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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Cars
Non classifié
152
Piano & claviers
Piano, Voix et Guitare
359
Piano seul
203
Orgue
94
Piano, Voix
75
Piano Facile
26
Accordéon
13
Instruments en Do
10
Orgue, Piano (duo)
3
Clavecin
3
1 Piano, 4 mains
3
Piano grosses notes
3
Piano (partie séparée)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
65
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
23
Basse electrique
9
Paroles et Accords
7
Ukulele
6
Ukulele Baryton
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Banjo
1
Ensemble de guitares
1
Dulcimer
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
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Chorale SATB
84
Chorale 3 parties
19
Chorale 2 parties
12
Chorale TTBB
8
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6
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5
Chorale
5
Chorale Unison
4
Voix duo
3
Voix haute
2
Voix Tenor
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 9 instrumentations
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Vents
Saxophone
36
Flûte traversière et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
21
Flûte traversière
20
Clarinette
18
Saxophone (partie séparée)
14
Saxophone Alto et Piano
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto
7
Ensemble de Clarinettes
7
2 Saxophones (duo)
6
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Flûtes
5
Saxophone Tenor
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor et Piano
4
Flûte et Guitare
3
Saxophone, Clarinette (duo)
2
Flûte à Bec
2
Clarinette, Trompette (duo)
2
Saxophone Baryton, Piano
2
Hautbois, Piano (duo)
2
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violon (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
2 Clarinettes, Basson
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
+ 36 instrumentations
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Cuivres
Trompette
29
Trombone
15
Trompette (partie séparée)
11
Trombone (partie séparée)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Trompette, Piano
4
Tuba et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trio de Cuivres
2
Quatuor de Cuivres
2
Trombone et Piano
2
Cor et Piano
2
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Trompette, Saxophone (duo)
1
2 Trompettes (duo)
1
+ 15 instrumentations
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Cordes
Violon et Piano
45
Violoncelle, Piano
31
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon
25
Violoncelle
14
Alto seul
10
Alto, Piano
5
Harpe
5
Trio à cordes: 3 violins
4
Contre Basse
4
Violon (partie séparée)
4
Contrebasse (partie séparée)
3
2 Violoncelles (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
2 Violons (duo)
1
Violon, Orgue
1
Violon, Guitare (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
32
Batterie
29
Orchestre
21
Orchestre d'harmonie
21
Orchestre à Cordes
17
Ensemble de cuivres
11
Ensemble Jazz
8
Jazz combo
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Percussion
2
Marimba
1
Batterie (partie séparée)
1
Vibraphone
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
The Cars
Partitions à imprimer
1 964 partitions trouvées
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1
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51
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1951
The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
Chasing Cars
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Snow Patrol
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Sherry Lewis Publishing
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https://www
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Chasing Cars
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520963 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simps...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520963 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis Publishing. Pop,Rock. 21 pages. Sherry Lewis Publishing #3360811. Published by Sherry Lewis Publishing (A0.520963). CHASING CARS String Trio for 2 violins and cello or violin, viola and celloIntermediate LevelScore: 11 pagesParts: 8 pages Time: 4'08MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Chasing Cars
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Violon
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INTERMÉDIAIRE
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Rock
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Snow Patrol
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Sherry Lewis
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https://www
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Chasing Cars
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Sherry Lewis Publishing
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.520965 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by She...
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Violin Solo - Level 3 - SKU: A0.520965 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis. Pop,Rock. 6 pages. Sherry Lewis Publishing #3363213. Published by Sherry Lewis Publishing (A0.520965). CHASING CARS Solo ViolinIntermediate LevelScore: 0 pagesParts: 3 pages Time: 4'08MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
Chasing Cars
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Rock
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Snow Patrol
#
Sherry Lewis
#
https://www
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Chasing Cars
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Sherry Lewis Publishing
#
SheetMusicPlus
Piano Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521745 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson,...
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Piano Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521745 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis. Pop,Rock. 24 pages. Sherry Lewis Publishing #6417635. Published by Sherry Lewis Publishing (A0.521745). CHASING CARS String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 12 pages Parts: 9 pages Time: 4'08 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Then Nature Breathed
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Dan Jones
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Then Nature Breathed
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DanJonesGuitarist
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851198 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 4 pages. DanJonesGuitarist #6478273. Published by...
