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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Partitions à imprimer
63 partitions trouvées
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51
The Song From Moulin Rouge (where Is Your Heart)
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Georges Abel Louis Auric, Jacq
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John Fries
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The Song From Moulin Rouge
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.509095 Composed by Georges Abel Louis Auric, Jacques LaRue, and William Engvick. Arranged by John Fries. Broadway,Class...
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C Instrument - Level 4 - SKU: A0.509095 Composed by Georges Abel Louis Auric, Jacques LaRue, and William Engvick. Arranged by John Fries. Broadway,Classical,Film/TV,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #120191. Published by John Fries (A0.509095). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. It's April Again (also known as The Song from Moulin Rouge and Where Is Your Heart) is a popular song that first appeared in the 1952 film Moulin Rouge. It became a No. 1 hit in the UK Singles Chart when recorded by Mantovani. The music for the film was written by Georges Auric; the original French lyrics were by Jacques Larue, with the English words by William Engvick. The Auric-Engvick song was published in 1953.
$3.99
Where Is Your Heart (the Song From Moulin Rouge)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Percy Faith And His Orchestra
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John Fries
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Where Is Your Heart
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201345 By Percy Faith And His Orchestra. By Georges Auric and William Engvick. Arranged by John Fries. 20t...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201345 By Percy Faith And His Orchestra. By Georges Auric and William Engvick. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Score. 2 pages. John Fries #799999. Published by John Fries (A0.1201345). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. It's April Again (also known as The Song from Moulin Rouge and Where Is Your Heart) is a popular song that first appeared in the 1952 film Moulin Rouge. It became a No. 1 hit in the UK Singles Chart when recorded by Mantovani. The music for the film was written by Georges Auric; the original French lyrics were by Jacques Larue, with the English words by William Engvick. The Auric-Engvick song was published in 1953.
$4.99
You Brought A New Kind Of Love To Me
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Scott Hamilton
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arr
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You Brought A New Kind Of Love
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.546412 By Scott Hamilton. By Irving Kahal, Pierre Norman, and Sammy Fain. Arranged by arr. by John Fries. 20th Century,...
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C Instrument - Level 4 - SKU: A0.546412 By Scott Hamilton. By Irving Kahal, Pierre Norman, and Sammy Fain. Arranged by arr. by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156451. Published by John Fries (A0.546412). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. You Brought a New Kind of Love to Me is a 1930 popular song. The song was introduced in the movie The Big Pond (1930) by Maurice Chevalier who also made a successful recording of it the same year. The song has been used in other movies, including Monkey Business (1931), where the Marx Brothers steal Chevalier's passport and sing this song to try to prove they are Chevalier as they attempt to pass through US Customs. The song is a well-known standard, recorded by many artists, though Chevalier's versions (in English and French) and Frank Sinatra's version are best known.
$3.99
You Brought A New Kind Of Love To Me
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Scott Hamilton
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John Fries
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You Brought A New Kind Of Love
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201896 By Scott Hamilton. By Irving Kahal, Pierre Norman, and Sammy Fain. Arranged by John Fries. 20th Cen...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201896 By Scott Hamilton. By Irving Kahal, Pierre Norman, and Sammy Fain. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #800512. Published by John Fries (A0.1201896). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. You Brought a New Kind of Love to Me is a 1930 popular song. The song was introduced in the movie The Big Pond (1930) by Maurice Chevalier who also made a successful recording of it the same year. The song has been used in other movies, including Monkey Business (1931), where the Marx Brothers steal Chevalier's passport and sing this song to try to prove they are Chevalier as they attempt to pass through US Customs. The song is a well-known standard, recorded by many artists, though Chevalier's versions (in English and French) and Frank Sinatra's version are best known.
