English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pat, Porter
Piano & claviers
Piano seul
1
Guitares
Guitare
1
Voix
Chorale SATB
2
Vents
Cuivres
Cordes
Orchestre & Percussions
Orchestre
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
22
Partitions Numériques
5
Librairie Musicale
2
Matériel de Musique
85
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Pat, Porter
CONTEMPORAIN - 20-21EME SIECLE
Partitions à imprimer
5 partitions trouvées
<
1
Mondnacht
Chorale SATB
Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy…
(+)
Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy DeCoursey- Porter. 21st Century, 20th Century. Score. 9 pages. Published by Joy DeCoursey- Porter
This piece has been recognized by Project Encore and the American Prize.Text by Joseph Freiherr von EichendorffEichendorff was one of the leading poets of nineteenth-century German Romanticism. His poem Mondnacht (“Moon-night”) was especially beloved by his compatriot composers, with over two dozen settings including a particularly famous one by Schumann. Debussy is reflected in extended, quasi-impressionistic harmonies, such as the opening C-major-ninth chord with an A in the melody. The opening sonorities return for the final stanza, expanding and accelerating as the soul stretches its wings. The work concludes with gentle, again impressionistic, oscillations between C minor and C major.Es war, als hätt’ der HimmelDie Erde still geküßt,Daß sie im BlütenschimmerVon ihm nun träumen müßt.Die Luft ging durch die Felder,Die Ähren wogten sacht,Es rauschten leis die Wälder,So sternklar war die Nacht.Und meine Seele spannteWeit ihre Flügel aus,Flog durch die stillen Lande,Als flöge sie nach Haus.It was as if the heavenshad quietly kissed the earth,that she, in blossoms’ shimmer,now must dream of him.The breeze went by the field,the ears of corn waved softly,it rustled gently the woods,so starlit was the night.And my soul stretchedout wide its wings,flew through the quiet lands,as if flying itself home.— Joseph Freiherr von Eichendorff (1788–1857)Please contact Joy at joyfulporter@hotmail.com if you are planning a performance of this piece. Thank you!This piece has been recognized by Project Encore and the American Prize.Text by Joseph Freiherr von EichendorffEichendorff was one of the leading poets of nineteenth-century German Romanticism. His poem Mondnacht (“Moon-night”) was especially beloved by his compatriot composers, with over two dozen settings including a particularly famous one by Schumann. Debussy is reflected in extended, quasi-impressionistic harmonies, such as the opening C-major-ninth chord with an A in the melody. The opening sonorities return for the final stanza, expanding and accelerating as the soul stretches its wings. The work concludes with gentle, again impressionistic, oscillations between C minor and C major.Es war, als hätt’ der HimmelDie Erde still geküßt,Daß sie im BlütenschimmerVon ihm nun träumen müßt.Die Luft ging durch die Felder,Die Ähren wogten sacht,Es rauschten leis die Wälder,So sternklar war die Nacht.Und meine Seele spannteWeit ihre Flügel aus,Flog durch die stillen Lande,Als flöge sie nach Haus.It was as if the heavenshad quietly kissed the earth,that she, in blossoms’ shimmer,now must dream of him.The breeze went by the field,the ears of corn waved softly,it rustled gently the woods,so starlit was the night.And my soul stretchedout wide its wings,flew through the quiet lands,as if flying itself home.— Joseph Freiherr von Eichendorff (1788–1857)Please contact Joy at joyfulporter@hotmail.com if you are planning a performance of this piece. Thank you!
$2.50
2.3 €
#
Chorale SATB
#
Joy DeCoursey- Porter
#
Mondnacht
#
Joy DeCoursey- Porter
#
SheetMusicPlus
La Cura
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By France…
(+)
Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99
2.76 €
#
Chorale SATB
#
Franco Battiato
#
Bacco Baccanels
#
La Cura
#
Bacco Baccanels
#
SheetMusicPlus
MUSIC FOR A FESTIVE OCCASION
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.925264 Composed by ERWIN CHANDL…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.925264 Composed by ERWIN CHANDLER. 20th Century. Score and parts. 165 pages. Paterchan Music #4737265. Published by Paterchan Music (A0.925264). A very exciting and stimulating work, commissioned by the Pottstown (Pa) Symphony Orchestra, Porter Eidam, Conductor. Written in honor of the orchestra's 25th Anniversary. An ostinato figure drives the rhythm throughout. A very energetic work.Inspired by Shostakovich's music.
$75.00
69.14 €
#
Orchestre
#
ERWIN CHANDLER
#
MUSIC FOR A FESTIVE OCCASION
#
Paterchan Music
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
#
Guitare
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Crossroads
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.744773 Composed by Dan Chadburn. 20…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.744773 Composed by Dan Chadburn. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Dan Chadburn Music #4323119. Published by Dan Chadburn Music (A0.744773). Crossroads is recorded on Dan Chadburn's album, Beyond Words, which was nominated for Best Solo Piano Album of 2016 by Zone Music Reporter, Album of the Year by Whisperings Solo Piano Radio, 2016 Contemporary and Modern Album of the Year at SoloPiano.com, and Solo Piano Album of the Year by One World Music Radio.Crossroads was composed on February 12, 2001. Life's journey is not without questions and paths to choose.More information about Dan Chadburn and his music can be found at his website, www.DanChadburn.com.
$5.50
5.07 €
#
Piano seul
#
Dan Chadburn
#
Crossroads
#
Dan Chadburn Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Pat, Porter
