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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A
Non classifié
8 566
Piano & claviers
Piano seul
8 153
Piano, Voix
1 651
Piano, Voix et Guitare
969
Orgue
644
Instruments en Do
628
1 Piano, 4 mains
248
Piano Trio: piano, violon, violoncelle
126
2 Pianos, 4 mains
77
Accompagnement Piano
53
Piano Facile
51
Orgue, Piano (duo)
42
Accordéon
38
Orgue, Trompette (duo)
35
Piano Quatuor: piano, violon, alto, violoncelle
34
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Clavecin
18
2 Pianos, 8 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
6
1 Piano, 6 mains
3
Fake Book
2
Piano (partie séparée)
1
Clavier
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare
972
Guitare notes et tablatures
456
2 Guitares (duo)
114
Ligne De Mélodie, (Paroles) et Accords
101
Basse electrique
85
Ukulele
81
Piano, Guitare (duo)
63
Dulcimer
51
4 Guitares (Quatuor)
38
Mandoline
21
3 Guitares (trio)
13
Ensemble de guitares
10
Banjo
8
Paroles et Accords
6
2 Ukuleles
5
2 Dulcimers (duo)
5
Ukulele Baryton
4
Guitare (partie séparée)
3
Guitare, Violon, Violoncelle (trio)
3
Basse électrique (partie séparée)
2
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
4 656
Chorale TTBB
1 267
Chorale SSAA
843
Chorale 3 parties
626
Voix seule
179
Chorale Unison
118
Voix Soprano, Piano
114
Chorale 2 parties
102
Voix duo
74
Voix haute
66
Voix duo, Piano
62
Voix Baryton, Piano
45
Voix Tenor, Piano
44
Voix Alto, Piano
28
Chorale
27
Voix moyenne, Piano
24
Voix Tenor
21
Voix basse, Piano
17
Voix Soprano
10
Voix basse
7
Voix Mezzo-Soprano, Piano
6
Chorale SSAATTBB
5
Chorale SSATB
5
Chorale SSAB a cappella
4
Chorale SSAATB A Cappella
4
Chorale SSATTB
3
Chorale SAATB A Cappella
2
Chorale SATBB
2
Voix, Guitare
2
Chorale SSAATB
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
866
Quatuor de Saxophones: 4 saxophones
778
Flûte traversière et Piano
588
Quatuor de Clarinettes: 4 clarinettes
524
Clarinette et Piano
468
Flûte, Hautbois, Clarinette, Basson
408
Saxophone Alto et Piano
357
Flûte traversière
335
Hautbois, Piano (duo)
307
Clarinette
306
2 Clarinettes (duo)
302
2 Saxophones (duo)
290
Ensemble de Clarinettes
230
Saxophone Tenor et Piano
226
Quatuor de Flûtes : 4 flûtes
222
Quintette de Saxophone: 5 saxophones
220
2 Flûtes traversières (duo)
214
3 Clarinettes (trio)
210
Saxophone Alto
197
Ensemble de saxophones
180
Saxophone Tenor
170
Ensemble de Flûtes
152
Quintette de Clarinettes: 5 clarinettes
142
Saxophone Soprano et Piano
116
3 Saxophones (trio)
115
Flûte, Clarinette (duo)
82
Trio de Flûtes: 3 flûtes
75
Saxophone (partie séparée)
71
Flûte et Guitare
70
Saxophone, Clarinette (duo)
69
Hautbois (partie séparée)
64
Saxophone
60
Clarinette, Guitare (duo)
54
Flûte, Clarinette, Piano (trio)
52
Clarinette, Violon (duo)
49
Flûte, Clarinette et Basson
46
2 Hautbois (duo)
43
Quintette de Flûte : 5 flûtes
41
Hautbois, Basson (duo)
41
Saxophone Baryton, Piano
40
Clarinette, Trompette (duo)
34
2 Flûtes traversières, Piano
33
Clarinette Basse, Piano
32
Cornemuse
32
Cor anglais, Piano
30
Hautbois, Clarinette (duo)
29
Flûte, Violon
29
Clarinette et Alto
25
2 Flûte à bec (duo)
24
Flûte, Violon, Piano
24
Flûte, Saxophone (duo)
23
Quatuor de Flûtes à bec
23
Flûte, Alto (duo)
23
Hautbois, Flûte
23
Clarinette, Basson (duo)
22
Flûte, Hautbois, Clarinette (trio)
20
Hautbois
