English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
15
Partitions
Numériques
321
Librairie
Musicale
170
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
55
PIANO & CLAVIERS
Piano seul
57
Piano, Voix
7
Piano Facile
6
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
2
1 Piano, 4 mains
2
Instruments en Do
1
Piano, Voix et Guitare
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
3
3 Guitares (trio)
2
Guitare
1
Basse electrique
1
VOIX
Voix Alto, Piano
9
Chorale 3 parties
3
Chorale SATB
3
Chorale TTBB
1
VENTS
Flûte traversière
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette et Piano
7
Saxophone Alto et Piano
6
Flûte traversière et Piano
4
Saxophone Tenor et Piano
4
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
Cor anglais, Piano
2
2 Flûtes traversières (duo)
2
Ensemble de saxophones
1
2 Hautbois (duo)
1
2 Clarinettes (duo)
1
Hautbois
1
Flûte, Violoncelle
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor anglais, Piano
2
Trompette
1
Trombone et Piano
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
2 Cors (duo)
1
Quatuor de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
9
Violon et Piano
6
Violoncelle, Piano
5
Alto, Piano
5
Violon
4
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
9
Orchestre à Cordes
8
Orchestre
4
Ensemble de cuivres
1
Orchestre de chambre
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
'Tis Raining
Partitions à imprimer
321 partitions trouvées
<
1
26
51
....
301
Orchestraining No. 01 [Orchestra]
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
4.56 €
#
Orchestre
#
Juan MarÃa Solare
#
Orchestraining No. 01 [Orchestra]
#
Juan Maria Solare
#
SheetMusicPlus
'Tis Raining
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.773525 Composed by Homer Grunn. Arr…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.773525 Composed by Homer Grunn. Arranged by Nicolas Prodan. Classical. Score. 5 pages. Nicolas Prodan #381170. Published by Nicolas Prodan (A0.773525).
$4.99
4.55 €
#
Piano seul
#
Homer Grunn
#
Nicolas Prodan
#
'Tis Raining
#
Nicolas Prodan
#
SheetMusicPlus
Quem vidistis pastores
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.881129 Composed by Cesar A…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.881129 Composed by Cesar Alejandro Carrillo. Christmas,Contemporary,Sacred. Octavo. 8 pages. Cesar Alejandro Carrillo #4729225. Published by Cesar Alejandro Carrillo (A0.881129). Liturgically, the text of Quem vidistis pastores works as an antiphon and as a response. In this version I have musicalized the corresponding text to the responsory, but adding the alleluia, which is typical of the antiphon. The motet passes in a pastoral atmosphere beholding the birth of Jesus. With this work, I have finally put music to the same set of texts used by Francis Poulenc for his Quatre motets pour le temps de Noël. The whole set is a tribute to his memory and his powerful influence on my training as a composer.
$2.45
2.24 €
#
Chorale TTBB
#
Cesar Alejandro Carrillo
#
Quem vidistis pastores
#
Cesar Alejandro Carrillo
#
SheetMusicPlus
Three Scottish Miniatures for lever harp
Harpe
Harp, lever harp - Digital Download Arranged by Alessandro Palazzani. Repertoire, T…
(+)
Harp, lever harp - Digital Download Arranged by Alessandro Palazzani. Repertoire, Technique Training, Folk, European, Celtic. Score. 10 pages. Published by A work by Alessandro Palazzani
This collection includes the arrangement for lever or pedal harp of 3 traditional folk songs (loch lomond, the water is wide, blue bells of scotland).This collection includes the arrangement for lever or pedal harp of 3 traditional folk songs (loch lomond, the water is wide, blue bells of scotland).
