Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP?Eye of the Tiger? is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it?s an all time favorite. Here?s a fresh new arrangement, that?s sure to please! Perfect for group lessons, recitals or just plain fun.Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix and match parts: Pianist 3 and 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don?t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own.FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharingIn this Multi Level Piano Ensemble, you?ll find:All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation.Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals.Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals.Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands.Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat.Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don?t worry, if you don?t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with.This arrangement is available in 5 versions:Multi Level Piano EnsembleEasy SoloLate Elementary Solo Intermediate DuetIntermediate SoloSusan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight.This is a Single Use License.Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAPTime length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun!There?s so much more to discover!For special SALE and FREE items check out:https://www.susanstaplesbellmusic.com/Check out other compositions by Susan Staples Bell available on Sheet Music Plus:https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375Also, selected pieces are now available on JW Pepper for a print option: https://www.jwpepper.com/myscore/SusanStaplesBellSusan Bell Youtube: Like, Subscribe and Hit the Notification Bell!https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycgFollow me on Facebook:https://www.facebook.com/SusanBellPianoStudio.Compositions.

Welcome to the Choir is a quirky, fun concert piece for a cappella SATB choir written in 2013 by UK composer Chris Lawry and commissioned by Parkrose High School PHS Choir, Lesley Bossert and the Parkrose Educational Foundation. It received its US/World premier by the choir in April 2014 and the UK premiere, by the Harlequin Chamber Choir, in May 2014.The piece is a fantastic, descriptive, concert opener, and is dedicated to the past, present and future students of Parkrose 'may your singing serve as a healing element to the realities of life, giving you lifelong friendships and show you the importance of beauty in our lives through music'.The piece features descriptive elements from each section of the choir, 'bass line on beat' 'tenor rhythm off beat' 'soprano melody' alto harmonies, homophony, polyphony, melismatic singing, a great show piece to introduce the choir at concerts and shows. Much can also be made of the theatrical elements of the piece (at the conductor's discretion).The recording is a temporary computerised fix until the commissioning choir have finalised their recording of the piece later in 2014 (words below), sounds odd computerised but sounds incredible live! WORDS:[Basses] Let's start with the bass line. On beat. (repeated)[Tenors] and add in a tenor rhythm. Off beat. (")[Sopranos] Now for soprano melody; beautiful melody, soprano melody.[Altos] But don't forget the altos who can turn a melody, into harmony (S A) Melody and Harmony.STOP![All] We sing in homophony, ah! Homophony, ah! From minor to major, and changing the key...To sing in polyphony, polyphony, melismatic polyphony.Welcome to the choir! (x5)..................The recording is by the Izhevsk Choir conducted by Lev Nakariakov.

'Clarinettissimo' is the ideal addition to and continuation of the standard work 'Die frohliche Klarinette' although it can also be used independently. The two volumes contain a well-balanced collection of classical and entertaining pieces which, together with technical exercises for all keys, provide the foundation of perfect clarinet playing. The joy of playing is increased by numerous duos as well as by swinging and groovy pieces.

This is an essential item for any string ensemble, whether string quartet or string orchestra. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. The parts include 1st violin, 2nd violin, viola, cello and bass. You can brighten the tone quality by getting the more advanced violin players play an octave higher than the written part. (You can hear this effect in the audio demos.) The cello and bass parts appear on a single staff but there?s also a melody part provided in the bass clef should you require a cello or double bass solo. Of course, you can use any number of instruments to a particular part. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in string-friendly keys, the arrangements are not usually compatible with the brass and wind collections of the same title.


The collection includes the following titles: A Mighty Fortress Is Our God (Ein? Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Top¬la¬dy); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be the Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).

The audio demo contains the following titles (1) Abide with Me; (2) Nearer my God to Thee; (3) Be Thou my Vision and (4) What a Friend we have in Jesus.

ISBN 9781609745332. This book is designed as a workbook to teach theory specifically relevant to the violin at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of violin theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of violin theory. No matter who uses his book, it will give a strong foundation to violin theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the violin; learning about line and space notes; learning musical symbols; and how to draw music.

Here?sa new collection of thirty-two of America?s best-loved hymn tunes, at a bargainprice too! The arrangements are intended either as stand-alone pieces thatcould be used as interludes in a service, or they could be used to accompanysolo, choral or congregational singing.

Thepublication consists of a four-staff score in concert pitch together withfifteen separate parts in various transpositions including a simplifiedoptional keyboard part. These four-partarrangements use flexible instrumentation so that you can exercise considerablecontrol over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumentaltone color by omitting groups of instruments. If the ensemble is large enoughyou could omit brass instruments in the quieter sections, or use a solo trumpetagainst a woodwind background. There are endless possibilities.

Thecomplete set includes Part 1 in B flat, E flat and C (high and low pitch); Part2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in Bflat, E flat and C. While Part 1 (high pitch) is suitable for flute and oboebeing an octave above concert, the low pitch version is more suited toelementary players. Part 2 in C is an octave higher than concert. Parts 3 and 4in C are in the bass clef. The arrangements could be played by virtually anycombination of conventional wind instruments. Using the optional keyboard partthey could also be used as solos, duets or trios. The scores and all the parts are containedin a single 244-page PDF file.

