From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.

This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.

As played by Super Bone on YouTube.

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.

David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.

My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.

I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.

During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,

Andre Watts, and many others.

Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.

Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)

I've included two versions of this arrangement for trombone quartet. Both versions are the same in structure and rhythm but have different ranges. The intermediate version is more suitable for experienced high school students. Scores and parts for each version are included.

You can listen to it here: https://youtu.be/nJnynH46Pyw