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In The First Light
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In The First Light
Choir,Horn,Keyboard,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.82…
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Choir,Horn,Keyboard,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.828651 Composed by Bob Kauflin. Arranged by Ted Samuels. Contemporary. 51 pages. Theodore A. Samuels #5335111. Published by Theodore A. Samuels (A0.828651). A special octavo package was first compiled in 2018-2019 to commemorate the 30th anniversary of the original 1988 rendition of Bob Kauflin's Christmas song In The First Light by the contemporary Christian vocal band GLAD. It has become a best-seller for this arranger! This expanded edition again contains 2 different arrangements: one medium-level arrangement for SATB choir, brass quintet and organ/keyboard(s), and a second easier hymn arrangement for a novice choir or church congregation. (The original octavo for only SATB choir and organ/keyboard is also included.) Both arrangements are in the keys of Bb and C, and approximately 3.5 minutes in duration.
$29.99
27.51 €
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Bob Kauflin
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Ted Samuels
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In The First Light
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Theodore A. Samuels
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.29 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
My Country, 'Tis of Thee (with Prayer for Guidance) - Vocal Solo with Piano Accompaniment
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by K.L. Phillips. Christian,Holiday,Patriotic,Sacred. Score. 6 pages. K L Phillips #6475697. Published by K L Phillips (A0.751817). This reflective arrangement of My Country, 'Tis of Thee for vocal solo with piano accompaniment would be a beautiful addition for a Memorial Day, Veteran's Day or Independence Day service. This arrangement begins with the traditional lyrics of the first verse, then the prayer for guidance and ends with the last verse. Performance time: 3:00; Vocal Range: B3-E5LYRICS: My country, 'tis of thee, Sweet land of liberty of thee I sing, of this land where my fathers died,Land of the pilgrim's prideFrom ev'ry mountain side let freedom ring!Our Father help us to live selflessly,and do Your will with our liberty help us to share,help us to care for people in this land, the souls who've lost their joy inside may we stand with them and walk beside our neighbor with Jesus as our guide God our Father and our King!Our father's God, to thee, Author of liberty to thee we sing! O Long may our land be bright with freedom's holy light.Protect us by thy might, Great God Our King! Our King! From ev'ry mountain side let freedom ring,Let freedom ring!A piano accompaniment track is available separately at Sheet Music Plus - Item ID# S0.1086275
$3.99
3.66 €
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Piano, Voix
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Samuel Francis Smith
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K
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My Country, 'Tis of Thee
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K L Phillips
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SheetMusicPlus
In The First Light
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1132356 Composed by Bob K…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1132356 Composed by Bob Kauflin. Arranged by Rebecca Belliston. Christian,Christmas,Religious,Sacred,Spiritual. 5 pages. Rebecca Belliston #732601. Published by Rebecca Belliston (A0.1132356). Vocal solo arrangement of In the First Light by Glad, An A capella Christmas.
$5.99
5.49 €
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Bob Kauflin
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Rebecca Belliston
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In The First Light
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Rebecca Belliston
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SheetMusicPlus
In The First Light
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1132355 Composed by Bob …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1132355 Composed by Bob Kauflin. Arranged by Rebecca Belliston. Christian,Christmas,Holiday,Religious,Sacred. 5 pages. Rebecca Belliston #732600. Published by Rebecca Belliston (A0.1132355). Vocal Solo arrangement of In the First Light by Glad, An A capella Christmas.
