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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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'Air' from King Arthur - Purcell
Partitions à imprimer
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Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.78 €
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.78 €
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Piano, Voix
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Arthur Le Clerq
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Kim Kirkman
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Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
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Kim Kirkman
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SheetMusicPlus
Working Man
Small Ensemble Bass Voice,Cello,Drums,Steel Pan - Level 3 - Digital Download SKU: A0.93…
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Small Ensemble Bass Voice,Cello,Drums,Steel Pan - Level 3 - Digital Download SKU: A0.939377 By Various Artists. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, and Daniel Wayne Sermon. Arranged by Adam Grim. Contemporary. Score and parts. 20 pages. Adam B. Grim #6199041. Published by Adam B. Grim (A0.939377). Working Man is a fun song from Imagine Dragons' Night Visions album. This is arranged for steel band (lead, 2nd lead/double tenor, double seconds, cello, bass, drums), for an intermediate level group. The groove is easy to find, and performers and audiences alike will love it. The arrangement stays fairly true to the original, with a few interesting additions to make the instruments shine. I hope you enjoy!
$35.00
31.35 €
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Various Artists
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Adam Grim
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Working Man
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Adam B. Grim
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
22.39 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 17
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Socrates Arvanitakis
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SheetMusicPlus
Morgan le Fay
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1099177 By Jon O'Bergh. By Jon O'Be…
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Piano Solo - Level 2 - Digital Download SKU: A0.1099177 By Jon O'Bergh. By Jon O'Bergh. Arranged by Jon O'Bergh. Contemporary,Folk,New Age,Pop. Score. 5 pages. Jon O'Bergh #703047. Published by Jon O'Bergh (A0.1099177). In Arthurian legend, she originally served as King Arthur’s magical savior and protector. Over time, stories of her character took on a more unpredictable duality, with potential for both good and evil. Her name means Morgan the Fairy.†This light, whimsical piano composition evokes the spirit of the fairy. From the album 13 Witches, available from online music retailers and streaming services. Copyright 2022 Jon O'Bergh Publishing.
$1.99
1.78 €
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Piano seul
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Jon O'Bergh
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Jon O'Bergh
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Morgan le Fay
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Jon O'Bergh
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SheetMusicPlus
Fairest Isle from King Arthur (Opera) - Piano/Vocal
Piano, Voix
Fairest Isle Digital Sheetmusic - instantly downloadable sheet music plus an interactive, …
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Fairest Isle Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal, instruments: Voice;Piano; 3 pages -- Baroque~~Classical~~Opera
$5.50
4.93 €
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Piano, Voix
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Piano/Vocal
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Musicnotes
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
8.95 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Dexter Theme
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.763110 By Jakes Bejoy. By Jakes B…
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C Instrument - Level 4 - Digital Download SKU: A0.763110 By Jakes Bejoy. By Jakes Bejoy. Arranged by arr. by John Fries. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #370784. Published by John Fries (A0.763110). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Dexter is an American crime drama television series that aired on Showtime from October 1, 2006, to September 22, 2013. The show has received myriad awards, including two Golden Globes won by Hall and John Lithgow for their roles as Dexter Morgan and Arthur Mitchell, respectively. Season four aired its season finale on December 13, 2009, to a record-breaking audience of 2.6 million viewers, making it the most-watched original series episode ever on Showtime at that time. In April 2013, Showtime announced that season eight would be the final season of Dexter. The season-eight premiere was the most watched Dexter episode with more than 3 million viewers total for all airings that night.
$3.99
3.57 €
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Instruments en Do
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Jakes Bejoy
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arr
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Dexter Theme
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John Fries
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SheetMusicPlus
Dexter Theme
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.771557 By Jakes Bejoy. By Jakes B…
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C Instrument - Level 4 - Digital Download SKU: A0.771557 By Jakes Bejoy. By Jakes Bejoy. Arranged by arr. by John Fries. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #379199. Published by John Fries (A0.771557). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Dexter is an American crime drama television series that aired on Showtime from October 1, 2006, to September 22, 2013. The show has received myriad awards, including two Golden Globes won by Hall and John Lithgow for their roles as Dexter Morgan and Arthur Mitchell, respectively. Season four aired its season finale on December 13, 2009, to a record-breaking audience of 2.6 million viewers, making it the most-watched original series episode ever on Showtime at that time. In April 2013, Showtime announced that season eight would be the final season of Dexter. The season-eight premiere was the most watched Dexter episode with more than 3 million viewers total for all airings that night.
