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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Men of Ohio
Non classifié
5
Piano & claviers
Instruments en Do
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de saxophones
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Cuivres
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Quatuor à cordes: 2 violons, alto, violoncelle
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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MANDOLINE
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Crtitères actifs :
Men of Ohio
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Partitions à imprimer
20 partitions trouvées
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1
Fillmore: Men of Ohio March
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Henry Fillmore
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Mark A
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Fillmore: Men of Ohio March
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Mark Craig
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.815349 Composed by Henry Fillmore. Arranged by Mark A. Craig. 20th Century,Concert,Folk,Holiday,P...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.815349 Composed by Henry Fillmore. Arranged by Mark A. Craig. 20th Century,Concert,Folk,Holiday,Patriotic. 17 pages. Mark Craig #6019937. Published by Mark Craig (A0.815349). This arrangement for woodwind quintet is ideal for recitals, patriotic/Americana concerts, Fourth of July events, or children's concerts/educational outreach. The arrangement can be performed by most college and professional ensembles. I have included an alternate bass clarinet part in lieu of a missing bassoon. .
$15.00
The Last Full Measure of Devotion for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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The Last Full Measure of Devot
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Zack Richards
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #531966...
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Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #5319661. Published by Zack Richards (A0.894398). I originally wrote a Brass Band version of this work to be performed by the Freedom Brass Band of Northeast Ohio in the summer of 2011 knowing that I wanted it to be connected to a well-known patriotic text. It quickly became my most popular work and I decided to arrange it for Concert Band in 2018. Because it was adapted from a Brass Band setting, some of the instrument ranges are more advanced, but can still work for an advanced high school or college band.From a young age I found inspiration in Abraham Lincoln's Gettysburg Address. As a Boy Scout, I had read it at an annual service on Memorial Day. I had also studied it in school and even heard it spoken by a Lincoln impersonator. The words from this address speak to the ideals of human equality and freedom, and honor those who gave the ultimate sacrifice to protect those ideals. Lincoln refers to this sacrifice as the last full measure of devotion and it is to those men and women who so bravely sacrificed that I dedicate this work. The Score is formatted 11x17All parts are 8 1/2x11Instrumentation:PiccoloFlutes with divisiOboeBassoon1st, 2nd, and 3rd Bb Clarinets with divisiBass ClarinetAlto SaxophoneTenor SaxophoneBaritone Saxophone1st, 2nd, and 3rd Bb Trumpets with divisi4 French Horns in F2 TrombonesEuphonium (Treble and bass clef provided)TubaTimpani (4)Crash CymbalsSnare DrumBass DrumAdvanced IntermediateApprox. 7:00Visit zackrichards.com for more from this composer.
$49.99
Men of Ohio
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Henry Fillmore
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Gary Bricault
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Men of Ohio
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Gary Bricault
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824918 Compo...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824918 Composed by Henry Fillmore. Arranged by Gary Bricault. 20th Century. 27 pages. Gary Bricault #4287105. Published by Gary Bricault (A0.824918). Arrangement for Saxophone Ensemble (Sp2S4A2T2BBs + Perc). Performance time 1'56.
$14.99
Banks of the Ohio
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Bettina Schipp
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Banks of the Ohio
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1321993 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. S...
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Solo Guitar - Level 4 - SKU: A0.1321993 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. Songbooks.info #910410. Published by songbooks.info (A0.1321993). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
Night And Day
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Cole Porter
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John Fries
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Night And Day
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1117870 Composed by Cole Porter. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead ...
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C Instrument - Level 4 - SKU: A0.1117870 Composed by Cole Porter. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719382. Published by John Fries (A0.1117870). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Night and Day is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architecture of the Alcazar Hotel in Cleveland Heights, Ohio. Others mention that he was inspired by a Mosaic of the Mausoleum of Galla Placidia in Ravenna, he had been visiting during a trip of his honeymoon in Italy.
$3.99
For the Love of the Game
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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For the Love of the Game
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Zack Richards
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.894379 Composed by Zack Richards. Contemporary,Jazz,Pop. Score and parts. 35 pages. Zack Richards #2340379. Published...
