English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
16
Partitions
Numériques
13 212
Librairie
Musicale
6 171
Matériel
de Musique
129
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1872
PIANO & CLAVIERS
Piano, Voix
2116
Piano seul
694
Piano, Voix et Guitare
97
Piano Trio: piano, violon, violoncelle
40
Orgue
40
1 Piano, 4 mains
30
Accompagnement Piano
26
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Facile
20
Orgue, Trompette (duo)
13
Accordéon
11
Instruments en Do
10
2 Pianos, 4 mains
10
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
2 Accordéons
4
Clavecin
4
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
121
Guitare
56
2 Guitares (duo)
20
Basse electrique
18
Piano, Guitare (duo)
13
Ukulele
9
Mandoline, Piano (duo)
7
3 Guitares (trio)
7
4 Guitares (Quatuor)
6
Mandoline
4
Dulcimer
4
Ensemble de guitares
4
Ligne De Mélodie, (Paroles) et Accords
3
2 Mandolines (duo)
2
Banjo
2
2 Dulcimers (duo)
1
3 Dulcimers (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
835
Chorale 3 parties
267
Chorale TTBB
192
Chorale SSAA
88
Chorale 2 parties
44
Voix duo, Piano
22
Voix seule
18
Voix duo
13
Chorale Unison
7
Chorale SSATB
7
Voix Soprano, Piano
6
Voix basse, Piano
5
Voix haute
5
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Chorale SSAB a cappella
2
Voix Alto, Piano
2
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
Voix Soprano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
277
Clarinette et Piano
157
Hautbois, Piano (duo)
155
Saxophone Alto et Piano
149
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
137
Quatuor de Saxophones: 4 saxophones
133
Quatuor de Clarinettes: 4 clarinettes
105
Saxophone Tenor et Piano
94
Quintette de Saxophone: 5 saxophones
75
Flûte, Hautbois, Clarinette, Basson
75
2 Saxophones (duo)
72
Quatuor de Flûtes : 4 flûtes
71
3 Clarinettes (trio)
68
Trio de Flûtes: 3 flûtes
65
2 Flûtes traversières (duo)
65
Saxophone Soprano et Piano
61
Saxophone Baryton, Piano
53
2 Clarinettes (duo)
43
3 Saxophones (trio)
42
Clarinette Basse, Piano
36
Flûte, Clarinette et Basson
32
Ensemble de Flûtes
31
Cor anglais, Piano
30
Flûte, Hautbois, Clarinette (trio)
29
Quintette de Clarinettes: 5 clarinettes
29
Flûte et Guitare
28
Ensemble de Clarinettes
27
Clarinette
24
Ensemble de saxophones
23
Hautbois, Clarinette, Basson (trio d'anches)
21
Flûte, Violon, Piano
21
Flûte traversière
19
Flûte, Clarinette (duo)
19
Flûte irlandaise
18
2 Hautbois (duo)
18
Quatuor de Flûtes à bec
17
Flûte, Violoncelle, Piano (trio)
17
Clarinette, Guitare (duo)
16
Flûte, Harpe et Violoncelle
11
Saxophone Alto
11
Clarinette, Violon (duo)
11
Flûte, Violon
11
Flûte, Hautbois, Basson
11
Flûte, Violon et Violoncelle
11
Hautbois, Basson (duo)
10
Quintette de Flûte : 5 flûtes
10
Flûte, Hautbois, Violon
10
Flûte, Clarinette, Piano (trio)
10
Clarinette, Harpe (duo)
9
2 Clarinettes, Piano
9
Flûte, Clarinette, Violon (trio)
8
2 Clarinettes, Basson
7
Flûte, Alto et Piano
6
Clarinette, Basson (duo)
6
Clarinette, Violoncelle, Piano (trio)
5
Hautbois (partie séparée)
5
Hautbois, Clarinette (duo)
5
Cor anglais, Guitare (duo)
5
5 Flûtes à bec
5
Flûte, trombone et piano
4
Clarinette, Trompette (duo)
4
Flûte, Violoncelle
4
Clarinette et Alto
4
Flute, harpe et violon
4
Saxophone et Guitare
4
Flûte, Basson et Piano
4
Flûte, Saxophone (duo)
4
Clarinette, Violoncelle (duo)
4
Saxophone, Clarinette (duo)
4
Ensemble De Flûte à bec
3
Flûte, Hautbois (duo)
3
2 Flûte à bec (duo)
3
Flûte à Bec
3
Flûte, Violoncelle, Guitare
3
2 Flûtes traversières, Piano
3
Saxophone Tenor
3
Flûte, Alto (duo)
3
3 Flûtes à bec (trio)
2
Flûte traversière, Orgue (duo)
2
Flute, Cor (duo)
2
Hautbois, Harpe
2
