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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More
Non classifié
3 802
Piano & claviers
Piano, Voix
11 839
Piano seul
2 937
Piano, Voix et Guitare
710
Piano Facile
147
Orgue
139
Instruments en Do
121
1 Piano, 4 mains
69
Piano Trio: piano, violon, violoncelle
35
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
12
2 Pianos, 4 mains
10
Orgue, Trompette (duo)
9
Accompagnement Piano
7
Clavecin
3
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
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Guitares
Guitare notes et tablatures
436
Guitare
277
Ligne De Mélodie, (Paroles) et Accords
151
Ukulele
121
2 Guitares (duo)
77
Paroles et Accords
69
Basse electrique
36
Mandoline
33
Banjo
16
Piano, Guitare (duo)
15
Dulcimer
12
4 Guitares (Quatuor)
10
Ensemble de guitares
7
3 Guitares (trio)
6
Ensemble de Ukulélés
2
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
+ 14 instrumentations
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Voix
Chorale SATB
1 172
Chorale 3 parties
423
Chorale TTBB
303
Chorale SSAA
271
Voix seule
89
Chorale 2 parties
79
Chorale
24
Voix duo
22
Chorale Unison
20
Voix Alto, Piano
16
Voix Soprano, Piano
15
Voix haute
14
Voix moyenne, Piano
12
Voix duo, Piano
12
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Chorale SSAATTBB
3
Chorale SSATB
3
Chorale SSAB a cappella
2
Voix basse, Piano
2
Voix basse
2
Chorale SSAB, Piano
2
Voix, Guitare
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
738
Flûte traversière et Piano
469
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
341
2 Clarinettes (duo)
326
Saxophone, Clarinette (duo)
319
2 Flûtes traversières (duo)
307
Quatuor de Saxophones: 4 saxophones
246
Clarinette et Piano
239
Clarinette, Violon (duo)
226
Quatuor de Clarinettes: 4 clarinettes
214
Hautbois, Piano (duo)
209
Saxophone Alto et Piano
200
Flûte, Hautbois, Clarinette, Basson
199
Clarinette, Trompette (duo)
191
Clarinette
165
2 Hautbois (duo)
160
Flûte traversière
148
Flûte, Clarinette (duo)
147
Saxophone Tenor et Piano
139
Saxophone Soprano et Piano
136
Saxophone Alto
128
Hautbois, Clarinette (duo)
121
Hautbois, Basson (duo)
118
Flûte, Violon
116
Quintette de Saxophone: 5 saxophones
116
Flûte, Saxophone (duo)
112
Clarinette et Alto
112
Hautbois, Flûte
99
Flûte, Trompette (duo)
93
Flûte, Alto (duo)
92
Saxophone Tenor
92
Ensemble de saxophones
79
3 Saxophones (trio)
76
Saxophone Baryton, Piano
71
Quatuor de Flûtes : 4 flûtes
61
Ensemble de Flûtes
61
Quintette de Clarinettes: 5 clarinettes
53
Ensemble de Clarinettes
49
Saxophone (partie séparée)
47
Cor anglais, Piano
45
Hautbois (partie séparée)
44
3 Clarinettes (trio)
39
Hautbois, Clarinette, Basson (trio d'anches)
31
Ensemble De Flûte à bec
31
Quintette de Flûte : 5 flûtes
30
Trio de Flûtes: 3 flûtes
30
2 Flûte à bec (duo)
28
Clarinette Basse, Piano
26
Flûte et Guitare
25
Hautbois
25
Flûte à Bec
25
Saxophone Soprano
23
Flûte, Hautbois, Clarinette (trio)
20
Saxophone
20
Flûte, Clarinette et Basson
17
Flûte à bec Soprano
17
Flûte, Hautbois (duo)
16
Clarinette, Guitare (duo)
14
Cor Anglais
14
Flûte, Violon, Piano
13
Hautbois, violon (duo)
12
Flûte, Clarinette, Piano (trio)
10
Saxophone Baryton
10
Flûte à bec Alto
10
Ocarina
10
Flûte, Violoncelle
9
Clarinette, Violoncelle (duo)
8
5 Flûtes à bec
8
Clarinette, Basson (duo)
8
Flûte à bec Tenor
7
Quatuor de Flûtes à bec
7
Hautbois, Violoncelle
6
2 Flûtes traversières, Piano
6
2 Clarinettes, Piano
6
Flûte, Hautbois, Basson
6
Flûte, Violoncelle, Piano (trio)
5
Piccolo, Piano
5
Hautbois et alto (duo)
4
Flûte, Hautbois, Piano (trio)
4
3 Flûtes à bec (trio)
4
Clarinette (partie séparée)
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Saxophone et Guitare
4
Flûte, Violon et Violoncelle
4
Instruments en Mib
4
Flûte, Basson et Piano
3
Harmonica
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte à bec Soprano, Piano
3
Hautbois, Guitare (duo)
3
3 Hautbois
3
Flûte, Tuba (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle, Guitare
2
Clarinette, Violoncelle, Piano (trio)
2
Flute (partie séparée)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Alto et Piano (trio)
2
Clarinette Basse
2
Ensemble à vent
2
Flûte à bec Alto, Piano
2
2 Saxophones, Piano
2
Flûte et Trio à cordes
1
Hautbois, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Piccolo
