, Piano (trio)
107
Hautbois, Clarinette, Basson (trio d'anches)
104
5 Flûtes à bec
97
Flûte à bec Soprano, Piano
96
2 Clarinettes, Piano
94
Flûte, Violon, Piano
92
Saxophone Baryton
91
Cor Anglais
91
Flûte, Hautbois (duo)
89
Ensemble De Flûte à bec
85
Clarinette, Violoncelle, Piano (trio)
78
2 Saxophones, Piano
70
Clarinette, Violoncelle (duo)
70
Flûte à bec Tenor
62
Flûte, Violon et Violoncelle
58
Flûte, Basson et Piano
53
Flûte à bec Alto, Basse continue
53
Hautbois, Violoncelle
49
Saxophone et Piano
49
Saxophone et Orgue
47
Flûte à bec, Guitare (duo)
46
Piccolo
44
Hautbois, violon (duo)
42
Saxophone et Harpe
41
Hautbois, Guitare (duo)
41
Flûte, Hautbois, Piano (trio)
40
Hautbois, Harpe
38
Flûte traversière, Basse continue
37
Piccolo, Piano
34
3 Hautbois
34
Flûte, trombone et piano
33
Flûte irlandaise
32
Flûte, Alto et Piano
31
4 Hautbois
31
Flûte, Harpe et Violoncelle
31
Ensemble à vent
30
Hautbois et alto (duo)
28
Flûte traversière, Orgue (duo)
28
Flûte, Clarinette, Cor, Basson (Quartet)
28
Flûte, Violon, Violoncelle et Piano
26
Clarinette, Alto et Piano (trio)
23
Clarinette, Trombone (duo)
23
Saxophone et Guitare
23
Clarinette Basse
23
Flûte à Bec, Piano
23
Flûte, Violon, Guitare
22
Flûte, Trombone (duo)
21
Clarinette, Basson, Piano (trio)
21
Flute, harpe et violon
21
2 Flûtes à bec, Piano
20
Instruments en Mib
18
Flûte traversière, Orchestre
18
Quintette de Clarinette: Clarinette, Quatuor à Cordes
18
Flûte, Violoncelle, Guitare
18
2 Clarinettes, Basson
17
Hautbois, Basson et Piano
16
Flûte et Quatuor à Cordes
16
Flûte, Hautbois, Violon
16
Clarinette, trompette et piano
16
Flûte et Trio à cordes
15
Clarinette, Orgue
13
2 Hautbois, Piano
12
Ensemble de Hautbois
12
Cornemuse
11
Hautbois, Clarinette et Piano (Trio)
11
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
11
Flûte à bec Soprano, Basse continue
11
Clarinette, Orchestre
10
Hautbois, Violoncelle et Piano
10
2 Flûtes traversières, Harpe
10
Clarinette, Contrebasse (duo)
9
Hautbois, Violon, Piano
9
2 Hautbois et Cor anglais
8
Hautbois, Orgue
8
Flûte, alto et harpe
8
Flute, Cor (duo)
8
Hautbois, Violin, Alto et Violoncelle (Quatuor)
7
Flûte, Guitare, Piano
7
Clarinette, Tuba
7
Flûte, Tuba (duo)
7
2 Cors Anglais Et Pianoforte
7
2 Flûtes, Basse continue
6
Hautbois, trombone (duo)
6
Hautbois et Orchestre
6
Hautbois, Trompette (duo)
6
2 Hautbois et Basson
6
Cor anglais, Guitare (duo)
6
Flûte, Alto et Violoncelle
5
Harmonica, Piano
4
Flûte de Pan
4
Clarinette, Saxophone, Piano
3
Hautbois, Quatuor à cordes
3
Flûte à bec, Harpe
3
Flûte, Clarinette, Violon (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Flûtes traversières, Guitare
2
2 Flûtes à bec, Guitare
2
Cor anglais et Harpe (duo)
2
Saxophone, Tuba (duo)
1
Flute, alto, violoncelle et guitare
1
Hautbois, Clarinette, Basson et Piano
1
3 Flûtes à bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
12914
Trompette
11713
Trombone
6826
Trompette, Piano
3720
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3414
Trombone (partie séparée)
2418
Trombone et Piano
2189
Cor et Piano
1504
Cor
1381
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1170
Tuba
836
Tuba et Piano
742
2 Trompettes (duo)
724
Cor (partie séparée)
686
2 Trombones (duo)
568
Quatuor de Cuivres: 2 trompettes, Cor, trombone
563
Euphonium
523
Trompette, Trombone (duo)
516
Quatuor de Cuivres
505
Tuba (partie séparée)
476
Quatuor de cuivres: 4 cors
424
2 Euphoniums et 2 Tubas
421
Quatuor de cuivres: 4 trombones
415
2 Cors (duo)
387
Euphonium, Piano (duo)
386
Cor anglais, Piano
363
Trompette, Cor (duo)
350
Trompette, Saxophone (duo)
299
Ensemble de Trompettes
211
Ensemble de Trombones
190
Quatuor de cuivres: 4 trompettes
174
Ensemble de Cors
145
3 Trompettes (trio)
144
3 Trombones (trio)
137
2 Tubas (duo)
128
Trio de Cuivres
122
4 Tubas
100
2 Trompettes, Clavier (piano ou orgue)
99
Cor Anglais
91
Tuba et Orgue
61
Cor et Harpe
47
Trombone, Orgue
43
3 Cors (trio)
43
