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--INSTRUMENTS--
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DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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OCARINA
ORCHESTRE
ORGUE
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PIANO
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The Go Go
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355
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322
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255
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171
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47
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33
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29
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16
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6
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5
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4
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4
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4
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2
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1
+ 9 instrumentations
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33
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4
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2
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1
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54
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39
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38
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36
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29
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24
Trombone
23
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21
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18
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13
Trompette
13
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10
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9
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8
2 Cors (duo)
7
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5
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5
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3
Trompette, Saxophone (duo)
3
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2
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2
2 Tubas (duo)
2
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2
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1
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1
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86
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54
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48
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42
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39
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31
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26
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24
Contre Basse
19
2 Violons (duo)
19
Harpe
15
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15
2 Violoncelles (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Altos (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
7
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Alto (partie séparée)
2
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Alto, Violoncelle (duo)
1
+ 26 instrumentations
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35
Orchestre à Cordes
22
Cloches
20
Orchestre
18
Batterie
17
Fanfare
13
Ensemble de cuivres
7
Orchestre de chambre
5
Ensemble Jazz
4
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4
Xylophone, Piano
3
Vibraphone
3
Marimba
3
Vibraphone et Marimba
1
Jazz combo
1
Ensemble de Percussions
1
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3751
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
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Howard Goodall
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Beatitude IV: Beati qui lugent
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes...
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
How Far I'll Go
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Alessia Cara
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Alex E
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How Far I'll Go
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Müller Publishing company
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SheetMusicPlus
Bell (or Triangle),Caxixi,Cymbals,Drums,Flute,Glockenspiel,Orff Instrument,Piano Accompaniment,Soprano Recorder,Xylophone - Level 2 - SKU: A0.1402260 By...
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Bell (or Triangle),Caxixi,Cymbals,Drums,Flute,Glockenspiel,Orff Instrument,Piano Accompaniment,Soprano Recorder,Xylophone - Level 2 - SKU: A0.1402260 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Alex E. Children,Film/TV,Pop,Standards,Video Game. 22 pages. Müller Publishing company #985467. Published by Müller Publishing company (A0.1402260). Discover how far you can go with the special arrangement of the song 'How Far I'll Go' from the movie Moana. Now available in a version specially crafted for ORFF groups, designed for children to play and have fun.With this tailor-made arrangement for ORFF groups, children will have the opportunity to explore the enchantment of music in an interactive way. The ORFF instruments, such as flute, soprano recorder, glockenspiel, soprano metallophone, soprano xylophone, alto metallophone, alto xylophone, bass metallophone, bass xylophone, afoxé, caxixi, triangle, cymbal, drum, and piano, will provide an engaging and lively musical experience.Our sheet music has been adapted with simplified notes and instrumental accompaniment suitable for children. It is designed to make music learning fun and accessible, allowing each child to discover and develop their musical skills while playing 'How Far I'll Go'.Let the children be captivated by the magic of Moana and her exciting journey through music. With the special arrangement for ORFF groups, they can express themselves musically and have a blast playing this captivating song.Don't miss the opportunity to provide a unique musical experience for children with the arrangement of 'How Far I'll Go'. Stimulate creativity, teamwork, and a love for music as they explore the sounds and rhythms of this thrilling melody.Get the special arrangement for ORFF groups of 'How Far I'll Go' now and embark on a musical adventure with the children. Let them discover how far they can go through music and celebrate the spirit of Moana together.
$24.99
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
Anthem for Sacred Youth Choir - "Go Make A Difference"
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Chorale 3 parties
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FACILE
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Steve Angrisano and Tom Tomasz
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Kenneth Martin
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Anthem for Sacred Youth Choir
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Martin Music Editions
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590). Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.Based on the timeless wisdom of Matthew 5:13–16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a song—it's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!
$2.10
Denmark: The Two National Anthems
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anth
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatr...
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Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
Day-o (the Banana Boat Song)
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Harry Belafonte
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Eve C
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Day-o
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Zene Strings
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.515991 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Film/TV,Folk...
