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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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PIANO & CLAVIERS
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18
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Piano, Flute, Percussion
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Partitions à imprimer
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How To Train Your Dragon for Flute and Piano
Flûte traversière et Piano
Piano Duet, Piano Accompaniment, Flute - Intermediate - Digital Download By John Po…
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Piano Duet, Piano Accompaniment, Flute - Intermediate - Digital Download By John Powell. Arranged by Diego Marani. Individual Part, Score, Solo Part. 9 pages. Published by Diego Marani
How to Train Your Dragon is a 2010 American computer-animated action fantasy film produced by DreamWorks Animation and distributed by Paramount Pictures. John Powell composed an orchestral score, combining bombastic brass with loud percussion and soothing strings, while also using exotic Scottish and Irish tones with instruments like the penny whistle and bagpipes.<br> <br> This arrangement for Flute with Piano is suitable for classroom, repertoire and recital.
$12.99
12.12 €
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Flûte traversière et Piano
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John Powell
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Diego Marani
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How To Train Your Dragon for Flute and Piano
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Diego Marani
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SheetMusicPlus
Subside
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.835771 Composed by Paul Burnell. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.835771 Composed by Paul Burnell. Contemporary. Score. 21 pages. Paul Burnell #3110459. Published by Paul Burnell (A0.835771). Subside (from choleric to phlegmatic and back again) Composed 2004 Duration 6:00 approx. For ensemble and percussion This work was written in February 2004 in response to a call for pieces on the theme of 'The Four Temperaments'. This was part of CoMAâs Open Score project, made possible with funds from the Esmée Fairbairn and PRS Foundations. Programme note:'Subside' outlines a slow mood change from controlled violent anger to tenderness, then a sudden flip back to anger again. Technical notes: Percussion is essential, with the choice of instruments left to the discretion of the player(s), using the directions in the one-page score as a guide. The percussionists play on the 2nd and 4th beats throughout the piece - accenting the 4th beat. Other instrumentalists are divided between Parts 1 - 4. Parts are available in numerous transpositions - though it should be possible for instruments in C to read from the score. The dynamic markings in the score apply to all the parts. The size of the ensemble is not indicated, but ideally there should be enough players to allow for a reduction in the number of people playing two bars before letter D, and a further reduction to solo instruments six bars before letter E. However, this guidance can be ignored and the piece played by quite a small group; for example - violin, piano and percussion, or organ and percussion. If flutes and violins play Part 1 - the flutes may play an octave higher than written until letter A, and the violins may play tremolando until letter A. Keyboard players can play combinations of all parts. In addition, or alternatively, the keyboard players may double parts 3 and 4 an octave lower than written where indicated by the horizontal brackets, for example in the third and fourth bars. The allocation of instruments to the parts is left to the discretion of the musical director / performers - but should take account of the dynamic markings and expression indications. The last 2 bars of the piece are played 5 times in total.
$3.95
3.68 €
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Piano seul
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Paul Burnell
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Subside
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Paul Burnell
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SheetMusicPlus
The First Noel (with "O Holy Night") (Treble/Bass C Instrument Duet, Piano Accompaniment)
Accompagnement Piano
Instrumental Duet,Piano C Instrument,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano C Instrument,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.781040 Composed by O Holy Night Music by Adolphe Adam and The First Noel - Traditional English Carol. Arranged by Cathy Stamegna. Christmas,Multicultural,World. Score and parts. 20 pages. Cathy Stamegna #6488669. Published by Cathy Stamegna (A0.781040). Appropriate for Treble/Bass C Instruments: Flute, Oboe, Violin/Bassoon, Violoncello. Optional cabasa or tambourine.  This gentle duet opens with The First Noel. A transition and key change announce O Holy Night as it overlaps with a variation of the first hymn. The gentle rhythm of an unpitched percussion instrument helps to drive the piece forward. An eighth note piano pattern paired with the percussion create a playful, yet confident spirit as O Holy Night builds toward the refrain. A lovely addition to the Christmas season. Appropriate for Worship or your Holiday Concert. Concert Key: Bb, modulating to F.  Set of Parts. Percussion Performance Notes allow for percussion instrument choices and improvisation, although the part is optional.
