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A Forge, and a Scythe
Guitare
Guitar - advanced to difficult - Digital Download Composed by Robert A. Baker. This e…
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Guitar - advanced to difficult - Digital Download Composed by Robert A. Baker. This edition: Sheet music. Downloadable. Duration 9 minutes. Chanterelle #Q49821. Published by Chanterelle
English - German.<br> <br> A fine new medium to difficult guitar work in written in hommage to the great 20th century guitar composers. ideal for concerts or competitions.
$9.99
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Guitare
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Robert A
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A Forge, and a Scythe
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Chanterelle
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SheetMusicPlus
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 4
Guitare notes et tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by A compilation. Ar…
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Guitar Tab - Advanced Intermediate - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature. 63 pages. Published by Roberto Pugliese
Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Milonga sentimental - milonga (Piana-Manzi) - Afiches - tango (Mores- Contursi) - Barrio de tango - tango (Troilo) - El ultimo organito - tango (Manzi) La gayola - tango (Di Cicco) - La luz de un fosforo - tango (Canaro-Amadori) - Mi Bs As querido - tango (Gardel-Lepera) - Pompa de jabon - tango (Goyoneche-Cadicamo) - Tres esquinas - vals (D'agostino-Cadicamo) - 9 puntos - tango (Canaro) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y3OTS_KdIuq3WhvzIEhL0IL
$20.99
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Guitare notes et tablatures
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A compilation
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Roberto Pugliese
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10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 4
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Roberto Pugliese
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SheetMusicPlus
I Could Write A Book
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380093 By Jerry Bu…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380093 By Jerry Butler. By Lorenz Hart and Richard Rodgers. Arranged by Geordie Roberts. A Cappella,Broadway,Jazz,Musical/Show,Standards. 6 pages. Geordie Roberts #964805. Published by Geordie Roberts (A0.1380093).
$2.00
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Chorale SATB
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Jerry Butler
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Geordie Roberts
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I Could Write A Book
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Geordie Roberts
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.27 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.37 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.27 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.07 €
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Orchestre
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Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
#
SheetMusicPlus
La calle del pecado - Tango por Roberto Rufino y Lambertucci
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.958800 Composed by Roberto Lambertu…
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Piano Solo - Level 4 - Digital Download SKU: A0.958800 Composed by Roberto Lambertucci - Roberto Rufino. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873167. Published by Juan Carlos Cortés Aguirre (A0.958800). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en el tango vocalizado por el cantante chileno Antonio Prieto con el acompañamiento de la orquesta de Juan D´arienzo, con letra del cantante Roberto Rufino y música de Roberto Lambertucci. LA CALLE DEL PECADOLetra: Roberto Lambertucci.Música: Roberto Rufino.Introducción Orquesta:No hace falta que me cuentes tu pasado, aunque tengas mil pecados en tu haber,hoy tan solo me interesa tu presente y el valor de tu futuro proceder.No hagas caso, no hagas caso a lo que digan, que la envidia nunca puede hacemos mal.Piensa solo que hay un alma que te adora, y eso si, que lo tendrás que respetar.La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón,No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Orquesta:La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón.No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.
$7.99
7.24 €
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Piano seul
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Roberto Lambertucci - Roberto Rufino
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Juan Carlos Cortés A
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La calle del pecado - Tango por Roberto Rufino y Lambertucci
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE…
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Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â
$6.99
6.33 €
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Piano seul
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
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SheetMusicPlus
Solace - A Mexican Serenade
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.874293 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.874293 Composed by Scott Joplin. Arranged by Pamela M. Robertson. 20th Century,Film/TV,Jazz,Ragtime,Standards. Score and parts. 19 pages. Pamela M. Robertson #4579503. Published by Pamela M. Robertson (A0.874293). Arranger Pamela M. Robertson has created a unique musical transcription of Scott Joplin's Solace - A Mexican Serenade for 2 violins and 2 violas (or traditional string quartet of 2 violins, 1 viola, 1 cello). An optional cello part that replaces the viola 2 part gives this arrangement flexibility.Bowings are included in the score and parts. .
