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--INSTRUMENTS--
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BJE Music
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Brahms' Lullaby - Clarinet Quintet or Group Score and Parts PDF
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Quintette de Clarinettes: 5 clarinettes
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DÉBUTANT
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Classique
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Johannes Brahms
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Brendan Elliget MAGA 537
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Brahms' Lullaby - Clarinet Qui
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BJE Music
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SheetMusicPlus
Composed by Johannes Brahms (1868). Arranged by Brendan Elliget MAGA 537. Children, Romantic Period. 9 pages. BJE Music #6087933. Published by BJE Mus...
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Composed by Johannes Brahms (1868). Arranged by Brendan Elliget MAGA 537. Children, Romantic Period. 9 pages. BJE Music #6087933. Published by BJE Music
$5.50
How To Write Music: Musical Orthography - Clement Harris
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Methodes
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Clement Harris
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Theoria Music
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How To Write Music: Musical Or
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Theoria Music Publishing
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.894352 Composed by Clement Harris. Arranged by Theoria Music. Instructional. Score and parts. 38 pages. Theoria Music...
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Small Ensemble - Level 1 - SKU: A0.894352 Composed by Clement Harris. Arranged by Theoria Music. Instructional. Score and parts. 38 pages. Theoria Music Publishing #5321293. Published by Theoria Music Publishing (A0.894352). This is an educational book on writing music written by Clement Harris. From the IntroductionIt is reasonable to expect that a musician shall be at least an accurate and legible writer as well as a reader of the language of his Art. The immense increase in the amount of music published, and its cheapness, seem rather to have increased than decreased this necessity, for they have vastly multiplied activity in the Art. If they have not intensified the necessity for music-writing, they have increased the number of those by whom the necessity is felt.Intelligent knowledge of Notation is the more necessary inasmuch as music-writing is in only a comparatively few cases mere copying. Even when writing from a copy, some alteration is frequently necessary, as will be shown in the following pages, requiring independent knowledge of the subject on the part of the copyist. (See e.g., par. 28.) Yet many musicians, thoroughly competent as performers, cannot write a measure of music without bringing a smile to the lips of the initiated. About the Composer/AuthorClement Hugh Gilbert Harris (8 July 1871 – 23 April 1897) was an English pianist and composer who studied in Germany and died fighting in the Greco-Turkish War of 1897.
$2.99
Musicians of Bremen - Lesson Plans
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Betsy Lee Bailey
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Musicians of Bremen - Lesson P
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.745965 Composed by Betsy Lee Bailey. Broadway,Children,Instructional,Musical/Show. Score and parts. 8 pages. Betsy Le...
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Small Ensemble - Level 1 - SKU: A0.745965 Composed by Betsy Lee Bailey. Broadway,Children,Instructional,Musical/Show. Score and parts. 8 pages. Betsy Lee Bailey #2059969. Published by Betsy Lee Bailey (A0.745965). The Musicians of Bremen - Lesson Plans Packet (8 pages) is from a Mini-Musical for Elementary Grades. The Lesson Plans Packet contains ideas for teaching the cultural background of the story and music, acting skills, teaching the songs, and various other activities including some that meet the Common Core Objectives for Elementary Language Arts. Consumable worksheets and coloring pages are reproducible. The Script, Score, and Mp3 accompaniment recordings are available at SMP.
$14.99
A Culinary Tale - A fun message about food waste set to music for children to sing
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Judy Lane
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A Culinary Tale - A fun messag
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Judy Lane Music
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.915869 Composed by Judy Lane. Children,Instructional,World. 9 pages. Judy Lane Music #455681. Published by Judy Lan...