$4.99
4.65 €
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Accompagnement Piano
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O Holy Night Music by Adolphe Adam and The First Noel - Traditional English Carol
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Cathy Stamegna
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The First Noel
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Cathy Stamegna
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SheetMusicPlus
Onward Christian Soldiers (Flute Solo, Chords, Piano Accompaniment)
Accompagnement Piano
Large Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.780786 Composed by …
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Large Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.780786 Composed by Music by Sabine Baring-Gould and Words by Arthur Sullivan. Arranged by Cathy Stamegna. Patriotic,Praise & Worship,Sacred. Score and part. 10 pages. Cathy Stamegna #5327805. Published by Cathy Stamegna (A0.780786). This 19th century English hymn begins as the traditional manner. Verse two slows down, changes keys, and has melodic and harmonic variations. The mp3 is a sound clip showcases both styles. Chords added for guitars, mallet percussion. Set of Parts. Part of the Hymns of Comfort collection. Piano accompaniment mp3 available separately.
$4.99
4.65 €
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Accompagnement Piano
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Music by Sabine Baring-Gould and Words by Arthur Sullivan
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Cathy Stamegna
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Onward Christian Soldiers
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Cathy Stamegna
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SheetMusicPlus
I See The Light
1 Piano, 4 mains
1 Piano,4 Hands,Acoustic Guitar,Alto Voice,Cello,Double Bass,Flute,Percussion,Suspended Cy…
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1 Piano,4 Hands,Acoustic Guitar,Alto Voice,Cello,Double Bass,Flute,Percussion,Suspended Cymbal,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1333719 Composed by Alan Menken and Glenn Slater. Arranged by Keith McCauley. Broadway,Film/TV,Folk,Musical/Show,Pop. 39 pages. Cantus Youth Choirs Publishing #920015. Published by Cantus Youth Choirs Publishing (A0.1333719). Cantus Youth Choirs presents I See the Light from Walt Disney's TANGLED. Rapunzel, searching for what the floating stars are, and Flynn, searching for meaning in a life of theivery, both find what they're looking for in a magical moment together. For vocal duet, piano, acoustic guitar, flute, violin 1, violin 2, viola, cello, double bass, mark tree and sus. cymbal.
$24.99
23.31 €
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1 Piano, 4 mains
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Alan Menken and Glenn Slater
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Keith McCauley
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I See The Light
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Hold On To The Moment - PIANO/VOCAL SCORE
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Po…
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Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Music (A0.789892). PIANO/VOCAL SCORE Only. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar  1 & 2, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$7.00
6.53 €
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Piano, Voix
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W
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Hold On To The Moment - PIANO/VOCAL SCORE
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Diamond S Music
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.789885 By Judy Garland. By Harold Arle…
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Piano,Vocal,Voice - Digital Download SKU: A0.789885 By Judy Garland. By Harold Arlen. Arranged by W. Brent Sawyer. Broadway,Film/TV,Musical/Show. Score. 6 pages. Diamond S Music #3079379. Published by Diamond S Music (A0.789885). This is the PIANO/VOCAL Score only to this beautiful 8 piece accompaniment of the iconic song from the movie. (Note: This arrangement has the opening verse not in the movie). Full Arrangement Scored for: Vocal Solo, Piano, Flute/Piccolo, Bb Clarinet, Flugelhorn, Trombone, Synthesizer (strings), Double Bass, Percussion (Bells/Sus Cym). In the key of Bb.
$8.99
8.39 €
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Piano, Voix
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Judy Garland
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W
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Over The Rainbow
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Diamond S Music
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SheetMusicPlus
VARIANTS (for piano and orchestra)
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057960 Composed by Jordan Grigg. Contemporary,Standards. Full Performance. Duration 413. Jordan Grigg #3628987. Published by Jordan Grigg (A0.1057960).
$1.99
1.86 €
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Piano et Orchestre
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Jordan Grigg
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VARIANTS
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Jordan Grigg
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SheetMusicPlus
Passions (for piano and orchestra)
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057446 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 222. Jordan Grigg #3464809. Published by Jordan Grigg (A0.1057446).
