English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Can Can""
Non classifié
4 020
Piano & claviers
Piano seul
3 674
Piano, Voix
1 556
Piano Facile
1 506
Piano, Voix et Guitare
378
Accordéon
286
Instruments en Do
236
Orgue
221
Accompagnement Piano
92
1 Piano, 4 mains
91
Piano Trio: piano, violon, violoncelle
49
Piano Quatuor: piano, 2 violons, violoncelle
44
2 Pianos, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
7
Orgue, Trompette (duo)
7
Clavier
6
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Clavecin
2
Ensemble d'Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare
691
Basse electrique
526
Guitare notes et tablatures
464
Ligne De Mélodie, (Paroles) et Accords
191
Ukulele
129
Mandoline
27
Paroles et Accords
24
2 Guitares (duo)
20
4 Guitares (Quatuor)
15
Banjo
10
Piano, Guitare (duo)
10
Dulcimer
8
3 Guitares (trio)
7
Basse électrique (partie séparée)
4
Ensemble de guitares
3
2 Dulcimers (duo)
2
2 Ukuleles
1
2 Mandolines (duo)
1
Dobro
1
+ 14 instrumentations
Retracter
Voix
Chorale 2 parties
1 722
Chorale SATB
1 720
Chorale 3 parties
1 007
Voix duo, Piano
692
Chorale Unison
567
Voix seule
551
Voix duo
313
Chorale TTBB
202
Chorale SSAA
92
Voix haute
40
Voix moyenne, Piano
11
Chorale
9
Voix Tenor
9
Voix Alto, Piano
6
Voix basse
6
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix Soprano, Piano
4
Voix Tenor, Piano
3
Chorale SSATTB
3
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone
1 500
Flûte traversière
912
Clarinette
805
Flûte traversière et Piano
400
2 Saxophones (duo)
391
Quatuor de Saxophones: 4 saxophones
390
Clarinette et Piano
382
Flûte, Hautbois, Clarinette, Basson
333
Saxophone Alto
326
Saxophone Tenor et Piano
318
Saxophone Alto et Piano
305
Saxophone Soprano et Piano
291
Saxophone Tenor
259
Hautbois, Piano (duo)
258
2 Flûtes traversières (duo)
210
Flûte à bec Soprano
202
Flûte à Bec
196
2 Clarinettes (duo)
187
Quatuor de Clarinettes: 4 clarinettes
154
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
2 Flûte à bec (duo)
127
Flûte, Clarinette (duo)
124
Hautbois
107
Quintette de Saxophone: 5 saxophones
92
Saxophone Baryton, Piano
90
Saxophone (partie séparée)
85
Hautbois (partie séparée)
77
Saxophone Soprano
75
3 Saxophones (trio)
68
Cor anglais, Piano
64
3 Clarinettes (trio)
52
2 Hautbois (duo)
50
Quatuor de Flûtes : 4 flûtes
45
Flûte à bec Soprano, Piano
44
Saxophone, Clarinette (duo)
40
Ensemble de Clarinettes
37
Hautbois, Basson (duo)
37
Quatuor de Flûtes à bec
35
Clarinette, Violon (duo)
32
Trio de Flûtes: 3 flûtes
32
Flûte et Guitare
29
Flûte, Violon
28
Clarinette, Basson (duo)
27
Clarinette, Trompette (duo)
27
Hautbois, Clarinette (duo)
25
Hautbois, Flûte
25
Flûte, Violon, Piano
25
Clarinette Basse, Piano
25
Flûte à bec Alto
23
Flûte, Violoncelle
21
Ensemble de Flûtes
20
Quintette de Clarinettes: 5 clarinettes
18
Clarinette et Alto
17
Ocarina
17
Ensemble de saxophones
17
Saxophone Baryton
16
Flûte, Hautbois, Clarinette (trio)
16
Hautbois, Clarinette, Basson (trio d'anches)
16
3 Flûtes à bec (trio)
16
Flûte, Alto (duo)
15
Flûte, Clarinette et Basson
14
Ensemble De Flûte à bec
13
Flûte, Saxophone (duo)
13
Flûte, Hautbois, Basson
13
Harmonica
13
Hautbois, Violoncelle
11
Clarinette, Violoncelle (duo)
10
Clarinette, Trombone (duo)
10
Flûte, Trompette (duo)
9
Quintette de Flûte : 5 flûtes
9
