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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reach
Non classifié
70
Piano & claviers
Piano seul
56
Piano, Voix
6
1 Piano, 4 mains
2
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
2
Ensemble de guitares
1
Voix
Chorale SATB
5
Voix haute
2
Chorale 3 parties
1
Voix Soprano, Piano
1
Voix basse, Piano
1
Vents
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
10
Hautbois (partie séparée)
9
Clarinette
8
Flûte traversière et Piano
4
Ensemble de saxophones
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Trio de Flûtes: 3 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Piano
1
+ 10 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Ensemble de Trombones
2
Cor
2
Quatuor de cuivres: 4 trombones
1
Trombone et Piano
1
2 Tubas (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Piano
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 cors
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
2 Violons (duo)
6
Violoncelle, Piano
4
Violon
3
Violoncelle
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Violon et Piano
2
Trio à Cordes: violon, alto, violoncelle
1
Alto, Piano
1
Violon, Guitare (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
7
Orchestre
7
Ensemble de cuivres
5
Ensemble Jazz
5
Orchestre d'harmonie
5
Orchestre de chambre
2
Ensemble de Percussions
2
Piano et Orchestre
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Reach
expert
Partitions à imprimer
317 partitions trouvées
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Reaching for Heaven
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Peter Lewys Preston
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Peter Lewys Preston
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Reaching for Heaven
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Peter Lewys Preston
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1510290 By Peter Lewys Preston. By Peter Lewys Preston. Arranged by Peter Lewys Preston. Broadway,Contemporary,Mus...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1510290 By Peter Lewys Preston. By Peter Lewys Preston. Arranged by Peter Lewys Preston. Broadway,Contemporary,Musical/Show,Pop,Singer/Songwriter. Score. 7 pages. Peter Lewys Preston #1085476. Published by Peter Lewys Preston (A0.1510290). Piano/Vocal Singer Pro Notated vocal melody with lyrics 7 pages A piano/vocal score perfect for a performance of Reaching for Heaven. Peter arranged and transcribed the piano part himself as recorded on the album.
$9.99
Reaching for Infinity
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Piano seul
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AVANCÉ
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Elizabeth Borowsky
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Reaching for Infinity
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.941680 Composed by Elizabeth Borowsky. 20th Century,Contemporary,Film/TV,Standards. Score. 8 pages. Piano Prodigies #6323...
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Piano Solo - Level 5 - SKU: A0.941680 Composed by Elizabeth Borowsky. 20th Century,Contemporary,Film/TV,Standards. Score. 8 pages. Piano Prodigies #6323605. Published by Piano Prodigies (A0.941680). Reaching for Infinity explores the most awe-inspiring and ethereal corners of our Universe. Traverse the starry skies as the performer twinkles in the upper register of the piano, then float through space as rich and surreal harmonies play out and spin turbulently through the galaxy as polyrhythms fly across the keys.
$7.00
Reach
#
Chorale 3 parties
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AVANCÉ
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Gloria Estefan
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Adam Scott
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Reach
#
Adam Scott
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SheetMusicPlus
Choral Choir,Choral (TTB) - Level 5 - SKU: A0.1366016 By Gloria Estefan. By Diane Warren and Gloria Estefan. Arranged by Adam Scott. 20th Century,A Capp...
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Choral Choir,Choral (TTB) - Level 5 - SKU: A0.1366016 By Gloria Estefan. By Diane Warren and Gloria Estefan. Arranged by Adam Scott. 20th Century,A Cappella,Barbershop,Pop. 11 pages. Adam Scott #950372. Published by Adam Scott (A0.1366016). Inspirational, close harmony singing, barbershop, double choir, Olympics, closer.
$2.49
Reach
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Ensemble Jazz
#
AVANCÉ
#
S Club 7
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Peter Crocker
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Reach
#
Peter Crocker
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1292331 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Peter Crocker. 20th Century,Pop. Score...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1292331 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Peter Crocker. 20th Century,Pop. Score and Parts. 44 pages. Peter Crocker #882944. Published by Peter Crocker (A0.1292331). Arranged for cover band: Trumpet, alto/tenor sax and trombone. Guitar, bass, piano and drum kit. Original key of G major.