Trompette, Violoncelle et Piano
41
Quatuor de cuivres: 2 trompettes, 2 trombones
40
Trompette, Harpe
39
Trombone, Cor (duo)
38
2 Euphoniums (duo)
38
Trombone basse
35
Trombone basse et Piano
33
Trompette, Violoncelle (duo)
30
Trombone, Tuba (duo)
30
Trompette, Trombone, Piano
30
3 Tubas (trio)
28
Trompette, Tuba (duo)
28
Trompette, Basson (duo)
27
Euphonium, Tuba (duo)
26
Bass Clef Instruments
25
Ensemble de Tubas
18
Trompette et Guitare
17
Trompette, Orchestre
17
2 Trombones, Piano
16
Cor, Tuba (duo)
16
Cornet et Piano
14
Cor et Orgue
14
2 Cors, Piano
13
Instruments en Sib
13
4 Euphoniums
11
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
11
Cor, Violoncelle (duo)
10
Cor, Orchestre
9
Trompette, violon (duo)
8
Trombone et orchestre
7
Trombone, Violon (duo)
7
2 Cors Anglais Et Pianoforte
7
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Cor, Violoncelle et Piano
6
Cornet A Pistons
6
Cor anglais, Guitare (duo)
6
Trompette, Euphonium (duo)
5
Clarinette, Cor (duo)
5
Euphonium (partie séparée)
4
3 Euphoniums
4
Trombone, violoncelle (duo)
3
Cor, Trompette, Trombone (trio)
3
Cornet et orchestre
2
Tuba ou Euphonium ou Saxhorn
2
Instruments en Fa
2
Cor anglais et Harpe (duo)
2
Bugle
2
Euphonium Ou Saxhorn Et Piano
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor et Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
8132
Violon
7098
Violon et Piano
6761
Violoncelle
4567
Violoncelle, Piano
4150
Harpe
3763
Alto seul
3338
Alto, Piano
2826
Violon (partie séparée)
1667
Violon, Violoncelle (duo)
1406
2 Violons (duo)
1311
Trio à Cordes: violon, alto, violoncelle
1075
2 Violoncelles (duo)
868
Contrebasse (partie séparée)
812
Contre Basse
731
Alto (partie séparée)
723
Violon, Alto (duo)
720
2 Altos (duo)
619
Contrebasse, Piano (duo)
593
Quintette à cordes: 2 violons, alto, violoncelle, basse
531
Trio à Cordes: 2 violons, violoncelle
450
2 Harpes (duo)
386
Violoncelle (partie séparée)
354
4 Violoncelles
329
Trio à cordes: 3 violins
307
Harpe, Flûte (duo)
303
Violon, Guitare (duo)
300
Piano Trio: Violon, Alto, Piano
297
Violoncelle , Guitare (duo)
247
Alto, Violoncelle (duo)
229
Trio à Cordes: 3 violoncelles
201
Quatuor à cordes: 4 violons
179
Alto, Guitare (duo)
147
Harpe, Violon (duo)
130
2 Violons, Piano
100
2 Contrebasses (duo)
92
Trio à cordes
92
Trio à cordes: 3 altos
87
Harpe, Violoncelle (duo)
84
Quatuor à cordes : 4 altos
80
Trio à Cordes: 2 violons, alto
65
Violoncelle, Contrebasse (duo)
65
Alto et Harpe
55
Violon, Basse continue
53
Violoncelle, Orgue
46
Violoncelle, Orchestre
41
Violoncelle, Basse continue
40
Violon, Clarinette, Piano (trio)
40
Ensemble de Violoncelles
40
Violon, Basson (duo)
40
2 Violoncelles, Piano
39
2 Violons et Basse continue
39
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Violon, Orgue
34
Ensemble de Violons
32
Harpe, Voix
30
Ensemble d'Altos
26
3 Harpes
25
Harpe (partie séparée)
23
Flûte, Contrebasse (duo)
21
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
Harpe et Piano
18
2 Altos, Piano
15
Alto et Basson
15
Harpe et mandoline
15
Harpe, Violon, Violoncelle
14
Alto et orchestre
14
4 Contrebasses
12
Violon, Trompette et Piano
11
Harpe, Trombone (duo)
11
Autoharp
10
Alto, Orgue
7
3 Contrebasses
7
Violon, Violoncelle, Clarinette
7
4 Harpes
6
5 Harpes
5
Violon, Tuba (duo)
5
Harpe et Orgue
4
Ensemble de Contre basses
3
Harpe, Orchestre
3
Harpe, Quatuor à cordes
3
Violon, Clarinette et Guitare
1
Violon, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
27958
Orchestre
10022
Orchestre à Cordes
6313
Batterie
6127
Ensemble Jazz
4680
Fanfare
2026
Cloches
1903
Ensemble de cuivres
1696
Orchestre de chambre
1004
Batterie (partie séparée)
658
Percussion (partie séparée)
632
Jazz combo
537
Percussion
416
Ensemble de Percussions
315
Marimba
236
Quintette à Vent
76
Caisse Claire
68
Timbales
63
Piano et Orchestre
62
Vibraphone
61
Xylophone, Piano
59
Timbales (partie séparée)
58
Quatuor à Vent : 4 instruments à vents
53
