Goin' Home For Brass Quintet (also called Going Home) Based on the Largo from the New World Symphony By Antonin Dvorak Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F (Eb Alto Horn) Trombone (Baritone TC) Tuba Substitute parts for Alto Horn and Baritone TC provided "Goin' Home," is based on the Czech composer Antonin Dvorak's famous "Largo" theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie ?Clear and Present Danger? by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan and Ford and was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery. It is still used today by military bands at Arlington. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.

An arrangement of the classic Victor Young melody for solo piano in a moody jazz ballad style. Performance duration is about 4 minutes 15 seconds, and a performance can be viewed at youtube.com/c/rupertaustin.and#65279;

The main melodic material of the original song is presented during the first 32 bars, with some use of harmonic substitutions. From bar 33 to 77 the song is explored in an extensive improvisatory section where much use of rubato would suit the style. Some significant tempo changes are marked during this section. The arrangement then provides a restatement of the first 28 bars before closing with a brief coda.