English - French - German.

Argentinian Folk Tunes for Flute presents a collection of beautiful pieces arranged for solo flute with chords for accompanying instruments, drawn from the rich tradition of Argentinian music. Highly regarded performer author and teacher Ros Stephen provides notes on all of the pieces, explaining their background and history. French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.

An arrangement of the national anthem of Germany ( "Deutschlandlied"), arranged for classical brass quintet.The "Deutschlandlied" (English: "Song of Germany", German pronunciation: [?d??t?lant?li?t]; also known as "Das Lied der Deutschen" or "The Song of the Germans"), or part of it, has been the national anthem of Germany since 1922, except in East Germany, whose anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") from 1949 to 1990.Since World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. The stanza's beginning, "Einigkeit und Recht und Freiheit" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany,[1] and is inscribed on modern German Army belt buckles and the rims of some German coins.The music was written by Austrian composer Joseph Haydn in 1797 as an anthem for the birthday of Francis II, Emperor of the Holy Roman Empire and later of Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of "Das Lied der Deutschen" to Haydn's melody, lyrics that were considered revolutionary at the time.The song is also well known by the beginning and refrain of the first stanza, "Deutschland, Deutschland über alles" ("Germany, Germany above all"), but this has never been its title. The line "Germany, Germany above all" meant that the most important goal of 19th-century German liberal revolutionaries should be a unified Germany which would overcome the perceived anti-liberal ethos of then-fragmented Germany (Kleinstaaterei). Along with the flag of Germany, it was one of the symbols of the March Revolution of 1848.In order to endorse its republican and liberal tradition, the song was chosen as the national anthem of Germany in 1922, during the Weimar Republic. West Germany adopted the "Deutschlandlied" as its official national anthem in 1952 for similar reasons, with only the third stanza sung on official occasions. Upon German reunification in 1990, only the third stanza was confirmed as the national anthem.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

ISBN 9781610650663. This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. The chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.

JohannChristoph Pachelbel was a German baroque composer and organist. He was anacclaimed composer and organist during his lifetime, and was also regarded asan outstanding teacher. Today Pachelbel is considered to be one of the mostimportant organ composers of the middle Baroque: he made significantcontributions to the development of chorale prelude and fugue and brought theSouthern German organ tradition to its peak. During hislifetime, Pachelbel was best known as an organ composer. He wrote more than twohundred organ pieces, both liturgical and secular, and used most of the genresthat existed at the time. His other keyboard music includes harpsichord suitesand sets of variations. Pachelbel also composed numerous vocal works: arias,Magnificat settings, motets, sacred concertos, and chamber music. As acomposer, Pachelbel apparently was most interested in variation forms andassociated techniques. Variation techniques are in many of his organ worksespecially heard in the piece presented here, his Canon for which can be hearda full set of techniques. It is the only canon he wrote, yet is one of the mostpopular ones performed today. This quintetarrangement makes a great piece to play for church services, graduations andwedding processionals. It?s stately chordal progressions, chordal tonalitiesand variations have been especially popular with audiences around the world.