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Cor anglais, Guitare (duo)
1
Flute, Cor (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, trombone (duo)
1
Clarinette, Tuba
1
Flûte, Trombone (duo)
1
2 Clarinettes, Basson
1
Flûte de Pan
1
Clarinette, Orgue
1
Clarinette, Basson, Piano (trio)
1
Flute, harpe et violon
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Flûte, trombone et piano
1
Hautbois, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec, Guitare (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
428
Trompette, Saxophone (duo)
224
Trompette
161
2 Trombones (duo)
148
Trombone et Piano
146
Trompette, Piano
138
2 Trompettes (duo)
137
Trompette, Trombone (duo)
132
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Quatuor de Cuivres: 2 trompettes, Cor, trombone
121
Cor et Piano
103
Trombone
100
Quatuor de cuivres: 4 cors
90
Cor
73
Tuba et Piano
59
Euphonium, Piano (duo)
49
Cor anglais, Piano
45
Ensemble de Cors
43
2 Cors (duo)
34
Tuba
31
Quatuor de cuivres: 4 trombones
29
Ensemble de Trompettes
28
Quatuor de Cuivres
27
Trompette (partie séparée)
17
Cor Anglais
14
3 Trompettes (trio)
12
Ensemble de Trombones
11
2 Tubas (duo)
10
Trio de Cuivres
7
Instruments en Sib
6
Euphonium
6
Euphonium, Tuba (duo)
6
Trompette, Violoncelle et Piano
6
3 Trombones (trio)
5
Trompette, Cor (duo)
4
Bass Clef Instruments
4
Trompette, Tuba (duo)
3
Trombone (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
Cor, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
4 Tubas
2
Trombone basse
2
Cor (partie séparée)
2
3 Cors (trio)
2
2 Euphoniums (duo)
2
Clarinette, Cor (duo)
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Trombone, Violon (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
897
Violon et Piano
499
Violoncelle, Piano
432
Violon, Violoncelle (duo)
382
Violon
360
Trio à Cordes: violon, alto, violoncelle
280
Alto, Piano
225
2 Violons (duo)
204
Violon, Alto (duo)
176
2 Altos (duo)
169
2 Violoncelles (duo)
164
Violoncelle
148
Harpe
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
122
Alto seul
98
Contrebasse, Piano (duo)
70
Contre Basse
43
Trio à Cordes: 2 violons, violoncelle
42
Alto, Violoncelle (duo)
29
2 Harpes (duo)
23
Alto (partie séparée)
16
Trio à cordes: 3 violins
13
4 Violoncelles
12
Violon, Guitare (duo)
11
Trio à Cordes: 3 violoncelles
9
2 Contrebasses (duo)
9
Violoncelle , Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
8
Violon, Basson (duo)
7
Violon (partie séparée)
6
Alto, Guitare (duo)
6
Quatuor à cordes: 4 violons
6
Harpe, Voix
5
Trio à cordes: 3 altos
5
Trio à Cordes: 2 violons, alto
5
Harpe, Flûte (duo)
4
Ensemble de Violoncelles
3
Violon, Clarinette, Piano (trio)
3
Harpe et mandoline
3
Quatuor à cordes : 4 altos
3
Ensemble de Violons
2
Harpe et Piano
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violon, Violoncelle, Clarinette
1
2 Violoncelles, Piano
1
Alto, Orgue
1
Violon, Tuba (duo)
1
Violon, Orgue
1
3 Contrebasses
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
373
Ensemble Jazz
340
Orchestre à Cordes
292
Orchestre
258
Ensemble de cuivres
139
Jazz combo
117
Cloches
102
Batterie
94
Orchestre de chambre
79
Fanfare
74
Ensemble de Percussions
33
Percussion
15
Xylophone
13
Marimba
8
Vibraphone
6
Xylophone, Piano
5
Instrumentation Flexible
2
Piano et Orchestre
2
3 Marimbas
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quintette de Cuivres: autres combinaisons
1
+ 16 instrumentations
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Autres
Formation musicale - Solfège
136
Théorie de la musique
1
Instruments
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--INSTRUMENTS--
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Not The Same Anymore
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Piano Facile
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INTERMÉDIAIRE
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Contemporain
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The Strokes
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Jason Wheeler
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6 pages
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Not The Same Anymore
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Wheelers Music
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.888643 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, and Nikolai Fraiture. Ar...
