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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Common Latin
Non classifié
30
Piano & claviers
Piano seul
10
Piano Facile
7
Piano, Voix et Guitare
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
+ 2 instrumentations
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Guitare
7
Guitare notes et tablatures
2
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1
Voix
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16
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3
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3
Chorale 3 parties
2
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
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Vents
Clarinette et Piano
3
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2
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1
Saxophone (partie séparée)
1
Flûte traversière
1
Quatuor de Saxophones: 4 saxophones
1
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1
Flûte traversière et Piano
1
Saxophone Alto
1
Clarinette
1
Hautbois, Piano (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
5
Trombone
3
Trombone et Piano
2
Tuba et Piano
2
Cor et Piano
1
Trompette, Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor
1
+ 4 instrumentations
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Cordes
Violon et Piano
5
Violoncelle, Piano
3
Alto, Piano
3
Harpe
2
2 Harpes (duo)
2
Violon (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Alto seul
1
Violoncelle
1
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Orchestre & Percussions
Orchestre à Cordes
5
Orchestre d'harmonie
4
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4
Ensemble Jazz
3
Ensemble d'École
3
Batterie
2
Ensemble de Percussions
2
Ensemble de cuivres
1
Instrumentation Flexible
1
Batterie (partie séparée)
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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OLD TIME - EARLY ROC…
OPERA
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Vous avez sélectionné:
Common Latin
Partitions à imprimer
183 partitions trouvées
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176
Requiem
Soli, choeur mixte et accompagnement
Composed by John Rutter (1945-). Score. 64 pages. Oxford University Press Digital #9780…
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Composed by John Rutter (1945-). Score. 64 pages. Oxford University Press Digital #9780193702615. Published by Oxford University Press Digital
ISBN 9780193702615. For soprano soloist, mixed choir, and orchestra or ensemble (with organ). This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms, personal prayers to Christ, and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are. presented in handsome, cloth-bound editions. Vocal and orchestral material is available on hire.ISBN 9780193702615.
For soprano soloist, mixed choir, and orchestra or ensemble (with organ). This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms, personal prayers to Christ, and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are. presented in handsome, cloth-bound editions. Vocal and orchestral material is available on hire.
$16.50
15.21 €
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Soli, choeur mixte et accompagnement
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John Rutter (1945-)
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Requiem
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Oxford University Press Digital
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SheetMusicPlus
Puerto Rican Commonwealth Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Félix Astol Artés. Arranged by Keith Terrett. World, Latin, Patriotic. Set o…
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Composed by Félix Astol Artés. Arranged by Keith Terrett. World, Latin, Patriotic. Set of Parts. 10 pages. Published by Casio (S0.117831). - Set of Parts - World,Latin,Patriotic - Casio
$8.99
8.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Félix Astol Artés
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Keith Terrett
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Puerto Rican Commonwealth Anthem for Brass Quintet
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Casio
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SheetMusicPlus
Getting into Latin Jazz Guitar
Guitare
Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages.…
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Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20198BCDEB). - e-book and online audio - Latin American - Mel Bay Publications - Digital Sheet Music
ISBN 9781610651363. This book is a guide to some of the techniques needed for "getting into latin jazz guitar." There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the "Riverboat Suite," studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. The audio, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to "get into" some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.ISBN 9781610651363. This book is a guide to some of the techniques needed for "getting into latin jazz guitar." There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the "Riverboat Suite," studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. The audio, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to "get into" some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.
$17.99
16.59 €
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Guitare
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John Zaradin
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Getting into Latin Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Latin Guitar Handbook
Guitare
Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publi…
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Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21685EB). - e-book - Latin American - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746940. The most complete and comprehensive handbook outlining the role of the guitar in the music of Cuba, Brazil, Columbia, Mexico, and other South American countries in print. A complete survey and guide for any guitarist interested in performing different styles of Latin music. Each chapter examines the styles common to the music of a featured country. Includes a thorough exploration of the history, common instrumentation, core rhythms, guitar patterns and chord voicings, transcriptions, application, and provides musical examples in each style.Students will explore: Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco, and Contemporary Latin PopGCajust to name a few! Students may choose to focus in on one style or sample many. This resource book contains valuable knowledge guitarists can also utilize in application to a multitude of branch styles (jazz, smooth jazz, pop, rock, and the ever GCo growing Latin Music market), including what to play with an ensemble.ISBN 9781609746940. The most complete and comprehensive handbook outlining the role of the guitar in the music of Cuba, Brazil, Columbia, Mexico, and other South American countries in print. A complete survey and guide for any guitarist interested in performing different styles of Latin music. Each chapter examines the styles common to the music of a featured country. Includes a thorough exploration of the history, common instrumentation, core rhythms, guitar patterns and chord voicings, transcriptions, application, and provides musical examples in each style.Students will explore: Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco, and Contemporary Latin PopGCajust to name a few! Students may choose to focus in on one style or sample many. This resource book contains valuable knowledge guitarists can also utilize in application to a multitude of branch styles (jazz, smooth jazz, pop, rock, and the ever GCo growing Latin Music market), including what to play with an ensemble.