$9.99
9.05 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Scott Joplin
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Pamela M
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Solace - A Mexican Serenade
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Pamela M. Robertson
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SheetMusicPlus
THE BLACK CAT WALTZ (One Piano / Four Hands) By Robert Van Horne
1 Piano, 4 mains
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.914984 Com…
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,Instructional,Jazz. Score and parts. 7 pages. White Piano International Publishing #6720309. Published by White Piano International Publishing (A0.914984). THE BLACK CAT WALTZ (Piano Duet) One Piano / Four HandsAdvanced Intermediate Approx. Performance TIme: 2:306 PagesOriginally composed in 2002 as a piano solo, THE BLACK CAT WALTZ was arranged years later as a One Piano, Four Hands Duet in 2010.The sheet music is clearly notated with dynamic and articulation marks, phrasing, suggested fingerings and appropriate musical terms for playing.Both Primo and Secondo players each have numbered measures and sections with easy to locate corresponding bars.The piece is written in the key of D minor. It then changes to G minor at measure 76 giving a refreshing color to the melody.THE BLACK CAT WALTZ (Duet) makes a wonderful piano selection for two advanced intermediate students - great for teaching ensemble techniques. It is an appropriate piece for Halloween, recitals and school musical events...a delightful listening treat for audiences.The sample music is a March 13, 2011 premier live performance at the KPMF Piano Ensemble Club Spring Concert performed by Hiro Nakae and Ryota Watanabe, both students of Yoko Kurosawa. Here is their video: http://www.youtube.com/watch?v=8rDI5JwiLOYA Youtube video of Robert's original solo performance of THE BLACK CAT WALTZ in 2009 is available at: http://www.youtube.com/watch?v=qGtzxCdSlrQRobert's Official Website: www.robertvanhorne.comASCAP AffiliationWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
5.42 €
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1 Piano, 4 mains
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE BLACK CAT WALTZ
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White Piano International Publishing
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SheetMusicPlus
O Sing A Song of Bethlehem (O God, O God, Why Have You Forsaken Me) - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1342167 Composed by Kingsfold. Arra…
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Piano Solo - Level 4 - Digital Download SKU: A0.1342167 Composed by Kingsfold. Arranged by Pamela M Robertson. Advent,Christian,Christmas,Lent,Sacred. Score. 3 pages. Pamela M. Robertson #927689. Published by Pamela M. Robertson (A0.1342167). This contemplative and poignant setting of KINGSFOLD is commonly associated with several hymn texts: O Sing A Song of Bethlehem; I Heard the Voice of Jesus Say; O God, O God, Why Have You Forsaken Me; (and other hymn texts).Arranged by Pam Robertson for the early advanced pianist, this piece is well suited for use in worship services or recitals, and is approximately 2:30 in length.
$4.99
4.52 €
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Piano seul
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Kingsfold
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Pamela M Robertson
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O Sing A Song of Bethlehem
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Pamela M. Robertson
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SheetMusicPlus
Bethena - A Concert Waltz
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.874301 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.874301 Composed by Scott Joplin. Arranged by Pamela M. Robertson. 20th Century,Concert,Folk,Ragtime,Standards. Score and parts. 25 pages. Pamela M. Robertson #4607939. Published by Pamela M. Robertson (A0.874301). Arranger Pamela M. Robertson has created this musical transcription of Scott Joplin's Bethena - A Concert Waltz for 2 violins and 2 violas (or traditional string quartet of 2 violins, 1 viola, 1 cello). An optional cello part that replaces the viola 2 part gives this arrangement flexibility.
$9.99
9.05 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Scott Joplin
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Pamela M
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Bethena - A Concert Waltz
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Pamela M. Robertson
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SheetMusicPlus
Bring A Torch, Jeannette, Isabella
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874302 Composed by Traditional Fren…
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Piano Solo - Level 4 - Digital Download SKU: A0.874302 Composed by Traditional French Carol. Arranged by Pamela M. Robertson. Christian,Christmas,Concert,Sacred,Standards. Score. 2 pages. Pamela M. Robertson #4850813. Published by Pamela M. Robertson (A0.874302). This gentle and beautiful arrangement of the French carol tune BRING A TORCH works well as a meditative selection for worship services or recitals. This flexible arrangement is slightly over a minute in length, but can be lengthened by taking the optional repeats indicated in the score. Advanced intermediate in level.