$7.00
6.39 €
#
Harpe
#
Alessandro Palazzani
#
Three Scottish Miniatures for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Conditioning Training for the flute embouchure
Flûte traversière
Flute - advanced - Digital Download 101 daily exercises. Composed by Werner Richter. …
(+)
Flute - advanced - Digital Download 101 daily exercises. Composed by Werner Richter. This edition: Sheet music. Wind instrument, Flute, Music education. Downloadable. Musikverlag Zimmermann #Q54860. Published by Musikverlag Zimmermann
German - English.<br> <br> Richters Ansatztraining umfasst das Flotenspiel in seiner Gesamtheit. Das Trainingsprogramm wendet sich an fortgeschrittene Flotisten/innen und ist zum selbstandigen Arbeiten, nicht in erster Linie fur den Unterricht gedacht. Richters Programm ist originell und sportlich gepragt. Mit immer neuen, frischen Formulierungen bewahrt er vor einem Ruckfall ins rein mechanische Uben. Ein Ubungszyklus dauert zehn Tage mit je zehn Ubungen in taglich zehn Minuten. Die Ausgabe ist zweisprachig deutsch/englisch.German - English.<br> <br> Richters Ansatztraining umfasst das Flotenspiel in seiner Gesamtheit. Das Trainingsprogramm wendet sich an fortgeschrittene Flotisten/innen und ist zum selbstandigen Arbeiten, nicht in erster Linie fur den Unterricht gedacht. Richters Programm ist originell und sportlich gepragt. Mit immer neuen, frischen Formulierungen bewahrt er vor einem Ruckfall ins rein mechanische Uben. Ein Ubungszyklus dauert zehn Tage mit je zehn Ubungen in taglich zehn Minuten. Die Ausgabe ist zweisprachig deutsch/englisch.
$16.99
15.51 €
#
Flûte traversière
#
Conditioning Training for the flute embouchure
#
Musikverlag Zimmermann
#
SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
(+)
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.07 €
#
Alto, Piano
#
Traditional Scottish
#
James M
#
The Water is Wide for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
How Many Ways Can I Play It? #3 My Country 'Tis of Thee
Flûte traversière
Arranged by Rebecca Maughan Cook. Method, Etudes and Exercises, Technique Training, Fourth…
(+)
Arranged by Rebecca Maughan Cook. Method, Etudes and Exercises, Technique Training, Fourth of July, Patriotic. Individual Part. 5 pages. Published by Rebecca Maughan Cook (S0.236385). - Individual Part - Method,Etudes and Exercises,Technique Training,Fourth of July,Patriotic - Rebecca Maughan Cook
$1.99
1.82 €
#
Flûte traversière
#
Rebecca Maughan Cook
#
How Many Ways Can I Play It? #3 My Country 'Tis of Thee
#
Rebecca Maughan Cook
#
SheetMusicPlus
Luna's Dance
Composed by Randall Curtis. 20th Century, Post-Romantic, Musicals, Technique Training, New…
(+)
Composed by Randall Curtis. 20th Century, Post-Romantic, Musicals, Technique Training, New Age. Score. 1 pages. Published by Published by Randall Curtis (S0.172259). - Score - 20th Century,Post-Romantic,Musicals,Technique Training,New Age - Published by Randall Curtis
$5.95
5.43 €
#
Randall Curtis
#
Luna's Dance
#
SheetMusicPlus
Jazztrompete kreativ
Trompette
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
(+)
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.33 €
#
Trompette
#
Jazztrompete kreativ
#
Schott Music - Digital
#
SheetMusicPlus
"By The Lake" For Flute Duet and Piano- Early Intermediate
2 Flûtes traversières (duo)
Flute duet and piano - Early Intermediate - Digital Download Composed by Grant Horsl…
(+)
Flute duet and piano - Early Intermediate - Digital Download Composed by Grant Horsley. Romantic Period, Contemporary Classical, Impressionistic, Repertoire, Technique Training. Score, Set of Parts. 25 pages. Published by Grant Horsley Music
By The Lakeis aimed at the flautist aiming to develop tone and musicality.(Also available as a violin duet)<br> <br> It is alyrical romantic piece in tenery form and is around associated boards grade 5/earlyintermediate in level of difficulty.<br> <br> The youtube link has the full score for you to assess the suitability.<br> <br> The range intotal, is Bottom C to top F with the lowest valued note being a quaver.<br> <br> The Pianoscore is 10 pages long- Flutes two pages, and it is 4.30 in lengthBy The Lakeis aimed at the flautist aiming to develop tone and musicality.(Also available as a violin duet)<br> <br> It is alyrical romantic piece in tenery form and is around associated boards grade 5/earlyintermediate in level of difficulty.<br> <br> The youtube link has the full score for you to assess the suitability.<br> <br> The range intotal, is Bottom C to top F with the lowest valued note being a quaver.<br> <br> The Pianoscore is 10 pages long- Flutes two pages, and it is 4.30 in length
$5.99
5.47 €
#
2 Flûtes traversières (duo)
#
Grant Horsley
#
"By The Lake" For Flute Duet and Piano- Early Intermediate
#
Grant Horsley Music
#
SheetMusicPlus
Colores de un otoño incipiente
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00
4.56 €
#
Piano seul
#
Juan MarÃa Solare
#
clipboard-write
#
Colores de un otoño incipiente
#
Juan Maria Solare
#
SheetMusicPlus
Apoyando and picado exercises in E minor for flamenco and classical guitarists
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and…
(+)
Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko
New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!
