German.

The six-volume edition of 'Systematische Violintechnik' [Systematic Violin Technique] covers all aspects of violin playing, thus providing the comprehensive groundwork for learning, teaching and performing musicians. The volumes contain a wealth of suggestions of how to edit technically demanding passages in musical masterpieces in a reasonable and perfect way. The simple idea to base the violin technique on the combination of changes of bowing, strings, fingers and position is developed systematically and, like a 'medicine cabinet for violinists', provides a collection of exercises that can be used purposefully. At the same time, 'Systematische Violintechnik' provides a complete and indispensable overview of all technical elements and their connections. An elaborate and field-tested practising material by Prof. Helmut Zehetmair (Mozarteum Salzburg) and Prof. Benjamin Bergmann (Johannes Gutenberg University of Mainz).
Vol. 5 covers the coordination of two changes each (of bowing, strings, fingers and position).

This is an arrangement of One Summer's Day by Joe Hisaishi, from Spirited Away movie soundtrack.
It is suitable for schools, students and amateur violinists.

Intermediate Level
- simple key signature (C Major)
- 1st to 3rd position
- no double-stops
- wide variety of nuances
- rythms with syncopations
- suggested bowings

Nicolas is a concert performer and has been teaching violin for over 25 years.
He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.
Visit Nicolas's website at www.violinotech.com

The fourth volume of the Violinissimo series features the most important studies for the early years of violin lessons. Violin Studies contains selections from the standard works by Kayser, Dont, Wohlfahrt, Kreutzer and many others. This anthology is ideal for use in music lessons or for violinists who wish to develop their technique.

Die sechsbandige ,,Systematische Violintechnik" behandelt alle Aspekte des Violinspiels und ermoglicht damit eine umfassende Grundlage fur lernende, lehrende und ausubende Musiker. .Die Bande enthalten reichhaltige Anregungen fur die vernunftige und einwandfreie Aufbereitung von technisch anspruchsvollen Passagen in Meisterwerken der Musik. Die einfache Idee, die Violintechnik auf der Kombination von Bogenwechseln, Saitenwechseln, Fingerwechseln und Lagenwechseln aufzubauen, wird systematisch entwickelt und stellt - vergleichbar einer ,,Hausapotheke fur Geiger" - ein Konzentrat zielgerichtet anwendbarer Ubungen zur Verfugung. Gleichzeitig verschafft diese Systematische Violintechnik einen vollstandigen und unverzichtbaren Uberblick uber alle Bestandteile der Technik und ihrer Zusammenhange. Wohldurchdachtes und praxiserprobtes Ubungsmaterial aus der Feder von Prof. Helmut Zehetmair (Mozarteum Salzburg) und Prof. Benjamin Bergmann (Johannes Gutenberg Universitat Mainz).

German.

Die sechsbandige ,,Systematische Violintechnik" behandelt alle Aspekte des Violinspiels und ermoglicht damit eine umfassende Grundlage fur lernende, lehrende und ausubende Musiker. .Die Bande enthalten reichhaltige Anregungen fur vernunftige und einwandfreie Aufbereitung von technisch anspruchsvollen Passagen in Meisterwerken der Musik. Die einfache Idee, die Violintechnik auf der Kombination von Bogenwechseln, Saitenwechseln, Fingerwechseln und Lagenwechseln aufzubauen, wird systematisch entwickelt und stellt - vergleichbar einer ,,Hausapotheke fur Geiger" - ein Konzentrat zielgerichtet anwendbarer Ubungen zur Verfugung. Gleichzeitig verschafft diese Systematische Violintechnik einen vollstandigen und unverzichtbaren Uberblick uber alle Bestandteile der Technik und ihrer Zusammenhange. Wohldurchdachtes und praxiserprobtes Ubungsmaterial aus der Feder von Prof. Helmut Zehetmair (Mozarteum Salzburg) und Prof. Benjamin Bergmann (Johannes Gutenberg Universitat Mainz).

Band 3 behandelt den indirekten Lagenwechsel.

Close your eyes and relax: these pieces are as pleasant and .evocative for the listener as a cup of coffee, and they're charming to play too! Together with the .audio online material .and the piano accompaniment, the pieces are suitable for lessons, concerts or just music-making at home. .Chord symbols facilitate accompaniment with guitar, accordion, .or other instruments.
Other editions: My Blue Violin (ED 21767) and The Merry Fiddler (ED 21768).

English - German - French.

A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos, milongas, chamames, chacareras, zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the guitar or bandoneon and second violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. All pieces were recorded by Ros Stephen and are available as MP3 files for free download. The edition is suitable for players of level 3 and above.

"I would recommend this volume to anyone interested in exploring traditional music." (Sarah Kekus (Chair National Association of Music Educators [NAME] 2010-11)

"This is a really appealing book, and great value for money." (The Strad)

"Additionally, all pieces are expertly played by violinist Stephen. Her extensive notes on the different styles and tunes enable one to get the best out of this colourful and exciting music." (Australian Strings Association Journal, Stringendo)

The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).

We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.

My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

This is a beautiful, playable arrangement for three violins. You receive the score, the Violin 1, Violin 2 and Violin 3 parts. The sound clip is digitally produced.

Item Number: H0.817299-53487

This is a beautiful, playable arrangement for three violins. Keep in mind that "easy" for one is not necessarily "easy" for another. This is not a "beginner" arrangement. It is an arrangement with less notes in it than the regular arrangement, and easier rhythms where applicable.

