Two of the most widely used patriotic songs have been combined together into one anthem and is scored for SAB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.

"Down to the River to Pray" (also known as "Down in the River to Pray," "Down in the Valley to Pray," and "The Good Old Way") is a 19th-century American folk hymn variously attributed as an African-American spiritual/slave song, Appalachian song, and gospel song. In recent years, it was popularized in the 2000 motion picture, "O Brother, Where Art Thou," and by folk/bluegrass performer Alison Kraus.

In this arrangement, the first three presentations, or verses, of the pentatonic tune employ simple, traditional harmony and limited instrumentation, evoking the simplicity of folk-singing style. Verse 4 is characterized by a direct key change up a fourth (from concert Eb to Ab) and more active harmonies. After a short, two-bar modulation up one more step to Bb major, the final verse begins with rising parallel harmonies under the melody in trumpet 1, and continues with more contemporary harmonies. The piece concludes with a simple "Amen"-like ending.

©2019 Todd Marchand / ConSpiritoMusic.com

A Soldier's Life in WWI for Brass Quintet Arranged by Jari Villanueva A medley of tunes sung by Soldiers in the Great War Reveille-Bugle Call Oh, How I Hate To Get Up In The Morning by Irving Berlin Mademoiselle from Armentières-French Tune K-K-K-Katy by Geoffrey O?Hara There?s a Long Long Trail A-Winding by Alonzo ?Zo? Elliott Over There by George M. Cohan Score 2 Trumpets in Bb Horn in F Trombone Tuba Optional Drum Set Eb Alto Horn (Substitute part for Horn in F) Treble Clef Baritone (Substitute part for Trombone) A very interesting setting of tunes from World War I for Brass Quintet with optional Drums. A sure hit for concerts commemorating the 100th anniversary of World War 1 A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest.

Eighteenth-centuryBaptist minister, scholar, and hymn-writer Robert Robinson(1735-1790) wrote the hymn text, ?Come Thou Fount of EveryBlessing? in 1757 at the age of 22. Inthe USA, Robinson's hymn is typically set to the tune ?Nettleton,?whose authorship is unclear. Some attribute it to printer John Wyeth,who published it in his Repositoryof Sacred Music, Part Second(1813);others attribute it to Asahel Nettletion, a popular evangelist of theearly nineteenth century who published VillageHymns(1825).However, VillageHymnscontainedtexts only and no music, so there is no evidence that Nettletonactually wrote the tune that carries his name. Suitable for high school to professional ensembles for use in concert, recital, and worship, this intermediate-level arrangement presents the tune straightforwardly tobegin, then follows with a lyrical variation in 4/4 time, a variationin 5/8, and a concluding march. Fullscore and parts, 8.5x11-inch format. ©Copyright 2010 ToddMarchand / ConSpiritoMusic.com

Gottschalk was one of America's firstimportant composers. His numerous worksfor piano are mostly light. His Marche desGibaros from the Souvenir de Porto Ricotranscribed by Karl Hinterbichler is lively andbright. American born Louis MoreauGottschalk (1829-1869) was one of thegreat pianist/composers of his day. Hebegan his career in Europe but spent mostof his life touring from coast to coast in theUS, as well as South America, and theCaribbean.

He composed more than 100 works whichcombine the typical European Romanticvirtuoso style with musical traditions fromSouth America, the Caribbean, Spain andsacred and popular songs from the UnitedStates.

Originally for solo piano, Souvenir de PortoRico (op. 31), bears the subtitle Marche desGibaros, a reference to the peasants of theisland. The simple melody derives from aPuerto Rican song 'Si me dan pasteles, lesdénmelos calientes,' 'If you give me cakes,give them to me hot,' sung by strollingmusicians during the Puerto RicanChristmas season. This simple melody isthen subjected to a series of variations. Themusic depicts the sound of strollingmusicians, first heard in the distance,coming ever closer, rising to a climax andthen fading as the Gibaros march away intothe distance. The syncopated rhythmsstrongly suggest its Caribbean origins.

Instrumentation is for 2 Trumpets in Bb(Trumpet 1 doubles on Piccolo), Horn,Trombone and Tuba.

A beautiful chorale with hints of Aaron Copland, this traditional American Folk song will be a great addition to any brass ensemble. Grade 2 Along with the traditional brass instrumentation (Trumpet 1 and 2, Horn, Trombone and Tuba), there are substitution parts provided for: Alto Sax (for Trumpet 2) Alto Sax (for Horn) Trumpet 3 (for Horn) Trombone (for Horn) Baritone Treble Cleff/Tenor Sax (for Trombone) Baritone Sax (for Tuba) Horn (for Trombone)

This traditional Shaker melody is one of the most recognized tunes in American history. This arrangement is true to the piece, and builds with great excitement to the end. Grade 3 Along with the traditional brass instrumentation (Trumpet 1 and 2, Horn, Trombone and Tuba), there are substitution parts provided for: Alto Sax (for Trumpet 2) Alto Sax (for Horn) Trumpet 3 (for Horn) Trombone (for Horn) Baritone Treble Cleff/Tenor Sax (for Trombone) Baritone Sax (for Tuba) Horn (for Trombone)