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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
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Non classifié
6277
PIANO & CLAVIERS
Piano seul
222
Piano, Voix et Guitare
141
Piano, Voix
128
Accordéon
111
Piano Quintette: piano, 2 violons, alto, violoncelle
81
Piano Facile
48
Accompagnement Piano
23
Ensemble d'Accordéons
19
2 Accordéons
11
Orgue
9
Piano Trio: piano, violon, violoncelle
9
Piano Quintette: piano, violon, alto, violoncelle, contre basse
7
Piano grosses notes
6
Instruments en Do
4
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Fake Book
2
Piano (partie séparée)
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
Clavier
1
Piano Trio: Instruments de chambre mixtes
1
2 Pianos, 8 mains
1
Accordéon, Piano
1
Instrumentations suivantes
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GUITARES
Basse electrique
6503
Basse électrique (partie séparée)
335
Ligne De Mélodie, (Paroles) et Accords
208
Guitare notes et tablatures
203
Guitare Tab, Voix, Basse, Batterie
40
Guitare
36
Ensemble de guitares
20
2 Dulcimers (duo)
19
4 Guitares (Quatuor)
17
Paroles et Accords
14
Ukulele
11
Mandoline
6
Dulcimer
5
Guitare (partie séparée)
5
Ensemble de Ukulélés
2
Banjo
1
2 Mandolines (duo)
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
7070
Chorale 3 parties
1964
Chorale
1372
Chorale TTBB
778
Voix seule
456
Voix basse, Piano
165
Chorale SATTB
85
Chorale SSATBB
72
Voix et basse continue
55
Voix duo, Piano
54
Chorale 2 parties
39
Chorale SSAA
34
Chorale SAATB A Cappella
20
Voix Baryton, Piano
20
Soli, choeur mixte et accompagnement
18
Voix d'Enfants
11
Chorale SATTBB, Clavier
8
Chorale SSAATTBB
6
Chorale SSATB
5
Voix basse
4
Voix, Guitare
3
Voix duo
2
Voix Baryton
2
Voix Soprano, Piano
1
Chorale SATBB
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Clarinette (partie séparée)
2852
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1523
Quatuor de Clarinettes: 4 clarinettes
524
Flûte, Hautbois, Clarinette, Basson
483
Clarinette Basse
352
Flûte, Clarinette et Basson
140
Ensemble de Flûtes
140
Hautbois, Basson (duo)
86
2 Clarinettes (duo)
85
Flûte, Hautbois, Basson
74
Flûte traversière
71
Quintette de Clarinettes: 5 clarinettes
71
Clarinette Basse, Piano
70
Hautbois, Clarinette, Basson (trio d'anches)
63
3 Clarinettes (trio)
59
Clarinette, Basson (duo)
58
Quatuor de Flûtes : 4 flûtes
57
Ensemble de Clarinettes
53
Saxophone (partie séparée)
47
Quatuor de Saxophones: 4 saxophones
30
Flûte traversière et Piano
23
Flûte à Bec
22
Clarinette
21
Trio de Flûtes: 3 flûtes
20
Flûte à Bec, Piano
18
Clarinette et Piano
17
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte à bec Alto, Basse continue
13
Hautbois
12
2 Flûtes traversières (duo)
10
Quintette de Saxophone: 5 saxophones
10
Flute (partie séparée)
9
2 Clarinettes, Basson
9
2 Hautbois (duo)
9
Saxophone
8
Flûte, Basson et Piano
8
Quatuor de Flûtes à bec
8
2 Hautbois et Basson
8
Flûte, Clarinette (duo)
7
Ensemble de saxophones
7
Ensemble De Flûte à bec
7
2 Saxophones (duo)
6
Piccolo
6
Instruments en Mib
6
Cor Anglais
6
Flûte traversière, Basse continue
5
5 Flûtes à bec
5
Saxophone Tenor
5
Hautbois, Basson et Piano
4
2 Flûte à bec (duo)
4
Saxophone Alto
4
Flûte et Guitare
4
Saxophone et Orchestre
4
3 Flûtes à bec (trio)
3
Saxophone Baryton
2
Flûte à bec Alto, Piano
2
Hautbois, Piano (duo)
2
Saxophone Alto et Piano
2
2 Clarinettes, Piano
2
Hautbois (partie séparée)
2
Hautbois, Clarinette, Basson et Piano
2
2 Hautbois, 2 Cors et 2 Bassons
2
2 clarinettes, 2 bassons
2
Saxophone et Piano
1
Flûte, Contrebasse, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes à bec, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Piano
1
Clarinette, Basson, Piano (trio)
1
Saxophone Tenor et Piano
1
Saxophone Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Clarinette (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières, Piano
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano
1
Hautbois et Orchestre
1
Instrumentations suivantes
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CUIVRES
Bass Clef Instruments
1692
Trombone (partie séparée)
258
Quatuor de cuivres: 4 trombones
91
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Trombone basse
38
Trombone
30
Trompette (partie séparée)
29
Euphonium
29
Ensemble de Trombones
25
Trio de Cuivres
23
Trombone basse et Piano
18
Trombone et Piano
17
2 Trombones (duo)
17
Tuba (partie séparée)
17
Cor
13
Cor (partie séparée)
13
Trompette
12
3 Trombones (trio)
8
Tuba
7
Quatuor de Cuivres
6
Cor Anglais
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba et Piano
5
Trompette, Piano
5
2 Trompettes (duo)
4
2 Euphoniums et 2 Tubas
4
Euphonium, Piano (duo)
4
Instruments en Sib
4
Quatuor de cuivres: 4 trompettes
3
Trombone et orchestre
3
4 Tubas
2
2 Euphoniums (duo)
2
3 Cors (trio)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Euphonium, Tuba (duo)
1
Trompette, Trombone (duo)
1
Trompette, Trombone, Piano
1
Cor et Piano
1
Trompette, Basson (duo)
1
Ensemble de Cors
1
Euphonium (partie séparée)
1
Trompette et Guitare
1
Ensemble de Tubas
1
Cornet et orchestre
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Contrebasse (partie séparée)
4258
Contre Basse
553
Quatuor à cordes: 2 violons, alto, violoncelle
196
Contrebasse, Piano (duo)
146
Quintette à cordes: 2 violons, alto, violoncelle, basse
124
Trio à cordes
60
Violoncelle, Piano
35
Violon (partie séparée)
28
Violon et Piano
27
2 Violoncelles (duo)
25
Violoncelle
22
Harpe
22
Violoncelle (partie séparée)
21
4 Contrebasses
18
Violon
17
Violon, Contrebasse (duo)
16
