Two of the most widely used patriotic songs have been combined together into one anthem and is scored for SAB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.

?American Patrol? is the best-known work by Frank White (F.W.) Meacham (1856?1909), an arranger and composer associated with Tin Pan Alley, the home of New York City-based songwriters and music publishers who dominated the popular music of the United States in the late 19th and early 20th century. ?American Patrol? incorporates both original musical themes by Meacham and melodies from patriotic songs of the era such as ?Columbia, the Gem of the Ocean? and ?Dixie.? The ?patrol? format was popular in the latter 19th century, and was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played pianissimo or piano, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually fading away and finishing softly, like the march began. Published for piano in 1885 and for wind band in 1891, ?American Patrol? became and remained popular through World War I and II, enjoying renewed popularity during WWII and beyond thanks to a swing arrangement for Glenn Miller's band by Jerry Gray. �Copyright 2013 Todd Marchand / ConSpiritoMusic.com

This tender setting of the poignant American folk song is certain to charm and move performers and audiences alike. The tune is accompanied and embellished by carefully crafted countermelodies and is contrasted by a lively fugue section in the center. Each instrument of the quartet is featured prominently, bringing its unique characterization to the familiar melody. This arrangement is suitable for nearly all occasions.

Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. �Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com

ISBN 9781610655774. This book presents fretted dulcimer arrangements of 58 Stephen Collins Foster classics. Each song is written as a melody line in standard notation with dulcimer tablature beneath plus complete lyrics, historical notes, and suggested guitar chords. Cover graphics from the original nineteenth century sheet music publications lend grace and authenticity, and songwriters and music historians will find much interest in this book. The tunings used are DAD, DAA, DGD, and DAA#D. Intended for experienced beginners to intermediate players, many of these pieces require a 6 1/2 fret dulcimer and a capo. The author includes an insightful essay on the life of Stephen Foster (1826-1864)-a gifted, once successful songwriter whose career decisions and abuse of alcohol lead to personal financial disaster, a broken family, and an early death. His legacy is a treasury of songs reflecting the social issues and romantic illusions of his time. Contains both well-known and lesser known tunes in notation and tablature. Includes access to online audio that contains 33 of the book's 58 tunes.

ISBN 9781610651073. These solo fingerstyle guitar arrangements cover a wide spectrum of American music. They include early hymns of the pilgrims, American Revolutionary war tunes, British folk ballads that later became colonial pop songs, sea chanteys, spirituals, Civil War tunes, pioneer frontier ballads, military hymns, and songs of patriotism. They were selected for their heartfelt melodies and their adaptability for solo instrumental guitar. While these arrangements seek to tap the rich polyphonic nature of the guitar, players of all levels will enjoy them and be richly rewarded with the music that is unleashed here. This collection offers an extensively researched musical snapshot of early America and a reminder of the amazing heritage of this great country. Written in standard notation and tablature

Song List: Dove of Peace Davis Cleansing Fountain Charlestown Lord Revive Us Distress Beach Spring Morning Song Liverpool

Song List: Promised Land Pisgah Restoration Wedlock Begone Unbelief Salvation Peace Land of Rest

Song List: All Is Well Bozrah Consolation (Morning Song) David's Lamentation Dundee (Norwich Tune) Evening Shade Fairfield GREENLAND Holy Manna Idumea Jesus Wept (When) Kedron Lone Pilgrim Middlebury Nativity New Britain (Amazing Grace) O Come, Come Away Promised Land Quapah Restoration Star In The East Tender Thought Union Vernon Wayfaring Stranger Wondrous Love

"2018 Keyboard Contest Entry"
"My Grandfather's Clock" was often played in Britain on Children's Favourites and during that period was recorded by the Radio Revellers. In the United States, a version, without the last stanza of lyrics, was on an extended-play 45 rpm record on the Peter Pan label (the other song on that side was The Syncopated Clock, and the flip side had The Arkansas Traveler and Red River Valley). Johnny Cash covered the song on his 1959 album Songs of Our Soil. Evelyn Knight recorded the song for Decca Records. Also in 1959, it was included on The Four Lads' album, Swing Along. Other versions became popular in other countries; it is well known to many generations in Japan, with a cover by singer Ken Hirai becoming massively popular in 2002. This easy piano piece is perfect for piano recitals and school performances. Performance Time Approx. 1 minute 30 seconds.