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--INSTRUMENTS--
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for Maggie
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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CORNET
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for Maggie
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Partitions à imprimer
41 partitions trouvées
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26
Drowsy Maggie for Virtuoso Solo Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Matthew Saayman
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Drowsy Maggie for Virtuoso Sol
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Matthew Saayman
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1184310 Composed by Irish Traditional. Arranged by Matthew Saayman. Celtic,Classical,Folk,Irish. 3 pages. Matthew Saayma...
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Violin Solo - Level 4 - SKU: A0.1184310 Composed by Irish Traditional. Arranged by Matthew Saayman. Celtic,Classical,Folk,Irish. 3 pages. Matthew Saayman #784030. Published by Matthew Saayman (A0.1184310). A virtuoso arrangement of the old Irish fiddle tune. Here I've written a length introductory section before the main theme is stated, as well as an interlude section before the tune is stated a second time in a different key.
$10.00
Music for Three, Volume 7 Part 3 for Cello or Bassoon 50731
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Celtique/Irlandais
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the Light of the Silvery Moon
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Various
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Daniel Kelley
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Music for Three, Volume 7 Part
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and part...
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Small Ensemble - Level 4 - SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201339. Published by Last Resort Music Publishing (A0.592549). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50731 Part 3 - Cello or Bassoon Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
Music for Three, Volume 7 Part 2 for Flute or Oboe or Violin 50721
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Celtique/Irlandais
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the Light of the Silvery Moon
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Various
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Daniel Kelley
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Music for Three, Volume 7 Part
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592546 Composed by Various. Arranged by Daniel Kelley. Baroque,Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score ...
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Small Ensemble - Level 4 - SKU: A0.592546 Composed by Various. Arranged by Daniel Kelley. Baroque,Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201337. Published by Last Resort Music Publishing (A0.592546). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Flute or Oboe or Violin Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
Music for Three, Volume 7 Part 2 Viola 50722
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Celtique/Irlandais
#
Daniel Kelley
#
Daniel Kelley
#
Music for Three, Volume 7 Part
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Viola - Level 4 - SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Sco...
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Small Ensemble Viola - Level 4 - SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201338. Published by Last Resort Music Publishing (A0.592547). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Viola Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
Music for Three, Volume 7 Keyboard or Guitar 50740
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Celtique/Irlandais
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Daniel Kelley
#
Daniel Kelley
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Music for Three, Volume 7 Keyb
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding....
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Small Ensemble - Level 4 - SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 93 pages. Last Resort Music Publishing #201340. Published by Last Resort Music Publishing (A0.592550). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50740 Keyboard or Guitar Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$26.00
Adagio from Concerto for Piano and Orchestra
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Maurice Ravel
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Rod Whittle
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Adagio from Concerto for Piano
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899114 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #2...
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Solo Guitar - Level 4 - SKU: A0.899114 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #25795. Published by Maggie Creek Music (A0.899114). 3 pages for classical guitar published by Maggie Creek Music.
$7.00
Folk Songs and Dances for the Summer - 8 original Arrangements for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Matthew Saayman
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Matthew Saayman
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Folk Songs and Dances for the
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Matthew Saayman
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1287891 Composed by Matthew Saayman. Arranged by Matthew Saayman. Celtic,Cham...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1287891 Composed by Matthew Saayman. Arranged by Matthew Saayman. Celtic,Chamber,Classical,Folk,Irish,Traditional. 44 pages. Matthew Saayman #878978. Published by Matthew Saayman (A0.1287891). Folk Songs and Dances for the Summer contains eight original arrangements and compositions for violin and piano accompaniment. Among these songs are a meditative version of the Irish tune Blind Mary, a fiery rendition of Drowsy Maggie, as well as folk-inspired Country Dances. The arrangements range from expressive and plaintive to spirited and triumphant. In terms of difficulty, most of the arrangements move at a brisk pace and are suitable for advanced players.  For piano, this involves fast-moving and leaping chords in both hands, contrary moving scales, and arpeggiation. For violin, this involves double-stops, scales, awkward rhythmic patterns.
$9.00
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Prelude to Lohengrin
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Rod Whittle
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5 pages
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Musi...
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Solo Guitar - Level 4 - SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
$9.00
You're The Voice
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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John Farnham
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Kirstie Smith
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You're The Voice
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1459321 By John Farnham. By Andy Qunta, Chris Thompson, Keith Reid, and Maggie Ryder. Arrange...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1459321 By John Farnham. By Andy Qunta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Kirstie Smith. Christian,Pop,Praise & Worship,Religious,Spiritual. 19 pages. Kirstie Smith #1038263. Published by Kirstie Smith (A0.1459321). Welcome to A Kingdom Of Gospel, a wholly unique medley of uplifting spiritual songs; Lovely Day (Bill Withers) Blinded By Your Grace Part 2 (Stormzy) and You're The Voice (John Farnham), in the style of 'The Kingdom Choir'. A wonderful bespoke choral arrangement of three classic songs with piano accompaniment, differing in style, tempo and genre yet creatively combined to form a sensational gospel medley. Crafted with love and attention, specifically tailored for SATB divisi, mixed voice choirs, gospel choirs, vocal ensembles, schools, colleges and universities for performance at concerts, festivals, proms and community worship events to raise spirits, heal wounds and enrich the soul.
$3.50
Everytime We Touch
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Cascada
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Justin Giarrusso
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Everytime We Touch
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Justin Giarrusso Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.916909 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Justin Giarrusso....