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String Ensemble,String Trio - Level 2 - SKU: A0.515991 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Film/TV,Folk,Multicultural,Pop,World. Score and parts. 13 pages. Zene Strings #6521411. Published by Zene Strings (A0.515991). Day-O (The Banana Boat Song) is a traditional Jamaican folk song, commonly classified as calypso music.  It is a work song sung from the point of view of dock workers who have finished their night shift and are loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.This is a fun little song, both to play, and to hear -- perfect for parties, and other events.  This arrangement is for string trio, with the middle part included in both treble and alto clef, giving you the freedom to perform the piece with either two violins and cello, or violin, viola and cello. From your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
The Joy of the LORD is your Strength (variation 4)
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Flûte traversière
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FACILE
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Edigles Guedes
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The Joy of the LORD is your St
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Edigles Guedes
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1001252 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pages. Edigles Gue...
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Flute Solo - Level 2 - SKU: A0.1001252 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pages. Edigles Guedes #6437087. Published by Edigles Guedes (A0.1001252). The present musical piece is a compositional study. Duration of work: 5:13 min. Inspired by the biblical verse: Then he said unto them, Go your way, eat the fat, and drink the sweet, and send portions unto them for whom nothing is prepared: for this day is holy unto our Lord: neither be ye sorry; for the joy of the LORD is your strength. (Nehemiah 8:10 - KJV).
$2.99
The Joy of the LORD is your Strength (variation 3)
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Flûte traversière
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FACILE
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Edigles Guedes
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The Joy of the LORD is your St
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Edigles Guedes
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1001251 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pages. Edigles Gue...
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Flute Solo - Level 2 - SKU: A0.1001251 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pages. Edigles Guedes #6437079. Published by Edigles Guedes (A0.1001251). The present musical piece is a compositional study. Duration of work: 5:10 min. Inspired by the biblical verse: Then he said unto them, Go your way, eat the fat, and drink the sweet, and send portions unto them for whom nothing is prepared: for this day is holy unto our Lord: neither be ye sorry; for the joy of the LORD is your strength. (Nehemiah 8:10 - KJV).
$2.99
The Joy of the LORD is your Strength (variation 2)
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Flûte traversière
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FACILE
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Edigles Guedes
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The Joy of the LORD is your St
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Edigles Guedes
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1001249 Composed by Edigles Guedes. Christian,Contemporary,Spiritual. Individual part. 2 pages. Edigles Guedes #6437053. ...
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Flute Solo - Level 2 - SKU: A0.1001249 Composed by Edigles Guedes. Christian,Contemporary,Spiritual. Individual part. 2 pages. Edigles Guedes #6437053. Published by Edigles Guedes (A0.1001249). The present musical piece is a compositional study. It is suitable for students at an early intermediate level flute. Duration of work: 5:13 min. Inspired by the biblical verse: Then he said unto them, Go your way, eat the fat, and drink the sweet, and send portions unto them for whom nothing is prepared: for this day is holy unto our Lord: neither be ye sorry; for the joy of the LORD is your strength. (Nehemiah 8:10 - KJV).
$2.99
We Got The Beat
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Chorale 3 parties
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FACILE
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The Go Go's
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Kathleen McGuire
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We Got The Beat
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1201696 By The Go Go's. By Charlotte Caffey. Arranged by Kathleen McGuire. New Age,Pop,Rock. Octavo. 11 pages. Ka...
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Choral Choir (SSA) - Level 2 - SKU: A0.1201696 By The Go Go's. By Charlotte Caffey. Arranged by Kathleen McGuire. New Age,Pop,Rock. Octavo. 11 pages. Kathleen McGuire #800308. Published by Kathleen McGuire (A0.1201696). Written by American girl band the Go-Go's keyboardist Charlotte Coffey, WE GOT THE BEAT is a new wave classic 1980s hit and the band's signature song. It was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. For audiences and choirs of all ages, this arrangement is fun, up-tempo and high-energy, including scored hand claps in the a cappella section. Originally performed by the Seattle Women's Chorus, Kathleen McGuire's arrangement includes unison singing and easy harmonies combined with plenty of variety and each vocal part sharing the melody in the verses. Add some choralography (or a few Go-Go dancers!) to really take your performance to the next level, especially in the instrumental sections!Adding a drum set is essential, and to really capture the '80s feel, add the whole Instrumental Pack (with Full Score, available separately HERE): Alto Sax, Violin, Synthesizer, Electric Guitar, Bass Guitar, Drum Set.