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Piano Solo - Level 4 - SKU: A0.851198 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 4 pages. DanJonesGuitarist #6478273. Published by DanJonesGuitarist (A0.851198). Then Nature Breathed (For Flo) During the international pandemic lockdown of 2020, I was living in Perthshire, Scotland. I am a keen road and hill runner, and I often find solitude, fitness, and mental rejuvenation in the foothills of the Ochils. Perthshire is a beautiful place to run. Due to the lack of planes and cars, I was amazed at the sudden abundance of animals and plant growth which appeared quite suddenly during that spring and summer. I felt that nature was thanking us for a brief pause in our frantic lifestyles, where we belch emissions and pollute our souls, minds and the planet in a frantic rush to feed our lust for materialism. I feel that many people (myself included) were able to stop, reflect and re-evaluate our roles in our lives. Pause Mere waves on this ocean navigating currents of precious space Do less or more Home a sacred place for some Breathe Breathe the light of this divine time Nature revisits Clear air Silent paths Moments Time for less, for more Movement Space Open creative pause. (Kirsty Jones) I hope you enjoy playing ‘Then Nature Breathed’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
Chasing Cars
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Trio à cordes: 3 violins
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FACILE
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Rock
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Snow Patrol
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The Chapel Hill Duo
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Chasing Cars
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The Chapel Hill Duo
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 2 - SKU: A0.505521 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom S...
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String Ensemble,String Trio Violin - Level 2 - SKU: A0.505521 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by The Chapel Hill Duo. Pop,Rock. Score and parts. 10 pages. The Chapel Hill Duo #6412989. Published by The Chapel Hill Duo (A0.505521). Chasing Cars by Snow PatrolAnother title in our ‘Pop Songs for Easy Violin’ series. Backing track video @ https://youtu.be/lCwOiA5UD-gPlease share with any budding violinists you know!Designed for Beginner - Intermediate Violinists who want to explore music other than ‘traditional’ Violin repertoire, these 3 part arrangements are a great way to explore the Violin and ensemble playing through popular music. Each song comes with a YouTube ‘backing track’ where you can play along with Jaya!The sheet music includes:1. Intermediate melody part with accurate Rhythms - Grade 3+2. Melody with simplified rhythms - Grade 2-33. Easy play along part - Grade Initial-14. Advanced or Teacher Violin Accompaniment - Grade 6-8Coming soon to the 'Pop Music for Easy Violin' Series... Chasing Cars!Also in the series so far :All Of MeCan't Help Falling in LoveGame of ThronesA Million Dreams#chasingcars #violin #snowpatrol #sheetmusic #violintutorial #easyviolin #violinteacher #backingtrack #beginnerviolin #chapelhillduo #romanticviolin #loveviolin.
$4.99
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Chasing Cars
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Piano seul
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INTERMÉDIAIRE
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Rock
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Snow Patrol
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Mark Reeves
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Chasing Cars
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Mark Reeves
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.748677 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Mark...
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Piano Solo - Level 3 - SKU: A0.748677 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Mark Reeves. Pop,Rock. Score. 6 pages. Mark Reeves #3537119. Published by Mark Reeves (A0.748677). 2018 New ArrangeMe Song Contest EntryThis arrangement of Snow Patrol's massive hit Chasing Cars is a faithful piano transcription of the original 2006 recording. The lyrics have been included to help the performer articulate the melody sympathetically. Sustain pedal markings and fingerings have been left to the individual performer to add according to their personal preference.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$7.99
Chasing Cars
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Snow Patrol
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Sherry Lewis
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Chasing Cars
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Sherry Lewis Publishing
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.1125757 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simp...