$5.99
5.49 €
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Voix haute
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Bob Kauflin
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Rebecca Belliston
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In The First Light
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Rebecca Belliston
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SheetMusicPlus
Spring from "The Seasons" (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed b…
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SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
2.43 €
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Chorale SATB
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Frank Ferko
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Spring from "The Seasons"
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.51 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English …
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Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
2.28 €
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Guitare notes et tablatures
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
This is my Father's World Intermediate piano sheet music
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. She…
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Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
5.49 €
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Piano seul
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Franklin L
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Amanda Tero
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This is my Father's World Intermediate piano sheet music
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Amanda Tero
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SheetMusicPlus
Come, Josephine in My Flying Machine
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
6.41 €
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Ensemble de cuivres
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Fred Fisher
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F
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Come, Josephine in My Flying Machine
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Sweetwater Brass Press
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SheetMusicPlus
BLAVET SONATA No. 1 in E minor for 2 flutes
2 Flûtes traversières (duo)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811696 Composed by MICHEL BL…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811696 Composed by MICHEL BLAVET 1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional. 20 pages. Piper Publications #4282825. Published by Piper Publications (A0.811696). *The first of a set of 6 sonatas published in Paris by Boivin A Deux flutes transversiere sans Basse Par Mr. Handel. No manuscript has been found and there is no date of publication. Boivin was also Michel Blavet’s publisher and the flute duets and sonatas credited to Blavet have publication dates and opus numbers and his full name and the dedication details. The musical style of the 6 sonatas is characteristic of Blavet rather than Handel and none of the thematic material from these sonatas seems to have been re-used by Handel - whose borrowings from his own works are numerous and well documented. They are also suitable for pairs of oboes or clarinets or violins. They have been very lightly edited, obvious wrong notes have been corrected, a few dynamic and decorative suggestions added in parentheses ( ) missing slurs added in broken lines (- -). Players of Intermediate standard will enjoy this music written for 2 equal instruments. 4 movements - Larghetto, Allegro, Andante & Allegro.
$10.00
9.17 €
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2 Flûtes traversières (duo)
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MICHEL BLAVET 1700 - 1768
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Edited by Pat Spence
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BLAVET SONATA No. 1 in E minor for 2 flutes
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Piper Publications
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SheetMusicPlus
From Flutter to Flight
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028773 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028773 Composed by L.J Harding. Contemporary. Score and parts. 6 pages. L.J Harding #3921145. Published by L.J Harding (A0.1028773). ‘From Flutter to Flight’ is a String Quartet featuring sequencing, imitation, dynamics and a wide exploration of range. The reason I chose the name ‘From Flutter to Flight’ was because of the inspiration I gained while composing this piece. The story of a bird’s first experience of flight is something that is beautiful, however awkward it may be. The start of the piece, with the duet between Violin 1 & 2, symbolises young birds watching as their parents fly in a dance. The theme is then developed into a four part. The rhythmic pattern in the Viola part represents the fluttering and awkwardness of the young birds as they attempt to fly while the duet between the Violins is maintained and complemented by low notes from the Cello. This represents the birds as they finally begin to learn and begin flying faster and stronger. This swiftly follows by descending thirds on the Cello leading to a four-broken chord progression which creates a sense of adventure and willingness to advance forward. Violin comes in alongside the Cello as the younger birds begin to get more confident. The notes move with the movement of the birds, higher notes representing them flying higher whereas lower notes representing them flying lower. The second theme is then developed with the first theme being played in Violin 2 as a gentle reminder of the birds past and how far they have come. This ends with the return of the first theme in recapitulation followed with some new ideas including a much higher range in Violins 1 & 2 and it closes with the tonic 7th chord to symbolise an ending with the birds finally achieving flight.