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Flûte, Violoncelle
19
Flûte, Trompette (duo)
17
Flûte, Hautbois, Basson
17
Flûte à Bec
14
Clarinette (partie séparée)
13
Flûte, Violoncelle, Piano (trio)
12
4 Hautbois
12
Saxophone Soprano
11
Flûte à bec Soprano
11
Clarinette, Violoncelle (duo)
10
Flute (partie séparée)
10
2 Clarinettes, Piano
10
Hautbois, Guitare (duo)
8
Flûte, Violon et Violoncelle
8
Flûte, Violon, Violoncelle et Piano
8
5 Flûtes à bec
7
2 Saxophones, Piano
7
Saxophone et Orgue
7
Flûte, Hautbois (duo)
6
Clarinette, Harpe (duo)
6
Flûte, Basson et Piano
6
Flûte traversière, Orgue (duo)
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Trombone (duo)
4
Flûte, Alto et Piano
4
Piccolo, Piano
4
Flûte à bec Alto
4
Clarinette, Trombone (duo)
4
Saxophone Baryton
4
Flûte, alto et harpe
4
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, Violoncelle, Guitare
3
Flûte à bec Tenor
3
Hautbois, Harpe
3
Flute, harpe et violon
3
3 Hautbois
3
Saxophone et Guitare
3
Ensemble De Flûte à bec
3
Flûte à bec Soprano, Piano
3
Flûte à bec, Guitare (duo)
2
Flûte irlandaise
2
Harmonica
2
Piccolo
2
Flûte, Harpe et Violoncelle
2
Flûte à bec Alto, Piano
2
Ensemble à vent
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ocarina
2
Flûte, Hautbois, Piano (trio)
2
Cor Anglais
2
Hautbois, Violoncelle
2
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
3 Flûtes à bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Violon, Guitare
1
Flûte et Trio à cordes
1
Hautbois, Trompette (duo)
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
Flûte et Quatuor à Cordes
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
871
Quatuor de Cuivres : 2 trompettes, trombone, tuba
553
Trompette
322
Trompette, Piano
263
Trombone et Piano
261
Trombone
196
Quatuor de cuivres: 4 trombones
172
Cor et Piano
167
Quatuor de Cuivres: 2 trompettes, Cor, trombone
140
Ensemble de Trombones
95
Tuba et Piano
90
Quatuor de Cuivres
86
2 Trompettes (duo)
85
Trompette (partie séparée)
84
2 Euphoniums et 2 Tubas
81
Quatuor de cuivres: 4 cors
78
2 Trombones (duo)
71
Cor
68
Euphonium, Piano (duo)
63
2 Cors (duo)
48
Trompette, Saxophone (duo)
47
Trombone (partie séparée)
45
Ensemble de Trompettes
45
Trompette, Trombone (duo)
43
Ensemble de Cors
37
Tuba
30
Cor anglais, Piano
30
4 Tubas
28
3 Trombones (trio)
27
Trio de Cuivres
24
Euphonium, Tuba (duo)
16
Euphonium
15
2 Tubas (duo)
13
Quatuor de cuivres: 4 trompettes
11
Trompette, Tuba (duo)
10
3 Trompettes (trio)
8
Cor (partie séparée)
8
Trompette, Violoncelle et Piano
8
Trombone, Tuba (duo)
6
Trompette, Cor (duo)
6
Cor et Harpe
5
Cor et Basson (duo)
5
Trombone basse
5
Clarinette, Cor (duo)
4
3 Cors (trio)
4
Trombone basse et Piano
4
Tuba (partie séparée)
3
Tuba et Orgue
3
Trompette, Harpe
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone et orchestre
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor et Orgue
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Cor Anglais
2
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Cor anglais, Guitare (duo)
1
Trombone, Violon (duo)
1
3 Euphoniums
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 219
Violon et Piano
812
Violoncelle, Piano
456
Violon
442
Violon, Violoncelle (duo)
416
Harpe
374
Alto, Piano
347
Trio à Cordes: violon, alto, violoncelle
346
Violoncelle
314
2 Violons (duo)
180
2 Violoncelles (duo)
164
Trio à Cordes: 2 violons, violoncelle
