English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
21
Partitions
Numériques
158
Librairie
Musicale
89
Matériel
de Musique
3
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
26
PIANO & CLAVIERS
Piano, Voix et Guitare
13
2 Pianos, 4 mains
7
Piano seul
6
1 Piano, 4 mains
3
Piano, Voix
2
Instruments en Do
2
Piano Facile
2
Orgue
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
5
Paroles et Accords
4
Ukulele
3
3 Guitares (trio)
1
Guitare
1
Dulcimer
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
8
Chorale TTBB
2
Chorale Unison
1
Chorale 3 parties
1
VENTS
Saxophone Alto
5
Saxophone Tenor
4
Flûte et Guitare
3
Clarinette
3
Flûte traversière
3
2 Flûte à bec (duo)
1
Flûte à bec Soprano
1
Saxophone (partie séparée)
1
Flûte à Bec
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone
4
Trompette
4
Cor
3
Trombone et Piano
1
CORDES
Violon
4
Violoncelle
4
Alto seul
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon et Piano
2
Alto, Piano
1
Alto et Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
4
Orchestre d'harmonie
2
Jazz combo
1
Batterie (partie séparée)
1
Batterie
1
AUTRES
Vous avez sélectionné:
Sam The Sham
Partitions à imprimer
158 partitions trouvées
<
1
26
51
....
151
Wooly Bully
Piano, Voix et Guitare
By Sam The Sham & The Pharaohs. For piano, voice, and guitar (chords only). Halloween;…
(+)
By Sam The Sham & The Pharaohs. For piano, voice, and guitar (chords only). Halloween; Pop. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
#
Piano, Voix et Guitare
#
Sam The Sham & The Pharaohs
#
The Pharaohs
#
Wooly Bully
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Lil' Red Riding Hood
Piano, Voix et Guitare
By Sam The Sham and The Pharaohs. For piano, voice, and guitar (chords only). Oldies; Pop.…
(+)
By Sam The Sham and The Pharaohs. For piano, voice, and guitar (chords only). Oldies; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
#
Piano, Voix et Guitare
#
Sam The Sham and The Pharaohs
#
Pop
#
Lil' Red Riding Hood
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Early American Roots Recorder Edition
Flûte à bec Soprano
Composed by Hesperus. Edited by Geoff Wysham. For Recorder (Soprano). Maggie's Music. Amer…
(+)
Composed by Hesperus. Edited by Geoff Wysham. For Recorder (Soprano). Maggie's Music. American. Beginning-Intermediate. E-book. 88 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741792. Early American Roots, a companion book to HESPERUS' CD of the same name, presents a cross section of popular instrumental music from the English Colonies and early Federal America; divisions, shape note hymns, country dances and cotillions, arranged for the recorder. When America was still a colony, music in the New World was a welcome link to the settlers' original home; England, Holland, France, Germany, Ireland and Scotland. During the 18th century, as the colonies became independent from England, their music reflected this new freedom in its unusual textures and dissonances. Recorders and flageolets (the wooden predecessor to the tin pennywhistle) were easily carried about and made excellent solo instruments for both the new and old styles of music. They arrived in the New World in pockets, packs and bundles. Scott Reiss, the "mind boggling" recorder player and HESPERUS' co-director, arranges all the tunes on the CD for recorders, writing down every improvised ornament, slur and counter melody. Use this book as a technical study guide as well as a source of performing and arranging ideas. An invaluable guide to a little-known, but lively repertoire.ISBN 9781609741792. Early American Roots, a companion book to HESPERUS' CD of the same name, presents a cross section of popular instrumental music from the English Colonies and early Federal America; divisions, shape note hymns, country dances and cotillions, arranged for the recorder. When America was still a colony, music in the New World was a welcome link to the settlers' original home; England, Holland, France, Germany, Ireland and Scotland. During the 18th century, as the colonies became independent from England, their music reflected this new freedom in its unusual textures and dissonances. Recorders and flageolets (the wooden predecessor to the tin pennywhistle) were easily carried about and made excellent solo instruments for both the new and old styles of music. They arrived in the New World in pockets, packs and bundles. Scott Reiss, the "mind boggling" recorder player and HESPERUS' co-director, arranges all the tunes on the CD for recorders, writing down every improvised ornament, slur and counter melody. Use this book as a technical study guide as well as a source of performing and arranging ideas. An invaluable guide to a little-known, but lively repertoire.