Hautbois, violon (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trombone (duo)
2
Cor anglais et Harpe (duo)
1
Saxophone
1
2 Saxophones, Piano
1
Hautbois et alto (duo)
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Flûte et Trio à cordes
1
Saxophone, Violon (duo)
1
Saxophone et Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo, Piano
1
Clarinette, trompette et piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
Saxophone (partie séparée)
1
2 Flûtes à bec, Piano
1
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Flûte, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone, Basson (duo)
1
Flûte, Violon, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
193
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trombone et Piano
93
Trompette, Piano
80
Cor et Piano
79
Euphonium, Piano (duo)
54
Tuba et Piano
42
Quatuor de cuivres: 4 trombones
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trompette
31
Cor anglais, Piano
30
Quatuor de Cuivres
27
2 Cors (duo)
22
Trombone
15
2 Trombones (duo)
14
2 Trompettes (duo)
14
Quatuor de cuivres: 4 cors
11
Ensemble de Trompettes
11
Trompette, Trombone (duo)
8
Ensemble de Cors
7
Euphonium, Tuba (duo)
6
3 Trompettes (trio)
6
Cor
6
Cor anglais, Guitare (duo)
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
Ensemble de Trombones
4
Trio de Cuivres
4
2 Euphoniums (duo)
3
Trompette, Saxophone (duo)
3
Trombone basse
3
4 Tubas
3
Trombone, Orgue
2
Trombone, Tuba (duo)
2
Trompette, Basson (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Trombone basse et Piano
2
Cor anglais et Harpe (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Violoncelle et Piano
1
Tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Cor, Trompette, Trombone (trio)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
Trombone, violoncelle (duo)
1
3 Cors (trio)
1
Trombone, Violon (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
436
Violon et Piano
298
Violoncelle, Piano
203
Trio à Cordes: violon, alto, violoncelle
158
Alto, Piano
156
Violon, Violoncelle (duo)
90
Trio à Cordes: 2 violons, violoncelle
74
2 Violons (duo)
49
Violoncelle
42
Contrebasse, Piano (duo)
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Harpe
30
Violon
29
Harpe, Flûte (duo)
29
2 Violoncelles (duo)
26
Violon, Alto (duo)
24
2 Altos (duo)
22
Trio à cordes: 3 violins
21
Trio à Cordes: 3 violoncelles
15
Trio à Cordes: 2 violons, alto
14
Violoncelle , Guitare (duo)
14
Violon, Guitare (duo)
13
4 Violoncelles
12
Alto seul
12
Alto, Guitare (duo)
10
Piano Trio: Violon, Alto, Piano
9
Harpe, Violon (duo)
8
Alto, Violoncelle (duo)
8
Harpe et Piano
7
Harpe, Violon, Violoncelle
7
2 Harpes (duo)
6
Trio à cordes: 3 altos
5
Violon, Basson (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Ensemble de Violoncelles
3
2 Violons, Piano
3
Violon, Clarinette, Piano (trio)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contre Basse
3
Alto (partie séparée)
3
2 Violoncelles, Piano
2
Violoncelle, Orchestre
2
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Ensemble de Violons
1
2 Contrebasses (duo)
1
Trio à cordes
1
Ensemble d'Altos
1
Alto et Basson
1
Harpe, Voix
1
2 Altos, Piano
1
Violon, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
182
Orchestre d'harmonie
108
Ensemble de cuivres
107
Cloches
71
Orchestre
70
Ensemble Jazz
54
Orchestre de chambre
40
Fanfare
22
Jazz combo
19
Batterie
17
Ensemble de Percussions
15
Marimba
6
Batterie-Fanfare
2
Xylophone
1
Marimba, Piano (duo)
1
2 Xylophones
1
2 Marimbas
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
18
Vous avez sélectionné:
11 pages.
intermédiaire
Partitions à imprimer
13 212 partitions trouvées
<
1
26
51
....