$3.99
3.64 €
#
Guitare notes et tablatures
#
Eugen Sedko
#
Apoyando and picado exercises in E minor for flamenco and classical guitarists
#
Eugen Sedko
#
SheetMusicPlus
Gadfly for unaccompanied solo flute
Flûte traversière
Flute - Advanced Intermediate - Digital Download Composed by Jason A. Taurins. Contem…
(+)
Flute - Advanced Intermediate - Digital Download Composed by Jason A. Taurins. Contemporary Classical, Etudes and Exercises, Repertoire, Technique Training, Recital. Individual Part, Score, Set of Parts, Solo Part. 2 pages. Published by Jason A. Taurins
Perfect as a teaching piece for high school and graduate flutists, it uses several extended techniques in an accessible package. It would make a good companion on a recital with Marsyas, Density 21.5, or Syrinx.Perfect as a teaching piece for high school and graduate flutists, it uses several extended techniques in an accessible package. It would make a good companion on a recital with Marsyas, Density 21.5, or Syrinx.
$14.99
13.68 €
#
Flûte traversière
#
Jason A
#
Gadfly for unaccompanied solo flute
#
SheetMusicPlus
Dance of Joy
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.859688 Composed by Sydney Stevens. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.859688 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Sydney Stevens, Water Music #3861863. Published by Sydney Stevens, Water Music (A0.859688). Contact: sydneystevenspianostudio@gmail.comDance of Joy: Lighthearted piano solo by Sydney Stevens (ASCAP). All Rights Reserved.Sounds like: Henry Adam Curtis, Liz Story, John FlukerMood: Lighthearted, tender, playful, sweet, inspired.Musical Traits: Strong melody with left hand accompaniment. Some playful melodic interplay.Performance Time: 2:59Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:https://sydneystevenswatermusic.com/ http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado. In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.
$4.95
4.52 €
#
Piano seul
#
Sydney Stevens
#
Dance of Joy
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Artists' Studies Op. 58 #38
Violon, Alto (duo)
Composed by Mazas, Jacques. Arranged by Nick Lacanski. Method, Etudes and Exercises, Reper…
(+)
Composed by Mazas, Jacques. Arranged by Nick Lacanski. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Score, Set of Parts. 8 pages. Published by theupperstaff.com (S0.185303). - Score,Set of Parts - Method,Etudes and Exercises,Repertoire,General Instructional,Technique Training - theupperstaff.com
$3.99
3.64 €
#
Violon, Alto (duo)
#
Mazas, Jacques
#
Nick Lacanski
#
Artists' Studies Op. 58 #38
#
theupperstaff.com
#
SheetMusicPlus
In Christ Alone
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1421804 By Margaret Becker. By Ke…
(+)
C Instrument - Level 2 - Digital Download SKU: A0.1421804 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by B. McCormick. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. B. McCormick #1003150. Published by B. McCormick (A0.1421804). Discover the timeless hymn “In Christ Alone†like never before with our meticulously crafted Lead Sheet. This concise and comprehensive musical arrangement combines the melody line with harmonizing chords, making it a versatile resource for musicians, worship leaders, and music enthusiasts. About the Songwriters Keith Getty and Stuart Townend, the brilliant minds behind “In Christ Alone,†have left an indelible mark on contemporary Christian music. Their collaboration birthed this powerful anthem that resonates with believers worldwide. As you explore this Lead Sheet, you’ll connect with the heart and inspiration of these gifted composers. About the Song “In Christ Alone†stands as a testament to unwavering faith and the unshakable foundation found in Jesus Christ. Written in 2001, this hymn has become a staple in congregational worship, capturing the essence of salvation, hope, and redemption. Its poetic lyrics and memorable melody evoke deep reflection and praise.Significant Statistics:First Released: 2001Key: D MajorTime Signature: 3/4Tempo: Moderate About the Sheet Music Our Lead Sheet for “In Christ Alone†is a marvel of efficiency. Condensing the entire song onto a single page, it provides both the melody and essential chord symbols. Whether you’re accompanying a vocalist, leading a small ensemble, or playing solo, this sheet music ensures clarity and accessibility. The chord diagrams empower guitarists to strum confidently, harmonizing with the lyrics. Suggestions for Use: Worship Services: Enhance congregational singing during worship services, emphasizing the song’s profound message. Small Groups: Use it as a teaching tool for Bible studies or small group gatherings. Personal Devotion: Play it during quiet moments of reflection or prayer. About the Arranger: Barry McCormick Barry McCormick, a seasoned musician and arranger, brings a wealth of expertise to this Lead Sheet arrangement of “In Christ Alone.