Trio à Cordes: violon, alto, violoncelle
14
Violon, Violoncelle (duo)
14
Violon, Basse continue
12
Alto, Piano
10
2 Contrebasses (duo)
9
Alto seul
8
Violon, Alto (duo)
8
3 Contrebasses
6
2 Altos (duo)
5
2 Violons (duo)
5
4 Violoncelles
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Violons et Basse continue
4
Violoncelle, Basse continue
4
Ensemble de Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Alto, Violoncelle (duo)
3
Ensemble de Contre basses
3
Harpe, Voix
2
Alto et Basson
2
2 Violoncelles, Piano
1
Violoncelle , Guitare (duo)
1
3 Harpes
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orchestre
1
2 Harpes (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
507
Orchestre à Cordes
336
Orchestre
200
Batterie
145
Batterie (partie séparée)
103
Fanfare
101
Percussion
73
Ensemble Jazz
54
Ensemble de cuivres
40
Orchestre de chambre
30
Timbales
23
Percussion (partie séparée)
20
Caisse Claire
17
Big band
14
Ensemble de Percussions
11
Ensemble d'École
11
Timbales (partie séparée)
7
Marimba
7
Instrumentation Flexible
7
Quintette à Vent
4
Orchestre, Violon
3
Voix et Orchestre
2
Piano et Orchestre
2
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Papeterie
5
Théorie de la musique
5
Formation musicale - Solfège
2
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Didn't It Rain - Bass
Trompette
By Traditional Spiritual. Arranged by Rollo Dilworth. Rhythm/Trumpets. African American; C…
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By Traditional Spiritual. Arranged by Rollo Dilworth. Rhythm/Trumpets. African American; Concert; Gospel; Multicultural. EPak. 2 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
$5.00
4.66 €
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Trompette
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Traditional Spiritual
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Rollo Dilworth
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Concert
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Didn't It Rain - Bass
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
So What by Miles Davis - Double Bass, Piano or Trumpet Solo
Trompette
Performed by: Miles Davis: So What Digital Sheetmusic - instantly downloadable sheet music…
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Performed by: Miles Davis: So What Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Transcribed Score;Instrumental Solo, instruments: Trumpet;Saxophones;Piano;Double Bass; 6 pages -- Jazz~~Hard Bop~~Post-Bop
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4.89 €
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Trompette
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Miles Davis
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Double Bass, Piano or Trumpet Solo
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Musicnotes
Shirley Bassey : Big Spender (niveau très facile)
Trompette
Téléchargez la partition Trompette Big Spender (niveau très facile) d…
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Téléchargez la partition Trompette Big Spender (niveau très facile) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz
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Trompette
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Tomplay
Shirley Bassey : Big Spender (niveau facile, brass trompette)
Trompette
Téléchargez la partition Trompette Big Spender (niveau facile, brass trompet…
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Téléchargez la partition Trompette Big Spender (niveau facile, brass trompette) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz
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Trompette
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Tomplay
Shirley Bassey : Big Spender (niveau difficile)
Trompette
Téléchargez la partition Trompette Big Spender (niveau difficile) de Shirley…
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Téléchargez la partition Trompette Big Spender (niveau difficile) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz
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Trompette
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Tomplay
Shirley Bassey : Big Spender (niveau intermédiaire/difficile, brass trompette)
Trompette
Téléchargez la partition Trompette Big Spender (niveau intermédiaire/…
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Téléchargez la partition Trompette Big Spender (niveau intermédiaire/difficile, brass trompette) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Tomplay
Shirley Bassey : Big Spender (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Big Spender (niveau intermédiaire)…
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Téléchargez la partition Trompette Big Spender (niveau intermédiaire) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz
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Trompette
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Tomplay
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
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By Jack Wilkins. For Trumpet. Jazz and Blues play along. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657846. This collection of jazz etudes with an accompanying online audio gives students a fun and effective way to learn to play jazz style blues lines. The audio tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. Includes access to online audio.
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Instantly printable sheet music by Meghan Trainor for trumpet solo of MEDIUM skill level. …
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