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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor à cordes: 2 violons, alto, violoncelle
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AUTRES
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Noel Nouvelet: European Carols for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.749864 Composed by Evelyn R. Larte…
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Flute,Piano - Level 5 - Digital Download SKU: A0.749864 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert,Sacred. Score and part. 55 pages. Evelyn R Larter #5722241. Published by Evelyn R Larter (A0.749864). This collection of seven Christmas carol arrangements from around Europe is taken from my larger collection,
$17.95
16.34 €
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Flûte traversière et Piano
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Evelyn R
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Evelyn Larter Music
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Noel Nouvelet: European Carols for Flute and Piano
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Evelyn R Larter
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SheetMusicPlus
Four Eastern European Christmas Carols for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792293 Composed by Traditional …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792293 Composed by Traditional Christmas. Arranged by Hinterbichler, Karl. Christian,Christmas,Folk,World. Score and parts. 19 pages. Gordon Cherry #4803919. Published by Gordon Cherry (A0.792293). Karl Hinterbichler has arranged a lovely set of four Traditional Christmas Carols for Brass Quintet from three middle European countries/regions; Czech, Hungarian and Croatian. The work of about 6 minutes in length is written for advanced performers including the Trumpet I part having an optional Piccolo part. This work will add a beautiful mood to your annual Christmas Brass Concert.
$17.50
15.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional Christmas
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Hinterbichler, Karl
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Czech, Hungarian and Croatian
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Four Eastern European Christmas Carols for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
James Reese Europe : The Final Countdown (niveau difficile)
Batterie
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Téléchargez la partition Batterie The Final Countdown (niveau difficile) de Europe. Partition avec audio Play Along. -- Pop/rock
5.99 €
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Batterie
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile, sax alto)
Saxophone Alto
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Téléchargez la partition Saxophone The Final Countdown (niveau difficile, sax alto) de Europe. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
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Saxophone Alto
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile, sax ténor)
Saxophone Tenor
Téléchargez la partition Saxophone The Final Countdown (niveau difficile, sa…
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Téléchargez la partition Saxophone The Final Countdown (niveau difficile, sax ténor) de Europe. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
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Saxophone Tenor
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Basse electrique
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Téléchargez les tablatures et la partition Basse The Final Countdown (niveau difficile) de Europe. Tablatures et partition pour Avec accompagnement orchestre -- Pop/rock
5.99 €
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Basse electrique
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau avancé)
Guitare notes et tablatures
Téléchargez les tablatures et la partition Guitare Final Countdown (niveau a…
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Téléchargez les tablatures et la partition Guitare Final Countdown (niveau avancé) de Europe. Tablatures et partition pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare notes et tablatures
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Guitare notes et tablatures
Téléchargez les tablatures et la partition Guitare Final Countdown (niveau d…
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Téléchargez les tablatures et la partition Guitare Final Countdown (niveau difficile) de Europe. Tablatures et partition pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare notes et tablatures
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Trompette
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Téléchargez la partition Trompette The Final Countdown (niveau difficile) de Europe. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Clarinette
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Téléchargez la partition Clarinette The Final Countdown (niveau difficile) de Europe. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
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Clarinette
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile, accordéon solo)
Accordéon
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Téléchargez la partition Accordéon The Final Countdown (niveau difficile, accordéon solo) de Europe. Partition pour Accordéon solo -- Pop/rock
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Accordéon
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Flûte traversière
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Téléchargez la partition Flûte The Final Countdown (niveau difficile) de Europe. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99 €
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Flûte traversière
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile, sax soprano)
Saxophone Soprano
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Téléchargez la partition Saxophone The Final Countdown (niveau difficile, sax soprano) de Europe. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
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Saxophone Soprano
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile)
Trombone
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Téléchargez la partition Trombone The Final Countdown (niveau difficile) de Europe. Partition pour Trombone avec accomp. orchestre -- Pop/rock
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Trombone
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James Reese Europe
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The Final Countdown
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Tomplay
James Reese Europe : The Final Countdown (niveau difficile, avec orchestre)
Accordéon
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Téléchargez la partition Accordéon The Final Countdown (niveau difficile, avec orchestre) de Europe. Partition pour Accordéon avec accomp. orchestre -- Pop/rock
5.99 €
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Accordéon
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James Reese Europe
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The Final Countdown
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Tomplay
Three Preludes on Occitan Songs for Solo Guitar
Guitare notes et tablatures
Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemp…
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Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemporary Classical, World, European. Solo Part, Tablature. 19 pages. Published by danjonesguitarist.com
Three Preludes on Occitan Songs<br> <br> The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.<br> <br> In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).<br> <br> Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.<br> I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.<br> <br> The Cancion de Hialara translates as ‘The Spinner’sSong’. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.<br> <br> Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.<br> <br> Lò NostreAse translatesas ‘Our Donkey’. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.<br> <br> For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.<br> <br> This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.<br> <br> Thankyou and I hope you enjoy Three Preludes on Occitan Songs.Three Preludes on Occitan Songs<br> <br> The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.<br> <br> In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).<br> <br> Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.<br> I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.<br> <br> The Cancion de Hialara translates as ‘The Spinner’sSong’. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.<br> <br> Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.<br> <br> Lò NostreAse translatesas ‘Our Donkey’. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.<br> <br> For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.<br> <br> This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.<br> <br> Thankyou and I hope you enjoy Three Preludes on Occitan Songs.