$2.99
2.79 €
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Piano et Orchestre
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Jordan Grigg
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Passions
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Jordan Grigg
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SheetMusicPlus
Fantasy for Piano and Orchestra
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1058105 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Full Performance. Duration 376. Jordan Grigg #5360293. Published by Jordan Grigg (A0.1058105).
$2.99
2.79 €
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Piano et Orchestre
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Jordan Grigg
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Fantasy for Piano and Orchestra
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Jordan Grigg
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SheetMusicPlus
Summertime Solos & Famous Jazz Songs - Treble Clef Concert Pitch with Piano Accompaniment
Accompagnement Piano
Large Ensemble Flute,Guitar,Marimba,Multi-Percussion,Recorder,Trombone,Vibraphone,Viola,Vi…
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Large Ensemble Flute,Guitar,Marimba,Multi-Percussion,Recorder,Trombone,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.942496 Composed by Various, Public Domain. Arranged by Adam Hutchins. 20th Century,Blues,Jazz,World. Score and parts. 51 pages. Adam Hutchins Ltd #6168601. Published by Adam Hutchins Ltd (A0.942496). Step into the language of these jazz classics with some great solos over the chords and some well known themes. Expand your musical vocabulary and enjoy being able to solo. Why not have a go at developing your own ideas too?Suitable for intermediate to advanced players.Summertime (solo)It Had To Be You (theme & solo)Avalon (theme & solo)When The Saints Go Marching In (theme & solo)Fly Me To The Moon (solo)Blues For Big Al (theme & solo)Billy Bailey Wonât You Please Come Home (theme & solo)Tea For Two (theme & Solo)
$9.99
9.32 €
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Accompagnement Piano
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Various, Public Domain
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Adam Hutchins
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Summertime Solos & Famous Jazz Songs - Treble Clef Concert Pitch with Piano Accompaniment
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Adam Hutchins Ltd
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SheetMusicPlus
There is a Balm in Gilead (with "What a Friend We Have in Jesus") (Piano Solo, Optional C Instrument
Piano seul
Large Ensemble Piano Solo - Level 4 - Digital Download SKU: A0.781132 Composed by G…
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Large Ensemble Piano Solo - Level 4 - Digital Download SKU: A0.781132 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,Praise & Worship,Spiritual. Score. 7 pages. Cathy Stamegna #5317557. Published by Cathy Stamegna (A0.781132). There is a Balm in Gilead (with What a Friend We Have in Jesus) (Piano Solo, Optional C Instrument). Two well-known hymns of comfort are brought together in this intermediate-advanced intermediate piano arrangement. Lyrics included to sing along. Optional C instrument possible for flute, oboe, violin, mallet percussion. Set of Parts for Optional C instrument. Arrangerâs comments. Part of the Hymns of Comfort collection. Balm in Gilead: Traditional Spiritual; What a Friend We Have in Jesus: Words: George Scriven/Music: C.C. Converse.
$4.99
4.65 €
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Piano seul
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George Scriven, C
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Cathy Stamegna
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There is a Balm in Gilead
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Cathy Stamegna
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SheetMusicPlus
The Little Toy Drum (Piano Accompaniment/Rehearsal Track)
Accompagnement Piano
Choir,Piano - Digital Download SKU: A0.1065441 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065441 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 41. Carol Troutman Wiggins #3367149. Published by Carol Troutman Wiggins (A0.1065441). THE LITTLE TOY DRUM (Piano Accompaniment/Rehearsal Track)Unison w/Drums & Beaters Get ready to rat-a-tat-tat on the drums with this cute march-style song! Excellent for any age elementary students Easy melody in steps & 3rds Fun words make a drum sound Use drum sticks, rhythm sticks, or even pencils as beaters No drums? Use the back of a chair or the floor!Great for teaching fast-slow rhythms Percussion notation included in scoreAdd a flute to the melody for fun.