Clarinette (partie séparée)
8
Flûte à bec Alto, Piano
8
Saxophone et Orgue
8
Cor Anglais
7
Piccolo, Piano
7
5 Flûtes à bec
7
Flûte à Bec, Piano
6
2 Clarinettes, Basson
5
Flûte, Hautbois (duo)
5
Flûte à bec Tenor
5
Flûte irlandaise
4
Flûte, Violon et Violoncelle
4
Flute, harpe et violon
3
2 Cors Anglais Et Pianoforte
3
2 Flûtes traversières, Piano
3
Saxophone et Piano
3
Hautbois, Guitare (duo)
3
Flûte à bec Soprano, Basse continue
2
4 Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
Flûte et Trio à cordes
2
Cornemuse
2
Flute (partie séparée)
2
Clarinette Basse
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Basse continue
1
Melodica
1
Harmonica, Piano
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Flûte, Basson et Piano
1
Hautbois, Harpe
1
Clarinette, Orgue
1
Flûte, Hautbois, Piano (trio)
1
2 Saxophones, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois et alto (duo)
1
3 Hautbois
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Clarinette, Harpe (duo)
1
Flûte à bec, Harpe
1
+ 114 instrumentations
Retracter
Cuivres
Trompette
799
Trombone
628
Trompette, Piano
357
Trombone et Piano
356
Cor et Piano
199
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Cor
139
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba
113
2 Trompettes (duo)
109
2 Trombones (duo)
104
Tuba et Piano
92
Euphonium
67
Cor anglais, Piano
64
Trompette, Cor (duo)
63
Quatuor de Cuivres
55
Euphonium, Piano (duo)
53
Trompette, Trombone (duo)
48
2 Cors (duo)
42
Trompette, Saxophone (duo)
27
Trompette (partie séparée)
20
2 Tubas (duo)
20
Quatuor de cuivres: 4 trombones
18
Quatuor de cuivres: 4 cors
16
2 Euphoniums (duo)
14
Quatuor de cuivres: 4 trompettes
10
Trombone (partie séparée)
9
3 Trombones (trio)
9
Ensemble de Cors
8
Cor Anglais
7
4 Tubas
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Trio de Cuivres
7
3 Tubas (trio)
6
Cor, Violoncelle (duo)
6
Trombone, Cor (duo)
6
Trombone, Orgue
6
Trombone, Tuba (duo)
5
Cor (partie séparée)
5
Ensemble de Trombones
4
Ensemble de Trompettes
4
3 Trompettes (trio)
4
Trompette, Tuba (duo)
4
2 Trombones, Piano
4
3 Cors (trio)
4
Cor et Orgue
3
Euphonium, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
3
Trompette, Basson (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Tuba (partie séparée)
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
1
Trompette, violon (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor, Tuba (duo)
1
Bugle
1
Cor anglais, Guitare (duo)
1
Clarinette, Cor (duo)
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 58 instrumentations
Retracter
Cordes
Violon
837
Quatuor à cordes: 2 violons, alto, violoncelle
686
Violoncelle
569
Alto seul
488
Violon et Piano
409
Violoncelle, Piano
356
Alto, Piano
306
Harpe
240
Violon, Violoncelle (duo)
178
2 Violons (duo)
126
Trio à Cordes: violon, alto, violoncelle
125
2 Violoncelles (duo)
113
Violon, Alto (duo)
108
Quintette à cordes: 2 violons, alto, violoncelle, basse
91
Contrebasse, Piano (duo)
85
2 Altos (duo)
81
Contre Basse
78
Piano Trio: Violon, Alto, Piano
69
Trio à Cordes: 2 violons, violoncelle
42
Alto, Violoncelle (duo)
37
Trio à cordes: 3 violins
26
Alto (partie séparée)
26
4 Violoncelles
22
Violon (partie séparée)
16
Trio à Cordes: 3 violoncelles
16
2 Contrebasses (duo)
16
Quatuor à cordes: 4 violons
14
2 Harpes (duo)
13
Trio à cordes: 3 altos