122
Alto seul
116
Violon, Alto (duo)
112
2 Altos (duo)
70
Quintette à cordes: 2 violons, alto, violoncelle, basse
67
Violon, Guitare (duo)
66
4 Violoncelles
59
Alto (partie séparée)
56
Contre Basse
46
Contrebasse, Piano (duo)
42
2 Harpes (duo)
41
Violoncelle , Guitare (duo)
41
Alto, Violoncelle (duo)
34
Trio à Cordes: 2 violons, alto
31
Harpe, Flûte (duo)
26
Alto, Guitare (duo)
26
Trio à Cordes: 3 violoncelles
25
Trio à cordes: 3 violins
24
Violoncelle, Contrebasse (duo)
19
Harpe, Violon (duo)
18
Quatuor à cordes: 4 violons
18
Ensemble de Violons
17
2 Contrebasses (duo)
15
Harpe, Violoncelle (duo)
14
Violon (partie séparée)
13
Ensemble d'Altos
13
Alto et Harpe
13
Piano Trio: Violon, Alto, Piano
12
Quatuor à cordes : 4 altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Trio à cordes: 3 altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Trio à cordes
7
Harpe, Voix
7
Violoncelle, Orgue
7
4 Contrebasses
6
Violon, Orgue
5
Violoncelle (partie séparée)
4
Harpe, Violon, Violoncelle
4
Ensemble de Violoncelles
4
Violoncelle, Orchestre
4
2 Violons, Piano
3
Violon, Clarinette, Piano (trio)
3
Harpe et Piano
3
Violon, Basse continue
3
3 Contrebasses
2
Harpe, Trombone (duo)
2
Contrebasse (partie séparée)
2
Harpe et mandoline
2
Alto et Basson
1
Harpe, Quatuor à cordes
1
Violon, Tuba (duo)
1
2 Altos, Piano
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 317
Orchestre
1 231
Ensemble Jazz
1 118
Orchestre à Cordes
890
Ensemble de cuivres
834
Orchestre de chambre
487
Jazz combo
286
Cloches
240
Fanfare
238
Batterie
121
Ensemble de Percussions
96
Marimba
53
Vibraphone
43
Percussion (partie séparée)
15
Batterie (partie séparée)
7
Orchestre, Violon
5
Xylophone, Piano
3
Vibraphone et Marimba
3
Xylophone
2
2 Xylophones
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Voix et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
60 428 partitions trouvées
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9976
A Forge, and a Scythe
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Robert A
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A Forge, and a Scythe
#
Chanterelle
#
SheetMusicPlus
Guitar - advanced to difficult - Composed by Robert A. Baker. This edition: Sheet music. Downloadable. Duration 9 minutes. Chanterelle #Q49821. Publ...
(+)
Guitar - advanced to difficult - Composed by Robert A. Baker. This edition: Sheet music. Downloadable. Duration 9 minutes. Chanterelle #Q49821. Published by Chanterelle
English - German.
A fine new medium to difficult guitar work in written in hommage to the great 20th century guitar composers. ideal for concerts or competitions.
$9.99
Les Moulins De Mon Cœur - TTBB Choir A Cappella
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Chanson Française
#
Michel Legrand
#
Les Moulins De Mon Cœur - TTB
#
Natalie Goossens
#
SheetMusicPlus
TTBB, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie Go...
(+)
TTBB, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie Goossens
A dreamy song of the French composer Michel Legrand.
The song is also knownin English as ?The Windmills Of Your Mind?. Noel Harrison sung the firstEnglish version for the 1968 movie The Thomas Crown Affair. It won the Oscarfor best song in 1968. The song has become a standard, covered by more than 80recording artists. I was also inspired by the version of Frida Boccara.