$5.99
5.59 €
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Accompagnement Piano
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Carol Troutman Wiggins
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The Little Toy Drum
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Carol Troutman Wiggins
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.38 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Wellerman sea shanty - epic Bigband
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Tr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00
39.18 €
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Piano, Voix et Guitare
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Traditional
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Sophia Transistor
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Arrangement Contest
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Wellerman sea shanty - epic Bigband
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Sophia Transistor
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SheetMusicPlus
Flowers for Dorothy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.72 €
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Piano seul
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
There's Gotta Be Something Better Than This
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Colema…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #3554307. Published by Diamond S Music (A0.790050). THEREâS GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - THIS IS THE PIANO/VOCAL PART ONLY. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. Thereâs Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Cy Coleman
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W
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There's Gotta Be Something Better Than This
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Diamond S Music
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SheetMusicPlus
At Higbee's
Piano, Voix
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790104 Composed by Be…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790104 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 6 pages. Diamond S Music #3620159. Published by Diamond S Music (A0.790104). At Higbeeâs from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solos (with Ensemble) and 8 piece arrangement. This song is designed to segue into Up On Santaâs Lap which is available separately - However, it is alsol possible to play At Higbeeâs as a stand alone piece as well. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute, Piccolo), Reed 2 (Flute, Bb Clarinet, Tenor Sax), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralphie To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun, Christmas Morning. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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At Higbee's
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Diamond S Music
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SheetMusicPlus
Ralphie To The Rescue September 2011
Piano, Voix
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790028 Composed by Be…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790028 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 27 pages. Diamond S Music #3539915. Published by Diamond S Music (A0.790028). RALPHIE TO THE RESCUE from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and Chorus and 8 piece arrangement (also contains all of the dance sections). This energetic and comedic number will be a crowd pleaser. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), Reed 2 ( Bb Clarinet, Flute, Tenor Sax), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralphie To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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Ralphie To The Rescue September 2011
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Diamond S Music
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SheetMusicPlus
The Genius Of Cleveland Street September 2011
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.789996 Composed by Benj Pase…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.789996 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 9 pages. Diamond S Music #3531189. Published by Diamond S Music (A0.789996). THE GENIUS ON CLEVELAND STREET from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal and 8 piece arrangement. This Keyboard parts also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Piccolo, Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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The Genius Of Cleveland Street September 2011
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Diamond S Music
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SheetMusicPlus
Proud Lady
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790048 Composed by Stephen S…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790048 Composed by Stephen Schwartz. Arranged by W. Brent Sawyer. Contemporary. Score. 12 pages. Diamond S Music #3553757. Published by Diamond S Music (A0.790048). PROUD LADY from the musical THE BAKERâS WIFE by Stephen Schwartz. For VOCAL SOLO (Baritone) and 9 Piece Band accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This exciting arrangement of this piece is similar to the version on the original cast album starring Patti Lupone and sung by Kurt Peterson. Accompaniment of 9 Piece Band: REED 1 (Flute), REED 2 (Bb Clarinet, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. The Baker's Wife is a musical with music and lyrics by Stephen Schwartz and the book by Joseph Stein, based on the 1938 French film La Femme du Boulanger by Marcel Pagnol and Jean Giono. The musical premiered in the West End in 1989 for a short run but, while establishing a dedicated cult following, has not been produced on Broadway. The song Meadowlark is also a popular song from the show. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Stephen Schwartz
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W
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THIS
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Proud Lady
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Diamond S Music
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SheetMusicPlus
Red Ryder(r) Carbine Action Bb Gun
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791534 Composed by Benj Pase…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791534 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 9 pages. Diamond S Music #3531185. Published by Diamond S Music (A0.791534). RED RYDER CARBINE ACTION BB GUN from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal and 8 piece arrangement. This Keyboard parts also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Piccolo, Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Justin Paul
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Red Ryder(r) Carbine Action Bb Gun
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Diamond S Music
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SheetMusicPlus
Another Hundred People
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790034 Composed by Da…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790034 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 70 pages. Diamond S Music #3553689. Published by Diamond S Music (A0.790034). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of C with 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the popular song from the ground-breaking 1970âs musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99
40.1 €
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Piano, Voix et Guitare
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Daniel Bernard Roumain and Stephen Sondheim
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Another Hundred People
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790037 Composed by Daniel Be…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790037 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 11 pages. Diamond S Music #3553697. Published by Diamond S Music (A0.790037). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of A with 9 piece Band Accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This arrangement of the popular song from the ground-breaking 1970âs musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.32 €
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Piano, Voix
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Daniel Bernard Roumain and Stephen Sondheim
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
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