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Still, Still, Still, Solo Lap Harp
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Feast of Favorites, Vol. 3, 20 solos for all harps
Harpe
Harp, Lap Harp, Lever Harp, Pedal Harp - Intermediate - Digital Download Arranged by …
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Harp, Lap Harp, Lever Harp, Pedal Harp - Intermediate - Digital Download Arranged by Cindy Blevins. Folk, Christmas, Patriotic. Sheet Music Single. 48 pages. Published by Cindy Blevins
Feast of Favorites, Vol. 3 is a lovely book for you and your harp. You need a harp with C below middle C and 24-26 strings. Larger harps can play too. These arrangements include chord symbols.The book contains 40 pages of music. The music hovers around intermediate.<br> <br> You can view several sample pages above. The audio sample is an excerpt from "O Sanctissima."<br> <br> The book includes these sections and song titles:<br> <br> Stephen Foster: "My Old Kentucky Home," "Jeanie With the Light Brown Hair," "Swanee River," "Old Black Joe," "Camptown Races," Oh! Susanna" and "Beautiful Dreamer."<br> <br> Patriotic Songs and Hymns: "Onward Christian Soldiers," "America, the Beautiful," "My Country, 'Tis of Thee," "The Caissons Go Rolling Along," "The Marine's Hymn," "The Star-Spangled Banner" and "Battle Hymn of the Republic."<br> <br> Sounds of Winter: "O Holy Night," "Angels, From the Realms of Glory," "O Sanctissima," "The Holly and the Ivy," "Ding! Dong! Merrily On High" and "Still, Still, Still."Feast of Favorites, Vol. 3 is a lovely book for you and your harp. You need a harp with C below middle C and 24-26 strings. Larger harps can play too. These arrangements include chord symbols.The book contains 40 pages of music. The music hovers around intermediate.<br> <br> You can view several sample pages above. The audio sample is an excerpt from "O Sanctissima."<br> <br> The book includes these sections and song titles:<br> <br> Stephen Foster: "My Old Kentucky Home," "Jeanie With the Light Brown Hair," "Swanee River," "Old Black Joe," "Camptown Races," Oh! Susanna" and "Beautiful Dreamer."<br> <br> Patriotic Songs and Hymns: "Onward Christian Soldiers," "America, the Beautiful," "My Country, 'Tis of Thee," "The Caissons Go Rolling Along," "The Marine's Hymn," "The Star-Spangled Banner" and "Battle Hymn of the Republic."<br> <br> Sounds of Winter: "O Holy Night," "Angels, From the Realms of Glory," "O Sanctissima," "The Holly and the Ivy," "Ding! Dong! Merrily On High" and "Still, Still, Still."
$22.95
21.03 €
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Harpe
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Cindy Blevins
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Feast of Favorites, Vol. 3, 20 solos for all harps
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Cindy Blevins
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SheetMusicPlus
Still Waters, original solo for Lap Harp
Harpe
Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541483 Composed by …
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Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541483 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 3 pages. Cindy Blevins #3113577. Published by Cindy Blevins (A0.541483). This original two-page song is from the lap harp version of my book Gentility, which contains 50 pages of beautiful original harp solos, in the approximate range of intermediate. There are 24 songs in the book. The book is for lap harp, so you need C below middle C and 24-26 strings. The Sheet Music Plus Item # for the book Gentility for lap harp is S0.241329.
$3.99
3.66 €
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Harpe
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Cindy Blevins
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Still Waters, original solo for Lap Harp
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Cindy Blevins
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SheetMusicPlus
The Old Rugged Cross, for Harp Solo (lever or pedal harp)
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1497678 Composed by George Bennard.…
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Lever Harp - Level 3 - Digital Download SKU: A0.1497678 Composed by George Bennard. Arranged by Cindy Blevins. Christian,Praise and Worship,Sacred. Score. 3 pages. Cindy Blevins #1074095. Published by Cindy Blevins (A0.1497678). This is a beautiful arrangement for harp solo. Lever harps and pedal harps can play, but not lap harps. I have arranged this piece to keep levering to a minimum while still retaining some of the lovely chromatic quality of the piece.
$5.99
5.49 €
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Harpe
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George Bennard
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Cindy Blevins
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The Old Rugged Cross, for Harp Solo
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Cindy Blevins
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.4 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.57 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
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