Orchestre, Violon
48
Xylophone
45
Batterie-Fanfare
27
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26
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La Formation Musicale Tout Simplement Volume 3
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European, Children's Musicals. Individual Part. 42 pages. Published by MCM Editions Musicales
This methodis for third Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> third year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Horizontal and vertical readingnotes<br> - Reading by the directory<br> - Reading rhythm<br> - Rhythm struck hands together one voice and two voice<br> - Rhythm struck and read by the directory<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.21 €
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Formation musicale - Solfège
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 3
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MCM Editions Musicales
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SheetMusicPlus
La Formation Musicale Tout Simplement Volume 4
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European. Individual Part. 42 pages. Published by MCM Editions Musicales France
This methodis for fourth Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> fourth year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Readingnotes horizontal and vertical<br> - Reading rhythm by the directory<br> - Rhythm struck hands together one voice two voice<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.21 €
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Formation musicale - Solfège
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 4
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MCM Editions Musicales France
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SheetMusicPlus
Jazztrompete kreativ
Trompette
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
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Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.2 €
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Trompette
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Jazztrompete kreativ
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.73 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
John Miles : Music (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Music (niveau intermédiaire) de Jo…
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Téléchargez la partition Trompette Music (niveau intermédiaire) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau difficile)
Trompette
Téléchargez la partition Trompette Music (niveau difficile) de John Miles. P…
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Téléchargez la partition Trompette Music (niveau difficile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau facile)
Trompette
Téléchargez la partition Trompette Music (niveau facile) de John Miles. Part…
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Téléchargez la partition Trompette Music (niveau facile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau très facile)
Trompette
Téléchargez la partition Trompette Music (niveau très facile) de John…
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Téléchargez la partition Trompette Music (niveau très facile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
My First Concert
Trompette
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.39 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trompette
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.61 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Celebre Comptine
Trompette
Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal …
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Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071969. Published by FLEX Editions - Digital Sheet Music (FX.FX071969). Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians.