$4.99
Overture “A Midsummer Night's Dream” Op. 21 for Brass Ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Overture “A Midsummer Ni
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BitNotes.jp
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century. Score and Parts. 19 pages. BitNotes.jp #882854. Published by BitNotes.jp (A0.1292240). The Overture A Midsummer Night's Dream is originally composed by the German composer Felix Mendelssohn, who was inspired by reading William Shakespeare's play A Midsummer Night's Dream. It was initially created as a piano piece for duet, intended for enjoyment with his sister Fanny. Notably, Mendelssohn himself later arranged it for orchestra in 1826 when he was just 17 years old.Fast forward 16 years, this piece took an unconventional path to composition. It was commissioned by King Wilhelm IV of Prussia at the time, and the overture became part of a larger work known as Incidental Music, where it was accompanied by other pieces, apart from the overture.The Overture A Midsummer Night's Dream begins with four chords that evoke a gentle breeze, as if beckoning you into the world of fairies, in line with the folklore that claims that on the eve of Midsummer (Walpurgis Night), fairies and witches gather for revelry. It then transitions into the theme of the fairy's fluttering wings, followed by the music of the Fairy King's palace, the lovers' theme, and passages for clowns and hunting scenes. Finally, it returns to the fairies, dancing and disappearing as if carried away by the wind.We have arranged this enchanting piece for a brass ensemble, featuring ten players (3 trumpets, 3 horns, 3 trombones, and 1 tuba). The 1st Trumpet part includes an optional switch to Piccolo Trumpet, but this is purely optional and not mandatory to perform the arrangement.Additionally, please note that the 3rd Trombone part is intended for the Bass Trombone but can also be performed using Euphonium or Tenor Bass Trombone.
$12.00
Children Go Where I Send You
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nina Simone
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Cheryl Bray Jackson
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Children Go Where I Send You
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Cheryl Bray Jackson
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.971159 By Nina Simone. By Nina Simone. Arranged by Cheryl Bray Jackson. Contemporary. 38 pages. Cheryl Br...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.971159 By Nina Simone. By Nina Simone. Arranged by Cheryl Bray Jackson. Contemporary. 38 pages. Cheryl Bray Jackson #6064063. Published by Cheryl Bray Jackson (A0.971159). Clarinet Choir arrangement of well-known spiritual. Each part is important and has the spotlight throughout. A few rhythmic challenges call for drill and practice. Even though the piece is rhythmical, it must flow. Your audience may feel like clapping or toe tapping during your performance. It also includes a sweet surprise near the end. The first clarinet is invited to embellish their part in the surprise passage. .
$15.00
Somewhere In Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Sho...
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Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
Somewhere In Time
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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B
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500287 Composed by B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead She...
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C Instrument - Level 4 - SKU: A0.500287 Composed by B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113470. Published by John Fries (A0.500287). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$3.99
Somewhere In Time
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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John Barry
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193530 By John Barry. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193530 By John Barry. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Standards. Score. 1 pages. John Fries #792995. Published by John Fries (A0.1193530). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
Somewhere In Time
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Ann Horstick
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1239833 By Ann Horstick. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Sta...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1239833 By Ann Horstick. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Standards. Score. 1 pages. John Fries #835230. Published by John Fries (A0.1239833). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
Somewhere In Time
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jaz...
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Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
Somewhere In Time
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1239399 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,S...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1239399 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Standards. 9 pages. John Fries #834792. Published by John Fries (A0.1239399). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$1.99
Davy oy veh Davy for violin clarinet and guitar, based on Davy Davy Knick Knack
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Traditional
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David Warin Solomons
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Davy oy veh Davy for violin cl
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar,Violin - Level 4 - SKU: A0.1446103 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Multicultural,Traditional,Wor...
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Clarinet,Guitar,Violin - Level 4 - SKU: A0.1446103 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Multicultural,Traditional,World. 3 pages. David Warin Solomons #1025924. Published by David Warin Solomons (A0.1446103). English folk tune arranged for violin, clarinet and guitar in harmonic minor mode to give it a Klezmer feeling.The pdf file contains score and parts.The original tune is a Morris Dance polka, a quickstep or a reel and is also known as Darvy Knick Knack, Davie Nick Nack, Davie-Davie Knick-Knack, Davy Knick-Knack, Davy Nick Nack, Lady Carbery, Neevie Neevie Nick Nack. It is well known in England, Scotland, Shetland and parts of America. It is also known in the Netherlands and Holland where it is known as a fife or flageolet tune dating from the late 18th or early 19th century.
