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Variation No. 17
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Vous avez sélectionné:
Variation No. 17
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Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
COMPLETE Brass Quintet Music Book - pack of 34 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Mariage/Ballade
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Mendelssohn, Richard Wagner,
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Austin Ralphson
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COMPLETE Brass Quintet Music B
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Austin Ralphson
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SheetMusicPlus
Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, ...
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Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, Meacham, Pierpoint, Gruber, Mason. Arranged by Austin Ralphson. 20th Century, Romantic Period, Classical Period, Baroque Period, Wedding. Score, Set of Parts. 601 pages. Published by Austin Ralphson
This is a mega-bundle of brass quintet repertoire, totalling 34 pieces and over 500 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. The hymns include freshly-composed descants and there are some pieces which aren't in the 'usual' brass repertoire such as the Mozart Variations and the extract from Borghild's Dream. This is the full list: 1. Wedding March (from A Midsummer Night?s Dream) (Mendelssohn) 2. Wedding March (Bridal Chorus from Lohengrin) (RichardWagner) 3. 9 Popular Hymn Tunes 4. Amazing Grace (Newton) 5. Triumphal March (Karg-Elert) 6. Brandenburg Concerto No. 3 (Bach) 7. Prelude in C (Bach) 8. Canon (Pachelbel) 9. Let The Bright Seraphim from ?Samson? (Handel) 10. Fanfarefrom ?Water Music? (Handel) 11. LaRéjouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondofrom ?Abdelazer? (Purcell) 13. Largofrom ?Xerxes? (Handel) 14. ArLan y Môr (Welsh trad.) 15. Davidof the White Rock (Welsh trad.) 16. Myfanwy(Welsh trad.) 17. SuoGan (Welsh trad.) 18. PianoSonata No.8 Op.13 ?Pathétique? - 2nd mvt. (Beethoven) 19. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 20. Borghild?sDream from ?Sigurd Jorsalfar? (Grieg) 21. Pizzicatifrom ?Sylvia? (Delibes) 22. Preludein C minor (Chopin) 23. Concerto for Mandolin and Strings - 1st mvt. (Ugolino) 24. GymnopédieNo.1 (Satie) 25. GnossienneNo.1 (Satie) 26. AmericanPatrol (Meacham) 27. HappyBirthday 28. 15Christmas Carols 29. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 30. DingDong Bing Bong! (French trad.) 31. JingleThose Bells! (Pierpoint) 32. OChristmas Tree 33. SilentNight (Gruber) 34. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music, which would cost over $150.
$34.99
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Variation No. 17