$8.95
8.11 €
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Trompette
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Pascal Proust
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Celebre Comptine
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Clarke (Jeremiah) : Shore’s Musick – Shoar's New Trumpett Tune
Trompette
Téléchargez la partition Trompette Shore’s Musick – Shoar's New Tru…
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Téléchargez la partition Trompette Shore’s Musick – Shoar's New Trumpett Tune de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
3.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Shoar's N
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Trumpett
Trompette
Téléchargez la partition Trompette Shore’s Musick – Trumpett de Clarke (…
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Téléchargez la partition Trompette Shore’s Musick – Trumpett de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
3.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Trumpett
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Trumpet Minuet
Trompette
Téléchargez la partition Trompette Shore’s Musick – Trumpet Minuet de Cl…
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Téléchargez la partition Trompette Shore’s Musick – Trumpet Minuet de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
4.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Trumpet M
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Shore's Tune
Trompette
Téléchargez la partition Trompette Shore’s Musick – Shore's Tune de…
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Téléchargez la partition Trompette Shore’s Musick – Shore's Tune de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
4.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Shore's T
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Tomplay
The Organ Music of Fred Bock
Orgue
Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arran…
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Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0889. Published by Fred Bock Music Company (HL.8738397). ISBN 9781934596456. UPC: 073999383973. 9.0x12.0x0.127 inches.With over 30 years of arranging and composing experience as a church music director, arranger, composer, music editor and performer, Fred Bock excels in the ability to add freshness and strength to his settings of traditional hymn tunes. Congregations, as well as the musicians, are sure to value and identify with Mr. Bock's preludes. Includes: Be Thou My Vision * Now Thank We All Our God * Morning Has Broken * and others.
Song List: Now Thank We All Our God (J Cruger) Morning has Broken Jesus, Thou Joy of Loving Hearts (Henry Baker) On Christmas Night (Arr: Fred Bock) Be Thou My Vision LORD'S MY SHEPHERD, THE (ARR: FRED BOCK)
$12.95
11.73 €
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Orgue
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Fred Bock
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Fred Bock
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The Organ Music of Fred Bock
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Fred Bock Music Company
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
30.79 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
Schubert : Impromptu n° 3 en si bémol majeur, D. 935, Opus 142
Trompette
Téléchargez la partition Trompette Impromptu n° 3 en si bémol maj…
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Téléchargez la partition Trompette Impromptu n° 3 en si bémol majeur, D. 935, Opus 142 de Schubert. Partition pour Trompette avec piano d‘accompagnement -- Classique
2.99 €
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Trompette
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Schubert
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Impromptu n° 3 en si bémol m
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Tomplay
Stompin' on a Riff: 2nd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T2). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.72 €
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Trompette (partie séparée)
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David Berger
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Stompin' on a Riff: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Stompin' on a Riff: 1st B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T1). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.72 €
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Trompette (partie séparée)
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David Berger
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Stompin' on a Riff: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Stompin' on a Riff: 4th B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T4 4th B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T4 4th B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T4). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.72 €
#
Trompette (partie séparée)
#
David Berger
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Stompin' on a Riff: 4th B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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