$5.50
Variations on Davy Davy knick knack for violin clarinet and guitar
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Traditional
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David Warin Solomons
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Variations on Davy Davy knick
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar,Violin - Level 4 - SKU: A0.1445965 Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Multicultural,Tradi...
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Clarinet,Guitar,Violin - Level 4 - SKU: A0.1445965 Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Multicultural,Traditional,World. 12 pages. David Warin Solomons #1025786. Published by David Warin Solomons (A0.1445965). English folk tune arranged for violin, clarinet and guitar with variations, including a version in harmonic minor mode (Davy oy veh Davy!)The original tune is a Morris Dance polka, a quickstep or a reel and is also known as Darvy Knick Knack, Davie Nick Nack, Davie-Davie Knick-Knack, Davy Knick-Knack, Davy Nick Nack, Lady Carbery, Neevie Neevie Nick Nack. It is well known in England, Scotland, Shetland and parts of America. It is also known in the Netherlands and Holland where it is known as a fife or flageolet tune dating from the late 18th or early 19th century.
$11.00
No More Pain by Anton
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published...
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Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: La Messe de Nostre Dame for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Four Songs by Johannes Brahms
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Stephen Levintow
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Four Songs by Johannes Brahms
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1474698 Composed by Johannes Brahms (1833-1897). Arranged by Stephen Levintow. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1474698 Composed by Johannes Brahms (1833-1897). Arranged by Stephen Levintow. 19th Century,Romantic Period. 24 pages. Cypress Publishing #1052264. Published by Cypress Publishing (A0.1474698). Johannes Brahms is best known for his symphonies, concerti and large scale chamber works, but his catalog of over 200 Lieder shows he was also a master of small forms and intimate expression. Wiegenlied (Lullaby), included in this set of arrangements for string quartet, is one of the best known and most loved melodies ever written. His original gently syncopated accompaniment, reproduced here, makes an elegant backdrop for it. The set opens with Sapphische Ode (Sapphic Ode), whose title is not directly connected to the ancient Greek poet Sappho of Lesbos, but refers to the verse form of the poem Brahms set, that bears her name. The melody resembles the theme of the slow movement from Brahms’s violin concerto, written a few years earlier. Following it is Wenn du nur zuweilen lächelst (If you only sometimes smile), a fine example of the mood of longing and melancholy that Brahms often depicted in both songs and instrumental music. The music moves back and forth between major and minor, and the flowing 9/8 meter occasionally varies the 3+3+3 pulse to 2+2+2+3 in a natural-seeming way.Brahms never wrote an opera, but Von ewiger Liebe (Of Eternal Love), which builds from a somber opening, through a stormy middle section to a powerful climax, gives us a sense of what a Brahms operatic scene, in this case a love duet, might have sounded like. It is one of his most famous songs, and rightly so.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
Guthrie: Good King Wenceslas for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: Good King Wenceslas f
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491194 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491194 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 20 pages. Jmsgu3 #1067931. Published by jmsgu3 (A0.1491194). Good King Wenceslas is a well-known Christmas carol that narrates the story of a kind-hearted ruler who braves winter weather to help a poor peasant. The carol is inspired by the historical figure of Saint Wenceslas I, Duke of Bohemia, who lived from approximately 907 to 935 AD. Although he is referred to as a king in the carol, he was a duke during his lifetime; the title of king was conferred upon him posthumously by Holy Roman Emperor Otto I.Historical ContextWenceslas was born into a Christian family and raised primarily by his grandmother, Ludmila, who significantly influenced his faith. His mother, Drahomíra, was aligned with paganism and ultimately had Ludmila murdered to gain power. Upon becoming Duke at 18, Wenceslas sought to promote Christianity and was known for his charitable acts, especially towards the poor and marginalized. His reign was marked by efforts to end religious conflicts and to build churches, including part of what is now St. Vitus Cathedral in Prague. However, his commitment to Christianity and his benevolent nature made him a target for his jealous younger brother, Boleslav, who ultimately conspired to murder him in 929 or 935 AD.The CarolThe carol Good King Wenceslas was written in 1853 by English hymn-writer John Mason Neale, set to a melody from a 13th-century spring carol. It was designed to encourage Christian charity, particularly during Christmas, and is traditionally sung on the Feast of Stephen, December 26. The lyrics depict Wenceslas and his page witnessing a poor man gathering firewood and deciding to help him by bringing food and supplies. This story reflects the historical Wenceslas's reputation for generosity and compassion, which has led to his veneration as a saint and the patron saint of the Czech Republic. His legacy is celebrated in the Czech Republic, where he is known as Václav, and he is commemorated on September 28, known as St. Wenceslas Day.Cultural SignificanceThe carol has become a staple of Christmas music in the English-speaking world, performed by various artists and choirs. It serves not only as a festive song but also as a reminder of the values of charity and kindness, echoing the life and virtues of the historical Wenceslas.