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Easy Piano - Level 3 - SKU: A0.888643 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, and Nikolai Fraiture. Arranged by Jason Wheeler. Contemporary. Score. 7 pages. Wheelers Music #6356889. Published by Wheelers Music (A0.888643). Not The Same Anymore by The Strokes 6 pages. Published by Wheelers MusicA instrumental piano piece of 'Not The Same Anymore'. A fun and easy to play arrangement of a great song.
$4.99
Humoreske - in G for flexible ensemble
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Antonin Dvorak
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David Woodcock
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Humoreske - in G for flexible
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393979 Composed by Antonin D...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393979 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional. 69 pages. David Woodcock #977432. Published by David Woodcock (A0.1393979). This is an arrangement of the famous melody from Bizet's opera Carmen, scored for flexible ensemble in G. It is also available in C.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
Humoreske - in C for flexible ensemble
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Antonin Dvorak
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David Woodcock
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Humoreske - in C for flexible
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393978 Composed by Antonin D...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393978 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional,Opera. 69 pages. David Woodcock #977431. Published by David Woodcock (A0.1393978). This is an arrangement of the famous melody by Dvorak, scored for flexible ensemble in C. It is also available in G.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
Tchaikovsky: Russian Dance from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549710 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549710 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 15 pages. Jmsgu3 #3530271. Published by jmsgu3 (A0.549710). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549778 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549778 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 11 pages. Jmsgu3 #3535037. Published by jmsgu3 (A0.549778). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 16 pages. Jmsgu3 #3541697. Published by jmsgu3 (A0.549807). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. ÂÂ
$32.95
Tchaikovsky: March from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549666 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549666 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 20 pages. Jmsgu3 #3518977. Published by jmsgu3 (A0.549666). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547921. Published by jmsgu3 (A0.549825). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. ÂÂ
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520331. Published by jmsgu3 (A0.549688). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549756 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549756 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 17 pages. Jmsgu3 #3533231. Published by jmsgu3 (A0.549756). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549624 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549624 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 24 pages. Jmsgu3 #3515341. Published by jmsgu3 (A0.549624). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Handel: Largo from Xerxes for Oboe d'Amore & Piano
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3492327. Published by jmsgu3 (A0.549387). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. ÂÂ
$32.95
En brazos del recuerdo. Por: Libardo Parra Toro "Tartarín Moreira"y Francisco (Pacho) González
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Piano seul
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INTERMÉDIAIRE
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Libardo Parra Toro TartarÃÂn
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Juan Carlos Cortés A
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En brazos del recuerdo. Por: L
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958752 Composed by Libardo Parra Toro TartarÃÂn Moreiray Francisco (Pacho) González. Arranged by Juan Carlos CortÃÂ...