13
Violoncelle, Contrebasse (duo)
12
Quatuor à cordes : 4 altos
11
Trio à Cordes: 2 violons, alto
10
Violon, Guitare (duo)
9
Harpe, Violon (duo)
9
Alto et Basson
9
Violon, Basson (duo)
9
Violoncelle , Guitare (duo)
8
Violoncelle (partie séparée)
5
2 Violons, Piano
4
Violoncelle, Orgue
4
Violoncelle, Basse continue
4
Harpe, Voix
3
Harpe, Flûte (duo)
3
Alto et Harpe
3
4 Contrebasses
3
Alto, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Harpes
1
Autoharp
1
Contrebasse (partie séparée)
1
2 Violoncelles, Piano
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Batterie
516
Orchestre d'harmonie
438
Cloches
328
Orchestre à Cordes
239
Orchestre
154
Ensemble de cuivres
123
Ensemble Jazz
104
Orchestre de chambre
67
Fanfare
53
Ensemble de Percussions
34
Jazz combo
33
Percussion
25
Xylophone, Piano
14
Marimba
12
Percussion (partie séparée)
11
Vibraphone
10
Batterie (partie séparée)
8
3 Marimbas
4
Xylophone
3
2 Xylophones
3
Ensemble d'École
2
Cajon
1
Bongos
1
Marimba, Piano (duo)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
542
Partitions Numériques
43 113
Librairie Musicale
9 816
Matériel de Musique
17 262
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Can Can""
facile
Partitions à imprimer
43 113 partitions trouvées
<
1
26
51
....
9976
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.68 €
#
Piano, Voix et Guitare
#
Lisa Waites
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
Largo from Symphony No.9 ("From the New World") (Dvorak) - Theme for Solo Piano (Transposed/Easier Key)
Piano Facile
Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spir…
(+)
Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spiritual, TV, Native American. Piano Reduction, Sheet Music Single. 2 pages. Published by RBMusic
This arrangement is not in the original key to make it easier to play. A version in the original key is available here: S0.373007. The Czech composer Antonín Dvoand#345;ák became the director of theNational Conservatory of Music in New York City in 1892 (a post he helduntil 1895). Whilst in North America, he became fascinated by Native Americanmusic and the African-American spirituals that he heard. After a commission in1893 from the New York Philharmonic, he wrote the Symphony No. 9 in E minor,"From the New World", also known as the ?New World? Symphony ? not onlyhis most famous symphony but one of the most popular symphonies of all time. The second movement (Largo) features the famous cor anglaissolo, arranged here for solo piano. It was famously used in a British advert for the bread-brandHovis and was adapted into the spiritual-like song ?Goin? Home? by one ofDvoand#345;ák's pupils in 1922. Dvoand#345;ák explained the Native-American influences in the symphonyin an article published by the New York Herald: ?I have not actually used anyof the [Native American] melodies. I have simply written original themesembodying the peculiarities of the Indian music, and, using these themes assubjects, have developed them with all the resources of modern rhythms,counterpoint, and orchestral colour.? A recording of the ?New World? Symphony was taken along on theApollo 11 mission by Neil Armstrong in 1969.This arrangement is not in the original key to make it easier to play. A version in the original key is available here: S0.373007.
