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That's What I Like: 2nd Violin
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Crtitères actifs :
That's What I Like: 2nd Violin
Partitions à imprimer
4 partitions trouvées
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That's What I Like: 2nd Violin
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Violon (partie séparée)
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That's What I Like: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_VN2 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_VN2. Published by Alfred Music - Di...
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Full Orchestra - SKU: AX.00-PC-0017836_VN2 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_VN2). UPC: 038081533452.
$3.00
Someone Like You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Adele
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Edward Holmes
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Someone Like You
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Edward Holmes
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491037 By Adele. By Adele Adkins and Dan Wilson. Arranged by Edward Holmes. Contes...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491037 By Adele. By Adele Adkins and Dan Wilson. Arranged by Edward Holmes. Contest,Festival,Pop,Singer/Songwriter,Wedding. 14 pages. Edward Holmes #1067797. Published by Edward Holmes (A0.1491037). Here is my arrangement/cover of Adele's Someone Like You for string quartet. This is perfect as backing music to a wedding or function or just as a bit of fun. Disclaimer - The 1st and 2nd time bars show you what to play the first and 2nd time around (as the music differs slightly after the repeat). If this is an issue check it against the youtube playback video as that is correct or get in touch and I'll send you an edited version without the confusion!Approx: 5 mins.
$12.99
SQ15 ... Hommage à DSCH (2021) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...
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String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
Choral Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Joerg Widmann
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Choral Quartet
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Schott Music - Digital
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SheetMusicPlus
String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and ...
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String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q6173. Published by Schott Music - Digital (S9.Q6173). My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movements in Haydn's quartets (except the final earthquake) are slow movements of shocking forcefulness. What makes the work even more unsettling for me is the relaxed and cheerful acceptance of death (the 'smile' of the A major pizzicato thirds!). When I made myself familiar with the subject matter of crucifixion I discovered that terms like 'walking' and 'the last walk' were most important to me. My piece starts at the final stage of this experience. It contains a number of lost sounds, phrases of futility which come from nowhere and lead to nowhere. The horrifying rubbing and sanding of skin and wood become the 'theme’ of the piece which is combined with tonal, choral-like melodies. I am interested in how to make noises no longer symbolize desolation and tonal phrases no longer represent confidence. - Jörg Widmann.
$35.99
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That's What I Like: 2nd Violin