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Brass Ensemble - Level 4 - SKU: A0.894379 Composed by Zack Richards. Contemporary,Jazz,Pop. Score and parts. 35 pages. Zack Richards #2340379. Published by Zack Richards (A0.894379). Living in Northeast Ohio for my entire life, disappointment in my local sports teams has been an unfortunate reality. I began this piece in 2012, with the intention of musically connecting to that disappointment in a humorous way, while showing the ever-present faith in our sports teams. The opening motive of G-A-F-E is based on the word GAME, F substituting for the M. There are essentially four sections to the piece: a general
$17.99
Music of a Forgotten People
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Joseph Hollings
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Music of a Forgotten People
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Joseph Hollings Publishing
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.1244018 Composed by Joseph Hollings. 21st Century,Chamber,Classical,Contemporary,Folk. 13 pages. Joseph Hollings ...
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Violin Duet Violin - Level 4 - SKU: A0.1244018 Composed by Joseph Hollings. 21st Century,Chamber,Classical,Contemporary,Folk. 13 pages. Joseph Hollings Publishing #838994. Published by Joseph Hollings Publishing (A0.1244018). Duration: approx 3:30Music of a Forgotten People is a dynamic violin duet, ideal for accomplished students or professionals alike looking for an energetic piece to end a concert or recital. The piece begins at a slow pace with the first violin 'improvising' a line. The second violin enters, with a desire to push the tempo but the first violin holds firm. Each player strives for dominance until they come end the section together a luanch into a lively jig. The style of this piece gives a generous nod to the duos of Bartók. The download includes the full score and individual parts to arrange on a stand as needed.Music of a Forgotten People was composed by Joseph Hollings (ASCAP) for the gifted violinist Grace Watters and her teacher Stephen Sims. The piece premiered on May 15, 2023, as part of the Cleveland Composers Guild Creativity: Learning through Experience program, this piece was first performed at The Music Settlement in University Circle in Cleveland, Ohio. Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen.To learn more, visit www.josephhollings.com.
$4.99
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Music Night And Day
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Scott Steelman
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John Fries
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Music Night And Day
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197475 Composed by Scott Steelman. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,S...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197475 Composed by Scott Steelman. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 2 pages. John Fries #796642. Published by John Fries (A0.1197475). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Night and Day is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architecture of the Alcazar Hotel in Cleveland Heights, Ohio. Others mention that he was inspired by a Mosaic of the Mausoleum of Galla Placidia in Ravenna, he had been visiting during a trip of his honeymoon in Italy.
$4.99
The Thunderer (March)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Joel Jacklich (ASCAP) or
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The Thunderer
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Joel Jacklich
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joe...
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String Orchestra - Level 4 - SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joel Jacklich #975894. Published by Joel Jacklich (A0.1392366). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal men responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands. Â Here The Thunderer is arranged for string orchestra by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
$30.00
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Betty Lee
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Classique
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Euphonium/Baritone Solo with B
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Richard Jones
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Betty Lee
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Richard Jones
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1488841 By Euphonium/Baritone Solo with Band. By Herman Bellstedt. Arranged by Richard Jones. Classical. Brass Band. 61 pages. Richard Jones #1065695. Published by Richard Jones (A0.1488841). Betty Lee is an example of a theme and variation or fantasia style of writing that was popular at the end of the 19th century and the fists quarter of the 20th century. In most instances the piece would involve a folk or national tune that becomes more complicated as it progresses. Whislt many British composers such as Round and Hartmann were renowned for writing these style of pieces, American virtuoso players were equally adept, including Herbert Clarke, Frank Simon and others. Herman Bellstedt was amongst these virtuoso player/cpmposer combinations. He was born in Bremen in Germany, but moved to Cincinnati, Ohio when he was 9. He quickly gained a reputation as a fine cornet player, playing as a soloist with most bands in his area and beyond, earning him the title 'Boy Wonder'. Soon he was performing with the top bands in the US, including the Patrick Gilmore and John Philip Sousa Band, in the latter sharing solos with cornet sensations Herbert L. Clarke and Walter B. Rodgers. During this period he also started as Professor of Wind Instruments at Cincinnati Conservatory, where he continued to work on his composition projects. The most famous of these composition are Napoli, Fantasie No.1, Capriccio Brilliante and a version of Carnival of Venice; Betty Lee is a lesser known piece to these but equally provides a technical challenge.It is a must for all intermediate to advanced performers.