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Vocal Solo,Voice - Level 1 - SKU: A0.915869 Composed by Judy Lane. Children,Instructional,World. 9 pages. Judy Lane Music #455681. Published by Judy Lane Music (A0.915869). This fun song for school children is about the very topical subject of not wasting food. The song has 'Mister Lettuce' - part of a leftover salad - and 'Pasta Pete' - some leftover pasta - both fearing their fate of being thrown away. In the fridge they plot to combine with other items to create a tasty pasta bake. The song finishes - The lesson from this story, friends is easy to relate. Don't send your food to a land-fill tip when it should be on your plate! For children to sing with piano accompaniment. Judy Lane was a graduate student at the Royal Academy Of Music in London and studies under Michael Head. She has twice been awarded the Lennox Berkeley Cup in the open composition class at the Oxford Music Festival. Adjudicators/critics have said:- The tune is catchy and the song is enjoyable for children to sing Judy exhibits a flair for setting words to singable melodies and for inventing appropriate moods to suit the context and lyrics Judy's music is like a BREATH OF FRESH AIR 5 pages - Approx length - 2 minutes.
$5.99
Wir bauen eine Stadt
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl....
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
The Underground Railroad
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Piano, Voix
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DÉBUTANT
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Enfant
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Darcy Hill
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The Underground Railroad
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Darcy Hill
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.960857 Composed by Darcy Hill. Children. Score. 5 pages. Darcy Hill #1768193. Published by Darcy Hill (A0.960857)....
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Piano,Vocal,Voice - Level 1 - SKU: A0.960857 Composed by Darcy Hill. Children. Score. 5 pages. Darcy Hill #1768193. Published by Darcy Hill (A0.960857). I wrote this song, The Underground Railroad, as a part of an original children's operetta entitled Araminta, the life of Harriet Tubman. The melody is in a minor key, but not sad. The lyrics draw the singers into the bold, compelling question asked by each conductor, are you ready to travel down this road, from this road there is no turning back? You must now decide to lay your fears aside and take a ride on the Underground Railroad. This song is suitable for any students studying the Underground Railroad. This song is 4 pages long, quite simple to play, contains guitar chords, and its lyrics encourage deeper academic understanding of subject matter. One Arts Infusion Collaborative seeks to create original music that supports and enhances curricular content and musically celebrates holiday facts, traditions, and themes.
$2.00
Primeras Lecciones Armonica
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David Barrett
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entrenamiento del ritmo
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Primeras Lecciones Armonica
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica (diatonic) - Beginning - SKU: M0.20118BCDSPEB Composed by David Barrett. Children and Young Beginner. First Lessons - Spanish. All styles. E-b...
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Harmonica (diatonic) - Beginning - SKU: M0.20118BCDSPEB Composed by David Barrett. Children and Young Beginner. First Lessons - Spanish. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20118BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20118BCDSPEB). ISBN 9781619112803. 8.75x11.75 inches.First Lessons Harmonica es un emocionante curso de instrucción paso por paso para la armónica diatónica de diez agujeros. Los temas cubiertos son: lectura de notación musical; entrenamiento del ritmo; patrones de trenes; melodÃas populares blues; doblado vibrato Lengua bloqueando notas sueltas y octavas; e instrucciones sobre las tres posiciones comunes de armónica (1ª, 2ª y 3ª). El libro se acompaña de una grabación de audio de todos los ejemplos interpretados por el autor David Barrett junto con música de fondo. Incluye acceso a audio en lÃnea.First Lessons Harmonica is an exciting set-by-step instruction course for the ten-hole diatonic harmonica. Subjects covered are: reading music notation; rhythm training; train patterns; folk tunes; blues; bending; vibrato; tongue blocking single notes and octaves; and instruction on all three common harmonica positions (1st, 2nd and 3rd). Book is accompanied by an audio recording of all examples played by author David Barrett along with background music. Includes access to online audio. Written in Spanish only.
$9.99
Harmonica Essentials
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Harmonica
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DÉBUTANT
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Contemporain
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David Barrett
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Harmonica Essentials
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica - Beginning - SKU: M0.30573EB Gig Savers Complete Edition. Composed by David Barrett. Harmonica: Diatonic, Adult Contemporary. Gig Save...
