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Partitions à imprimer
150 partitions trouvées
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126
Symphony No.5 I C Minor, Op. 67 - I. Allegro con brio
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ludwig van Beethoven
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Gabriele Croci
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Symphony No.5 I C Minor, Op. 6
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Gabriele Croci
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1509717 Composed by Ludwig van Beethoven. Arranged by Gabriele Croci. Chamber,Classical. Score and part. 21 pages. Gabri...
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Piano,Viola - Level 4 - SKU: A0.1509717 Composed by Ludwig van Beethoven. Arranged by Gabriele Croci. Chamber,Classical. Score and part. 21 pages. Gabriele Croci #1084965. Published by Gabriele Croci (A0.1509717). This adaptation of the viola part for the first movement of Beethoven's Fifth Symphony is based on the existing public domain arrangement by the great pedagogue Hans Sitt for violin and piano. I have retained Sitt’s masterful arrangement while adapting the violin part for viola, bringing new depth to this timeless work. My sincere gratitude goes to Hans Sitt for his invaluable contribution in making Beethoven's symphonic masterpiece accessible to smaller ensembles.This viola and piano arrangement is ideal for educational purposes, offering students the opportunity to engage with one of the most iconic pieces in classical music. The adaptation provides a meaningful challenge for intermediate to advanced players, enhancing technique and musicality. In addition to its pedagogical value, this arrangement is also well-suited for recitals and chamber music performances, allowing violists to experience the power and energy of Beethoven's Fifth in a more intimate setting.
$25.00
In An English Garden
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Guitare
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AVANCÉ
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Contemporain
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editi...
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Guitar - Advanced - SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. ...
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Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
Six Album Leaves Op39 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Hans Sitt
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Lisa Ochoco
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Six Album Leaves Op39 for Alto
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.560176 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 35 pages. Lisa L Ochoco ...
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Flute,Piano - Level 4 - SKU: A0.560176 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 35 pages. Lisa L Ochoco #6599879. Published by Lisa L Ochoco (A0.560176). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.
$22.00
Album Leaves Op39 No3 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Hans Sitt
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Lisa Ochoco
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Album Leaves Op39 No3 for Alto
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560180 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 9 pages. Lisa L Ochoco #...
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Flute,Piano - Level 3 - SKU: A0.560180 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 9 pages. Lisa L Ochoco #6603347. Published by Lisa L Ochoco (A0.560180). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.
$5.00
Hymns from Childhood - Set 10 (solo)
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curti...
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Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
Album Leaves Op39 No1 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Hans Sitt
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Lisa Ochoco
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Album Leaves Op39 No1 for Alto
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560171 Composed by Hans Sitt. Arranged by Lisa Ochoco. Romantic Period. Score and part. 8 pages. Lisa L Ochoco #6593899....
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Flute,Piano - Level 3 - SKU: A0.560171 Composed by Hans Sitt. Arranged by Lisa Ochoco. Romantic Period. Score and part. 8 pages. Lisa L Ochoco #6593899. Published by Lisa L Ochoco (A0.560171). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.
$5.00
Album Leaves Op. 39 IV. Allegro
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Clarinette et Piano
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INTERMÉDIAIRE
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Sitt, Hans
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Nick Lacanski
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Album Leaves Op. 39 IV. Allegr
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theupperstaff
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.650003 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and ...
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Clarinet,Piano - Level 3 - SKU: A0.650003 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6320413. Published by theupperstaff (A0.650003).
$5.99
Hymns from Childhood - Set 1 (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Published by Curtis Hanson (A0.719730). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee.
$2.25
Hymns from Childhood - Set 2 (SATB)
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Chorale SATB
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FACILE
#
Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719728 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719728 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Published by Curtis Hanson (A0.719728). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.
$2.25
Album Leaves Op39 No5 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Hans Sitt
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Lisa Ochoco
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Album Leaves Op39 No5 for Alto
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560186 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 9 pages. Lisa L Ochoco #...
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Flute,Piano - Level 3 - SKU: A0.560186 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 9 pages. Lisa L Ochoco #6603369. Published by Lisa L Ochoco (A0.560186). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.