You receive the score, the Violin 1, Violin 2 and Violin 3 parts. The sound clip is digitally produced.

There is a regular arrangement of this trio available, Item No. H0.357419-53487.

Violin Trios for Christmas, Vol. II contains 12 beautiful arrangements for three violins. You will receive the scores (some people like to see how the parts fit together), the Violin 1 parts, the Violin 2 parts and the Violin 3 parts. You can view some score samples. The audio sample is an excerpt from "Greensleeves." It was digitally produced.

The songs included in this book are: Angels We Have Heard On High, Bring a Torch, Jeannette, Isabella, Deck the Halls, God Rest Ye Merry, Gentlemen, Greensleeves, In the Bleak Midwinter, Jesu, Joy of Man's Desiring, Joy to the World, Silent Night, Sussex Carol, The Son of Mary and We Three Kings.

For all of my harp music (originals and arrangements for all kinds of harps), harp learning materials, harp with other instruments (clarinet, Native American flute, mandolin, flute), Native American flute learning materials, piano music (originals and arrangements), woodwind ensembles, string ensembles and much more, visit my website.

This edition contains klezmer tunes for 1-2 violins with piano accompaniment - sometimes lively and sweeping, sometimes soft and lyrical! Of easy to intermediate difficulty, the pieces are a valuable addition to music lessons and are suitable for both concert performances and music-making at home. In addition, chord symbols allow for accompaniment with the guitar or other instruments. .

Further editions by Joachim Johow: My Blue Violin (ED 21767), The Merry Fiddler (ED 21768), Coffee &. Violin (ED 22670).

An easily accessible collection of five popular festive arrangements which includes; We Wish You A Merry Christmas, Joy To The World, Ding Dong Merrily On High, In Dulci Jubilo and Deck The Halls scored for three Violins.

Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com

Level: Early - Grade 2+
Duration: Various
Occasion: Concert - Formal/Informal Christmas Events
Instrumentation: Violin I - Violin II - Violin III

Violin Trios for Christmas, Vol. I contains 12 beautiful arrangements for three clarinets. You will receive the scores (some people like to see how the parts fit together), the Violin 1 parts, the Violin 2 parts and the Violin 3 parts. You can view some score samples. The audio sample is an excerpt from "Carol of the Bells." It was digitally produced.

The songs included in this book are: Angels From the Realms of Glory, Away in a Manger, Carol of the Bells, Ding! Dong! Merrily On High, Hark! the Herald Angels Sing, In Dulci Jubilo, It Came Upon the Midnight Clear, O Holy Night, Pachelbel's Canon, Pat-a-Pan, The First Noel and While Shepherds Watched.

For all of my harp music (originals and arrangements for all kinds of harps), harp learning materials, harp with other instruments (clarinet, Native American flute, mandolin, flute), Native American flute learning materials, piano music (originals and arrangements), woodwind ensembles, string ensembles and much more, visit my website.

My blue violin draws both musicians and listeners into the world of swing and jazz. Fast cheerful pieces alternate with pensive ones. Titles like My Cat and Me or Die Radtour [The Bicycle Ride] make the poetry of small things resound. Like a musical diary, they make us notice the beautiful things in everyday life. The pieces are of easy to intermediate difficulty and suitable for performances as well as music lessons.

In this volume, the folk musician Patrick Steinbach has compiled the most beautiful Irish tunes and, in addition, provides much information on the performance as well as on the style and the cultural background of Irish music.

This is an arrangement of Edelweiss from The Sound of Music movie soundtrack, for two violins.
The rhythm has been simplified to make it easier to play for elementary level violonists.
It is suitable for schools, students and amateur violinists.

Elementary Level
- simple key signature (C Major)
- 1st position
- simple rhythms
- suggested bowings


Nicolas is a concert performer and has been teaching violin for over 25 years.
He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.
Visit Nicolas's website at www.violinotech.com

This is an arrangement of the beautiful Tennessee Waltz, as performed by Patti Page, for two violins.
The rhythm has been simplified to make it easier to play for elementary level violonists.
You can check here the version for intermediate level violonists with more complex rhythms.
It is suitable for schools, students and amateur violinists.

Late Elementary Level
- simple key signature (D Major = 2#)
- 1st position
- open strings
- simple rhythms
- no double-stops


Nicolas is a concert performer and has been teaching violin for over 25 years.
He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.
Visit Nicolas's website at www.violinotech.com

This is an arrangement of Can't Help Falling In Love as performed by Elvis Prelsey for two violins.
It is suitable for schools, students and amateur violinists.

Late Elementary Level
- simple key signature (G Major = 1#)
- 1st position
- open strings
- no double-stops
- syncopations
- suggested bowings


Nicolas is a concert performer and has been teaching violin for over 25 years.
He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.
Visit Nicolas's website at www.violinotech.com

This is an arrangement of the beautiful Tennessee Waltz, as performed by Patti Page, for two violins.
You can check here the easy version for elementary level violonists with simplified rhythms.
It is suitable for schools, students and amateur violinists.

Intermediate Level
- simple key signature (D Major = 2#)
- 1st position
- open strings
- dotted rhythms
- syncopated rhythms
- no double-stops


Nicolas is a concert performer and has been teaching violin for over 25 years.
He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.
Visit Nicolas's website at www.violinotech.com

Fifteen solo recital pieces derived from the traditional and contemporary musical repertoires of mainland China. This book offers a practical introduction to one of the world's most fascinating musical cultures.