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Harmonica - Beginning - SKU: M0.30573EB Gig Savers Complete Edition. Composed by David Barrett. Harmonica: Diatonic, Adult Contemporary. Gig Savers. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30573EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30573EB). ISBN 9781619116887. 8.75x11.75 inches.The Gig Savers series has been designed to provide harmonica players with answers to common questions in a concise, user-friendly fashion. This complete edition is comprised of six books written by David Barrett and Fritz Hasenpusch. Part One, Essential Theory, covers the main body of musical knowledge needed by all harmonica players. Subjects covered include reading notation, how to build chromatic and diatonic scales, triad chord qualities, position theory and the 12-bar blues progression. Part Two, Essential Scales, includes lessons on building chromatic/diatonic scales, position theory and scales/modes such as major, minor, mixolydian, dorian and blues. Part Three, Essential Quick Charts, presents important reference charts that cover specific topics such as diatonic keys, bending, over-bending, positions, major/minor scales and Lee Oskar special tuning. Part Four, Harmonica Microphones, includes discussions on microphone usage, such as popular microphones, bodies, elements, accessories, interchangeability/customization and how microphones are paired with amplifiers. Part Five, Harmonica Amplifiers, discusses amp heads, equalizers, effects, speakers, extension cabinets, tube substitutions and how to select an amp depending on a venue. Part Six, First Gig, shows the harmonica player what to do from the beginning until the end of a gig. Topics covered include jam session etiquette, amps, mic and harp choices, building set lists and other issues which may confront the performer.
$14.99
First Lessons Harmonica
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David Barrett
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rhythm training
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First Lessons Harmonica
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica (diatonic) - Beginning - SKU: M0.20118BCDEB Composed by David Barrett. Children and Young Beginner. First Lessons. All styles. E-book and onli...
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Harmonica (diatonic) - Beginning - SKU: M0.20118BCDEB Composed by David Barrett. Children and Young Beginner. First Lessons. All styles. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #20118BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20118BCDEB). ISBN 9781610651226. 8.75x11.75 inches.First Lessons Harmonica is an exciting set-by-step instruction course for the ten-hole diatonic harmonica. Subjects covered are: reading music notation; rhythm training; train patterns; folk tunes; blues; bending; vibrato; tongue blocking single notes and octaves; and instruction on all three common harmonica positions (1st, 2nd and 3rd). Book is accompanied by an online audio recording and video of all examples played by author David Barrett along with background music. .
$9.99
Primeras Lecciones Metodo de Guitarra de Rock
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Rock
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Mike Christiansen
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Primeras Lecciones Metodo de G
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (electric) - Beginning - SKU: M0.99820BCDSPEB Composed by Mike Christiansen. Rock. First Lessons - Spanish. Spanish. E-book and online audio. Mel...
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Guitar (electric) - Beginning - SKU: M0.99820BCDSPEB Composed by Mike Christiansen. Rock. First Lessons - Spanish. Spanish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99820BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99820BCDSPEB). ISBN 9781619113084. 8.75x11.75 inches.Finalmente, un método que hace que los estudiantes comiencen con lo esencial de la guitarra mientras se enfoca en el material que todo guitarrista de rock deberÃa saber. Los temas incluyen acordes de potencia, escalas de rock, solos de rock, tabulación de lectura y notación estándar, acordes abiertos, patrones de rasgueo y melodÃas de rock. Diseñada para educar a los estudiantes sobre lo esencial de la guitarra, esta lección hace que el aprendizaje sea divertido. Progresiones de acordes y melodÃas similares a los clásicos del rock hacen de este texto una necesidad para los aspirantes a guitarristas de rock. El audio en lÃnea que lo acompaña brinda a los estudiantes la oportunidad de escuchar y tocar junto con los profesionales. Incluye acceso a audio en lÃnea.Finally a method that gets students started on the essentials of guitar while focusing on the material every rock guitarist should know. Subjects include power chords, rock scales, rock soloing, reading tab and standard notation, open chords, accompaniment strum patterns, and rock licks. Designed to educate students about guitar essentials, this lesson makes the learning fun. Chord progressions and melodies similar to rock classics make this text a must for aspiring rock guitarists. The accompanying online audio gives students the opportunity and hear and play along with the pros. Includes access to online audio. Written in Spanish only.