$5.00
Album Leaves Op. 39 II. Andante sostenuto
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Clarinette et Piano
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INTERMÉDIAIRE
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Sitt, Hans
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Nick Lacanski
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Album Leaves Op. 39 II. Andant
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theupperstaff
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.649982 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and ...
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Clarinet,Piano - Level 3 - SKU: A0.649982 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6317345. Published by theupperstaff (A0.649982).
$5.99
Gondoliera
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Sitt, Hans
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Nick Lacanski
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Gondoliera
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theupperstaff
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.650611 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and par...
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Flute,Piano - Level 3 - SKU: A0.650611 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6619523. Published by theupperstaff (A0.650611).
$4.99
Album Leaves Op39 No4 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Hans Sitt
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Lisa Ochoco
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Album Leaves Op39 No4 for Alto
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560183 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 8 pages. Lisa L Ochoco #...
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Flute,Piano - Level 3 - SKU: A0.560183 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 8 pages. Lisa L Ochoco #6603359. Published by Lisa L Ochoco (A0.560183). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.
$5.00
Hymns from Childhood - Set 6 (SATB)
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Chorale SATB
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FACILE
#
Musique Sacrée
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Various
#
Curtis Hanson
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Hymns from Childhood - Set 6
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719734 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573071. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719734 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573071. Published by Curtis Hanson (A0.719734). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer, My God, to Thee.
$2.25
Gondoliera
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Clarinette et Piano
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INTERMÉDIAIRE
#
Sitt, Hans
#
Nick Lacanski
#
Gondoliera
#
theupperstaff
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.650613 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and ...
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Clarinet,Piano - Level 3 - SKU: A0.650613 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6619531. Published by theupperstaff (A0.650613).
$4.99
Hymns from Childhood - Set 1 (solo)
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Musique Sacrée
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Various
#
Curtis Hanson
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Hymns from Childhood - Set 1
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Curtis Hanson
#
SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719761 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069327. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719761 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069327. Published by Curtis Hanson (A0.719761). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Romanesca
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Sitt
#
Nick Lacanski
#
Romanesca
#
theupperstaff
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.650561 Composed by Sitt. Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and par...
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Flute,Piano - Level 3 - SKU: A0.650561 Composed by Sitt. Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 11 pages. Theupperstaff #6570983. Published by theupperstaff (A0.650561).
$3.99
Album Leaves Op. 39 II. Andante sostenuto
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Basson, Piano (duo)
#
INTERMÉDIAIRE
#
Sitt, Hans
#
Nick Lacanski
#
Album Leaves Op. 39 II. Andant
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theupperstaff
#
SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.649979 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and p...
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Bassoon,Piano - Level 3 - SKU: A0.649979 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6317337. Published by theupperstaff (A0.649979).
$5.99
Gondoliera
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Basson, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Sitt, Hans
#
Nick Lacanski
#
Gondoliera
#
theupperstaff
#
SheetMusicPlus
Bassoon,Piano - Level 4 - SKU: A0.650610 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and p...
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Bassoon,Piano - Level 4 - SKU: A0.650610 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6619521. Published by theupperstaff (A0.650610).
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
#
Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Hymns from Childhood - Set 9 (SATB)
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 9
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719736 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573109. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719736 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573109. Published by Curtis Hanson (A0.719736). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Spirit of God, Descend upon My Heart, Just As I Am, without One Plea, and Savior, Again to Thy Dear Name.
$2.25
Hymns from Childhood - Set 2 (solo)
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Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 2
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Curtis Hanson
#
SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 3 (SATB)
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 3
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719732 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573009. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719732 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573009. Published by Curtis Hanson (A0.719732). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Holy, Holy, Holy, For All the Saints, and A Mighty Fortress Is Our God.
$2.25
Hymns from Childhood - Set 6 (piano solo)
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Piano seul
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 6
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719724 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357403. Published by Curti...
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Piano Solo - Level 2 - SKU: A0.719724 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357403. Published by Curtis Hanson (A0.719724). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer My God to Thee.
$4.99
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