$20.99
A Believing Heart, sacred music for choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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A Believing Heart, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 14 pages. Kevin G. Pace #878991. Published by Kevin G. Pace (A0.1287904). A wonderful, sacred choral arrangement for mixed choir.  Music by Kevin G. Pace.  Text by Kathryn W. Hales. I often wonder if I’d been there On the shores of Galilee, Would I have stopped and listened toA stranger I happened to see,A man called Jesus, from Nazareth,Whose words right from the startMight come to my ears as something sweet’Would I have had a believing heart?Chorus:A believing heart, a special giftOf faith that I might seeEternal truths from God above,That I might say and do and beA willing servant committed toThe Master’s work below;A believing heart, a willing mind,To Him I’d like to show.I often wonder if I’d been thereIn another time and place,Would I have listened to Alma’s words:Or with a multitude seen the faceAnd touched the feet of Jesus Christ,Of His people been a part?From pages of Book of MormonI learn of those with believing hearts.I often wonder if I’d been thereIn Ohio or Missouri,Would I have listened to Joseph Smith,Or a jeering scorner beBecause of tradition or fear of men,Would I have quickly turned apart?Or would I have stayed and heard his words?Would I have had a believing heart?And now I live in the latter daysGod’s message I have always knownThroughout my days of mortal life,Gospel truths from parents at home,Or from missionaries bold and strong,Yet I must still choose to testify.
$1.99
The Chicken Dance
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Terry Rendall and Werner Thoma
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Dennis Ruello
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The Chicken Dance
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Chicory Music
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SheetMusicPlus
Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thoma...
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Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thomas. Arranged by Dennis Ruello. 20th Century,Comedy,Contemporary,Pop,Traditional. 14 pages. Chicory Music #3580587. Published by Chicory Music (A0.734382). The Chicken Dance, also known as the Bird Song, the Birdie Song or the Chicken Song, is an oom-pah song and its associated fad dance is now a contemporary dance throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The name of the original Swiss song was Der Ententanz (The Duck Dance). It is rumored to be a drinking song sung at Oktoberfest. Sometime in the late 1970s, the song acquired the name Vogeltanz (The Bird Dance) or Vogerltanz (Little Bird Dance or Birdie Dance), although these names never caught on seriously in Germany. On some sheet music and recordings it is called Dance Little Bird. It appears that no one in Germany uses the term Kükentanz or Huhn/Hühnertanz (Küken means chick, Huhn/Hühner means chicken (sg./pl.)). Since 1963, Werner Thomas had played it in restaurants and hotels. During one of Thomas' performances, Belgian producer Louis van Rijmenant heard the song. Van Rijmenant had some lyrics created and in 1970 released it to the public through his publishing company Intervox Music (later on co-publishing with his other company Eurovox Music) without much success. However, on subsequent releases of the song, Van Rijmenant was listed as co-author under the pen name of Terry Rendall. Eurovox Music now manages the publishing rights worldwide, except for the US (September Music), UK (Valentine Music) and the Netherlands (Benelux Music), sub-publishers. The dance and song was originally brought from Germany to the US by Eddie Duling and Larry Karhoff of Glandorf, Ohio in 1974. This arrangement includes: Full Score, Vocal (Opt.), Clarinet, Tenor Sax, Trumpet, Trombone, Piano/Accordion, Tuba, Acoustic Bass (Tuba sub.) and Drum Set. Performance time approx, 2 minutes 52 seconds,
$14.99
Waltzing Through the Mid-West, Little Known, Official State Waltzes for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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L
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Michael Maschmeier (ASCAP)
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Waltzing Through the Mid-West,
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Warrior Musician LLC
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1358962 Composed by L.A. Rescala, R. Stewart, Pee Wee King, R.A. King. Arranged by Michael Maschmeier (ASCAP). 20th Cen...
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Concert Band - Level 4 - SKU: A0.1358962 Composed by L.A. Rescala, R. Stewart, Pee Wee King, R.A. King. Arranged by Michael Maschmeier (ASCAP). 20th Century,Classical,Contemporary,Instructional,Traditional. 99 pages. Warrior Musician LLC #943380. Published by Warrior Musician LLC (A0.1358962). Waltzing Throught the Mid-west is Grade 2.5-3.0. This waltz uses three official state songs for source material, Hush-a-bye Ma Baby (Missouri Waltz), Beautiful Ohio (Ohio Waltz) and the Tennessee Waltz. It has one foot in traditional entertainment aspects from Wind Band's history, and the other foot in modern choices in tempo, time signature changes (including two juxtaposed feels that will challenge even your best students), along with chordal changes that keep it from sounding 'dated.' I feature several low instruments, giving them the limelight at times and with three mallet instruments written into the score, your melodic percussion have plenty to do. This piece lays well in more than one part of your lconcert line-up, including as the feature piece.