$50.00
Reach Out
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Piano, Voix
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AVANCÉ
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Ted Ganger
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Reach Out
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Ted Ganger
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1022064 Composed by Ted Ganger. Blues,Contemporary,Musical/Show,Pop. Score. 8 pages. Ted Ganger #6302301. Publishe...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1022064 Composed by Ted Ganger. Blues,Contemporary,Musical/Show,Pop. Score. 8 pages. Ted Ganger #6302301. Published by Ted Ganger (A0.1022064). Contact Ted at https://www.ted-ganger.com/ if you'd like this song in a different key!
$3.49
within the reach of time
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Orchestre
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AVANCÉ
#
Contemporain
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ashley griffin
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within the reach of time
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Ashley Griffin
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1216180 Composed by ashley griffin. Classical,Contemporary. Score and Parts. 59 pages. Ashley Griffin #812785. Publis...
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Full Orchestra - Level 5 - SKU: A0.1216180 Composed by ashley griffin. Classical,Contemporary. Score and Parts. 59 pages. Ashley Griffin #812785. Published by Ashley Griffin (A0.1216180). Short and fairly light piece for full orchestra and solo piano. Duration of c. 6'40.
$20.00
Reach for the Sky
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Guitare notes et tablatures
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AVANCÉ
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Rock
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Roy Fletcher
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Reach for the Sky
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Dashboard Guru Music
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.1015839 Composed by Roy Fletcher. Rock. Guitar Tab. 12 pages. Dashboard Guru Music #4993901. Published by Dashboard Guru Musi...
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Guitar - Level 5 - SKU: A0.1015839 Composed by Roy Fletcher. Rock. Guitar Tab. 12 pages. Dashboard Guru Music #4993901. Published by Dashboard Guru Music (A0.1015839).
$3.99
PRAYER for Clarinet and Piano
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Clarinette et Piano
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AVANCÉ
#
Iyad KANAAN
#
#
PRAYER for Clarinet and Piano
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iyad kanaan
#
SheetMusicPlus
Clarinet,Piano - Level 5 - SKU: A0.979703 Composed by Iyad KANAAN. 20th Century,Contemporary,Sacred. Score and part. 11 pages. Iyad kanaan #4614931. Pub...
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Clarinet,Piano - Level 5 - SKU: A0.979703 Composed by Iyad KANAAN. 20th Century,Contemporary,Sacred. Score and part. 11 pages. Iyad kanaan #4614931. Published by iyad kanaan (A0.979703). Prayer is a piece written in Aria form. It reflects the different stages the soul experience during a prayer until it reaches the ecstatic moment. The First theme A, slow and somehow arid, describes the first stage of a prayer where the soul is still at the beginning of a long and uneasy ascent. After a short glimpse of a second theme B, the mood starts building up through a first variation of A. Now the soul is starting to reach a certain deepness. The third theme C, pathetic, reflects the confession of a soul which now reached a certain level of communication. After a second variation of A, the piece attains its climax when a passionate version of B erupts, reflecting the overwhelming joy of a soul experiencing the beauty of GOD. .
$10.00
The Preacher
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Piano, Voix
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AVANCÉ
#
Contemporain
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Babs Gonzalez and Horace Silve
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Rob Ames
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The Preacher
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Rob Ames
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.893353 Composed by Babs Gonzalez and Horace Silver. Arranged by Rob Ames. Contemporary. Score. 6 pages. Rob Ames #...