†Here’s a closer look at his qualifications and experience. With a Master of Arts (MA) in Music and Theology (with Honors) from the prestigious University of Glasgow: Barry’s academic journey seamlessly blended music and theology, enriching his understanding of the spiritual and artistic dimensions of music. Prior to this he studied and earned a Diploma from the Royal Conservatoire of Scotland: His formal training at this esteemed institution honed his technical skills, deepening his appreciation for musical nuances.Teaching and Performance:Resourceful Arrangements: Barry’s commitment to crafting accessible and meaningful music shines through in his arrangements. His Lead Sheet for “In Christ Alone†exemplifies clarity, precision, and musicality.Connect with Barry:Follow Barry on social media:@resourcefularrangementsExplore more of his musical endeavors, stay updated on new releases, and engage in conversations about music. Make sure to tag in your perfomances using our sheet music!
$3.99
3.64 €
#
Instruments en Do
#
Margaret Becker
#
B
#
In Christ Alone
#
B. McCormick
#
SheetMusicPlus
Three Rondos from op.92 arr. for lever harp
Harpe
Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Peri…
(+)
Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 22 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50
10.5 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Three Rondos from op.92 arr. for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Sonata op.92 n.1 in E flat major for lever harp
Harpe
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by Fran&ccedi…
(+)
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 14 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00
8.21 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Sonata op.92 n.1 in E flat major for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Sonata op.92 n.3 in B flat major for lever harp
Harpe
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by Fran&ccedi…
(+)
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romantic Period, Classical Period, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 17 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50
10.5 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Sonata op.92 n.3 in B flat major for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Sonata op.92 n.3 in B flat major for lever harp
Harpe
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by Fran&ccedi…
(+)
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romantic Period, Classical Period, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 17 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00
8.21 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Sonata op.92 n.3 in B flat major for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Sonata op.92 n.2 in C minor for lever harp
Harpe
Harp, lever harp - Intermediate - Digital Download Composed by François Joseph…
(+)
Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romantic Period, Classical Period, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 13 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00
8.21 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Sonata op.92 n.2 in C minor for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Four Intermediate Etudes from op.91 arr. for lever harp
Harpe
Harp, lever harp - Intermediate - Digital Download Composed by François Joseph…
(+)
Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Etudes and Exercises, General Instructional, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 16 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50
10.5 €
#
Harpe
#
François Joseph Naderman
#
Alessandro Palazzani
#
Four Intermediate Etudes from op.91 arr. for lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
The Nightingale and the Rose - - lever harp
Harpe
Harp - Early Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921)…
(+)
Harp - Early Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by Alessandro Palazzani. Romantic Period, Technique Training, Valentine's Day, Fairy Tales, Recital. Sheet Music Single. 6 pages. Published by A work by Alessandro Palazzani
Le Rossignol et la Rose (The Nightingale and the Rose) is a Vocalise from the incidental music to the play Parysatis This arrangement for solo lever harp will give you a lot of fun with its glissandos and harmonics intermediate levelLe Rossignol et la Rose (The Nightingale and the Rose) is a Vocalise from the incidental music to the play Parysatis
This arrangement for solo lever harp will give you a lot of fun with its glissandos and harmonics
intermediate level
$7.00
6.39 €
#
Harpe
#
Camille Saint- Saens
#
The Nightingale and the Rose - - lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
<
1
26
51
....
301
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
