Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.

Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.

The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.

This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.

Wagner composed five songs or lieder for voice and piano in 1857-58 based on poems by Mathilde Wesendonck, the wife of one of his patrons, and have thus been known as the Wesendonck Lieder over time. Three of them: Der Engel (The Angel), Schmerzen (Sorrows), and Träume (Dreams) have been beautifully arranged for solo Trombone (may be performed on Tenor or Bass Trombone) and 5-part Trombone Ensemble by Bob Burnham. They are very beautiful to listen to!

Of musical interest....Wagner inscribed the movement Träume as being a "study for Tristan and Isolde".

The three movements are about 9-minutes in length and this arrangement is appropriate for moderately advanced to advanced performers and will add a great deal of musical depth to your recital or concert.