$69.99
Ash Cave
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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Ash Cave
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Bradley Sowash
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1233886 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 265. Bradley Sowash #82944...
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Piano - Level 4 - SKU: A0.1233886 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 265. Bradley Sowash #829446. Published by Bradley Sowash (A0.1233886). From Bradley Sowash’s “In the Moment†solo piano recorded album and associated sheet music (also available here).Starkly evocativeAsh Cave, an expansive outcropping with a small waterfall beneath, is an ancient Ohio landmark. Native Americans are said to have lived there. Concerts were sometimes held there in the 18th century to take advantage of the resonant acoustics.In this musical homage, starkly evocative opening chords gradually give way to a freely flowing improvisation in a minor key before returning to the opening material.Learn more about this artist at https://bradleysowash.com.
$1.99
The Thunderer (March)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Joel Jacklich (ASCAP)
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The Thunderer
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1394380 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP). Chamber,H...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1394380 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP). Chamber,Holiday,March,Patriotic. 21 pages. Joel Jacklich #977860. Published by Joel Jacklich (A0.1394380). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal masons responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands. Â Here The Thunderer is arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
$12.99
All Good Things Start with A Dream
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Marimba
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INTERMÉDIAIRE/AVANCÉ
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Adam B
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All Good Things Start with A D
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Adam B. Grim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Marimba,Voice - Level 4 - SKU: A0.939366 Composed by Adam B. Grim. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Marimba,Voice - Level 4 - SKU: A0.939366 Composed by Adam B. Grim. Concert,Contemporary,Standards. Score and parts. 5 pages. Adam B. Grim #4331275. Published by Adam B. Grim (A0.939366). The marimba piece All Good Things Start With a Dream comes from seeing the sunrise and sunset across many places in the United States during Ohio Northern’s National Singers Tour of 2016. As I was sitting in the back of our host’s car, my friend Shawn was talking to our gracious host about his aspirations of becoming a teacher even though he was starting later in life. During the conversation, we were driving across the prairie to the home we would be staying in. As our host said, Follow your dreams, and your life will never be boring Shawn replied, Oh definitely. I believe that all good things start with a dream. That is the inspiration for this piece. Sunrise, inspiration, and a dream.
$9.00
Come, You Disconsolate
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Musique Sacrée
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Samuel Webbe
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John Carter
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Come, You Disconsolate
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John Carter
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SheetMusicPlus
Instrumental Duet - Level 4 - SKU: A0.1289586 Composed by Samuel Webbe. Arranged by John Carter. 21st Century,Praise & Worship,Religious. 6 pages. John ...
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Instrumental Duet - Level 4 - SKU: A0.1289586 Composed by Samuel Webbe. Arranged by John Carter. 21st Century,Praise & Worship,Religious. 6 pages. John Carter #880296. Published by John Carter (A0.1289586). A setting for piano duet (one piano) of the hymntune CONSOLATION by Samuel Webbe and arranged by John Carter. This was composed to honor Kathy Rapp and Karen Kent, musicians at Redeemer Lutheran Church, Columbus, Ohio.
$4.99
Airs and Ballads for Classic Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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John Lehmann- Haupt
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Airs and Ballads for Classic G
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - Intermediate-Advanced - Composed by John Lehmann- Haupt. Solos. Style. E-book. 32 pages. Mel Bay Publications - Digital...
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Guitar (classical and lute) - Intermediate-Advanced - Composed by John Lehmann- Haupt. Solos. Style. E-book. 32 pages. Mel Bay Publications - Digital Sheet Music #30639EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118768.
A dozen of the most beautiful traditional melodies from the British Isles and North America are arranged here as concert pieces, with rich harmonies and variations. Carefully voiced and fingered for fluidity and effectiveness, the collection offers a wide range of style and expression. aBarbara Allena and aThe Three Ravensa are strongly influenced by the Elizabethan lute tradition, while aJohn Rileya and aCome All Ye Fair and Tender Ladiesa have a more contemporary feel. aBlack Is the Color of My True Loveas Haira and aLament for Owen Roe OaNeilla are studies in somber intensity, the modal aShe Moved Through the Faira sounds the ancient connection between Arabic and Celtic music, and aBanks of the Ohioa provides an interlude of gentle bluegrass swing, with a hint of gospel.
$12.99
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Men of Ohio