The collection includes the followingtitles: A Mighty Fortress IsOur God (Ein? Feste Burg); All Creatures Of our God and King(Lasst uns Erfreuen); All People that on Earth do Dwell (OldHundredth); Abide with Me (Eventide); AllHail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross(Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision(Slane); Blessed Assurance(Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); ComeThou Fount of Every Blessing (Nettleton); ComeWe That Love the Lord (St. Thomas);Crown Him with ManyCrowns (Diademata); Guide Me OThou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy(Nicea); How Firm a Foundation (Foundation); It is Wellwith my Soul (Ville du Havre); Jesus Christ is Risen Today(Easter Hymn);Jesus, Lover of My Soul (Hollingside); JesusPaid it All (All to Christ); Joy to theWorld (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, AllLoves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty(Lob den Herren); Rock of Ages (Top­la­dy); Shall we gather at the River?(Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement);To God Be The Glory(To God be the Glory); There is a Fountain (Cleansing Fountain);What a Friend WeHave in Jesus (Converse) and WhenI Survey the Wondrous Cross (Hamburg).

The audio demo contains the followingtitles (1) Abide with Me; (2) All Hailthe Power of Jesus? Name; (3) A Mighty Fortress is our God and (4) Love Divine,all Loves Excelling.

ISBN 9781610657877. Welcome to the world of international accordion music. This collection contains a sampling of ethnic folk music from Europe and the Americas and forms the foundation of a basic folk accordion repertoire. These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands I have played with over the years. These melodies have stood the test of time, so what are you waiting for? Open the book, get your accordion out and let's play some music! One word about these songs: I generally learn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or the way I feel at the time. You'll notice that on most of the performances on the online audio I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if we played them as written. Written by Bruce Bollerud, June 2007. Online audio available for download.

Adagio in G Minor, arranged for Brass Quintet and Organ by Reese Blaskowski. Originally by Remo Giazotto, who has accredited the piece foundation (baseline and original melody) to Tomaso Albinoni.

ISBN 9781609745349. This book is designed as a workbook to teach theory specifically relevant to the cello at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of cello theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of cello theory. No matter who uses this book, it will give a strong foundation to cello theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the cello; learning about line and space notes; learning musical symbols; and how to draw music.

ISBN 9781619113213. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book Two presents patterns for the harmonic minor and melodic minor scales and all of their relative modes: the bebop scale (major, minor and dominant), chromatic scale, whole-tone scale, diminished scale (whole/half and half/whole) and augmented scale. Along with these scale forms, patterns for minor (major 7) and augmented (major 7) arpeggios are presented.

ISBN 9781610659413. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book One presents patterns for the major scale and its relative modes, the major pentatonic scale, the minor pentatonic scale, and the blues scale. Along with these scale forms, patterns for arpeggios that are for the most part diatonic to (in the key of) the major scale are presented. These include major, minor, diminished and augmented triads, and also major 7, dominant 7, minor 7 , and diminished 7 chords.

ISBN 9781610659314. The intention of this Qwikguide book/audio set is to give you a basic introduction to use the scales. Scales are the foundation upon which any style of music is based. From then you can build chords, melodies, and systems of harmonies. No matter what style of music you want to pursue, you'll find that the same patterns keep showing up. The basic scales that every musician eventually has to learn--major, minor and pentatonic are included in this book, along with crosspicking scales in standard and alternate tunings, diminished, and augmented scales. On the guitar, scales in open positions are generally more difficult than scales in closed positions. This book includes scales in both open and closed positions. By working with these scales, the student will gain a sense of when to move from string to string in a scale passage. The exercises will help students focus on the technique, tone, smoothness and fluency which come with scale practice. Open-position scales are also used frequently in fingerstyle solos. In notation and tablature. Includes access to online audio.

ISBN 9781619114258. This book and accompanying audio include twenty of the most popular kids' tunes of all time, arranged for small hands to play on the ukulele. Chords are supplied for other instruments to join in the fun, as well as lyrics for singing. The ukulele tablature makes learning fun and easy, while the arranger (with 25 years of teaching experience) has laid the foundations for good fingerstyle technique. This book is therefore both fun and educational.The ukulele is a wonderful instrument for kids - cheap and cheerful, and ready-made for kids' small hands. Most ukulele books introduce chords from the first page, yet chords can be difficult and frustrating for child beginners. This book gets kids playing recognizable tunes right from the get go.Each song includes:- A standard notation clef with the words underneath- Chord symbols for guitar, keyboard or another ukulele to provide accompaniment- A tablature clef, which is what the kids should playDownloadable audio available online.

ISBN 9781619114913. 8.75 x 11.75 inches. While still available in two separate volumes (93234 and 93235) Roger Filiberto's widely-used beginning bass method is now available in one comprehensive book! Includes handy arpeggio charts featuring major, minor, augmented, diminished, and dominant seventh chords, plus their upper harmonic extensions. Applicable to any style of music, this method has gained widespread acceptance as the foundational text for electric bass study! Includes audio and video download files online.

ISBN 9781609740061. Technical exercises applicable to intermediate literature. Sets the foundation for more difficult daily study routines. Practice of these scale exercises helps one acquire agility and evenness in playing. A reliable technique develops when the fingers are exercises in all key patterns. Includes major and minor scales (all forms), arpeggios, scales in thirds, triplet scales, extended scales, and chromatic exercise in each key.