$1.99
The Sands of Time Movement II: Go Down Moses
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Orchestre d'harmonie
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FACILE
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts...
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Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
We Got The Beat
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Chorale 2 parties
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FACILE
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Rock
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The Go Go's
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Kathleen Henson
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We Got The Beat
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Kathleen Henson
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1377780 By The Go Go's. By Charlotte Caffey. Arranged by Kathleen Henson. Pop,Rock. 8 pages. Kathleen Henso...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1377780 By The Go Go's. By Charlotte Caffey. Arranged by Kathleen Henson. Pop,Rock. 8 pages. Kathleen Henson #962376. Published by Kathleen Henson (A0.1377780). Dive into the vibrant rhythms of the 80s with our Soprano Alto choral arrangement of the Go-Go's iconic hit, We Got The Beat. Perfectly crafted for Soprano and Alto voices, this arrangement captures the energetic pulse and the punky, upbeat spirit of the original track, tailored for the range and texture of a female or treble choir.
$1.99
THE HELLO AND GOODBYE SONG
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Piano, Voix
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FACILE
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Marilynn Seits
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THE HELLO AND GOODBYE SONG
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M Seits Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing #2029095. Publis...
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Piano,Vocal,Voice - Level 2 - SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing #2029095. Published by M Seits Publishing (A0.953784). The Hello and Goodby Song, composed by Marilynn Seits, is a delightful and easy to sing song that can be used at the beginning and end of classes for young children. In this song, the teacher sings Hello (or Good Bye) to all the boys & girls and then goes around the room for a Hello (or Good Bye) to each individual by name. After the children are familiar with the song, they can sing their own names and clap their hands to the rhythm as they go around the room. It's easy to add parents, grandparents or visitors names to the lyrics and it appropriate for children from nursery school through ages 6 or 7. There is an easy piano accompaniment & chord symbols for left hand piano or guitar. It's the key of D major which is easy for children & adults to sing in.
$2.99
Breathe
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Piano seul
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FACILE
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Classique
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Emma Theresa
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Breathe
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Emma Theresa
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.490197 By Emma Theresa. By Emma Theresa. Classical. Score. 6 pages. Emma Theresa #105497. Published by Emma Theresa (A0.4...
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Piano Solo - Level 2 - SKU: A0.490197 By Emma Theresa. By Emma Theresa. Classical. Score. 6 pages. Emma Theresa #105497. Published by Emma Theresa (A0.490197). This song is called ‘Breathe’ because it is for everyone who feels like they can’t breathe right now. Some people feel like they can’t breathe because they have covid, have to wear a mask, have lost their job, are experiencing abuse or mental illness, and the list could go on and on. I hope that through listening to this piece they will be encouraged.
$2.29
Theme from Dvorak New World Symphony (Largo) for six 'cellos
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Violoncelle
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FACILE
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Classique
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Antonin Dvorak
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Theme from Dvorak New World Sy
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Perio...
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Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Period. Individual part. 10 pages. Samantha Bramley #6009463. Published by Samantha Bramley (A0.800215). Theme from ‘New World Symphony’ by Dvorak – 2nd Movement ‘Largo’ This is a six ‘cello version of the famous Largo theme from the second movement of Dvorak’s ‘New World Symphony.’ The duration of the arrangement is 3 and a half minutes, making it a nice encore or perfect for inclusion in a varied program. All parts are written in bass clef and none go above 4th position, making it ideal for a student ensemble. If played by a ‘cello orchestra (rather than 6 individual ‘cellists) the solo and tutti markings should be observed with dynamics varied accordingly. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$12.99
We Got The Beat
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Chorale TTBB
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FACILE
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Film/TV
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The Go Go's
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Jamie Bearden
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We Got The Beat
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Jamie Marie Bearden
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1014616 By The Go Go's. By Charlotte Caffey. Arranged by Jamie Bearden. Film/TV. Octavo. 4 pages. Jamie Marie Be...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1014616 By The Go Go's. By Charlotte Caffey. Arranged by Jamie Bearden. Film/TV. Octavo. 4 pages. Jamie Marie Bearden #6711229. Published by Jamie Marie Bearden (A0.1014616). Fun, easy arrangement of this 80's classic by the GoGos for women's barbershop.