The Czech composer Antonín Dvoand#345;ák became the director of theNational Conservatory of Music in New York City in 1892 (a post he helduntil 1895). Whilst in North America, he became fascinated by Native Americanmusic and the African-American spirituals that he heard. After a commission in1893 from the New York Philharmonic, he wrote the Symphony No. 9 in E minor,"From the New World", also known as the ?New World? Symphony ? not onlyhis most famous symphony but one of the most popular symphonies of all time.
The second movement (Largo) features the famous cor anglaissolo, arranged here for solo piano. It was famously used in a British advert for the bread-brandHovis and was adapted into the spiritual-like song ?Goin? Home? by one ofDvoand#345;ák's pupils in 1922.
Dvoand#345;ák explained the Native-American influences in the symphonyin an article published by the New York Herald: ?I have not actually used anyof the [Native American] melodies. I have simply written original themesembodying the peculiarities of the Indian music, and, using these themes assubjects, have developed them with all the resources of modern rhythms,counterpoint, and orchestral colour.?
A recording of the ?New World? Symphony was taken along on theApollo 11 mission by Neil Armstrong in 1969.
$6.50
5.99 €
#
Piano Facile
#
Antonin Dvorak (1841-1904)
#
Rob Bushnell
#
Largo from Symphony No.9
#
RBMusic
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.52 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.12654…
(+)
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95
30.38 €
#
Dr
#
James M
#
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
#
jmsgu3
#
SheetMusicPlus
O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Co…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Boss #6414353. Published by Connie Boss (A0.801677). This lovely cantata is about how we gather together in song to celebrate the birth of Jesus. It has a Celtic feel and the songs are from several different countries - United States, Ireland, England, France, Germany, Scotland, Italy. There are 8 songs included, 2 originals, 2 medleys and 4 songs that you know and love included also. All of the songs are in SATB with an (optional) accent instrument part (choice of flute, violin or cello - parts included at the end of each score) - the score has the flute part so you can see where the accent instrument fits into the score. A simple piano part is included in each score. The voices and accent instruments help to complete the entire piece. You can also purchase individual songs on here separately if you choose to not purchase the whole cantata. However, it is a bargain to purchase the cantata. There are narration parts before each song that give a little history of the song. You can opt out of using them if desired. The titles of the songs are: 1. Baby, Jesus, Was Born Unto This Earth. (original) 2. Christ Child's Lullaby. 3. Bring a Torch Jeanette, Isabella. 4. Christmas Carols - Coventry and Wexford. 5. Good Christian Men Rejoice. 6. O Come Let Us Adore Him, Christ the Lord - (In the Bleak Midwinter, Gesu Bambino, The Snow Lay on the Ground) 7. Peace on Earth (original) 8. Sing We Now of Christmas. Take a little time to listen to the mp3 attached. It has computer voices, but you can get an idea of what it is supposed to sound like. It also has one of the instrument parts as a sample and then the piano on each one. Any questions, please email me at cdboss@cvalley.net. I'm glad to work with you. This is my 5th cantata and most recent one. You can purchase the other 4 on here - check them out. You can also purchase in book form any of these on Amazon. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. .