$4.99
4.52 €
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Piano seul
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Traditional French Carol
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Pamela M
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Bring A Torch, Jeannette, Isabella
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Pamela M. Robertson
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SheetMusicPlus
My Love is Like a Red, Red Rose (Solo Guitar Version)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
$4.95
4.48 €
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Guitare
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Traditional Scotland
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Dan Jones www
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My Love is Like a Red, Red Rose
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DanJonesGuitarist
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SheetMusicPlus
Just A Girl
Basse electrique
Bass Guitar - Level 4 - Digital Download SKU: A0.950672 By No Doubt. By Gwen Stefan…
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Bass Guitar - Level 4 - Digital Download SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6 pages. Daniel P Roberts #556397. Published by Daniel P Roberts (A0.950672). Arranged for 4 string bass in Drop D tuning with TAB Take this pink ribbon off my eyes I'm exposed and it's no big surprise Don't you think I know exactly where I stand? This world is forcing me to hold your hand 'Cause I'm just a girl, oh, little old me Well, don't let me out of your sight Oh, I'm just a girl, all pretty and petite So don't let me have any rights Oh, I've had it up to here The moment that I step outside So many reasons for me to run and hide I can't do the little things I hold so dear 'Cause it's all those little things that I fear 'Cause I'm just a girl, I'd rather not be 'Cause they won't let me drive late at night Oh, I'm just a girl, guess I'm some kind of freak 'Cause they all sit and stare with their eyes Oh, I'm just a girl, take a good look at me Just your typical prototype Oh, I've had it up to here Oh, am I making myself clear? I'm just a girl I'm just a girl in the world That's all that you'll let me be Oh, I'm just a girl, living in captivity Your rule of thumb makes me worrisome Oh, I'm just a girl, what's my destiny? What I've succumbed to is making me numb Oh, I'm just a girl, my apologies What I've become is so burdensome Oh, I'm just a girl, lucky me Twiddle-dum, there's no comparison Oh, I've had it up to Oh, I've had it up to Oh, I've had it up to here.
$4.99
4.52 €
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Basse electrique
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No Doubt
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Daniel Roberts
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Just A Girl
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Daniel P Roberts
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SheetMusicPlus
What More Can a Woman Give? (version 2) (SSAA - barbershop) - arr. Robert Rund
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.967153 Composed by Jen Gra…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.967153 Composed by Jen Granato Howson, Lewis Porter, Monroe Rosenfield, and Robert Rund. Arranged by Robert Rund. Contemporary. Octavo. 3 pages. Robert Rund #6012733. Published by Robert Rund (A0.967153). This is the final adaptation of the 1918 original by the same title, though the lyrics have substantively changed as has the story. It is spoken from the perspective of a mother who's child dies on the battlefield. Learning tracks are available from QueenAnneRecordings.com. This is voiced SSAA in the barbershop style.
$4.60
4.17 €
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Chorale SSAA
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Jen Granato Howson, Lewis Porter, Monroe Rosenfield, and Robert Rund
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Robert Rund
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What More Can a Woman Give?
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Robert Rund
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SheetMusicPlus
A Shelter in the Time of Storm (with Rock of Ages) - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1093411 Composed by Ira Sankey and …
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Piano Solo - Level 4 - Digital Download SKU: A0.1093411 Composed by Ira Sankey and Thomas Hastings. Arranged by Pamela M. Robertson. Praise & Worship,Sacred,Traditional. Score. 4 pages. Pamela M. Robertson #697491. Published by Pamela M. Robertson (A0.1093411). This gently rolling setting of the hymn A Shelter in the Time of Storm is paired beautifully with the beloved hymn Rock of Ages in an arrangement well-suited for use in worship services, recitals, or other occasions. Length: 2:30.
$4.99
4.52 €
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Piano seul
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Ira Sankey and Thomas Hastings
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Pamela M
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A Shelter in the Time of Storm
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Pamela M. Robertson
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SheetMusicPlus
Lo, a Risen Lord (2-Part Mixed Chorus, Piano Accompaniment, Optional Bb Trumpet)
Accompagnement Piano
Choral Choir - Level 4 - Digital Download SKU: A0.784752 Composed by Lyrics: Robert…
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Choral Choir - Level 4 - Digital Download SKU: A0.784752 Composed by Lyrics: Robert M. Offord and Music: Robert Lowry. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Cathy Stamegna #392094. Published by Cathy Stamegna (A0.784752). A glorious Robert Lowry/Robert Offord hymn appropriate for the Easter season, Christian worship, or concert repertoire. An optional trumpet part provides a lovely addition. The first verse is slightly slower than the two following. Alleluia embellishments in the voices as the piece develops add to its triumphant spirit. Bb Trumpet part included.
$2.25
2.04 €
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Accompagnement Piano
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Lyrics: Robert M
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Cathy Stamegna
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Lo, a Risen Lord
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Cathy Stamegna
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SheetMusicPlus
Lo, a Risen Lord (SATB, Piano Accompaniment, Optional Bb Trumpet)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.788713 Composed by Lyrics:…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.788713 Composed by Lyrics: Robert M. Offord and Music: Robert Lowry. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Cathy Stamegna #395407. Published by Cathy Stamegna (A0.788713). A glorious Robert Lowry/Robert Offord hymn appropriate for the Easter season, Christian worship, or concert repertoire. An optional trumpet part provides a lovely addition. The first verse is slightly slower than the two following. Alleluia embellishments in the voices as the piece develops add to its triumphant spirit. Bb Trumpet part included.