A beautiful, timeless song for your concert program. For youth choirs andconcert choirs.
Duration: 3'00"
$1.99
The Windmills Of Your Mind - SSA Choir A Cappella
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Noel Harrison
#
Natalie Goossens
#
The Windmills Of Your Mind - S
#
Natalie Goossens
#
SheetMusicPlus
SSA, a cappella - Advanced Intermediate - Digital Download By Noel Harrison. Arranged by Natalie Goossens. Score. 8 pages. Published by Natalie Gooss...
(+)
SSA, a cappella - Advanced Intermediate - Digital Download By Noel Harrison. Arranged by Natalie Goossens. Score. 8 pages. Published by Natalie Goossens
A dreamy song of the French composer Michel Legrand.
The song is also knownin French as ?Les moulins de mon c?ur?. Noel Harrison sung the firstEnglish version for the 1968 movie The Thomas Crown Affair. It won the Oscarfor best song in 1968. The song has become a standard, covered by more than 80recording artists. I was also inspired by the version of Alison Moyet.
A beautiful, timeless song for your concert program. For youth choirs andconcert choirs.
Duration: 3'00"
$1.99
Les Moulins De Mon Cœur - SSAA Choir A Cappella
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Chanson Française
#
Michel Legrand
#
Les Moulins De Mon Cœur - SSA
#
Natalie Goossens
#
SheetMusicPlus
SSAA, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie Go...
(+)
SSAA, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie Goossens
A dreamy song of the French composer Michel Legrand.
The song is also knownin English as ?The Windmills Of Your Mind?. Noel Harrison sung the firstEnglish version for the 1968 movie The Thomas Crown Affair. It won the Oscarfor best song in 1968. The song has become a standard, covered by more than 80recording artists. I was also inspired by the version of Frida Boccara.
A beautiful, timeless song for your concert program. For youth choirs andconcert choirs.
Duration: 3'00"
$1.99
Les Moulins De Mon Cœur - TTB Choir A Cappella
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Chanson Française
#
Michel Legrand
#
Les Moulins De Mon Cœur - TTB
#
Natalie Goossens
#
SheetMusicPlus
TTB, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 8 pages. Published by Natalie Goos...
(+)
TTB, a cappella - Advanced Intermediate - Digital Download By Michel Legrand. Arranged by Natalie Goossens. Score. 8 pages. Published by Natalie Goossens
A dreamy song of the French composer Michel Legrand.
The song is also knownin English as ?The Windmills Of Your Mind?. Noel Harrison sung the firstEnglish version for the 1968 movie The Thomas Crown Affair. It won the Oscarfor best song in 1968. The song has become a standard, covered by more than 80recording artists. I was also inspired by the version of Frida Boccara.
A beautiful, timeless song for your concert program. For youth choirs andconcert choirs.
Duration: 3'00"
$1.99
Zip-a-dee-doo-dah
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Ray Gilbert and Allie Wrubel
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Larry F
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Zip-a-dee-doo-dah
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Larry Wright
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SheetMusicPlus
Composed by Ray Gilbert and Allie Wrubel. Arranged by Larry F. Wright. A Cappella. Octavo. 1 pages. Larry Wright #640624. Published by Larry Wright ...
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Composed by Ray Gilbert and Allie Wrubel. Arranged by Larry F. Wright. A Cappella. Octavo. 1 pages. Larry Wright #640624. Published by Larry Wright
A WOMEN\'S 4-part, a cappella, barbershop partial arrangement of this \"fun\" uptempo\'d song, made popular from the Disney cartoon. NOTE: this is NOT an arrangement of the complete song!
$1.99
Baba Yetu for SSAATTBB a cappella choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jeux Videos
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Christopher Tin
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Julie Gaulke
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Baba Yetu for SSAATTBB a cappe
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Julie Gaulke
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Composed by Christopher Tin. Arranged by Julie Gaulke. A Cappella, Classical, Contemporary. Octavo. 7 pages. Julie Gaulk...