$19.99
18.43 €
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Guitare
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Chris Mello
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The Latin Guitar Handbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete Modern Drum Set
Batterie
Composed by Frank Briggs. Complete. Ebook and online audio/video. 161 pages. Published by …
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Composed by Frank Briggs. Complete. Ebook and online audio/video. 161 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.95366MEB). - ebook and online audio/video - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115156. 8.5 X 11 inches. This book offers challenging material for the intermediate to advanced drummer. Addressing a multitude of styles, author Frank Briggs helps guide your playing to a higher plane while improving your technique and raising your awareness of cutting edge concepts such as metric modulation, displaced beats, polyrhythms, and more. Briggs states, "He believes the more you know about different styles and the inner workings of time and phrasing, the better your ability to contribute to the music at hand. The clearer you see the parallels or the common threads that tie these concepts together, the more freedom you will have to express yourself." The music is challenging and suitable for the advanced drummer. Styles include odd meters, metric modulation, tuplets, funk, Latin, mid and up-tempo swing, and fusion.This set includes access to online audio. which is a play-along for drums with full stereo versions of the music charts included in the book. Sketch, Electric, Red Moon, Home, Funky Track, Jazz Swing, and 32 Bar are recorded with drums and without drums (the tracks without drums include a click track) so that the student can listen and play-along. Solo sections are included on most of the tracks. Instrumentation is drums, bass, keyboards and sax. The companion video online:Re-edited from the original masters, this video offers challenging material for the intermediate to advanced drummer. All special effects have been removed and the sound track has been encoded in Dolby Digital stereo. Twenty-one play-along tracks, CueLink(tm) and a metronome make this video the most valuable cutting edge educational tool for drummers on the market today. This video features complete performances of Red Moon, Home, Along the Mohawk, Sketch/Electric and more. It includes over 115 minutes of drumming and is the perfect companion to the Complete Modern Drum Set Book (nearly every page in the book is performed... including page headers and pattern numbers for easy reference).ISBN 9781619115156. 8.5 X 11 inches. This book offers challenging material for the intermediate to advanced drummer. Addressing a multitude of styles, author Frank Briggs helps guide your playing to a higher plane while improving your technique and raising your awareness of cutting edge concepts such as metric modulation, displaced beats, polyrhythms, and more. Briggs states, "He believes the more you know about different styles and the inner workings of time and phrasing, the better your ability to contribute to the music at hand. The clearer you see the parallels or the common threads that tie these concepts together, the more freedom you will have to express yourself." The music is challenging and suitable for the advanced drummer. Styles include odd meters, metric modulation, tuplets, funk, Latin, mid and up-tempo swing, and fusion.This set includes access to online audio. which is a play-along for drums with full stereo versions of the music charts included in the book. Sketch, Electric, Red Moon, Home, Funky Track, Jazz Swing, and 32 Bar are recorded with drums and without drums (the tracks without drums include a click track) so that the student can listen and play-along. Solo sections are included on most of the tracks. Instrumentation is drums, bass, keyboards and sax. The companion video online:Re-edited from the original masters, this video offers challenging material for the intermediate to advanced drummer. All special effects have been removed and the sound track has been encoded in Dolby Digital stereo. Twenty-one play-along tracks, CueLink(tm) and a metronome make this video the most valuable cutting edge educational tool for drummers on the market today. This video features complete performances of Red Moon, Home, Along the Mohawk, Sketch/Electric and more. It includes over 115 minutes of drumming and is the perfect companion to the Complete Modern Drum Set Book (nearly every page in the book is performed... including page headers and pattern numbers for easy reference).
$22.99
21.19 €
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Batterie
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Frank Briggs
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Complete Modern Drum Set
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Platinum - Finger Olympiad (Piano)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.924234 Composed by Cynthia Moyes. I…
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Easy Piano - Level 1 - Digital Download SKU: A0.924234 Composed by Cynthia Moyes. Instructional. Score. 33 pages. Cynthia Moyes #3222385. Published by Cynthia Moyes (A0.924234). Platinum – Teaches primary chords and cadences.Platinum is the final level in the Finger Olympiad warm up and recognition series. Students in the Platinum level are comfortable playing in multiple keys. Continuing in the style of Bronze, Silver and Gold, note reading is not required. Primary chords, accompaniment patterns, and basic composition will be practiced in all keys. Major and minor cadences will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter. Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Platinum is the final warm up book in the Finger Olympiad warm-up and recognition series. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Platinum medal may be ordered to recognize the completion of this level.PRINTING TIPS: This product works best with color, 2 sided printing. Pages 21-33 may be printed on cardstock for better durability. For more practice tips, follow Finger Olympiad on facebook.
