An a capella arrangement of the well-known hymn Amazing Grace with the original words by John Newton. The soprano sings the melody throughout with the other voices mostly following in the same rhythm, although there is some independence in the non-melody voices, most notably in the bass.

?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:

Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.

Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.

It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.

©2019 Todd Marchand / ConSpiritoMusic.com

Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com

40 Beloved Christian Hymns Volume I for Brass Quintet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Total Playing Time approximately 54:00 with repeats. Preview this score on YouTube: https://www.youtube.com/watch?v=d0liLdFbnHY

40 Beloved Christian Hymns Volume I for Clarinet Quartet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Total Playing Time approximately 54:00 with repeats. Preview this score on YouTube: https://www.youtube.com/watch?v=sDoqqqh713g

?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com

Fourpence ha'penny is a set of variations based on the old canon Frère Jacques (or Bruder Martin) - the idea for the title came from my father who always claims, jokingly, that I earn only fourpence ha'penny from my musical compositions. (Of course I get a bit more than that!) The canon could also be sung to words such as: Fourpence ha'penny, fourpence ha'penny... That's your lot, that's your lot! You could be a rich man, oh you'd be be a rich man! But you're not, not so hot.... The pdf file contains score and parts. The audio sample is an electronic preview.

ISBN 9781609746933. A collection of interviews of the top fiddlers in the Irish tradition, Handy with the Stick brings together previously published magazine pieces with new work to present a broad view of Irish fiddling. Interviewees include Tommy Peoples, Siobhan Peoples, Paddy Glackin, Matt Cranitch, John Carty, Brendan McGlinchey, Caoimhin O Raghallaigh and Sarah Blair. Historical pieces include Junior Crehan, Patrick Kelly and Sean Ryan. By looking at players from multiple eras and regional styles, Handy with the Stick deepens our understanding of the people involved in Irish traditional music. Each chapter is accompanied by transcriptions of representative fiddle tunes, some of which are previously unpublished originals.ICo A collection of interviews of the top fiddlers in the Irish traditionICo Includes contemporary and historical figures.ICo Includes fiddlers from the different regional styles of Irish fiddling.ICo Includes transcriptions of representative fiddle tunes.

?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.

Digital Pack includes:

1. Ancient Words (with Amazing Grace) - Full Score
2. Ancient Words (with Amazing Grace) - Oboe
3. Ancient Words (with Amazing Grace) - Horn in F
4. Ancient Words (with Amazing Grace) - Percussion
5. Ancient Words (with Amazing Grace) - Violin I
6. Ancient Words (with Amazing Grace) - Violin II
7. Ancient Words (with Amazing Grace) - Viola
8. Ancient Words (with Amazing Grace) - Cello
9. Ancient Words (with Amazing Grace) - Contrabass