$7.00
6.45 €
#
Piano, Voix et Guitare
#
Connie Boss
#
O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
#
Connie Boss
#
SheetMusicPlus
There Came a Wind like a Bugle
Chorale 2 parties
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1395757 By Gerda Blok…
(+)
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instructional. 16 pages. CanSing #979129. Published by CanSing (A0.1395757). Gerda Blok-Wilson’s new composition of Emily Dickinson’s “There Came a Wind Like a Bugle†is a lively setting for SA voices with piano accompaniment. It portrays the arrival of a powerful wind and tells of its effects on the surroundings and impending disaster it brings. The piece has an ominous, almost supernatural sense that is driving to the end.Although the choral or duet piece would work at any time of year, it could set the tone for a Halloween concert, adding an eerie atmosphere and sense of mystery.Beautiful demo recording by ROCKY MOUNTAIN CHAMBER CHOIR - https://www.rockymountainchamberchoir.com/ Visit: www.gerdablokwilson.ca for a comprehensive selection of UPPER, LOWER and MIXED VOICE RepertoirGreat festival selection!YouTube: https://youtu.be/7elBk2jDogkSuggested themes: Nature’s powerFear of the unknownImpermanence and changeResilienceThe Inevitability of Fate. #ChoralMusic #EmilyDickinson #ChoralComposer #ChoirLife #PoetryInMusic #ChoralMagic #ChoralCanada #UpperVoices #Piano #FestivalSelection #GerdaBlok #rmccvc Social Media informationYoutube: Cansing ChoralInstagram: gerdachoralcomposerFaceBook: Gerda Blok-WilsonTwitter: @BlokWilsonThreads: gerdachoralcomposer Email: gerda.blokwilson@gmail.com for information about individual practice files. Also, I’d love to hear a video performance of your choir. Please send. Gerda Blok-Wilson, a Canadian composer, conductor, and educator, is a fervent advocate for the transformative power of choral singing and its remarkable ability to inspire people with diverse abilities. Her motto reflects that belief: If you can talk, you can sing! Since 2018, Gerda has dedicated herself to compiling and editing her compositions for publication. Her portfolio ranges from musicals and choral works tailored to nurture budding choirs to advanced choral repertoire that has garnered acclaim through live performances and recordings. Gerda is artist in residence at St. Patrick’s Regional High School in Vancouver and serves as the artistic director for the Vancouver Cansing Community Choir, which she founded in 2010. She is a frequent guest rehearsal conductor, helping local choirs polish their performances. Gerda's educational background includes a Bachelor of Music, a Kodály Teaching certificate, and a Master of Education with a focus on Kodály pedagogy.
$2.25
2.07 €
#
Chorale 2 parties
#
Gerda Blok-Wilson
#
There Came a Wind like a Bugle
#
CanSing
#
SheetMusicPlus
Jaime Nuno Roca: Himno Nacional Mexicano (Mexican Anthem) instantly for piano, voice or other instruments
Piano, Voix
This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skil…
(+)
This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skill level from the original composition by Jaime Nuno Roca. This title is available as instant sheet music download. Contents: Mexican Anthem,patriotic, national anthem, mexico anthem / patriotic,traditional,hymn,multicultural,world,olympics,festival
$2.99
2.76 €
#
Piano, Voix
#
Jaime Nuno Roca
#
Virtualsheetmusic
American Heritage Harp Volume 1
Harpe
Harp - Early Intermediate - Digital Download Arranged by Louise Trotter. Folk, Old-ti…
(+)
Harp - Early Intermediate - Digital Download Arranged by Louise Trotter. Folk, Old-time, Americana. 22 pages. Published by Afghan Press Music for the Harp
A nice collection of American tunes that we sometimes neglect to honor as a rich part of our heritage. Red River Valley has an easy solo version, and an intermediate solo version, both of which can be played together as a duet. Streets of Laredo has an easy solo version and three other versions of a more difficult nature, any of which can be played together, or one after another for an elongated performance of the tune. Shenandoah has an easy harp solo rendition and a version with large chords in the right hand. They can stand alone or be played in duet form. Arkansas Traveler/Turkey in the Straw medley is a clever stand-alone solo. Camptown Races has a very easy solo adaptation, plus two other versions just a bit more challenging, though not much. For Amazing Grace, there is an easy key of C version, a pedal harp key of C version, and an easy key of G version. There is a lower intermediate key of G secondo part, as well as a modulation to the key of C. <br> Table of Contents: Red River Valley, Streets of Laredo, Shenandoah, Arkansas Traveler, Turkey in the Straw, Camptown Races and Amazing GraceA nice collection of American tunes that we sometimes neglect to honor as a rich part of our heritage. Red River Valley has an easy solo version, and an intermediate solo version, both of which can be played together as a