$8.99
8.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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L
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From Flutter to Flight
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L.J Harding
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SheetMusicPlus
The Everlasting Light
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1504685 By Lynn Tredeau. By Public …
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Piano Solo - Level 3 - Digital Download SKU: A0.1504685 By Lynn Tredeau. By Public Domain. Arranged by Lynn Tredeau. 19th Century,Christmas,Contemporary,Holiday,Praise & Worship. Score. 46 pages. Lynn Renee Tredeau #1080099. Published by Lynn Renee Tredeau (A0.1504685). Each year, I eagerly await the Holiday season. Christmas & New Year's celebrations bring back a flood of memories. Memories about family, childhood and gatherings with friends. I remember my father making a Sunday meal after church and singing along to his favorite Christmas songs. There is the memory of sitting in a dimly lit room watching the bright lights of the tree blinking on and off. Our church choir singing beautifully on Christmas Eve is another heartfelt memory. While writing and arranging music for this Christmas album, I was grateful to dwell on so many treasured moments and it encouraged me to remember the most important part of Christmas. The reason for the season.....The Everlasting Light. Included titles are:O Tannenbaum Away in a Manger We Wish You a Merry Christmas O Little Town of Bethlehem Pines Dressed in Winter The First Noel God Rest Ye Merry Gentlemen Toyland Christmas PaperO Come, O Come EmmanuelJoy to the World Please visit www.lynntredeau.com for sheet music, CDs & downloads. Be sure to join the mailing list while you are there to have all my latest music and videos sent right to your email. All music arranged/composed, produced and performed by Lynn Tredeau Photograph by Sebastian Frohlich at Unsplash
$30.00
27.52 €
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Piano seul
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Lynn Tredeau
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Lynn Tredeau
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The Everlasting Light
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Lynn Renee Tredeau
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SheetMusicPlus
The History of Shells
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 11 pages. Sarah Bonsignore #772456. Published by Sarah Bonsignore (A0.1172232). Here is a brand new piece in five parts that has been haunting me for two days. It came to me at 3am yesterday and I went into my studio to notate it. It's a dreamy, soothing and sometimes soaring piece that reminded me of the octopus from the amazing documentary My Octopus Teacher. Part 1 is possibly more beginner intermediate, and I think some of the parts can be played as individual solos. I've included a link to the youtube demo on the score with an above hands view and a light up keyboard so that students can follow the score and listen.My husband and children loved this piece when they heard it, so I'm excited to have it published for others to learn and play. Part 3 was an idea from a piece I improvized in the Tottenham Court tube station a few years ago (yes, there was a piano in the tube station, and there should be a piano in every tube station as far as I'm concerned :) The theme I played that day never left me and it seemed to fit here. I wrote an expanded version of part 3 called Flight in D major that I hope to include on my website singplaystudios.com and here in a few weeks, so if you like part 3, I hope you'll check that piece out too. I plan to include this work in my 20 Beautiful Piano Solos book 3 (please find the first two books and many other repertoire and ear training books on Amazon). Thank you for considering learning this piece. It is very special to me, and you can read more about my inspiration and process at the youtube link.
$5.99
5.49 €
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Piano seul
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Sarah Bonsignore
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Sarah Bonsignore
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The History of Shells
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Sarah Bonsignore
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SheetMusicPlus
1. Bulbul the Bird
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1138387 By Louise du Toit. By Louis…
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Piano Solo - Level 3 - Digital Download SKU: A0.1138387 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 4 pages. Louise du Toit #738715. Published by Louise du Toit (A0.1138387). Bulbul the Bird is the first in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Bulbul the bird leaps from one branch to another, searching for sunlight through the leaves of the trees. The warm sunrays on his beautiful body delight him when he sits quietly for a moment, every now and then fluttering his colorful wings and feathers as a sign of satisfaction. A heavy feathery fellow joins him for a few fleeting moments of dialogue before flying off to another acacia tree, leaving Bulbul to continue his morning exercises as he reaches for the highest branches, in an effort to be closer to the African sun..
$4.99
4.58 €
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Piano seul
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Louise du Toit
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Louise du Toit
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1. Bulbul the Bird
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Louise du Toit
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SheetMusicPlus
National Anthem of Ukraine - Brass Quintet - Intermediate Level
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784152. Published by Chicory Music (A0.1184424). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamationThis arrangement for Brass Quintet, in the brass friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
9.16 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky
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Dennis Ruello
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National Anthem of Ukraine - Brass Quintet - Intermediate Level
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Chicory Music
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SheetMusicPlus
National Anthem of Ukraine - Clarinet Quintet - Intermediate Level
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1185254 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784938. Published by Chicory Music (A0.1185254). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation This arrangement for Clarinet Quintet, in the woodwind friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
9.16 €
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Quintette de Clarinettes: 5 clarinettes
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Pavilo Chubynsky, Mykhailo Verbytsky
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Dennis Ruello
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National Anthem of Ukraine - Clarinet Quintet - Intermediate Level
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Chicory Music
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SheetMusicPlus
Still Shining in the Holy Light (Downloadable)
Chorale SATB
SATB choir, Organ and English Horn or Viola - Medium - Digital Download SKU: MQ.50-1250…
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SATB choir, Organ and English Horn or Viola - Medium - Digital Download SKU: MQ.50-1250-E Composed by Glenn L. Rudolph. Christmas. Instrument part. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-1250-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1250-E). This piece begins with a plaintive melody presented by either English Horn or Viola. The melody of the opening line reflects the music first heard by the shepherds in the hills surrounding Bethlehem. The melody is then developed throughout the piece and tell the Christmas story in a unique way. Includes reproducible part for English Horn.