9976
Apollo 11 (Homecoming)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Le…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50
2.29 €
#
Chorale SATB
#
Glyn Lehmann
#
Apollo 11
#
Glyn Lehmann
#
SheetMusicPlus
B. Godard-Le voyageur,in f minor,Op.11 No.11
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385165 Composed by Benjamin…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385165 Composed by Benjamin Godard. Arranged by OSM Press. Classical. Score. 11 pages. Open Cloud #969171. Published by Open Cloud (A0.1385165).
$8.99
8.22 €
#
Piano, Voix
#
Benjamin Godard
#
OSM Press
#
B. Godard-Le voyageur,in f minor,Op.11 No.11
#
Open Cloud
#
SheetMusicPlus
B. Godard-Chanson arabe,in e minor,Op.19 No.11
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385166 Composed by Benjamin…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385166 Composed by Benjamin Godard. Arranged by OSM Press. Classical. Score. 11 pages. Open Cloud #969172. Published by Open Cloud (A0.1385166).
$8.99
8.22 €
#
Piano, Voix
#
Benjamin Godard
#
OSM Press
#
B. Godard-Chanson arabe,in e minor,Op.19 No.11
#
Open Cloud
#
SheetMusicPlus
Lavignac-Solfège des solfèges,Volume 9A,No.11,for Voice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673276 Composed by Lavignac.…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673276 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 11 pages. Open Cloud #5991239. Published by Open Cloud (A0.673276). This product is a digital sheet music in PDF format. The music was composed by Lavignac（Lavignac),for Voice .published by More Sheet Music Press.
$3.09
2.83 €
#
Piano, Voix
#
Lavignac
#
MSM
#
Lavignac-Solfège des solfèges,Volume 9A,No.11,for Voice
#
Open Cloud
#
SheetMusicPlus
Z 11 for Vibraphone, Harp, 'cello, Glock.
Small Ensemble Cello,Harp,Percussion,Vibraphone - Level 3 - Interactive Download SKU: A…
(+)
Small Ensemble Cello,Harp,Percussion,Vibraphone - Level 3 - Interactive Download SKU: A0.573658 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Praise & Worship. Score and parts. 11 pages. Duration 132. Father Ambrose Press #1lrLSjgkYUJ5U86aSEZydZ. Published by Father Ambrose Press (A0.573658). Key: F major.A work beloved in concert halls, reading rooms, nurseries... for small chamber ensemble.
$13.00
11.89 €
#
Celebrity Chamber Players
#
Z 11 for Vibraphone, Harp, 'cello, Glock.
#
Father Ambrose Press
#
SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
(+)
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HAJuan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.06 €
#
Piano seul
#
Juan María Solare
#
Numbered Places [11 pieces for piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Kilómetro 11 (Chamamé - E Major)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Tránsito Cocomarola. …
(+)
Guitar Tab - Intermediate - Digital Download Composed by Tránsito Cocomarola. World, Latin, South American. Individual Part, Lead Sheet, Score, Solo Part, Tablature. 4 pages. Published by Leonardo Ramos
Kilometro 11, (Chamamé, Argentinean traditional music).Kilometro 11, (Chamamé, Argentinean traditional music).
$1.99
1.82 €
#
Guitare notes et tablatures
#
Tránsito Cocomarola
#
Kilómetro 11
#
Leonardo Ramos
#
SheetMusicPlus
Kilómetro 11 (Chamamé - A Major)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Tránsito Cocomarola. …
(+)
Guitar Tab - Intermediate - Digital Download Composed by Tránsito Cocomarola. World, Latin, South American. Individual Part, Lead Sheet, Score, Solo Part, Tablature. 4 pages. Published by Leonardo Ramos
Kilómetro 11, Chamame (Famous Argentinean Traditional Music).Kilómetro 11, Chamame (Famous Argentinean Traditional Music).
$1.99
1.82 €
#
Guitare notes et tablatures
#
Tránsito Cocomarola
#
Kilómetro 11
#
Leonardo Ramos
#
SheetMusicPlus
Apollo 11 (Homecoming)
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510158 Composed by Glyn Lehm…
(+)
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510158 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Rock. Octavo. 7 pages. Glyn Lehmann #3507411. Published by Glyn Lehmann (A0.510158). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at songlibrary.net/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.......4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Apollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50
2.29 €
#
Chorale 2 parties
#
Glyn Lehmann
#
Apollo 11
#
Glyn Lehmann
#
SheetMusicPlus
Paradisi - Piano Sonata No.11 in F major, P893-11
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1183056 By Santino Cara. By Pier Do…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1183056 By Santino Cara. By Pier Domenico Paradisi. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #782779. Published by Santino Cara (A0.1183056). Complete score of the Piano Sonata No.11 in F major P893/11 Composed in London between 1740 and 1745 by Pier Domenico Paradisi. Published in London in 1754 by John Johnson at the request of the author. Rewritten and elaborated in Rome in 2020 by Santino Cara.2 Movements: 1. Moderato, 2. Andante.