duet. Streets of Laredo has an easy solo version and three other versions of a more difficult nature, any of which can be played together, or one after another for an elongated performance of the tune. Shenandoah has an easy harp solo rendition and a version with large chords in the right hand. They can stand alone or be played in duet form. Arkansas Traveler/Turkey in the Straw medley is a clever stand-alone solo. Camptown Races has a very easy solo adaptation, plus two other versions just a bit more challenging, though not much. For Amazing Grace, there is an easy key of C version, a pedal harp key of C version, and an easy key of G version. There is a lower intermediate key of G secondo part, as well as a modulation to the key of C. <br> Table of Contents: Red River Valley, Streets of Laredo, Shenandoah, Arkansas Traveler, Turkey in the Straw, Camptown Races and Amazing Grace
$10.00
9.22 €
#
Harpe
#
Louise Trotter
#
American Heritage Harp Volume 1
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - easy - Digital Download Method for descant recorder. This edition:…
(+)
Descant recorder - easy - Digital Download Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable. Op Tune Book 1. Schott Music - Digital #Q49185. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.21 €
#
Flûte à bec Soprano
#
Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Eternal Father, Strong to Save (The United States Navy Hymn)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
1.83 €
#
Chorale SATB
#
Music by John B
#
James F
#
Eternal Father, Strong to Save
#
Military Bible Association
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Soprano recorder - easy - Digital Download Method for descant recorder. This edition:…
(+)
Soprano recorder - easy - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 1. Schott Music - Digital #Q54873. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> &bull. Discover the adventure of learning the recorder<br> &bull. Make real progress through games: breathing<br> &bull. A mixture of lively new and traditional tunes<br> &bull. Three supplementary tune books each with a sheet of stickers<br> &bull. Teacher's commentary<br> &bull. Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> ".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor book every success and happiness with their recorder playing.English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> &bull. Discover the adventure of learning the recorder<br> &bull. Make real progress through games: breathing<br> &bull. A mixture of lively new and traditional tunes<br> &bull. Three supplementary tune books each with a sheet of stickers<br> &bull. Teacher's commentary<br> &bull. Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> ".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor book every success and happiness with their recorder playing.
$9.99
9.21 €
#
Flûte à bec Soprano
#
Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Light the Candle: A Collection of Advent Candlelighting Resources
Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Co…
(+)
Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Composed by Michael Burkhardt. Advent, Christmas, Advent Candlelighting. 46 pages. MorningStar Music Publishers - Digital Sheet Music #80-120-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-120-E). English.A thoughtful and comprehensive source of Advent resources. Structured under five varied themes, each having a candlelighting song and some sort of specific litany or responses, this comes from the creative brain of Michael Burkhardt, an expert at aligning music and liturgy.
$12.00
11.06 €
#
Michael Burkhardt
#
Light the Candle: A Collection of Advent Candlelighting Resources
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
O Canada
Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1217531 Composed by A. R…
(+)
Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1217531 Composed by A. Routhier/C Lavallee. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Traditional. Octavo. 6 pages. Bill ORANGE Lyons #814082. Published by Bill ORANGE Lyons (A0.1217531). So, why would an American arrange O Canada? Well, for one, it's one of best anthems around. Truth be told, I used to direct a choir I founded (called the Orange Korale) and we were doing the Star-Spangled Banner for various MLB teams and knew eventually we'd need to sing the Canadian Anthem and finally had that chance for the Toronto team while playing here in the states and they loved it, and I think you will too.Wanting to keep it simple, I did not incorporate any French verse(s) so I hope you'll simply enjoy this simple but beautiful piece. Although it states written for SAATB, there is one place where the alto splits but only for a few notes. It is an easy arrangement but one that should be pleasing to all who hear it. This is a very easy chart to perform. Just tell them it was arranged by someone in one of the 'southern' provinces. I won't tell if you don't. :-).