$3.99
3.57 €
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Instruments en Do
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Jakes Bejoy
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arr
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Dexter Theme
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John Fries
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SheetMusicPlus
Dexter Theme
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1009403 By Jakes Bejoy. By Jakes …
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C Instrument - Level 4 - Digital Download SKU: A0.1009403 By Jakes Bejoy. By Jakes Bejoy. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #615067. Published by John Fries (A0.1009403). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Dexter is an American crime drama television series that aired on Showtime from October 1, 2006, to September 22, 2013. The show has received myriad awards, including two Golden Globes won by Hall and John Lithgow for their roles as Dexter Morgan and Arthur Mitchell, respectively. Season four aired its season finale on December 13, 2009, to a record-breaking audience of 2.6 million viewers, making it the most-watched original series episode ever on Showtime at that time. In April 2013, Showtime announced that season eight would be the final season of Dexter. The season-eight premiere was the most watched Dexter episode with more than 3 million viewers total for all airings that night.
$3.99
3.57 €
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Instruments en Do
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Jakes Bejoy
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John Fries
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Dexter Theme
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John Fries
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SheetMusicPlus
Cocktails For Two
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1163967 By Carl Brisson. By Arthur …
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Piano Solo - Level 5 - Digital Download SKU: A0.1163967 By Carl Brisson. By Arthur Johnston and Sam Coslow. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. Score. 6 pages. Timothy Stapay #764321. Published by Timothy Stapay (A0.1163967). This arrangement of Cocktails For Two is written as performed by the famous cocktail pianist, Bill Snyder. William P. Snyder (November 7, 1916 – Fond du Lac, Wisconsin, May 11, 2011) was an American pianist, bandleader and songwriter of the 1950s.Snyder studied under Moriz Rosenthal in Paris and served in the Air Force during the Second World War. Snyder first had a massive hit with Lorenz Hart's Bewitched, Bothered and Bewildered in 1950. The song reached the top position on the Cash Box list of The Nation's Top Ten Juke Box Tunes. Through the 1950s, Snyder was America's most recorded light music pianist with nine gold and one platinum awards for his singles and albums.Cocktails for Two is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie Murder at the Vanities (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007.The song alludes to Repeal, the ending of Prohibition in the United States. The introduction begins with:Oh what delight toBe given the right toBe carefree and gay once again.No longer slinking,Respectably drinkingLike civilized ladies and men.  Â
$7.99
7.16 €
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Piano seul
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Carl Brisson
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Timothy Stapay
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Cocktails For Two
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Timothy Stapay
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SheetMusicPlus
An Avaloch Divertimento
Hautbois, Piano (duo)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
22.88 €
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Hautbois, Piano (duo)
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Longing
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.710425 By Mirla. By Emily Mirla Har…
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Piano Solo - Level 2 - Digital Download SKU: A0.710425 By Mirla. By Emily Mirla Harrison. Arranged by Andrew Rostas. Classical,Contemporary,Romantic Period. Score. 5 pages. Little Symphony Records #317267. Published by Little Symphony Records (A0.710425). A passionate lament, filled with heartache and hesitant desire. She was just 17; he was 19. A young romance, cut-off at first bloom. In a suburban parlour room, with only a wireless and fireplace for company, held only by the slow, cold hands of a ticking clock, Mirla is longing for Arthur and hoping for his safe return. Longing is the second track from Mirla's album Solitaire (The Virtue of Patience) .
$4.99
4.47 €
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Piano seul
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Mirla
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Andrew Rostas
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he was 19
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Longing
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Little Symphony Records
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
29.51 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.35 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
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