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Ca m'est égal
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6 partitions trouvées
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La calesita se destrozó por Cliff Friend y Dave Franklin
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Piano seul
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INTERMÉDIAIRE
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Cliff Friend y Dave Franklin
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Juan Carlos Cortés A
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La calesita se destrozó
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958796 Composed by Cliff Friend y Dave Franklin. Arranged by Juan Carlos Cortés A. Concert,Film/TV,Folk,Jazz,Standards...
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Piano Solo - Level 3 - SKU: A0.958796 Composed by Cliff Friend y Dave Franklin. Arranged by Juan Carlos Cortés A. Concert,Film/TV,Folk,Jazz,Standards. Score. 3 pages. Juan Carlos Cortés Aguirre #6872923. Published by Juan Carlos Cortés Aguirre (A0.958796). Transcripción musical para piano solo por:JUAN CARLOS CORTÉS A.Basada en la versión vocalizada por el cantor (Roberto) El Chato Flores acompañado por la orquesta de Enrique RodrÃguez.La calesita se destrozó (The merry go round broke dwon).Letra: Cliff Friend – Música: Dave FranklinVersión musical: Enrique RodrÃguez.Introducción Orquesta:Para divertirme con placer sin par, fui en busca de un juego que inventó Colón.Jugábalo mi mamá, mi abuelo y su papá, era algo parecido…(*) ¡GalopÃn! que no...La calesita se destrozó, de tan vieja quizás.Dos vueltas di, después caÃ, la calesita se destrozó (Bis)Hoy ilusión de un tiempo fugaz, ilusión de infantil edad.La calesita se destrozó, de tan vieja quizás.Dos vueltas di, después caÃ, la calesita se destrozó.Orquesta y fin.(*)GalopÃn en glosario de mexicanismos a argentinismos: lavacopas, ayudante de cocina. Significado de galopÃn: m. Muchacho mal vestido, sucio y desharrapado. PÃcaro sin educación ni vergüenza: Ej. Ese galopÃn está buscando algo que robar. Col. Hombre taimado, astuto, con talento.
$7.99
Marie Paule Belle: Ca M'est Egal - voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Marie Paule Belle
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Virtualsheetmusic
Instantly printable sheet music by Marie Paule Belle for voice & piano of MEDIUM skill level. / classical
Instantly printable sheet music by Marie Paule Belle for voice & piano of MEDIUM skill level. / classical
$6.97
Frixia ("Camiña Don Sancho")
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional Melody
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César del Caño
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English) and other details
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Frixia
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Cesar del Cano
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octa...
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Choral Choir (SAB) - Level 3 - SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octavo. 5 pages. Cesar del Cano #6358089. Published by Cesar del Cano (A0.1030299). ·· Polyphonic a cappella work for three mixed voices (S, A, T/B) with divisi.· Approximate duration: 2:30· Pages (5): Cover (1), Score (2, 3, 4), Lyrics (5). Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition.· A video-score from YouTube is attached.·[ENG]Camiña Don Sancho is a so-called border romancillo, from Galicia (Spain), popularized in the 14th century through minstrels, and which constitute poetic documents of the history and intrahistory of two opposing communities (Christian and Muslim). It talks about more or less true facts and famous historical figures belonging to the common history of León and Galicia (former independent kingdoms, currently Spanish autonomous communities).In it, once again, the figure of King Don Sancho appears linked to the myth of the young captive in the Iberian peninsular Muslim territory, and whom he is preparing to liberate. The original melody is built in the Phrygian mode, one of the medieval musical modes, on which this polyphonic version is also made, finally taking it to the point of the so-called gypsy and Arabic scales; hence its title: Frixia (in Galician languaje)[ESP]Camiña Don Sancho es un romancillo de los llamados fronterizos, popularizados en el S. XIV a través de los juglares, y que constituyen documentos poéticos de la historia e intrahistoria de dos comunidades enfrentadas (la cristiana y la musulmana). Habla de hechos más o menos verÃdicos y de personajes pertenecientes a la historia común de León y Galicia.En él, una vez más, aparece la figura del Rey Don Sancho ligada al mito de la joven cautiva en el territorio musulmán peninsular, y a quien él se dispone a liberar.La melodÃa original está construida en modo frigio, uno de los modos musicales medievales, sobre el que está realizada también esta versión polifónica, llevándola finalmente al punto de las llamadas escalas gitana y arábiga; de ahà su tÃtulo.·Composer data:Website: https://www.cesardelcano.comFacebook: https://www.facebook.com/cesardelcano.espYouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT·
$2.22
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
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Rudesindo Soutelo
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Filhos da Revoluç&atild
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,...
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Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura. ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.
$10.00
Brincando no ar (Canto nupcial / Wedding song)
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Chorale SATB
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INTERMÉDIAIRE
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César del Caño
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English) and other details
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Brincando no ar
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Cesar del Cano
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 p...
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Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song. Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Él: Llegaste a mà como la luna viene a la noche, y nadie me robará el nido que he hecho para ti. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico llegó, danzando en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
$4.50
Sammartini: Sonata Op. 1 No. 3 for Flute Duo
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Classique
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 3
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jmsgu3
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1130157 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contes...
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Flute Duet Flute - Level 3 - SKU: A0.1130157 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. Score. 17 pages. Jmsgu3 #730516. Published by jmsgu3 (A0.1130157). Score: 9 pages. Duration: ca. 7:25Giuseppe Sammartini was an Italian Baroque composer, oboist, and conductor. He was born in 1695 in Milan and was the son of a famous oboist and composer, Giovanni Battista Sammartini. He was a prodigy who began composing at an early age, and he went on to become one of the most important composers of the Baroque era.During his career, Sammartini composed several operas, symphonies, cantatas, and other sacred works. He was particularly noted for his oboe concertos and sonatas, which are highly acclaimed and remain popular to this day. He also wrote several treatises on music theory, which were widely studied and used by many musicians of the time. Sammartini was one of the first Italian composers to use the galant style, which featured light and graceful melodies. He was also an accomplished conductor and a prolific teacher, who taught several of the most important composers of the 18th century, including Johann Christian Bach and Carl Philipp Emanuel Bach.Sammartini died in 1750, but his legacy lives on in his music, which is still widely performed and admired today. He is remembered as one of the most important and influential composers of the Baroque era, and his works continue to be an inspiration to modern composers.
$24.95
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