$4.99
4.6 €
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Piano Facile
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Cynthia Moyes
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Platinum - Finger Olympiad
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Cynthia Moyes
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SheetMusicPlus
Fanfare for the Common Teenager
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.933832 Composed by William Pag…
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Full Orchestra - Level 3 - Digital Download SKU: A0.933832 Composed by William Pagán-Pérez. Latin. Score and parts. 131 pages. William Pagan-Perez #4838963. Published by William Pagan-Perez (A0.933832). The composer prepared this arrangement for symphony orchestra in order to provide additional repertoire to celebrate the Hispanic Heritage Month, but this music can be performed during all seasons of the year. The YouTube video has the Concert Band Original Version: https://www.youtube.com/watch?v=peAQ-iCQH9I
$65.00
59.92 €
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Orchestre
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William Pagán-Pérez
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Fanfare for the Common Teenager
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William Pagan-Perez
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SheetMusicPlus
Closer to Nowhere, a Latin jazz piano solo from Modern Solos
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862464 Composed by Michael Bomier. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862464 Composed by Michael Bomier. 20th Century,Instructional,Jazz,Latin,Standards. Score. 2 pages. Michael Butkus-Bomier #2008569. Published by Michael Butkus-Bomier (A0.862464). The use of cut-time in Latin jazz is commonplace. Here is a fun and colorful example. The key of 6 flats is used, so that the player or student can get the feel of being somewhat percussive on the black keys. The white keys used are Cb, Fb and Abb! The melody is stated in thirds, with larger sonorities at the cadence points. The chords Fb Maj7 and Abb Maj9 are used, so that the sudden shock of seeing chords in sharps juxtaposed against the 6 flats is avoided. It really is easier to play than to read. The piece repeats, with a vamp intro and coda. Approx duration 1 and a half mins. Left hand is half-note bassline throughout.
$1.99
1.83 €
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Piano seul
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Michael Bomier
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Closer to Nowhere, a Latin jazz piano solo from Modern Solos
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Michael Butkus-Bomier
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2.02 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.82 €
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Orchestre d'harmonie
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Austin Ralphson
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Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Austin Ralphson
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SheetMusicPlus
The First Noel for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Alto, Piano
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Traditional
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James M
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The First Noel for Viola & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Trompette
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Tuba & Piano
Tuba et Piano
Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arr…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Tuba et Piano
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Traditional
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James M
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The First Noel for Tuba & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional.…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Trombone et Piano
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Traditional
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James M
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The First Noel for Trombone & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 2 - Digital Download SKU: A0.549903 Composed by Traditional. Arr…
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Piano Trio - Level 2 - Digital Download SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Published by jmsgu3 (A0.549903). Arranged with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s.  Stainer is, above all, famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23 €
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Piano Trio: piano, violon, violoncelle
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Traditional
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James M
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The First Noel for Piano Trio
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jmsgu3
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Saxophone Tenor et Piano
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Traditional
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James M
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Violin & Piano
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. A…
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Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 4 pages. Jmsgu3 #3387409. Published by jmsgu3 (A0.548506). The First Noel arranged for Violin & Piano with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Violin Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23 €
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Violon et Piano
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Traditional
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James M
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The First Noel for Violin & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Flamenco en los Fogones. Partituras de Flamenco para el piano.
Piano seul
By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Cent…
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By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Century, Folk, Latin, Traditional. Score. 26 pages. ALICIA GARCIA FALGUERAS #836664. Published by ALICIA GARCIA FALGUERAS
As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.
$15.00
13.83 €
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Piano seul
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Various
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ALICIA GARCIA FALGUERAS
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Flamenco en los Fogones. Partituras de Flamenco para el piano.
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ALICIA GARCIA FALGUERAS
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Se…
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Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Set of Parts. 707 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.
$29.99
27.65 €
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Ensemble d'École
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Austin Ralphson
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COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
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Austin Ralphson
#
SheetMusicPlus
Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. S…
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Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. Score, Set of Parts. 332 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes BANANA BLUES (a 12-bar Blues piece) and CRAZY LATIN! which has additional parts for Latin percussion commonly found in the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 300 pages, and represents a huge saving on individual purchase prices.The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes BANANA BLUES (a 12-bar Blues piece) and CRAZY LATIN! which has additional parts for Latin percussion commonly found in the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 300 pages, and represents a huge saving on individual purchase prices.
$19.99
18.43 €
#
Ensemble d'École
#
Austin Ralphson
#
Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
#
Austin Ralphson
#
SheetMusicPlus
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