$2.65
2.43 €
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Chorale SATB
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Glenn L
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Still Shining in the Holy Light
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Entertainer (MEDIUM PIANO) [Scott Joplin]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1259577 By Scott Joplin. By Scott J…
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Piano Solo - Level 3 - Digital Download SKU: A0.1259577 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852884. Published by Darek (A0.1259577). The Entertainer (MEDIUM PIANO) [Scott Joplin]Intermediate arrangement for pianists of The Entertainer by Scott Joplin. Intermediate version for pianists / Intermediate piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my intermediate arrangement of The Entertainer by Scott Joplin, designed specifically for pianists seeking a more challenging yet accessible rendition of this beloved ragtime classic. Immerse yourself in the lively rhythms and captivating melodies that defined the era. This sheet music offers an engaging and enriching experience for intermediate pianists, allowing you to delve deeper into the intricate nuances of Joplin's composition. With clear and detailed notation, this arrangement strikes a balance between complexity and playability, providing an enjoyable challenge for pianists at the intermediate level. As you explore this sheet music, you'll find meticulously marked fingering suggestions that enhance your technical proficiency, ensuring smooth and seamless execution of the piece. Mastering the intricate passages and hand coordination becomes an exciting journey, as you embrace the artistry of Joplin's ragtime style. Capture the spirit of the music through meticulously annotated dynamics and articulations, adding depth and expression to your performance. These markings guide you in shaping the musical phrases, emphasizing the syncopated rhythms and contrasting elements that make The Entertainer so captivating. To further support your learning and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This intermediate arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a performance, expanding your repertoire, or teaching students, this sheet music provides a rewarding and enriching musical experience. Embark on a musical journey into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricacies of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as coordination, expression, and interpretation. Experience the joy of mastering a timeless classic that has delighted audiences for generations. This intermediate arrangement allows you to confidently perform The Entertainer with flair and finesse, captivating listeners with your musicality and technical prowess. Unlock the versatility of The Entertainer as you infuse it with your personal style and creative expression. This sheet music is a valuable addition to your repertoire, whether you're an intermediate pianist seeking a captivating challenge or an educator looking for engaging teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this intermediate arrangement. With its engaging approach, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano.
$3.00
2.75 €
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Piano seul
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Scott Joplin
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Darek
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The Entertainer
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Darek
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SheetMusicPlus
The Star-Spangled Banner
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
1.83 €
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Chorale SATB
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.42 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Spirit of the Lord
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / …
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
1.83 €
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
There is a Light
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1435854 By Jeanni Gould. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1435854 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. Chamber,Christian,Contemporary,New Age,Singer/Songwriter. Score. 5 pages. Jeanni Gould #1015952. Published by Jeanni Gould (A0.1435854). The first time I felt the Holy Spirit was as a pre-teen at girls camp in the woods, gazing up at the starry sky away from the city. This song is about that moment. Easy to sing, perfect for youth. Can be solo, duet or trio. Reverent song wtih sweet harmonies. COOL NOTE: The video was made at 3am this morning, as I had driven 3 hours to Tonto National Forest in southern Arizona to try to see the Northern Lights. I DID! Most photography you see of the Aurora Borealis doesn't include a GIANT SAGUARO CACTUS, but mine does. I hope you enjoy!
$2.99
2.74 €
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Piano, Voix
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Jeanni Gould
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Jeanni Gould
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There is a Light
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Jeanni Gould
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SheetMusicPlus
First Love - 1st Movement
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
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Piano Trio: piano, violon, violoncelle
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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