$2.02
1.86 €
#
A
#
Bill ORANGE Lyons
#
O Canada
#
Bill ORANGE Lyons
#
SheetMusicPlus
The Sands of Time Movement II: Go Down Moses
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Star…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
18.44 €
#
Orchestre d'harmonie
#
Peyton T
#
The Sands of Time Movement II: Go Down Moses
#
Starkweather Arts Publications
#
SheetMusicPlus
Emmanuel Comes!: An Advent Service of the Word (Downloadable Choral Score)
Congregation and piano or organ, with optional choir (SATB), flute, oboe, and guitar - Eas…
(+)
Congregation and piano or organ, with optional choir (SATB), flute, oboe, and guitar - Easy - Digital Download SKU: MQ.50-0050-E Composed by James Biery and Marilyn Biery. Advent, Advent Candlelighting. 19 pages. MorningStar Music Publishers - Digital Sheet Music #50-0050-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0050-E). This collection of 5 selections for Advent includes 2 canticles, a song for the lighting of the Advent candle, a song for the presentation of the gifts, and a sung prayer. All texts are by Marilyn Biery with music by James Biery. Each component may be used individually, or they may by used together to create an entire service. A very unique and refreshing service.Selections include: Listen to the Voice of Gladness Lighting of the Advent Candle Presentation of the Gifts The Prayers Rejoice, Rejoice, God's Kingdom is Coming.
$3.15
2.9 €
#
James Biery and Marilyn Biery
#
Emmanuel Comes!: An Advent Service of the Word
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Calixa Lavallee: O Canada! (COMPLETE) instantly for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the ori…
(+)
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$9.99
9.21 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Calixa Lavallee
#
Virtualsheetmusic
Calixa Lavallee: O Canada! (f.score) instantly for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the ori…
(+)
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$3.99
3.68 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Calixa Lavallee
#
Virtualsheetmusic
Calixa Lavallee: O Canada! (parts) instantly for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the ori…
(+)
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$7.99
7.37 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Calixa Lavallee
#
Virtualsheetmusic
Calixa Lavallee: O Canada! for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
This is an exclusive arrangement for string quartet of EASY skill level from the original …
(+)
This is an exclusive arrangement for string quartet of EASY skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival,children
$5.99
5.52 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Calixa Lavallee
#
Virtualsheetmusic
Calixa Lavallee: O Canada! for brass quartet
Quatuor de Cuivres
This is an exclusive arrangement for brass quartet of EASY skill level from the original c…
(+)
This is an exclusive arrangement for brass quartet of EASY skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival,children
$5.99
5.52 €
#
Quatuor de Cuivres
#
Calixa Lavallee
#
Virtualsheetmusic
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
(+)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
jmsgu3
#
SheetMusicPlus
Ameriican Requiem
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Bey…
(+)
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, Dan Walsh, Darius Dixson, Derek Dixie, Ink, Jonathan Batiste, Khirye Tyler, Michael Price, No I.d., Shawn Carter, Stephen Stills, and Tyler Johnson. Arranged by Charles Beale. 21st Century,Pop,R & B. 2 pages. Charliebmusic #1030297. Published by charliebmusic (A0.1450753). This powerful 45 second anthemic song by Beyoncé is about change. It points out that for things to stay the same, they have to change again. It speaks both to the African American experience in the US, and has a universal message that is applicable to climate change, LGBTQIA+ life, and indeed anyone who is going through grief or a time of change.The song went viral in Spring 2024, and many versions appeared on social media done by teens and choirs large and small.This TTBB arrangement would suit the opening of a Pride concert, a school concert or any context where you want to pull an audience in with simple strong church harmonies.
$1.99
1.83 €
#
Chorale TTBB
#
Beyonce
#
Charles Beale
#
Ameriican Requiem
#
charliebmusic
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Can Can""