$2.25
2.04 €
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Chorale SATB
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Lyrics: Robert M
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Cathy Stamegna
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Lo, a Risen Lord
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Cathy Stamegna
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SheetMusicPlus
Lo, a Risen Lord (SAB, Piano Accompaniment, Optional Bb Trumpet)
Chorale 3 parties
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.788710 Composed by Lyrics: …
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.788710 Composed by Lyrics: Robert M. Offord and Music: Robert Lowry. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Cathy Stamegna #395175. Published by Cathy Stamegna (A0.788710). A glorious Robert Lowry/Robert Offord hymn appropriate for the Easter season, Christian worship, or concert repertoire. An optional trumpet part provides a lovely addition. The first verse is slightly slower than the two following. Alleluia embellishments in the voices as the piece develops add to its triumphant spirit. Bb Trumpet part included.
$2.25
2.04 €
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Chorale 3 parties
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Lyrics: Robert M
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Cathy Stamegna
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Lo, a Risen Lord
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Cathy Stamegna
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SheetMusicPlus
Old MacDonald Had a Farm (TTBB - Barbershop) - arr. Robert Rund
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.967131 Composed by Frederi…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.967131 Composed by Frederick Thomas Nettingham and Thomas d'Ufrey. Arranged by Robert Rund. A Cappella,Folk,Jazz. Octavo. 13 pages. Robert Rund #5865985. Published by Robert Rund (A0.967131). This 4-part male acapella arrangement in the barbershop style captures the swing version that Frank Sinatra sang, but for barbershop quartet. Do note that the lyrics are somewhat dated (1960) and could be considered offensive. Frank Sinatra's version on which this was based, can be heard on the attached YouTube Link. .
$4.60
4.17 €
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Chorale TTBB
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Frederick Thomas Nettingham and Thomas d'Ufrey
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Robert Rund
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Old MacDonald Had a Farm
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Robert Rund
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SheetMusicPlus
The Deil's Awa' Wi' The Exciseman (Robert Burns) - Wind Quintet by Hugh Levey
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937282 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937282 Composed by Robert Burns and Traditional Scottish. Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish. 26 pages. Woodwindly.com #6451109. Published by woodwindly.com (A0.937282). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) A great fun and lively arrangement for Wind Quintet.Duration 2 minutes 45 seconds. 28 PagesThis lively set of variations on Robert Burns' The Deil's Awa' Wi' the Exciseman (The devil is away with the tax collector) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland. Although Burns wrote the words of the song, he set them to a variation of an existing tune called The Hemp Dresser which dates from the 17th century or earlier. It is a lively jig which is arranged here for Wind Quintet. This wind quintet arrangement begins with oboe and bassoon playing the tune and bass line, almost exactly as they appeared in The Scots Musical Museum, published by James Johnson & Co in six volumes between 1787 and 1803. The other instruments all get the opportunity to play the melodic line in the ensuing 5 verses, as the arrangement gets more complex and fun. The arranger makes great use of the tritone; or devil’s interval as it is often known because of its unsettling presence. However, in this arrangement it merely adds to the fun and excitement.Great fun for all! Â
$13.00
11.77 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Burns and Traditional Scottish
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Hugh Levey
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The Deil's Awa' Wi' The Exciseman
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woodwindly.com
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SheetMusicPlus
What More Can a Woman Give? (version 1) (SSAA - barbershop) - arr. Robert Rund
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.967151 Composed by Jen Gra…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.967151 Composed by Jen Granato Howson, Lewis Porter, Monroe Rosenfield, and Robert Rund. Arranged by Robert Rund. Contemporary. Octavo. 3 pages. Robert Rund #6012731. Published by Robert Rund (A0.967151). This adaptation of the 1918 original by the same name, features significant changes to lyrics and story, as well as add new original material (bridge). This was performed by the award-winning Skyline Chorus of Denver (Sweet Adelines International). .
$4.60
4.17 €
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Chorale SSAA
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Jen Granato Howson, Lewis Porter, Monroe Rosenfield, and Robert Rund
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Robert Rund
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What More Can a Woman Give?
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Robert Rund
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SheetMusicPlus
Ten Cents A Dance
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380088 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380088 Composed by Lorenz Hart and Richard Rodgers. Arranged by Geordie Roberts. 20th Century,A Cappella,Comedy,Jazz,Standards. 6 pages. Geordie Roberts #964800. Published by Geordie Roberts (A0.1380088). SATB A Cappella arrangement for quartet or chamber choir. Incorporates imitation of 20s jazz instruments and four different dances: one-step, waltz, tango, polka.
$2.00
1.81 €
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Chorale SATB
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Lorenz Hart and Richard Rodgers
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Geordie Roberts
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Ten Cents A Dance
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Geordie Roberts
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SheetMusicPlus
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