$12.99
Waltz of the Roses (Think of My Love As A Rose), for SA Chorus Piano, Theme from The Snow Queen, A B
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Chorale 2 parties
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.730414 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369775. Pub...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.730414 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369775. Published by James Nathaniel Holland (A0.730414). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for SA Chorus or Individual Soprano or Alto Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
I WANT TO BE THERE TO HEAR GOD SINGING - SATB with piano accompanyment.
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Chorale SATB
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FACILE
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Musique Sacrée
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PAUL A
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Paul A
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I WANT TO BE THERE TO HEAR GOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacre...
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Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #2027759. Published by Paul A. Jorg (A0.522294). The following scriptures support the fact that God is a musician. He not only composes, but He SINGS! God composed a song which He gave to Moses to teach the children of Israel - The Song of Moses. Deut. 31:19 Now write down for yourselves this song and teach it to the Israelites and have them sing it....... The first lines of the song go like this: Deut. 32:1-4 Listen, O heavens, and I will speak; hear, O earth, the words of my mouth. Let my teaching fall like rain and my words descend like dew, like showers on new grass, like abundant rain on tender plants. I will proclaim the name of the LORD. Oh, praise the greatness of our God! He is the Rock, His works are perfect, and all His ways are just. A faithful God who does no wrong, upright and just is He. This song will be sung by the redeemed in heaven! Revelation 15:2,3 And I saw what looked like a sea of glass mixed with fire and, standing beside the sea, those who had been victorious over the beast and his image and over the number of his name. They held harps given them by God and sang the song of Moses the servant of God and the song of the Lamb: Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages. AND GOD SINGS! Zephaniah 3:17: The LORD your God is with you, He is mighty to save. He will take great delight in you, he will quiet you with his love, He will rejoice over you with SINGING. I WANT TO BE THERE TO HEAR GOD SINGING UP IN GLORY!
$4.59
Go, Tell It on the Mountain [piano solo]
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Piano seul
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Juan MarÃa Solare
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Juan Maria Solare
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Go, Tell It on the Mountain [p
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas...
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Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas,Classical,Contemporary,Praise & Worship,Traditional. Score. 4 pages. Juan Maria Solare #6486845. Published by Juan Maria Solare (A0.596626). 'Go Tell It on the Mountain': this song is one of my earliest memories: it was sung at church (in Spanish!) when I was a little child. Much later I learned that the original melody was a world famous African-American Spiritual and that it was also used as a protest song in the USA in the 50es-60es. Therefore, 'Go Tell it on the Mountain' is a Christmas carol that celebrates the Nativity of Jesus, but sometimes refers implicitly to the civil rights struggle. This piano arrangement was made by Juan MarÃa Solare, Argentinean pianist and composer, recorded and released on Spotify an all other streaming platforms. Go Tell It on the Mountain (piano) on all platforms Go Tell It on the Mountain (piano) directly in Spotify Go Tell It on the Mountain (piano) on YouTube 'Go Tell It on the Mountain': esta canción es uno de mis primeros recuerdos: se cantaba en la iglesia (¡en español!) cuando yo era un niño. Mucho más tarde me enteré de que la melodÃa original era un Spiritual y que incluso se utilizó como canción de protesta en los Estados Unidos en los años 50 y 60. Go tell it on the mountain es un villancico que celebra la Natividad de Jesús, pero que a veces se refiere implÃcitamente a la lucha por los derechos civiles. Este arreglo para piano fue realizado por Juan MarÃa Solare, pianista y compositor argentino, grabado y lanzado en Spotify y demás platformas de streaming. Go Tell It on the Mountain (piano) en todas las plataformas Go Tell It on the Mountain (piano) directamente en Spotify Go Tell It on the Mountain (piano) en YouTube
$2.22
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