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--INSTRUMENTS--
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1076
Dance of the Lanna
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Piano seul
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AVANCÉ
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Liz Nedela
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Dance of the Lanna
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Liz Nedela
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1363465 Composed by Liz Nedela. 20th Century,Classical,Contest,Festival,Folk,Multicultural,World. Score. 12 pages. Liz Ne...
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Piano Solo - Level 5 - SKU: A0.1363465 Composed by Liz Nedela. 20th Century,Classical,Contest,Festival,Folk,Multicultural,World. Score. 12 pages. Liz Nedela #947869. Published by Liz Nedela (A0.1363465). Dance of the Lanna is a portrayal of a festival in Northern Thailand; Lanna refers to the people there, and the festival celebrates rebirth of their heritage. The festival is comprised of several dances depicting events of nature; this piece portrays two of the dances: Dance of the Silk Weaver and Water is Life. The piece opens with portrayal of expressive Thai flute solo, proceeding to portrayal of Thai string orchestra and the PiNai oboe, leading to fast-paced announcement of dancers, moving into the themes of each dance. The style is slow, dramatic, unique movements, appearance of simplistic (but difficult) dances, using piano techniques unique to the style of Thai music. The piece was written for a piano student who wanted to portray music of his country on the piano. The mp3 is from computer notation. Please see the YouTube link for performance where pianist adapted opening to flute and added a dancer.
$6.50
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score (Reduced Score)
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 14...
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Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 140 pages. James Nathaniel Holland #4717661. Published by James Nathaniel Holland (A0.730491). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. Piano Score with Story. Full Orchestral Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$15.95
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
Salome Tanz (Dance of the Seven Veils)
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Flûte traversière et Piano
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AVANCÉ
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
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Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
"Dance of Tropoja" for basson and string quarttet
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Endri Sina
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"Dance of Tropoja" f
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Endri Sina
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1012832 Composed by Endri Sina. Contemporary. Score and parts. 42 pages. Endri Sina #5362783. Published by Endri S...
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Chamber Orchestra - Level 5 - SKU: A0.1012832 Composed by Endri Sina. Contemporary. Score and parts. 42 pages. Endri Sina #5362783. Published by Endri Sina (A0.1012832). Based on a melody of a dance of northern Albania, the music reflects a dynamic scherzo full of contrasts. The duration is about 6 min.
$30.00
Nwa Nnunu (African Dance)
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Orchestre
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AVANCÉ
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Uzowulu Ezenwa Henry Uche
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Uzowulu Ezenwa Henry Uche
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Nwa Nnunu
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Greathenz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1158537 Composed by Uzowulu Ezenwa Henry Uche. Arranged by Uzowulu Ezenwa Henry Uche. Folk,Multicultural,Standards,Tr...
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Full Orchestra - Level 5 - SKU: A0.1158537 Composed by Uzowulu Ezenwa Henry Uche. Arranged by Uzowulu Ezenwa Henry Uche. Folk,Multicultural,Standards,Traditional,World. Score and parts. 17 pages. Greathenz #758827. Published by Greathenz (A0.1158537). This is an indigenous intercultural African composition featuring complex rhythms and styles. This is a dance composed showcasing the use of aerophones, idiophones, membranophones and chordophones found in both African and Western cultures. It is an inter-cultural African dance. The application of complex rhythmic structures in Africa helps drive home indigenization,.
$5.00
A Holiday in Naples: A Sonata for Piano in Five Movements
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Piano seul
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AVANCÉ
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Classique
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Andrei Hadap
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A Holiday in Naples: A Sonata
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Andrei Hadap
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Publish...
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Piano Solo - Level 5 - SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Published by Andrei Hadap (A0.1485695). A Holiday in Naples (2021, rev. 2024) I. At the CarnivalII. A Merchant at the Spinning WheelIII. In the BallroomIV. At the Opera V. At the Plaza A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller, on holiday, who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music. The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance. Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece, we hear the agitated merchant spinning the wheel faster, distracted by the carnival, but eventually calms down towards the end. The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as they both stumble frequently. Eventually, he regains his composure and the two dance well into the evening. In the fourth movement At the Opera, the traveller then goes to a nearby opera house where he walks in during a love duet between a tenor and soprano. The final movement At the Plaza, the traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folk dance depicting the involuntary muscle spasms from a venomous spider bite. The traveller joins in and dances with them until sunrise.
$29.99
Variations on Debka Gilbo'a (dance from Gilboa) for cello solo
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Violoncelle
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AVANCÉ
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Klezmer
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Traditional
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David Warin Solomons
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Variations on Debka Gilbo'a
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David Warin Solomons
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.580661 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Jewish,World. Individual part...
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Cello Solo - Level 5 - SKU: A0.580661 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Jewish,World. Individual part. 2 pages. David Warin Solomons #5800773. Published by David Warin Solomons (A0.580661). Arrangement for virtuoso cello of a traditional Jewish melody, using harmonics, left hand pizzicato and double stopping.