$6.95
6.33 €
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Guitare notes et tablatures
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Dan Jones
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Three Preludes on Occitan Songs for Solo Guitar
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danjonesguitarist.com
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SheetMusicPlus
Homage To Vivaldi
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1502793 Composed by Julia Perry. …
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Concert Band - Level 5 - Digital Download SKU: A0.1502793 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 109 pages. John Ivor Holland #1078459. Published by John Ivor Holland (A0.1502793). Julia Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata; after five and a half years in Europe, Perry returned to America and continued her work in composition. 'Homage to Vivaldi' (alternatively known as 'Requiem for Orchestra') is built upon four short phrases by Italian Baroque composer Antonio Vivaldi and was composed in 1959; this arrangement has been made as part of an ongoing project to widen the repertoire of music by women composers for concert band around the world.
$79.99
72.84 €
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Orchestre d'harmonie
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Julia Perry
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John Ivor Holland
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Homage To Vivaldi
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John Ivor Holland
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SheetMusicPlus
Piano Concerto In Two Uninterrupted Speeds
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1474986 Composed by Julia Perry. …
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Concert Band - Level 5 - Digital Download SKU: A0.1474986 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. 126 pages. John Ivor Holland #1052577. Published by John Ivor Holland (A0.1474986). Julia Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata; after five and a half years in Europe, Perry returned to America and continued her work in composition. 'Piano Concerto in Two Uninterrupted Speeds' was composed between 1964-1969 and this arrangement has been made as part of an ongoing project to widen the repertoire of music by women composers for concert band around the world.
$99.99
91.05 €
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Orchestre d'harmonie
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Julia Perry
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John Ivor Holland
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Piano Concerto In Two Uninterrupted Speeds
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John Ivor Holland
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SheetMusicPlus
Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.55360…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553608 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 34 pages. RayThompsonMusic #3227059. Published by RayThompsonMusic (A0.553608). Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels Two preludes from Bk 1 arranged symphonic winds: double wind quintet  with contra bass and opt. trumpet and trombone.No 6 Des pas sur la neige (Footsteps in the Snow)The piece is one of four Debussy preludes in both books whose title origins are unknown. It has been suggested that the inspiration for the title could have stemmed from a painting depicting a snowy landscape. This was an extremely popular backdrop among Impressionist artist like Claude Monet or Alfred Sisley; the latter painted Snow at Louveciennes.No 12 Minstrels This is the final prelude of Book One.  Debussy delivers a surprising and humorous gem that is a tribute to the performing minstrel groups which started to appear in Europe around 1900. The music of the minstrels included many contemporary jazz elements such as ragtime and blues, rhythms which were incorporated into the music of quite a few fascinated European composers. This prelude cleverly captures the frenzy of the quick-change minstrel act and their rhythmic excitement, opening with a banjo-like theme supported by uncharacteristically blatant dominant to tonic pedals in G Major. We also hear a brief sentimental song and a recurrent drum theme before the prelude comes to a satisfying close with a hymn- like plagal cadence.
$17.95
16.34 €
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Claude Debussy
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Ray Thompson
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Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Final Countdown
Small Ensemble Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trumpet - Level 5 - Digital Down…
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Small Ensemble Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trumpet - Level 5 - Digital Download SKU: A0.887533 By Europe. By Joey Tempest. Arranged by Nicholas Goulding. Rock. Score and parts. 15 pages. Nicholas Goulding #3434481. Published by Nicholas Goulding (A0.887533). Originally composed by Joey Tempest, 'The Final Countdown' was a massive hit in the 1980s by Swedish rock band Europe. Always fun to sneak a bit of The Final Countdown into a jazz gig. The first part of the song is played straight, then the second part goes into swing rhythm. No vocals in this arrangement, just Europe's iconic main melody played in swing rhythm. Some reharmonisation occurs to 'jazzify' what was once an 80s synth-pop-rock anthem.Can be used for high schools, universities, any musicians capable of advanced material. Duration 1 minute and 14 seconds (give or take, depending on your conductor/bandleader)!The PDF file is a complete package in itself - the conductor score and all instrument parts are contained in the one file.
$30.00
27.32 €
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Europe
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Nicholas Goulding
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Final Countdown
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Nicholas Goulding
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.24 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Final Countdown
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.985055 By Europe. B…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.985055 By Europe. By Joey Tempest. Arranged by Frank Stubbs. Rock. 36 pages. Frank Stubbs #6211417. Published by Frank Stubbs (A0.985055). The evergreen hit for Europe written by Joey Tempest arranged for 8 piece Brass Ensemble with optional Drum Kit.An exiting and explosive piece for your Ensemble concert. Parts for 4 Trumpets (Trumpet 1 in E flat part included), Horn, 2 Tenor Trombones and Tuba plus optional Drum Set part.
$18.99
17.29 €
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Quatuor de Cuivres
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Europe
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Frank Stubbs
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Final Countdown
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Frank Stubbs
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SheetMusicPlus
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Anderse…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentà to, Scherzando, Lento, Lentissimo, reexposition (Tormentà to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$10.35
9.42 €
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Saxophone Alto
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Andersen Viana
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Andersen Viana: Monologue for a friend
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Musik Fabrik Music Publishing
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SheetMusicPlus
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