$10.40
9.51 €
#
Piano seul
#
Santino Cara
#
Santino Cara
#
Paradisi - Piano Sonata No.11 in F major, P893-11
#
Santino Cara
#
SheetMusicPlus
Telemann - 2 Fantasies in (B flat major E flat major) TWV 33 No.11-12 of 36 for Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1156763 By Santino Cara. By Georg P…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1156763 By Santino Cara. By Georg Philipp Telemann. Arranged by Santino Cara. Baroque. Score. 6 pages. Santino Cara #757095. Published by Santino Cara (A0.1156763). Complete score of Two Fantasies in B flat major and E flat major TWV 33:No.11/12 of 36 for Piano. Composed in Hamburg between 1732 and 1733 by Georg Philipp Telemann. Rewritten and elaborated for Piano in Rome in 1982 by Santino Cara. Fantasia No.11 in B flat major (Allegro - Largo - Da capo Allegro). Fantasia No.12 in E flat major (Vivace - Largo - Da capo Vivace) Repeat Fantasy No.11).
$12.40
11.34 €
#
Piano seul
#
Santino Cara
#
Santino Cara
#
Telemann - 2 Fantasies in
#
Santino Cara
#
SheetMusicPlus
Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeu…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851411. Published by Darek (A0.1258165). Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Intermediate arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Intermediate version / Intermadiate arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Immerse yourself in the captivating world of classical piano with our meticulously crafted sheet music for Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Tailored for intermediate pianists, this sheet music edition presents a thrilling challenge that will elevate your skills and expand your repertoire. Experience the brilliance of Mozart as you navigate through this iconic composition from the Classical era. Our carefully annotated sheet music includes precise fingering instructions, providing you with expert guidance on hand placement and technique. With our comprehensive notation of dynamics, you'll be able to bring out the subtle nuances and expressive qualities that define this captivating piece. To enhance your learning experience, we offer an invaluable YouTube tutorial accompanying our sheet music. Delivered by a seasoned pianist, this video tutorial offers in-depth insights and techniques that will help you refine your interpretation and master the challenges presented by Rondo Alla Turca. Embrace the opportunity to explore the depths of Mozart's genius and immerse yourself in the rhythmic allure of this renowned composition. Our sheet music package is meticulously curated to cater specifically to intermediate pianists, striking the perfect balance between challenge and accessibility. Expand your musical horizons as you conquer the technical demands and interpretive choices within Rondo Alla Turca. Delve into the intricacies of Mozart's composition, honing your skills and experiencing the profound beauty of his music firsthand. Position yourself as an accomplished pianist by embracing the challenge of mastering Rondo Alla Turca at an intermediate level. With our exceptional sheet music, you'll embark on a fulfilling journey of growth and refinement, unlocking new dimensions of musical expression. Discover the joy of performing one of Mozart's most beloved compositions, carefully arranged for intermediate pianists. Our sheet music provides the ideal platform for you to showcase your skill and artistry, paying homage to the genius of Mozart and the timeless beauty of classical music. Don't miss the chance to elevate your piano playing to new heights. Embrace the complexity, the beauty, and the artistry of Mozart's Rondo Alla Turca with our expertly crafted sheet music package, complete with fingering, dynamics, and an enlightening YouTube tutorial. Start your musical journey today and unlock the hidden treasures of this extraordinary composition.