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Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.1125757 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis. Contemporary,Wedding. 16 pages. Sherry Lewis Publishing #726497. Published by Sherry Lewis Publishing (A0.1125757). Chasing Cars DUET FOR VIOLIN & VIOLA Intermediate Level Score: Yes Parts: 5 pages Time: 4:10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
The Cars - Drive (Piano Arrangement)
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Piano seul
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INTERMÉDIAIRE
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Rock
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The Cars
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Piano Go Life
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The Cars - Drive
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Piano Go Life
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SheetMusicPlus
By The Cars. Arranged by Piano Go Life. Lead Sheet, Score. 6 pages. Published by Piano Go Life...
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By The Cars. Arranged by Piano Go Life. Lead Sheet, Score. 6 pages. Published by Piano Go Life
$9.99
Just What I Needed (The Cars) for solo fingerstyle guitar
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Guitare notes et tablatures
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FACILE
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Fingerstyle/Fingerpicking
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The Cars
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Daryl Shawn
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Just What I Needed
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Daryl Shawn
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SheetMusicPlus
Guitar Tab - Early Intermediate - Digital Download By The Cars. Arranged by Daryl Shawn. Individual Part, Lead Sheet, Score, Sheet Music Single, Tabl...
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Guitar Tab - Early Intermediate - Digital Download By The Cars. Arranged by Daryl Shawn. Individual Part, Lead Sheet, Score, Sheet Music Single, Tablature. 10 pages. Published by Daryl Shawn
Complete solo arrangement for fingerstyle guitar, by Daryl Shawn.
Video for this arrangement: https://www.youtube.com/watch?v=hAuPkDwhPOc
$4.99
Barnacle Bill the Sailor (for German Band)
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,J...
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
You Are The Girl
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Batterie
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DÉBUTANT
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Rock
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The Cars
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Evan Aria Serenity
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You Are The Girl
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Jaslow Drum Sheets
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SheetMusicPlus
Drum Set,Drums - Level 1 - SKU: A0.1332388 By The Cars. By Ric Ocasek. Arranged by Evan Aria Serenity. Pop,Rock. Score. 2 pages. Jaslow Drum Sheets #918...
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Drum Set,Drums - Level 1 - SKU: A0.1332388 By The Cars. By Ric Ocasek. Arranged by Evan Aria Serenity. Pop,Rock. Score. 2 pages. Jaslow Drum Sheets #918921. Published by Jaslow Drum Sheets (A0.1332388). Drum sheet music transcription for You Are the Girl by The Cars, from the album Door to Door (1987). Drum by David Robinson. Pop rock, difficulty 1/5.jdrumsheets.com
$4.99
The Dangerous Type
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Batterie
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FACILE
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Rock
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The Cars
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Evan Aria Serenity
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The Dangerous Type
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Jaslow Drum Sheets
#
SheetMusicPlus
Drum Set,Drums - Level 2 - SKU: A0.1330076 By The Cars. By Ric Ocasek. Arranged by Evan Aria Serenity. Pop,Rock. Score. 5 pages. Jaslow Drum Sheets #917...
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Drum Set,Drums - Level 2 - SKU: A0.1330076 By The Cars. By Ric Ocasek. Arranged by Evan Aria Serenity. Pop,Rock. Score. 5 pages. Jaslow Drum Sheets #917973. Published by Jaslow Drum Sheets (A0.1330076). Drum tab sheet music transcription for Dangerous Type by The Cars, from the album Candy-O (1979). Drums by David Robinson. Pop rock, difficulty 2/5.jdrumsheets.com
$4.99
A Whole New World (aladdin's Theme)
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Film Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - SKU: A0.593587 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by D...
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - SKU: A0.593587 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. 20th Century,Broadway,Children,Film/TV,Musical/Show,Standards. Score and parts. 5 pages. David McKeown #6495981. Published by David McKeown (A0.593587). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Whole New World (aladdin's Theme)
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Clarinette et Alto
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INTERMÉDIAIRE
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Film Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.593569 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeow...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.593569 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. Film/TV,Pop. Score and parts. 5 pages. David McKeown #6495945. Published by David McKeown (A0.593569). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Clarinet and one Viola.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Whole New World (aladdin's Theme)
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE
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Film Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.593586 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKe...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.593586 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score and parts. 5 pages. David McKeown #6495979. Published by David McKeown (A0.593586). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Trumpet and one Clarinet.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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