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'Fugue No.1 From 6 Preludes
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--INSTRUMENTS--
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'Fugue No.1 From 6 Preludes
Partitions à imprimer
2 partitions trouvées
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'Fugue No.1 From 6 Preludes & Fugues Op.35' by Felix Mendelssohn-Bartholdy for Woodwind Quartet.
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Stephen Davies
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'Fugue No.1 From 6 Preludes &a
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.891873 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen D...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.891873 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen Davies. Classical. 29 pages. Stephen Davies #3466466. Published by Stephen Davies (A0.891873). This arrangement is scored for Flute/ Oboe/ Clarinet/ Bassoon, but don't be fooled by the gentle opening of this wonderful piece by Mendelssohn, taken from the 6 Preludes and Fugues Op.35, it all 'kicks off' at bar 30 !! The music is angry, gentle, whimsical and ultimately tranquil at the finish! Please enjoy responsibly (!).
$29.99
Prelude No 1 in D (Memories)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #78484...
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Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
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