A collection of all original duets for beginner to intermediate Flautists, progressively working through the requirements for grades 1 through to 5. With a variety of styles from Swing, Ragtime, Celtic, Romantic, (there's even the 'Train scene' from a silent film thrown in!) these are invaluable in lessons as sight reading practice, and light relief alongside exam study. The book also includes 'Eye-'n-Stein' a friendly eye icon that warns of possible danger ahead. The duets also have little tips for best results and technique. Also available in Clarinet and Saxophone editions.

This collection includes 10 spooky, famous classical works in minor keys--perfect for Halloween, or for any time of year! These pieces are appropriate for students in levels 1-2 of most piano method books. The accompanying video contains a sheet music sample and audio sample of each piece in the collection.

Selections include: Theme from the Fifth Symphony (Beethoven), In the Hall of the Mountain King (Grieg), Theme from Symphony No. 1 (Mahler), Egyptian Dance (Saint-Saens), Toccata in D Minor (J.S. Bach), Slavonic March (Tchaikovsky), Finale (Dvorak), Funeral March (Chopin), Fur Elise (Beethoven), and Funeral March of a Marionette (Gounod).

Check out my other classical collections and hundreds of classical, pop, and video game titles here at Sheet Music Plus by clicking on my publisher name above!

Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com

Simple transcription of the anthem by Pitoni using the words of Cantate Domino The pdf file contains score and parts The sound sample is an electronic preview. Cantate Domino canticum novum Laus eius in ecclesia sanctorum Laetetur Israel in eo qui fecit eum Et filiae Sion exultent in rege suo. Sing to the Lord a new song let his praise be in the church of the saints Let Israel rejoice in him that made him and let the children of Sion be joyful in their king. ?

This album contains 5 of Johann Sebastian Bach\'s most famous and versatile pieces for saxophone quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther\'s A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.

1: Air on the G String - The original piece is part of Johann Sebastian Bach\'s Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called \"Air on the G String\" dates from one of these latter employments. In the service of the Prince of C�then, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the \"Air on the G String\". This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.1189781

2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach\'s favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.1189985

3: Jesu, joy of man\'s desiring - This is one of Bach\'s most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary\'s Visitation. It is the final chorale of the cantata \"Herz und Mund und Tat und Leben\". Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.1190041

4: O Jesulein s�ss, o Jesulein mild - The Jesulein s��, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein s�ss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.1190181

5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190377

Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.