Partitions Numériques de BASS pour Trompette, Piano

BASS

Collection: Slap That Bass - Trumpet & Piano Accompaniment by George Gershwin - Instrumental Parts

Collection: Slap That Bass - Trumpet & Piano Accompaniment by George Gershwin - Instrumental Parts
Trompette, Piano

Slap That Bass - Trumpet & Piano Accompaniment Digital sheetmusic collection - instant…(+)

Slap That Bass - Trumpet & Piano Accompaniment Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Trumpet -- Jazz~~Jazz Standards~~Traditional Pop
$4.95 4.54 € #Trompette, Piano #Trumpet & Piano Accompaniment by George Gershwin #Musicnotes

Silent Night for Solo Flugelhorn (Trumpet) and piano/rhythm section

Trompette, Piano

Composed by public domain. Arranged by Jeff D. Anderson. Christian, Sacred, Jazz, Christma…(+)

Composed by public domain. Arranged by Jeff D. Anderson. Christian, Sacred, Jazz, Christmas, Recital. 22 pages. Published by AnderKamp Music (S0.273183). - - Christian,Sacred,Jazz,Christmas,Recital - AnderKamp Music
If you are looking for one of those beautiful moments in a Christmas/Holiday concert, THIS is the arrangement for you. This arrangement is a nod to both Clifford Brown With Strings and one of the great living legendary flugelhorn players, Bobby Shew. Be it a church, a symphony, a school orchestra or even civic orchestra, you will LOVE playing this beautiful arrangement! The solo is written out for flugel(trumpet) Bb Treble but is also written out in in C Treble, Eb Treble and C Bass Clefs. This version contains the sheet music for the soloist (Bb, C, Eb and C Bass) plus written out piano with chords so the soloist can be accompanied by either a piano or full rhythm section. We also have the sheet music available for full chamber orchestra/ensemble. 2018 Holiday Contest Entry
$12.95 11.89 € #Trompette, Piano #public domain #Jeff D #Silent Night for Solo Flugelhorn #AnderKamp Music #SheetMusicPlus

Somewhere Over The Rainbow for Trumpet and Piano
Trompette, Piano

Piano Accompaniment, Trumpet, Tuba, Euphonium - Intermediate - Digital Download By …(+)

Piano Accompaniment, Trumpet, Tuba, Euphonium - Intermediate - Digital Download By Judy Garland. Arranged by Andy Derrick. Individual Part, Score. 3 pages. Published by Andy Derrick
The Judy Garland classic now arranged for Trumpet and piano. Also good for Cornet, Baritone, Euphonium and Bass Tuba in Bb.
$5.99 5.5 € #Trompette, Piano #Judy Garland # Andy Derrick #Somewhere Over The Rainbow for Trumpet and Piano #Andy Derrick #SheetMusicPlus

Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:

"One of my most enjoyable roles in music was conducting the Herefordshire Young People?s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.

Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.

My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ?benign? element of the first movement; ?ironic? in the second and even ?playful? in the last.

I - Moderato

The use of a ?straight? mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ?flutter- tonguing? techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument?... I call for ?ffff? (fortissississimo) at one point! The muted coda creates an otherworldly? atmosphere - distant and questioning at the close.

II ? Andante espressivo ? piu mosso ? Tempo primo

The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ?piu mosso? with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.

III ? Maestoso ? rondo

A traditional martial ?fanfare? opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ?rondo? where the piano accepts a supportive ?um-pa-pa? accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ?boogie-woogie? style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020

This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.