$34.95
Jacques Leguerney: Sonate for piano and flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Sonate for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...
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Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
The Complete Instrumentalist Book Two
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Me...
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Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Elysian Fields for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David F
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Elysian Fields for Trombone Qu
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Gordon Cherry
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SheetMusicPlus
Trombone - Level 4 - SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherr...
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Trombone - Level 4 - SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherry (A0.811261). Here is a detailed description of the work by composer, David F. Wilborn.Elysian Fields was written for the Elysian Trombone Consort. Members of the ensemble include: Timothy Anderson, Chad Arnow, Nathan Siler, and Brett Shuster. The work was created as part of a recital feature that took place at the 2021 International Trombone Festival entitled A New Initiative II: Trombone Quartet Music by Composers of Color. The Elysian Trombone Consort created the New Initiative concert series as a vehicle to promote new and existing works by composers from under-represented gender, ethnic and social communities. The concert series aims to highlight the creative scholarship of under-represented artists. The ultimate goal is to encourage the programming and creation of more compositions by these scholars.The title Elysian Fields (also known as Elysium) is a venue in mythology that references a final resting place in the afterlife for the Greek Gods. Although Elysium was originally designated for Greek Gods and mortals who may have been related to the Gods, the venue was also accessible to certain mortals by the Gods for their heroic deeds or by those who enjoyed favor with the Gods. Images of Elysium are said to have radiant sunshine, rolling hills and, according to Homer in his Odyssey, the most pleasant weather conditions – no snow, nor heavy storm, nor ever rain.The music Elysian Fields attempts to capture the frivolity of living in Elysium. It portrays the radiant sunshine and the spirit of joy. The place is by all accounts a surreal landscape where sun rays softly beam down on the fields and, in some cases, it emanates as a heavenly backdrop. It is a place of everlasting happiness, serenity, and peace. This 5-minute work is accessible by intermediate to moderately advanced performers.The track below is from a live performance by the Elysian Trombone Consort at the International Trombone Festival in 2021.
$27.50
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Acheron - for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Nafius
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Acheron - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.918241 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #599445...
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Piano Solo - Level 4 - SKU: A0.918241 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #5994455. Published by Emily Nafius Music (A0.918241). A modern, melodic original composition, suitable for students and advanced musicians alike.Composer’s Note:The Acheron is a river in Greece, but it also has a history in Greek myth. While it is known as a river of woe in connection with the mythical Greek underworld, it can have positive connotations when the underworld is reframed as a place for introspection, transformation, and rebirth.For interested students or teachers, here are a few pedagogical notes:This piece is intended to be performed without pedal, but in a legato style. It has an understated and modern quality that older high school and adult students may enjoy. This can be an opportunity for students to work on playing their eighth notes evenly, to strengthen their left hand by holding down the bass note, and to understand and correctly play hemiola. Only a single, initial dynamic marking is included in the text; this piece can be an exercise in looking at the overall structure and using one’s intuition to shape the phrases. There are a few places where fingering is indicated, but the fingering is mostly left up to the player, so that they can work with their teacher to problem-solve-especially if their hand size is small (like the composer’s). About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of jazz musicians, singer-songwriters, and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99
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