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Cat Empire
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Partitions à imprimer
10 partitions trouvées
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Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile, sax alto)
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Saxophone Alto
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax alto) de Alicia Keys. Partition pour Saxophone avec accom...
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Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax alto) de Alicia Keys. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile, sax ténor)
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Saxophone Tenor
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax tenor) de Alicia Keys. Partition pour Saxophone avec acco...
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Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax tenor) de Alicia Keys. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile, sax soprano)
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Saxophone Soprano
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax soprano) de Alicia Keys. Partition pour Saxophone avec ac...
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Telechargez la partition Saxophone Empire State of Mind - (Part II) Broken Down (niveau difficile, sax soprano) de Alicia Keys. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile)
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Flûte traversière
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Flûte Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Flûte avec accomp. orc...
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Telechargez la partition Flûte Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile)
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Clarinette
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Clarinette Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Clarinette avec accomp. orche...
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Telechargez la partition Clarinette Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile)
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Trombone
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Trombone Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Trombone avec accomp. orchestre...
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Telechargez la partition Trombone Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€
Alicia Keys : Empire State of Mind - (Part II) Broken Down (niveau difficile)
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Trompette
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AVANCÉ
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Rock
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Alicia Keys
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Empire State of Mind
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Tomplay
Telechargez la partition Trompette Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Trompette avec accomp. orchest...
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Telechargez la partition Trompette Empire State of Mind - (Part II) Broken Down (niveau difficile) de Alicia Keys. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
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2 Violoncelles (duo)
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AVANCÉ
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Johann Justus Friedrich Dotzau
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Michele Galvagno
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Russian Air with Twenty Variat
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cello Duet Cello - Level 5 - SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructio...
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Cello Duet Cello - Level 5 - SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Romantic Period,Traditional. Score. 44 pages. Artistic Score Engraving di Galvagno Michele #757087. Published by Artistic Score Engraving di Galvagno Michele (A0.1156756). The Russian Air with Twenty Variations for Cello Solo, accompanied by a Second Cello, Op. 32, by J. J. F. Dotzauer (1783—1860), was composed and published around 1815. It is one of the many set of variations written upon the theme “Їхав козак за Дунай†(“The Cossack rode beyond the Danubeâ€) during the second decade of the XIX century, others including those by Beethoven and Hummel. Despite the title, the theme is of Ukrainian origin but, at the time of its diffusion in Europe, under a German disguise, the region that is now Ukraine was part of the Russian Empire. The language of the text makes its origin unmistakable today. After a fascinating slow Introduction, the theme comes and is followed by twenty variations, most of which requiring great virtuosity. This is a concert piece, lasting anywhere between 14 and 24 minutes according to whether repeats will be played or not. An outstanding variety of techniques is employed, making this a true challenge for even the most gifted players. This edition is based on the oldest surviving source, the first edition by Friedrich Hofmeister. It corrects the most glaring mistakes, and adds notes where ambiguity arises. This edition is dedicated to Yuriy Leonovich.
$22.50
Hwang Hu (The Empress)
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Orchestre à Cordes
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AVANCÉ
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Yoonjee Kim
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Hwang Hu
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Yoonjee Kim
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1022802 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 17 pages. Yoonjee Kim #3417595. Published by ...
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String Orchestra - Level 5 - SKU: A0.1022802 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 17 pages. Yoonjee Kim #3417595. Published by Yoonjee Kim (A0.1022802). Hwang Hu (The Empress), dedicated to R20, is based on the historical event that occurred about 100 years ago in Korea. In the middle of 19th-century, Korea finished its long isolation and started to be exposed and became involved in the global imperialism. With two commerce treaties, Korea opened its door to other countries including Japan. Korea’s queen Myoung-Sung devoted herself to this modernization and to keep Korea’s independence among these empires at the same time. While Japan was trying to take over the land, the queen restrained it by persuading Russia, France and Germany to intervene. The prime minister of Japan planed the assassination of Myoung-Sung since she was a critical hindrance in accomplishing their domination over Korea. In 1895, Japanese samurais intruded into the palace and murdered the queen in spite of the resistance of the royal guards.
$15.00
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