$19.99
18.2 €
#
Flûte à bec Soprano
#
Hesperus
#
Early American Roots Recorder Edition
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Wooly Bully
Guitare notes et tablatures
By Bad Manners and Sam The Sham & The Pharaohs. For guitar. Oldies; Pop; Rock. Guitar …
(+)
By Bad Manners and Sam The Sham & The Pharaohs. For guitar. Oldies; Pop; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
#
Guitare notes et tablatures
#
Bad Manners and Sam The Sham & The Pharaohs
#
The Pharaohs
#
Wooly Bully
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Wooly Bully
Piano, Voix et Guitare
By Sam The Sham & The Pharaohs. For piano, voice, and guitar (chords only). Halloween;…
(+)
By Sam The Sham & The Pharaohs. For piano, voice, and guitar (chords only). Halloween; Novelty; Oldies; Pop; Rock. Piano/Vocal/Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
#
Piano, Voix et Guitare
#
Sam The Sham & The Pharaohs
#
The Pharaohs
#
Wooly Bully
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Wooly Bully
Paroles et Accords
By Sam The Sham & The Pharaohs. Pop; Rock. Guitar (chords only). 2 pages. Published by Hal…
(+)
By Sam The Sham & The Pharaohs. Pop; Rock. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.353346). - Guitar (chords only) - Pop; Rock - Hal Leonard - Digital Sheet Music
$1.99
1.81 €
#
Paroles et Accords
#
Sam The Sham & The Pharaohs
#
Rock
#
Wooly Bully
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Pop Hits of The '60s - 6 (5-Piece Digital Pack)
Piano, Voix et Guitare
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.21371 By Sam T…
(+)
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.21371 By Sam The Sham and The Pharaohs. This edition: Interactive Download,scorch. Halloween,Novelty,Oldies,Pop,Rock. Piano/Vocal/Guitar (chords only). 2 pages. Published by Hal Leonard - Digital (HX.21371).
Digital Pack includes:Groovin'San Francisco (Be Sure To Wear Some Flowers In Your Hair)I Can't Stop Loving YouIt's My PartyWooly Bully
Digital Pack includes
:
Groovin'
San Francisco (Be Sure To Wear Some Flowers In Your Hair)
I Can't Stop Loving You
It's My Party
Wooly Bully
$9.99
9.1 €
#
Piano, Voix et Guitare
#
Sam The Sham and The Pharaohs
#
Pop Hits of The '60s - 6
#
Hal Leonard - Digital
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Last Night
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.859769 Composed by…
(+)
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00
12.75 €
#
Ensemble Jazz
#
Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple
#
Bandroom
#
Last Night
#
Bandroom.com Publications
#
SheetMusicPlus
Sam The Sham & The Pharaohs: Wooly Bully - voice & other instruments (real book with lyrics)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice & other i…
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice & other instruments (real book with lyrics) of MEDIUM skill level. / pop,rock,standards
$3.97
3.62 €
#
Ligne De Mélodie, (Paroles) et Accords
#
Sam The Sham & The Pharaohs
#
Virtualsheetmusic
Sam The Sham & The Pharaohs: Wooly Bully - voice & other instruments (fake book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice & other i…
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice & other instruments (fake book) of EASY skill level. / pop,rock,novelty,children
$4.97
4.53 €
#
Ligne De Mélodie, (Paroles) et Accords
#
Sam The Sham & The Pharaohs
#
Virtualsheetmusic
Sam The Sham & The Pharoahs: Lil' Red Riding Hood - voice & other instruments (fake book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Sam The Sham & The Pharoahs for voice & other i…
(+)
Instantly printable sheet music by Sam The Sham & The Pharoahs for voice & other instruments (fake book) of MEDIUM skill level. / oldies,pop,novelty
$4.97
4.53 €
#
Ligne De Mélodie, (Paroles) et Accords
#
Sam The Sham & The Pharoahs
#
Virtualsheetmusic
Domingo Samudio: Wooly Bully for guitar
Guitare notes et tablatures
Instantly printable sheet music by Sam The Sham & The Pharaohs for guitar (tablature) …
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for guitar (tablature) of MEDIUM skill level. / oldies,pop,rock,halloween
$6.97
6.35 €
#
Guitare notes et tablatures
#
Domingo Samudio
#
Virtualsheetmusic
Domingo Samudio: Wooly Bully for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Sam the Sham and the Pharoahs for voice, piano or guita…
(+)
Instantly printable sheet music by Sam the Sham and the Pharoahs for voice, piano or guitar of MEDIUM skill level. / pop,halloween
$6.97
6.35 €
#
Piano, Voix et Guitare
#
Domingo Samudio
#
Virtualsheetmusic
Domingo Samudio: Wooly Bully for guitar (ukulele)
Ukulele
Instantly printable sheet music by Sam The Sham & The Pharaohs for ukulele (chords) of…
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for ukulele (chords) of MEDIUM skill level. / oldies,pop,rock,halloween
$3.97
3.62 €
#
Ukulele
#
Domingo Samudio
#
Virtualsheetmusic
Domingo Samudio: Wooly Bully for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice, piano or gui…
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for voice, piano or guitar of MEDIUM skill level. / oldies,pop,rock,novelty,halloween
$5.97
5.44 €
#
Piano, Voix et Guitare
#
Domingo Samudio
#
Virtualsheetmusic
Domingo Samudio: Wooly Bully for guitar
Paroles et Accords
Instantly printable sheet music by Sam The Sham & The Pharaohs for guitar (chords) of …
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for guitar (chords) of MEDIUM skill level. / oldies,pop,rock,halloween
$3.97
3.62 €
#
Paroles et Accords
#
Domingo Samudio
#
Virtualsheetmusic
Sam The Sham & The Pharaohs: Wooly Bully - viola solo
Alto seul
Instantly printable sheet music by Sam The Sham & The Pharaohs for viola solo of MEDIU…
(+)
Instantly printable sheet music by Sam The Sham & The Pharaohs for viola solo of MEDIUM skill level. / pop,rock
$2.97
2.7 €
#
Alto seul
#
Sam The Sham & The Pharaohs
#
Virtualsheetmusic
<
1
26
51
....
151
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