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Piano Solo - Level 3 - SKU: A0.958752 Composed by Libardo Parra Toro TartarÃÂn Moreiray Francisco (Pacho) González. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6141273. Published by Juan Carlos Cortés Aguirre (A0.958752). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión fonográfica del célebre Dueto de Antaño (Camilo GarcÃÂa y Ramón Carrasquilla).Texto:En brazos del recuerdo.Pasillo Letra (Autor): Libardo Parra Toro TartarÃÂn MoreiraCompositor (Música): Francisco (Pacho) González.INTRODUCCIÓN:En las noches de luna y en las sombrÃÂas, noches de invierno,cuando en busca de olvido me hundo en las sombras,voy perseguido siempre por tu recuerdo,voy perseguido siempre por tu recuerdo.Me persiguen tus ojos que tantas veces llorar me vieron,y van tras mis oÃÂdos las dulces frases,que entre vagos suspiros su amor mintieron.INTRODUCCIÓN:Mi alma taciturna queriendo odiarte, lo intenta en vano,pues tus recuerdos vuelan cual mariposa,sobre el rosal florido del desengaño,sobre el rosal florido del desengaño.No suspires ni llores si alguna tarde doblan a muerto,al saber que sus sones vibran dolientes,por quien murió en los brazos de tu recuerdo.INTRODUCCIÓN:Quisiera cuando brotan las oraciones, sobre mis labios,el corazón mostrarte para que vieras,la herida que hace tiempo lo está matando,la herida que hace tiempo lo está matando.Olvida tus promesas y tantas dichas que me juraste,olvida cuanto quieras, pero no olvides,que ni en la misma tumba podré olvidarte,que ni en la misma tumba podré olvidarte.
$7.99
Tchaikovsky: Scene 10 from Swan Lake for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549604 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549604 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and individual part. 16 pages. Jmsgu3 #3513225. Published by jmsgu3 (A0.549604). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Linda Morena
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Mandoline
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INTERMÉDIAIRE
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Chiquinha Gonzaga
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Bettina Schipp
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Linda Morena
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songbooks.info
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SheetMusicPlus
Mandolin - Level 3 - SKU: A0.1363264 Composed by Chiquinha Gonzaga. Arranged by Bettina Schipp. Latin,Multicultural,Traditional,World. Score. 3 pages. S...
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Mandolin - Level 3 - SKU: A0.1363264 Composed by Chiquinha Gonzaga. Arranged by Bettina Schipp. Latin,Multicultural,Traditional,World. Score. 3 pages. Songbooks.info #947735. Published by songbooks.info (A0.1363264). Tango, Salsa & more - notated for the mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Tango, Salsa & mehr - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Evermore
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Adrian Lord
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Evermore
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.586664 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #195941. Published by ...
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Piano Solo - Level 3 - SKU: A0.586664 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #195941. Published by Adrian Lord (A0.586664). Evermore is taken from a new collection of calming piano music titled Piano Meditations, inspired by the Facebook Live concerts given during the first lockdown. People told me that it was the slower and more relaxed pieces that they found a connection with during this time. I have decided to continue this theme, and these pieces I have composed are designed to be played with an unhurried feel and a relaxed approach to time. This download contains: 1. Evermore Also available: Sky Blue Piano and Journey - Twelve Romances for Piano. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$3.99
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Evermore
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift Feat
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M
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Evermore
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Magdalena Galka
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1292246 By Taylor Swift Feat. Bon Iver. By Justin Vernon, Taylor Swift, and William Bowery. Arranged by M. Galka. Contemp...
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Piano Solo - Level 3 - SKU: A0.1292246 By Taylor Swift Feat. Bon Iver. By Justin Vernon, Taylor Swift, and William Bowery. Arranged by M. Galka. Contemporary,Pop. Score. 4 pages. Magdalena Galka #882860. Published by Magdalena Galka (A0.1292246). Evermore by Taylor Swift | Piano Sheet Music, arranged for Piano Solo, 4 pagesCheck out my social media for more!♬ YouTube♬ Spotify ♬ Apple Music♬ Amazon Music♬ Instagram♬ TikTok.
$4.99
Don't Get Around Much Anymore
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Jazz
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Bob Russell and Duke Ellington
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Music for all Occasions
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasio...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasions. Jazz,Standards. 8 pages. Keith Terrett #4784411. Published by Keith Terrett (A0.746865). Arranged for Clarinet Quintet Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington.The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
Don't Get Around Much Anymore
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Jazz
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Bob Russell and Duke Ellington
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Keith Terrett
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russe...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russell and Duke Ellington. Arranged by Keith Terrett. Jazz. 8 pages. Keith Terrett #4784301. Published by Keith Terrett (A0.746864). Arranged for Saxophone Quintet, Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504479. Published by jmsgu3 (A0.549521). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Very effective on the Oboe d'Amore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÃ…â„¢ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. ÂÂ
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roma...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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