$9.00
Variations on Debka Gilbo'a (dance from Gilboa) for viola solo
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Alto (partie séparée)
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AVANCÉ
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Klezmer
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Traditional
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David Solomons
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Variations on Debka Gilbo'a
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David Warin Solomons
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.580662 Composed by Traditional. Arranged by David Solomons. 20th Century,Contemporary,Jewish,World. Individual part. 2 pa...
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Viola Solo - Level 5 - SKU: A0.580662 Composed by Traditional. Arranged by David Solomons. 20th Century,Contemporary,Jewish,World. Individual part. 2 pages. David Warin Solomons #5800775. Published by David Warin Solomons (A0.580662). Arrangement for virtuoso viola of a traditional Jewish melody, using harmonics, left hand pizzicato and double stopping.
$10.00
A Night With The Aristocrats
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Apostolos Paraskevas
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A Night With The Aristocrats
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Silver Sickle Publications
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Centur...
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Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 122 pages. Silver Sickle Publications #6332819. Published by Silver Sickle Publications (A0.942105). A Night with The Aristocrats (a concertante work of plucking, blowing and bowing)Versions for Clarinet/SopranoSax/Violin with Guitar and Strings The guitar part came inspirational first to me as one of my 24 Studies that I wrote few years ago. For a while though I wondered if a melodic part should be added to this part and form eventually a duo. A request from my dear colleague Corey Whitehead, for a duo plus strings led me to orchestrate it in this version.The work starts with a meditative introduction before the main part unfolds a dance idea between the two instruments and the string orchestra, almost humoresque which hands over a pensive thought in the soprano sax/clarinet/solo violin that repeats itself almost as an unanswered question. Could please anyone answers? The Strings do play an important part in terms of balance and the one of an extra third corresponding force.My composition language is sometimes folklorist around my Greek heritage, sometimes around tonal centers, and sometimes simple within a few key notes, evolves around programmatic ideas that I get from every day living. Apostolos Paraskevas
$45.00
A Bite, A Tarantella, An End
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1 Piano, 4 mains
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AVANCÉ
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Christian Robert Hendricks
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and 
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A Bite, A Tarantella, An End
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C.R. Hendricks
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.1028660 Composed by Christian Robert Hendricks. Concert,Contemporary. Score and parts. 27 ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.1028660 Composed by Christian Robert Hendricks. Concert,Contemporary. Score and parts. 27 pages. C.R. Hendricks #3667901. Published by C.R. Hendricks (A0.1028660). A showpiece for two excellent pianists, A Bite, A Tarantella, An End is a musical mock epic. Taking the origins of the tarantella literally (a dance to cure a tarantula bite), there are three scenes: A Bite, wherein the fearsome creature attacks; A Tarantella, wherein the victim attempts the kinesiological cure; and An End, wherein...well, whose end is reached? And what kind of end? It's up to the pianists and the audience to decide.c. 10-11 minutes.
$8.95
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Masquerade on a Spring's Shore
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Aiden Jonas
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Masquerade on a Spring's Shore
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Aiden Jonas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 5 - SKU: A0.1447096 Composed by Aiden Jonas. 21st Century,Chamber,Classical. 12 pages. Aiden Jonas #1...
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 5 - SKU: A0.1447096 Composed by Aiden Jonas. 21st Century,Chamber,Classical. 12 pages. Aiden Jonas #1026872. Published by Aiden Jonas (A0.1447096). This is a composition that takes place on a lake shore. The first and last sections of this piece have to do with a dance that occurs upon the shore's of the lake. The middle section is slower and used to depict the beauty of the lake.
$14.00
This Earth Was Once a Garden Place—Medium-Range Solo Voice, Fiddle, and Piano
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Voix Alto, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Dan...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Daniel Carter #651918. Published by Daniel Carter (A0.1047360). NOTE: The performance demo recording is in the HIGH VOICE key, BUT is IDENTICAL to the Medium-Range Voice arrangement. The medium-range voice pitch range is A below treble clef to E (top space). Traditional, anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's return to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring make a delightful special musical number for worship, concert settings, historical music, and hymn studies. Arranged for both high- and medium-range vocal solos. Obbligato part included on the last page.
$5.99
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
fardanceCLOSE
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Piano seul
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AVANCÉ
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Chaya Czernowin
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fardanceCLOSE
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Mu...
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Piano - difficult - SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q11142. Published by Schott Music - Digital (S9.Q11142). What dance is this? Is it the dance coming from afar, its remnants too entangled to decipher, one which was brought by a gust of wind, as you stand alone and listen to a far away party in the night? Or is the one so close that the heavy beating keeps the ears grounded onto a distorted repeated detail? Neither is danceable to the legs – but both would like to dance with the imagination, leading notions of distance and closeness astray. The level of difficulty from 1-5 (5 being most difficult) is in terms of technicality around 3.7 and in terms of artistic expression and complexity of text around 4.5. – Chaya Czernowin.
$9.99
Three Greek Dances for Clarinet and Piano
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Clarinette et Piano
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AVANCÉ
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Sy Brandon
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Three Greek Dances for Clarine
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Sy Brandon
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SheetMusicPlus
Clarinet,Piano - Level 5 - SKU: A0.754925 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and part. 31 pages. Sy Brandon #3218569. Publish...