$9.99
Autoharp Owner's Manual
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Autoharp
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DÉBUTANT
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Methodes
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Autoharp Owner's Manual
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Edited by Mary Lou Orthey. Ebook. 149 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.99361EB). - Ebook - - Mel Bay Publications - Digital S...
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Edited by Mary Lou Orthey. Ebook. 149 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.99361EB). - Ebook - - Mel Bay Publications - Digital Sheet Music
ISBN 9781609743611. 8.5 X 11 inches. The Autoharp Owner's Manual covers autoharp maintenance, conversions, tuning and string schedules (both diatonic and chromatic), building your own instrument, playing techniques, evaluating instruments, chord bar setups, amplification, history, and much more. Each subject is addressed by a current premier musician/builder. The articles in this book have been taken from past issues of Autoharp Quarterly and have been updated to address current innovations, problems, and instruments. It is a must have for every autoharp player.
$24.99
O Come All Ye Faithful for Trumpet & Piano
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Trompette
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tru
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
O Come All Ye Faithful for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Publi...
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Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Come All Ye Faithful for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3...
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Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
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Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Come All Ye Faithful for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
O Come All Ye Faithful for Violin & Piano
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Violon et Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 ...
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Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 (A0.548518). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$26.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 1 BASIC LEVEL
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Harpe
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DÉBUTANT
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Alessandro Palazzani
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HARPING THROUGH PACHELBEL&rsqu
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1319575 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 248 pages. A work b...
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Lever Harp - Level 1 - SKU: A0.1319575 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 248 pages. A work by Alessandro Palazzani #908133. Published by A work by Alessandro Palazzani (A0.1319575). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 1 BASIC LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Healthy Vocal Development: Duet Performance Book Level 2
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Piano, Voix
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DÉBUTANT
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Angela Fox
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Healthy Vocal Development: Due
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Angela Fox
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.878263 Composed by Angela Fox. Children,Concert,Instructional,Musical/Show,Standards. Score. 22 pages. Angela Fox ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.878263 Composed by Angela Fox. Children,Concert,Instructional,Musical/Show,Standards. Score. 22 pages. Angela Fox #3687617. Published by Angela Fox (A0.878263). The Healthy Vocal Development Duet Series is designed for private voice lessons. Clever arrangements make students sound even more amazing than they already are! Even better, students get to sing songs they can relate to. No love songs here! All the subject matter is age appropriate and is about feelings and situations they (and also most adults!) can identify with. Piano accompaniment tracks available at angelafoxmusic.com.
$7.99
The Composer's Song
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Chorale 3 parties
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DÉBUTANT
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Peter Burton
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The Composer's Song
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Peter Burton Music
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SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 1 - SKU: A0.1328577 Composed by Peter Burton. Broadway,Classical,Comedy,Musical/Show,Opera. 7 pages. Peter Burton M...
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Choral Choir,Choral (3-Part) - Level 1 - SKU: A0.1328577 Composed by Peter Burton. Broadway,Classical,Comedy,Musical/Show,Opera. 7 pages. Peter Burton Music #916547. Published by Peter Burton Music (A0.1328577). This is a humerous song about composing. It is my own experience as I struggle at times to come up with a good composition. The live performance is the objective. It can disappoint but, in the end, it is a joy to compose regardless of the outcome ! Suggestions for performance are three people plus keyboard, each singing a verse, as in the audio/video.