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String Quartet String Quartet - Level 4 - SKU: A0.916909 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Justin Giarrusso. Contemporary. Score and parts. 8 pages. Justin Giarrusso Music #4731855. Published by Justin Giarrusso Music (A0.916909). An arrangement of Everytime We Touch (as performed by Cascada in the candlelight remix) for string quartet. Excellent for weddings, receptions, or pops performances. 4 minutes.To contact the arranger or to view original work by Justin Giarrusso (ASCAP), please, visit: www.JustinGiarrusso.com
$19.99
I Get To Love You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ruelle
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Monica Re Martin
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I Get To Love You
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Monica Re Martin
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1393142 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Monica Re Mart...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1393142 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Monica Re Martin. Film/TV,Pop,Singer/Songwriter,Wedding. 11 pages. Monica Re Martin #976635. Published by Monica Re Martin (A0.1393142). I Get To Love You - RuelleArranged for String QuartetClick here for more arrangements by MonicaFor more information on string arrangements, visit https://monicaremartin.com/ or email monica.re.martin@gmail.com
$12.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
I Get To Love You
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ruelle
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Isabel Williamson
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I Get To Love You
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Isabel Williamson
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.1471112 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Isabel Williamson. Chamber,Contemporar...
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String Trio Cello,Violin - Level 4 - SKU: A0.1471112 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Isabel Williamson. Chamber,Contemporary,Pop,Singer/Songwriter,Wedding. 12 pages. Isabel Williamson #1048756. Published by Isabel Williamson (A0.1471112). Ruelle's epic ballad 'I Get To Love You' arranged for string trio (two violins and cello). This highly effective version draws on the original cello, piano and vocal lines, capturing the song's soaring romantic spirit in a beautiful professional arrangement - ideal for weddings.
$12.99
I Get To Love You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ruelle
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Karlie Boyle
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I Get To Love You
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Karlie Boyle Arrangements
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.959146 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Karlie Boyle. C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.959146 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by Karlie Boyle. Contemporary. Score and parts. 14 pages. Karlie Boyle Arrangements #5770703. Published by Karlie Boyle Arrangements (A0.959146).
$17.99
Trillo-Tremolo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benvenuto Terzi
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Rod Whittle
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#
Trillo-Tremolo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899142 Composed by Benvenuto Terzi. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899142 Composed by Benvenuto Terzi. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #4634351. Published by Maggie Creek Music (A0.899142). for solo classical guitar 2 ppBenvenuto Terzi Benvenuto Terzi was born in Bergamo, Italy in 1892. A virtuoso guitarist and composer of numerous distinguished guitar pieces, his career flourished in the period between the two world wars, when he gave concerts in all major cities of Italy. In 1934 he co-founded the magazine 'La Chitarra'. In 1963 the publishing house Ricordi issued Terzi's book, 'The Self-taught Guitarist, A Comprehensive Approach to Classical Guitar'. The publication had numerous reprints. Terzi died in Bergamo in 1980, at the age of 88 years. I have changed the beautiful Trillo – Tremolo to a tremolo piece which suggests the trills, in order to make it more widely playable. It keeps all the subtle harmonic inferences of the original without the frustration of needing rarefied ability to play.
$5.00
Two Excerpts from the G minor Symphony
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Rod Whittle
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Two Excerpts from the G minor
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899129 Composed by Wolfgang Amadeus Mozart. Arranged by Rod Whittle. Classical. Individual part. 5 pages. Maggie Creek M...
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Solo Guitar - Level 4 - SKU: A0.899129 Composed by Wolfgang Amadeus Mozart. Arranged by Rod Whittle. Classical. Individual part. 5 pages. Maggie Creek Music #3141149. Published by Maggie Creek Music (A0.899129). Transcription for solo classical guitar 5 pp.
$7.00
You're The Voice
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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John Farnham
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Emma Dean
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You're The Voice
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Emma Dean
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1171225 By John Farnham. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Emma Dean. A ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1171225 By John Farnham. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Emma Dean. A Cappella,Pop,Rock. Octavo. 18 pages. Emma Dean #771563. Published by Emma Dean (A0.1171225). An arrangement of You're The Voice professional choirs. This arrangement can be sung on it's own or as part of a larger arrangement by Emma Dean which can also be found on ArrangeMe. This piece was originally commissioned by Queensland Music Festival (You're The Voice project led by Katie Noonan) and performed by John Farnham and a choir of over 2000 singers.
$1.99
Appalachia Waltz (cello part - vln, cel, bs)
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O...
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String Ensemble,String Trio Cello - Level 4 - SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200543. Published by Mark O'Connor Musik International (A0.861761). Appalachia Waltz MO102AAppalachia Waltz for Violin, Cello and Double Bass by Mark O’ConnorCello Part (Score for vln, vla, cel is available for reference MO101A)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. O’Connor adapted for the instrumentation f violin, viola and cello as well. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO102ACopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Appalachia Waltz (double bass part - vln, cel, bs)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Double Bass - Level 4 - SKU: A0.861762 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. ...
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String Ensemble,String Trio Double Bass - Level 4 - SKU: A0.861762 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6200553. Published by Mark O'Connor Musik International (A0.861762). Appalachia Waltz MO102BAppalachia Waltz for Violin, Cello and Double Bass by Mark O’ConnorDouble Bass Part (Score for vln, vla, cel is available for reference MO102B)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. O’Connor adapted for the instrumentation f violin, viola and cello as well. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO102BCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Appalachia Waltz (violin part - vln, vla, cel)
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Trio à cordes: 3 violins
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861758 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark ...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861758 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6200473. Published by Mark O'Connor Musik International (A0.861758). Appalachia Waltz MO101BAppalachia Waltz adapted for Violin, Viola and Cello by Mark O’ConnorViolin Part (score and parts available)Music by Mark O’Connor3 pages - 7:20 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO101BCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
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