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Choral Choir (SATB divisi) - Level 4 - Composed by Christopher Tin. Arranged by Julie Gaulke. A Cappella, Classical, Contemporary. Octavo. 7 pages. Julie Gaulke #4321729. Published by Julie Gaulke
This is the popular tune originally written by Christopher Tin, heard in the game Civilization IV. It is also part of a larger work by TIn called \"Calling All Dawns.\" This arrangement is based on Tin\'s original orchestral setting, but modified for a cappella voices, with the singers covering all the instrumental parts as well as the beautiful Swahili lyrics. Please see full performance video here: https://youtu.be/36d_j48E_Mk
$2.99
Linus And Lucy From A Charlie Brown Christmas For Solo Jazz Flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bobby Hesch
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Linus And Lucy From A Charlie
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Bobby Hesch
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SheetMusicPlus
By By Vince Guaraldi From A Charlie Brown Christmas. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch ...
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By By Vince Guaraldi From A Charlie Brown Christmas. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
!!!***LINUS AND LUCY***!!! CAN ANYONE TELL ME WHAT CHRISTMAS IS ALL ABOUT?!!!LET'S PLAY SOME JAZZ!!! FROM A CHARLIE BROWN CHRISTMAS!!! KEY OF Ab!!! LOW F - HIGH F!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CHALLENGING JAZZ FROM 47 - 79!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch AUDIENCES LOVE THIS SONG!!! THANKS TO THE GREAT VINCE GUARALDI!!! HAVE FUN!!! JAZZ UP YOUR CHRISTMAS PARTIES WITH THIS GREAT TUNE!!!
$4.99
Linus And Lucy From A Charlie Brown Christmas For Solo Jazz Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bobby Hesch
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Linus And Lucy From A Charlie
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Bobby Hesch
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SheetMusicPlus
Trombone - Advanced Intermediate - Digital Download By By Vince Guaraldi From A Charlie Brown Christmas. Arranged by Bobby Hesch. Solo Part. 3 pages....
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Trombone - Advanced Intermediate - Digital Download By By Vince Guaraldi From A Charlie Brown Christmas. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
Item Number: H0.857869-SC001285571
!!!***LINUS AND LUCY***!!! BY THE GREAT VINCE GUARALDI FROM A CHARLIE BROWN CHRISTMAS!!! CAN ANYONE TELL ME WHAT CHRISTMAS IS ALL ABOUT?!!! LET'S PLAY SOME JAZZ!!! KEY OF Ab!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CHALLENGING JAZZ 47-79!!! CROWDS LOVE THIS SONG!!! LOW F - HIGH F!!!
CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @ bobbyhesch JAZZ UP YOUR CHRISTMAS PARTIES WITH THIS GREAT TUNE!!! HAVE FUN!!! STRAIGHT 8THS - SWING MARKED!!!
$4.99
Not An Addict - TTBB Choir A Cappella
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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K'S Choice
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Natalie Goossens
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Not An Addict - TTBB Choir A C
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Natalie Goossens
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SheetMusicPlus
TTBB, a cappella - Advanced Intermediate - Digital Download By K'S Choice. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie G...
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TTBB, a cappella - Advanced Intermediate - Digital Download By K'S Choice. Arranged by Natalie Goossens. Score. 10 pages. Published by Natalie Goossens
An anti-drug song of the Belgian rock band K?s Choice.
The message is clear: drugs are not cool. A lot of ex-drug addicts found support in this song.
For youth choirs and concert choirs.
Duration: 3'50"
$1.99
You've Got A Friend In Me _ 7 part SATB
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Chorale SSAATTBB
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Randy Newman
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A Edgley
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You've Got A Friend In Me _ 7
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SheetMusicPlus
Voice, SATB - Advanced Intermediate - Digital Download By Randy Newman. Arranged by A Edgley. 11 pages. Published by Andrew Edgley...
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Voice, SATB - Advanced Intermediate - Digital Download By Randy Newman. Arranged by A Edgley. 11 pages. Published by Andrew Edgley
A 7 part (SSAATTB) arrangement of this song, intermediate difficulty.
$1.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Tullyhogue Fort / If I was a Tinker - Score Only
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Alan Wagstaff
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Alan Wagstaff
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Tullyhogue Fort / If I was a T
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Alan Wagstaff
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SheetMusicPlus
Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan...
