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C. Debussy 3 Preludes,
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Vous avez sélectionné:
C. Debussy 3 Preludes,
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Debussy: Piano Preludes Bk.2 No 9. Hommage à S. Pickwick Esq. P.P.M.P.C. - symphonic wind dectet
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Classique
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Claude Debussy
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RayThompsonMusic
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.662443 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 16 pages. RayThompson...
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Large Ensemble - Level 3 - SKU: A0.662443 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 16 pages. RayThompsonMusic #271338. Published by RayThompsonMusic (A0.662443). 9..Hommage à S. Pickwick Esq. P.P.M.P.C. Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres. The prelude's title refers to the protagonist of Charles Dickens' The Pickwick Papers – P.P.M.P.C. stands for Perpetual President Member of the Pickwick Club. The piece is characteristic for its eccentric shifts in expression and often melancholy or sentimental tone. It is also notable for incorporating the opening refrain from God Save the Queen. A performance lasts approximately two and a half minutes.
$14.95
C. Debussy - The Complete Preludes, #8 (II) "Ondine", Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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A
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C. Debussy - The Complete Prel
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady Leytush #814848....
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Full Orchestra - Level 3 - SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady Leytush #814848. Published by Arkady Leytush (A0.1218374).
$25.00
Three Festive Preludes for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles Decker
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Three Festive Preludes for Bra
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817126 Composed by Charles Decker. 21st Century,Chamber,Contemporary,Contes...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817126 Composed by Charles Decker. 21st Century,Chamber,Contemporary,Contest,Festival. 22 pages. Charles Decker Music Press #3548819. Published by Charles Decker Music Press (A0.817126). Bold, brassy and brief best describes these three preludes that can add a dramatic and festive flair to your next concert or special event. Want to increase the impact of the bold and brassy sound? Double parts and open your next band or orchestra concert featuring the brass section. Scored for a brass quintet of two B-flat trumpets with alternate C parts, horn in F with flugelhorn/trumpet substitute part for horn, trombone and tuba. Â The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Â For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$11.95
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Echoes in Variation
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Piano seul
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INTERMÉDIAIRE
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Classique
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Tori Amos
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Todd J
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Echoes in Variation
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix ...
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Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix Bartholdy Mendelssohn, Franz Schubert, Frederic Chopin, Johann Sebastian Bach, Modest Petrovich Mussorgsky, and Robert Schumann. Arranged by Todd J. Scallan. Baroque,Classical,Romantic Period. Score. 48 pages. Todd J. Scallan #1048169. Published by Todd J. Scallan (A0.1470460). Echoes in Variation brings together the classical inspirations for the musical themes in Night of Hunters – a song cycle by Tori Amos. The songs from Night of Hunters are mainly variations on the classical pieces presented here as arrangements for solo piano. Each arrangement is faithful to the original piano score, but with cleaner formatting and clearer performance directions.This collection offers an excellent introduction to a range of brilliant composers spanning the 18th through early 20th centuries:- Alkan: Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8- Granados: Añoranza from 6 Pieces on Spanish Folk Songs- Satie: Gnossienne No. 1- Granados: Spanish Dance No. 2 from 12 Spanish Dances- Chopin: Nocturne Op. 9, No. 1- Schubert: Andantino from Piano Sonata in A major, D. 959- Mendelssohn: Venetian Boat Song, from Songs Without Words Book 2, Op. 30- Schumann: Theme in E-flat Major for Piano (Ghost Variations), WoO 24- J. S. Bach: Siciliana from Flute Sonata in E-flat major, BWV 1031- Mussorgsky: The Old Castle from Pictures at an Exhibition- Gregorian chant: Salve Regina- Scarlatti: Sonata in F minor, K. 466- J. S. Bach: Prelude in C minor, BWV 999- Debussy: The Girl with the Flaxen Hair, Preludes Book 1, No. 8As a complement to these pieces, solo piano arrangements for the songs from Tori Amos’ Night of Hunters are also available.
$24.99
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C. Debussy 3 Preludes,