$1.99
Spell With Me - (Piano Solo)
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Piano seul
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DÉBUTANT
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Cathy Stamegna
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Spell With Me -
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Cathy Stamegna
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.780669 Composed by Cathy Stamegna. Children,Contest,Festival,Instructional,Standards. Score. 5 pages. Cathy Stamegna #520...
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Easy Piano - Level 1 - SKU: A0.780669 Composed by Cathy Stamegna. Children,Contest,Festival,Instructional,Standards. Score. 5 pages. Cathy Stamegna #5200095. Published by Cathy Stamegna (A0.780669). Spell With Me - (Easy Piano Solo). Level 1. Suggested for early note readers, this is in the middle C position. The objective is note reading reinforcement by reading and creating words from the musical alphabet. There are two extra copies of the score (included) which serve as two activity sheets. Instructional suggestions. Spell With Me was written for a student who struggled with note reading.
$2.00
Lost On You
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Piano Facile
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DÉBUTANT
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Contemporain
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LP
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Alà Saboy Tavernese
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Lost On You
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Ali Saboy Tavernese
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1023525 By LP. By LP. Arranged by Alà Saboy Tavernese. Contemporary. Score. 4 pages. Ali Saboy Tavernese #6641865. Pub...
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Easy Piano - Level 1 - SKU: A0.1023525 By LP. By LP. Arranged by Alà Saboy Tavernese. Contemporary. Score. 4 pages. Ali Saboy Tavernese #6641865. Published by Ali Saboy Tavernese (A0.1023525). The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·    Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory ·    Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times ·    Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events  This version will help you: ·    Appreciate the relationships between sounds without the presence of a text (creation of musical senses). There are only the sections with the main melody, so you can play and listen to it by concentrating on the relationships between successive and simultaneous sounds ·    Acquire the autonomy of the hands. In the score, you will find the main melodic line and another melodic line that can fulfill the function of bass (if it is lower) or counter-melody (if it is higher) ·    Read fluently from the beginning to the end of the piece. The rhythms are simplified so that you keep your attention on the general musical discourse and not on the details ·    Focus on two basics: notes and rhythm. The melody is adapted to fit in the best possible way in the central register. Thus, the displacement of the hand decreases, the reading is simplified, and it is easier to keep your attention on the aforementioned aspects  Simplify, practice, and enjoy your results!IG _soy_pianista
$7.00
Hush-a-bye my baby (Arrorró mi niño)
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Piano Facile
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DÉBUTANT
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Traditional
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Alà Saboy Tavernese
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Hush-a-bye my baby
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Ali Saboy Tavernese
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1023526 Composed by Traditional. Arranged by Alà Saboy Tavernese. Standards. Score. 3 pages. Ali Saboy Tavernese #6693...
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Easy Piano - Level 1 - SKU: A0.1023526 Composed by Traditional. Arranged by Alà Saboy Tavernese. Standards. Score. 3 pages. Ali Saboy Tavernese #6693991. Published by Ali Saboy Tavernese (A0.1023526). Piano solo + Piano duet The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·    Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory ·    Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times ·    Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events Beginner version: This version will help you: ·    Appreciate the relationships between sounds without the presence of a text (creation of musical senses). There are only the sections with the main melody, so you can play and listen to it by concentrating on the relationships between successive and simultaneous sounds ·    Acquire the autonomy of the hands. In the score, you will find the main melodic line and another melodic line that can fulfill the function of bass (if it is lower) or counter-melody (if it is higher) ·    Read fluently from the beginning to the end of the piece. The rhythms are simplified so that you keep your attention on the general musical discourse and not on the details ·    Focus on two basics: notes and rhythm. The melody is adapted to fit in the best possible way in the central register. Thus, the displacement of the hand decreases, the reading is simplified, and it is easier to keep your attention on the aforementioned aspects  Simplify, practice, and enjoy your results! IG _soy_pianista.
$1.99
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