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"Reflection" for Low Brass Solo with Piano Accompaniment
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Vous avez sélectionné:
"Reflection" for Low Brass Solo with Piano Accompaniment
Partitions à imprimer
7 partitions trouvées
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"Reflection" for Low Brass Solo with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Robert Chamberlin
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"Reflection" for Low
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Robert Chamberlin
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SheetMusicPlus
Small Ensemble Bass Trombone,Euphonium,Piano Accompaniment,Tuba - Level 3 - SKU: A0.917277 Composed by Robert Chamberlin. 20th Century,Standards. Score ...
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Small Ensemble Bass Trombone,Euphonium,Piano Accompaniment,Tuba - Level 3 - SKU: A0.917277 Composed by Robert Chamberlin. 20th Century,Standards. Score and parts. 38 pages. Robert Chamberlin #4829923. Published by Robert Chamberlin (A0.917277). This is a collection of four low brass settings of my composition, Reflection. The settings are for trombone, euphonium, bass trombone, and tuba, each with piano accompaniment. Each setting is suitable for high school solo contests at the intermediate level. Individual parts for each solo instrument are included in this collection. Each setting is available as a single purchase.
$15.00
Reflections - Solo for Bb Baritone or Euphonium with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Contemporain
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Steven Booth
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Reflections - Solo for Bb Bari
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SB-Music Steven Booth
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SheetMusicPlus
Brass Ensemble,Brass Trio Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.1001755 Composed by Steven Booth. Contemporary. Score and part. 6 pages. ...
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Brass Ensemble,Brass Trio Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.1001755 Composed by Steven Booth. Contemporary. Score and part. 6 pages. SB-Music Steven Booth #6283109. Published by SB-Music Steven Booth (A0.1001755). An original work for Baritone with piano accompaniment written by Steven Booth.Slow melody with flourishes - as performed at an International Tuba Conference way back in the 1990s but still a lovely work which will work for most Bb instruments, euphonium, trombone, cornet etc.
$35.00
No.5 Beautiful Reflection (Tuba, Eb Bass or Bb Bass)
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Tuba
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FACILE
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Contemporain
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Chris Cobon
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No.5 Beautiful Reflection
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Chris Cobon
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1001837 Composed by Chris Cobon. Contemporary. Individual part. 9 pages. Chris Cobon #6366969. Published by Chris Cobon (A...
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Tuba Solo - Level 2 - SKU: A0.1001837 Composed by Chris Cobon. Contemporary. Individual part. 9 pages. Chris Cobon #6366969. Published by Chris Cobon (A0.1001837). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for all seven pieces (Set 1) being released in April/ May 2021. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreTuba bass clefEb Bass treble clef Bb Bass treble clef Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy.The Music:These pieces move the focus from musical dexterity to stamina, tone, and breath (woodwind/brass) control.
$2.00
Euphonium solo - Annie Laurie (Dearest Name) with full Brass Band accompaniment arr. D. Catherwood
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Celtique/Irlandais
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David Catherwood
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Opus 3 Music
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Euphonium solo - Annie Laurie
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Opus 3 Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.739474 Composed by David Catherwood. Arranged by Opus 3 Music. Celtic,Contemporary,Folk,Irish. Brass Band. 34 pages. Opus 3 Music #4593485. Published by Opus 3 Music (A0.739474). This popular solo which is already featured on several CDs is now available for the first time as a digital downloadIt was originally written for Derick Kane - the choice of a Scottish Folk song reflecting Derick's Scottish heritage.The download contains the following parts -Â Note. This arrangement is in normal British Brass Band format with Trombone, Euphonium, Baritone and Bass parts in treble clef.SoloistSoprano CornetSolo Cornet1st Cornet2nd CornetFlugelSolo Horn1st Horn2nd Horn1st Baritone2nd Baritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb BassPercussionPlus a Piano reduction score for conductor containing the soloist part and accompaniment (which can also be used to present the solo with piano alone if required) There is no full score included but the piano copy is adequate as a condensed score for this straightforward arrangement.
$19.50
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - L...
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
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"Reflection" for Low Brass Solo with Piano Accompaniment