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Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan Wagstaff #975923. Published by Alan Wagstaff (A0.1392403). Tullyhogue Fort / If I was a Tailor - is a new, Irish style jig arranged for whistle, banjo, flute, fiddle, accordion, and bass.It is first played in a minor mode and then in a major mode. (Aeolian and Ionian)The song is a variation of the 2nd tune.Form: (AA BB) X2  (CC DD) X2  (EF) X5Here are the song lyrics:If I was a tinker you’d  not want for kettles. IfI was a jeweller, the  truth to be told, I’dgive you fine trinkets of rare precious metals, andmake you a ring out of African Gold. ButChorusI’m just a rambler who sings for his supper. Ijog County Antrim – astride this old nag.All that I own is my  saddle and crupper, awhistle, a drum and this old carpet bag.If I was a miller you’d not want for flour. If I was a tailor I’d sew you fine clothes.If I was a gardener I’d build you a bower,and bring you each morning a single red rose. ChorusI’m just a…Can you imagine the hedgerows beside us,travelling the byways with you on the mare,with only the thought of the next inn to guide us,where folks want a tune and have coppers to spare?ChorusI’m just a… If you can imagine the open road calling,the feel of the breeze underneath a clear sky;the stars bright at night and the gentle rain falling,then jog along too, bid your old life goodbye.ChorusI’m just a….
$6.00
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
A Night In Tunisia
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
For Unto Us a Child is Born - Full Score
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Classique
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George Frideric Handel
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Deborah Johnson
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info
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For Unto Us a Child is Born -
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Deborah Johnson
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SheetMusicPlus
Bass Guitar,Cello,Drum Set,Piano,Violin,Voice - Level 4 - SKU: A0.877851 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Clas...
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Bass Guitar,Cello,Drum Set,Piano,Violin,Voice - Level 4 - SKU: A0.877851 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Classical,Contemporary. 32 pages. Deborah Johnson #6639051. Published by Deborah Johnson (A0.877851). This arrangement of For Unto Us a Child is Born, originally composed by George Frideric Handel, has been skillfully arranged by Deborah Johnson. The music falls into several genres, including Christian, Christmas, Classical, Concert, and Contemporary, making it versatile for various musical settings. This lively arrangement is perfect for string orchestra, large or small. Individual parts are also included in this sheet music download. A total of 30 pages, plus title page. Deborah Johnson's rendition of For Unto Us a Child is Born is a lively and upbeat adaptation that was originally featured on the album Merry Christmas Too. This version is perfect for a string orchestra, whether your ensemble is large or small. The download includes the vocal solo, piano part, and chords, spanning a total of 7 pages, along with title pages. The arrangement is tailored for a soprano soloist, showcasing a 2-octave vocal range, from A below middle C to A two octaves above. With its dazzling and spirited interpretation, this arrangement is sure to be a highlight in any Christmas concert. It seamlessly blends Handel's timeless composition with contemporary elements, creating a memorable musical experience that's well-suited for celebrating the holiday season. The MP3 accompaniment track is also available for download as well as the piano/vocal/rhythm score.Full song download on Spotify: https://open.spotify.com/track/6mjuoAFusoNGVDjM3g1erg More information here: https://djworksmusic.com/for-unto-us https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnsonSign up for our newsletter: https://goalsforyourlife.com/newsletterFor Unto Us is performed and arranged by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$19.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
We Wish You a Merry Christmas, Jazz Style, for Clarinet and Trumpet Duet
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional
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David McKeown
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We Wish You a Merry Christmas,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - SKU: A0.594137 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Prais...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - SKU: A0.594137 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6551423. Published by David McKeown (A0.594137). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Clarinet and one Trumpet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
We Wish You a Merry Christmas, Jazz Style, for Flute and Trumpet Duet
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Flûte, Trompette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional
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David McKeown
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We Wish You a Merry Christmas,
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - SKU: A0.594145 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise &...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - SKU: A0.594145 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6551439. Published by David McKeown (A0.594145). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Flute and one Trumpet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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