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Clarinet,Piano - Level 5 - SKU: A0.754925 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and part. 31 pages. Sy Brandon #3218569. Published by Sy Brandon (A0.754925). Three Greek Dances was transcribed for Peter Bianca from the clarinet and marimba version. The dances are stylized by preserving the flavor of the dances while treating the material in a more developmental and contrapuntal manner. Kalamationos is the most popular Greek dance and is Peloponnesian in origin. Like its cousin, the Syrtos the national dance of Greece, it is in 7/8 meter grouped as 3-2-2. Zeibekiko has its origin in the Eastern Aegean Islands. It is in 9/4 meter at a slow tempo with a lot of syncopation. Hassapikos is a buthcher’s dance in 2/4 time with eight measure phrases. It begins moderately and increases tempo throughout the dance.
$9.99
Three Latin Dances - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Latin/Musique du monde
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Jeff Tyzik
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Jeff Tyzik
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Three Latin Dances - Score Onl
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Jeff Tyzik/Macaroni Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...
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Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00
POEM FOR DANCE, op.31 No.1(1981) - A Duet For Flute solo and Piano
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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An-lun Huang
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POEM FOR DANCE, op.31 No.1(198
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DoReMi Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1046219 Composed by An-lun Huang. 20th Century,Classical,Contemporary. Score and part. 17 pages. DoReMi Edition #650720....
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Flute,Piano - Level 5 - SKU: A0.1046219 Composed by An-lun Huang. 20th Century,Classical,Contemporary. Score and part. 17 pages. DoReMi Edition #650720. Published by DoReMi Edition (A0.1046219). Created by An-lun Huang, “Poem for Dance†is a special music form for musicians and ballet dancers together appearing on a stage. Of course, the music could be performed itself as an instrumental piece, too. Huang’s three “Poem for Dance†have been quite successful. The Taste of Chinese color with the giving play to the Flute and Ballet skill, the “Poem for Dance#1†has been put on the stage of the National Ballet of Canada in 1984. It has also been also appointed as the official piece of the National Flute Competition of China, in 1984. The attached mp3 was a performance by the Moscow master Elmann and Feiping Hsu 2001. 舞詩第一號 长笛與鋼ç´çš„二é‡å¥ 黃安倫 作å“三å一號之一 ï¹ä¸€ä¹å…«é›¶ ─八二﹞ 黃安倫所作的《舞詩》是為器樂ç¨å¥èˆ‡èŠè•¾é›™äººèˆžæ‰€ç”¨çš„一種特殊曲體,演出時,ç¨å¥å®¶èˆ‡èˆžè¹ˆå®¶åŒæ™‚在舞å°ä¸Šå‡ºç¾ï¼Œè€Œä½œå“亦å¯ä½œç‚ºå–®ç¨çš„器樂ç¨å¥ã€‚黃安倫這類作å“å·²å–得相當æˆç¸¾ï¼Œä¸¦å‡å·²ç”±éŸ³æ¨‚出版社出版:《舞詩》第一號ï¹é•·ç¬›èˆ‡é‹¼ç´, Op.31, No.1﹞ä¸åƒ…æˆç‚ºä¸åœ‹ç¬¬ä¸€å±†é•·ç¬›æ¯”賽的決賽曲目,由æŽå¸å…¨ã€é®‘蕙蕎錄æˆå”±ç‰‡ï¼Œæ›´ç”±åŠ 拿大國家èŠè•¾èˆžåœ˜æ¬ä¸Šèˆžå°ã€‚.
$19.99
FINGERDANCE for Piano Fourhands
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Jean Ahn
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FINGERDANCE for Piano Fourhand
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Jean Ahn
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.949300 Composed by Jean Ahn. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Je...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.949300 Composed by Jean Ahn. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Jean Ahn #4717361. Published by Jean Ahn (A0.949300). Jean Ahn carefully choreographed the twenty fingers in Fingerdance (2012) to dance a new version of Korean traditional dance ‘Ganggangsulrea’. Using the form of this circular dance, the fingers communicate by playing games, singing, crying, and sharing hope throughout the piece.This piece is also recorded by Kashma Duo (Switchback).
$10.00
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
Romanian Folk Dances for Horn and Piano
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Cor et Piano
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AVANCÉ
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Contemporain
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Bela Bartok
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Ralph Sauer
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Romanian Folk Dances for Horn
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1493279 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 16 pages. Gordon Cherry #1...
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French Horn,Piano - Level 5 - SKU: A0.1493279 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 16 pages. Gordon Cherry #1069934. Published by Gordon Cherry (A0.1493279). Bartok's Romanian Folk Dances is a short six-movement suite originally composed for Piano in 1915 and later arranged for Violin and Piano by Zoltan Szekely. The six movements are:Stick DanceSash DanceStanding StillHorn DanceRomanian PolkaFast DanceThe movements are in the following modes (Dorian, Aeolian, Mixolydian and Lydian), which along with unique harmonies give them a very exotic sound. The Suite takes about five minutes to perform and is suitable for advanced performers.
$27.50
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