SSAA a cappella arrangement of the jazz standard. As sung by GQ (Girls Quartet). Medium to advanced. Parts are identified as tenor, lead, baritone, and bass, even though it is intended to be sung by female voices. This is standard practice in the barbershop world. Note the 8va in the bass clef. Learning tracks available at https://kksounds.com/learning-track/come-rain-or-come-shine/ My contact info is at https://scottkarrangements.com and#65279;Slow blues, duration 2:40. and#65279;

English.

The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!

A cappella arrangement of the jazz standard, SSAA. As recorded by GQ. and#65279; Learning tracks available at https://kksounds.com/learning-track/scotch-and-soda/and#65279; and#65279; My contact info is at https://scottkarrangements.com Suitable for medium ability High School female choirs and higher. Slow swing, duration 2:30.

Thisis an essential collection of twenty-two favorite Easter hymns arranged forstring quartet, string quintet or string orchestra. Designed for school, college or church this useful collection should be in your library! The double bass is optional, because itdoubles the cello part throughout. There?s a piano part too, so you can also use thearrangements as string solos, duets or trios. They are intended either as stand-alonepieces that could be used as interludes in an Easter service, or they could beused to accompany solo, choral or congregational singing. The music has beenset in string-friendly keys and leans towards G major, D major and C major. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy. In a string orchestra, you canbrighten the sound by instructing a few of the more advanced violin players to playan octave higher in both 1st and 2nd violin parts. Youcan also use the arrangements as flute or oboe solo pieces, the wind instrumentplaying the 1st violin part. Skillfully arranged by Colin Kirkpatrick, the 22 hymns include: Amazing Grace; And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? andYe Choirs of New Jerusalem (St. Fulbert).

A barbershop version.

St. Louis Blues written by W. C. Handy, offered herefor Brass Quintet, is an essential chart in any Dixieland library. Thisarrangement is suitable for professional musicians and reachable by lessexperienced ensembles. For hundredsof other arrangements by Kenneth Abeling please visit: www.lincolnmusicpublications.com Playingtime 3:40 Preview this score on YouTube: https://www.youtube.com/watch?v=Ywp1Jkhqi-0 ?

The book is a collection of 12 simplified classical music masterpieces.
The purpose of easy arrangements is to make classical music accessible to everyone: if you are starting to play piano or if you want to play your favorite piece in a simple or relaxing way.

Level: early intemediate

Contents:
Prelude in C (J. S. Bach) - Lacrimosa (W. A. Mozart) - Moonlight Sonata (L. V. Beethoven) - Pathétique (L. V. Beethoven) - Violin Concerto (F. Mendelssohn) - Nocturne Op.9 No.2 (F. Chopin) - La Campanella (F. Liszt) - Hungarian Dance No.5 (J. Brahms) - Danse Macabre (C. Saint-Saëns) - Habanera (G. Bizet) - Asturias (I. Albeniz) - Allegro con fuoco (A. Dvorák)

Score and parts of string quartet arrangement.

Originally recorded by the American rock band Extreme in 1991, this SATB w/ divisi a cappella arrangement adds a flavor of vocal jazz with a hint of Imogen Heap inspiration. While solos throughout are optional, this chart was written to feature the entire ensemble over highlighting a single voice. Also, a slower tempo, tight harmonies and softer dynamics will contrast nicely against the upbeat tunes in your set. Finally, ensembles may elect to snap or use some other form of body percussion to keep time while your vocal percussionist can take a much needed breather! Your audience will love this rendition of an iconic tune from the 1990's!

Ranges:
Soprano = B3 - E5
Alto = A3 - C#5
Tenor = C#3 - F#4
Bass = E2 - C#4

Performance Time = approx. 4:25