$2.00
1.83 €
#
Piano seul
#
Wolfgang Amadeus Mozart
#
Darek
#
Rondo Alla Turca
#
Darek
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Trompette, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
(+)
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Cor anglais, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Clarinette Basse, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
(+)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
#
Basson, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
#
jmsgu3
#
SheetMusicPlus
Heroic Music - No. 11. L'Esperance (F) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1175387
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1175387 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 9 pages. Regis Bookshar #775545. Published by Regis Bookshar (A0.1175387). Heroic Music - No. 11. L'Esperance - Georg Philipp Telemann - Brass Quintet - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, the compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No. 11. L'Esperance, is arranged for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, and is associated with the heroic quality of Hope. Included are a score and a complete set of parts (9 pages).These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$14.00
12.8 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Georg Philipp Telemann
#
Regis Bookshar
#
Heroic Music - No. 11. L'Esperance
#
Regis Bookshar
#
SheetMusicPlus
Heroic Music - No. 11. L'Esperance (F) (Trumpet Quintet)
Ensemble de Trompettes
Trumpet Quintet - Level 3 - Digital Download SKU: A0.1171664 Composed by Georg Phil…
(+)
Trumpet Quintet - Level 3 - Digital Download SKU: A0.1171664 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 9 pages. Regis Bookshar #771942. Published by Regis Bookshar (A0.1171664). Heroic Music - No. 11. L'Esperance - Georg Philipp Telemann - Trumpet Quintet - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No. 11. L'Esperance, is arranged for a Trumpet Quintet and is associated with the heroic quality of Hope. Included are a score and a complete set of parts (9 pages).These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$14.00
12.8 €
#
Ensemble de Trompettes
#
Georg Philipp Telemann
#
Regis Bookshar
#
Heroic Music - No. 11. L'Esperance
#
Regis Bookshar
#
SheetMusicPlus
11 jazz piano standards
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1511120 By Various. By Various. Arr…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1511120 By Various. By Various. Arranged by Marcelo Zallio. Contemporary,Jazz,Standards. Score. 17 pages. Marcelo Zallio #1086332. Published by Marcelo Zallio (A0.1511120). 1 BODY AND SOUL2 HOW MY HEART SINGS3 SOME OTHER TIME4 STELLA BY STARLIGHT5 ALICE IN WONDERLAND6 ALL ,MY TOMORROWS7 ALL OF YOU8 ALONE TOGETHER9 BEWITCHED10 BLACK ORPHEUS11 BLUE ROOM a book with 11 jazz standards arrangements in a piano solo style.
$10.00
9.14 €
#
Piano seul
#
Various
#
Marcelo Zallio
#
11 jazz piano standards
#
Marcelo Zallio
#
SheetMusicPlus
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCor…
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
#
Voix haute
#
McCorkle, Dennis F
#
23rd Psalm
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549482 Arranged by James M. …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.549482 Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3500069. Published by jmsgu3 (A0.549482). Scriabin's Prelude in A minor, Op. 11, No. 2 is part of his set of 24 Preludes, Op. 11, composed between 1888 and 1896. These preludes are modeled after Frédéric Chopin's 24 Preludes, Op. 28, covering all 24 major and minor keys and following the same key sequence. The Prelude in A Minor is significant for its expressive and chromatic nature, showcasing Scriabin's evolving style, characterized by unusual harmonies and textures. Like the others in the set, this piece demonstrates Scriabin's early works, which resemble Chopin's style, before transitioning to more unconventional harmonies and textures in his middle and late periods. The preludes represent an essential stage in Scriabin's development as a composer, reflecting the evolution of his style and musical language.
$24.95
22.81 €
#
Cor et Piano
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Pastures of Green (23rd Psalm) (David) from "The Kings" - ACT 1:Song 11
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCo…
(+)
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. DF McCorkle Music and eBook Publications #11737. Published by DF McCorkle Music and eBook Publications (A0.784824). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’] [Psalm 23 Sacred Melody of David. YAHWEH is My Shepherd I shall not want] SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
#
Voix Tenor, Piano
#
McCorkle, Dennis F
#
Pastures of Green
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Minuet Op.11 No.5 - Tuba and Piano (Full Score and Parts)
Tuba et Piano
Piano,Tuba - Level 3 - Digital Download SKU: A0.1349024 Composed by Luigi Boccherin…
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.1349024 Composed by Luigi Boccherini. Arranged by César Madeira. 19th Century,Baroque,Children,Classical,Early Music. Score and part. 10 pages. Sheet Music To Play Editions #933761. Published by Sheet Music To Play Editions (A0.1349024). Minuet Op.11 No.5 - G.275 by Boccherini. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Ridolfo Luigi Boccherini (1743 – 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.22 €
#
Tuba et Piano
#
Luigi Boccherini
#
César Madeira
#
Minuet Op.11 No.5 - Tuba and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