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Piano,Vocal,Voice - Level 5 - SKU: A0.893353 Composed by Babs Gonzalez and Horace Silver. Arranged by Rob Ames. Contemporary. Score. 6 pages. Rob Ames #6273899. Published by Rob Ames (A0.893353). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
The Preacher
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Ragtime
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Jazz
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Babs Gonzalez and Horace Silve
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Jim Farley - www
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The Preacher
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Jim Farley arrangementsone.com
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1113845 Composed by Babs Gonzale...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1113845 Composed by Babs Gonzalez and Horace Silver. Arranged by Jim Farley - www.arrangementsone.com. Jazz,Ragtime. Score and parts. 65 pages. Jim Farley arrangementsone.com #715740. Published by Jim Farley arrangementsone.com (A0.1113845). Arranged for 9 piece brass ensemble, including: Alto Sax, Tenor Sax (identical to alto), Bari Sax, Trumpets 1 & 2, Trombones 1& 2, Guitar (chords only), Drums, Tuba and Directors score. ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$75.00
Son-of-a-preacher Man
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Ensemble Jazz
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AVANCÉ
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Dusty Springfield
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Eric Richards
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Son-of-a-preacher Man
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Eric Richards Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1155860 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Eric Richards. Blues,Funk,J...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1155860 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Eric Richards. Blues,Funk,Jazz. Score and parts. 70 pages. Eric Richards Music Services #756167. Published by Eric Richards Music Services (A0.1155860). VOCAL Feature with Big Band KEYS: C mod. up to F Vocal Range: G up to Bb (min 10th) This contemporary funk reworking of the Dusty Springfield classic is a great addition to any program paying tribute to the great songrwriters of the Boomer era! A link to a collection of recordings of Eric's vocal solo with big band charts may be heard here: https://on.soundcloud.com/BE8oe
$70.00
"DREAM OF LOVE"
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Violoncelle, Piano
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AVANCÉ
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Classique
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Franz Liszt
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VICTORIA FOUST
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"DREAM OF LOVE"
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SalutConcert
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #62...
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Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love. Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia · www.victoriafoust.com· https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ· Facebook: https://www.facebook.com/victoria.foust.581· Instagram: https://www.instagram.com/pianistvictoriafoust· Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/· Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com
$18.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Perio...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
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Voix basse, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. ...
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Low Voice,Vocal Solo - Level 5 - SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. ...
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Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Chopin Ballade No. 1 for Smaller Hands
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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John Barrientos
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Chopin Ballade No. 1 for Small
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J Barrientos Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.942242 Composed by Frederic Chopin. Arranged by John Barrientos. Contemporary. Score. 24 pages. J Barrientos Music #61335...
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Piano Solo - Level 5 - SKU: A0.942242 Composed by Frederic Chopin. Arranged by John Barrientos. Contemporary. Score. 24 pages. J Barrientos Music #6133553. Published by J Barrientos Music (A0.942242). This is not a simplified edition of the Ballade, but a reduction to make it more accessible for smaller hands -- hands that can reach an octave with no notes in between, and cannot play rapid octave passages. The difficulty -- and therefore the integrity -- of the piece is still there, but at least reachable for smaller hands. It is done well enough that in performance, that even the sophisticated listener will notice very little or no difference.
$12.00
Duo Mpingo
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Contemporain
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Bu...
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Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
Nocturne
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Classique
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David Pitman
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Nocturne
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drpitman76
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SheetMusicPlus
Instrumental Solo - Level 5 - Interactive Download SKU: A0.1458792 By David Pitman. By David Pitman. This edition: Interactive Download. Classical. Indiv...
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.1458792 By David Pitman. By David Pitman. This edition: Interactive Download. Classical. Individual part. 6 pages. Duration 153. Drpitman76 #1OeVu7b2mmoOMXGhqm4yI8. Published by drpitman76 (A0.1458792). Key: D major.Alone on the mountain the sallow moonlight watches you reach for the clouds. Always just out of reach they slip away and leave you crying with your mountain. Let the Sunrise come, and fly; Fly away with the clouds and leave the mountain.
$17.00
Flute Trio - Fairy Tales
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Trio de Flûtes: 3 flûtes
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AVANCÉ
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Servi...
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Brave
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Violon et Piano
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AVANCÉ
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Josh Groban
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Gary D
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Brave
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.796766 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Conte...
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Piano,Violin - Level 5 - SKU: A0.796766 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. 17 pages. DR GARY D BELSHAW #5971107. Published by DR GARY D BELSHAW (A0.796766). For the Advanced Violinist. 15 pagesDuration: 4 minutes. In the original key of E Major.First released as a single in 2012, Brave was included in Josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up.Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better.This would be a phenomenal closer for recitals or concerts. A great show-piece for social and civic events, its inspiring message would even serve in church-related functions. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image. As the song says, Wake up, wake up! Reach out, reach out!Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!
$7.99
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