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'Without Title' in G Minor""
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'Without Title' in G Minor
Orgue, Piano (duo)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Down…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.990431 Composed by Mitch Boucher. Baroque,Instructional,Standards. Score and parts. 1 pages. Mitch Boucher #5751231. Published by Mitch Boucher (A0.990431). I hope you enjoy this small exercise.
$4.00
3.63 €
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Orgue, Piano (duo)
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Mitch Boucher
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'Without Title' in G Minor
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Mitch Boucher
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SheetMusicPlus
Sonata A minor
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; har…
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q24137 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q24137. Published by Schott Music - Digital (S9.Q24137). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$12.99
11.78 €
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
Sonata A minor
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; har…
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q1104 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q1104. Published by Schott Music - Digital (S9.Q1104). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$16.99
15.4 €
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.8…
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00
10.88 €
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Piper Publications
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.63 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Ave Maria (G. Caccini) for solo voice and concert band
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.930930 Composed by Giulio Caccini…
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Concert Band - Level 1 - Digital Download SKU: A0.930930 Composed by Giulio Caccini. Arranged by Mark Armstrong. Renaissance,Sacred. Score and Parts. 31 pages. Seolta Music Limited #4983881. Published by Seolta Music Limited (A0.930930). Giulio Caccini's haunting 'Ave Maria' in an accessible yet beautiful arrangement for voice and concert band by Mark Armstrong. This piece is very suitable for church services, or as a contrasting concert item. This arrangement is equally effective without the vocal part (Key G minor).To explore all voice and band titles from Seolta Publishing click here.
$60.00
54.4 €
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Orchestre d'harmonie
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Giulio Caccini
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Mark Armstrong
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Ave Maria
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Seolta Music Limited
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SheetMusicPlus
Song Without Words In G Minor, Op. 53, No. 3
Piano seul
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For …
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
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Piano seul
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor, Op. 53, No. 3
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Venetian Gondola Song in G minor
Piano seul
(from Songs without Words, Op. 19b No. 6). Composed by Felix Bartholdy Mendelssohn (1809-1…
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(from Songs without Words, Op. 19b No. 6). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Monika Twelsiek. For piano. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music - Digital Sheet Music
$2.99
2.71 €
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Piano seul
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Felix Bartholdy Mendelssohn
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Co
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Venetian Gondola Song in G minor
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Schott Music - Digital Sheet Music
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SheetMusicPlus
Song Without Words In G Minor "Venetian Gondola Song," Op. 19, No. 6
Piano seul
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. Clas…
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
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Piano seul
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor "Venetian Gondola Song," Op. 19, No. 6
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Song Without Words In G Minor, Op. 102, No. 4
Piano seul
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For …
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
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Piano seul
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor, Op. 102, No. 4
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Gigue in D Minor from Violin Partita 2 (BWV1004) (for Solo Guitar)
Guitar Tab, Classical Guitar, Electric Guitar - Advanced Intermediate - Digital Down…
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Guitar Tab, Classical Guitar, Electric Guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 11 pages. Published by Kenneth Pasciak
Gigue from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 5-page score with tablature, plus 3-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145Gigue from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 5-page score with tablature, plus 3-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145
$1.99
1.8 €
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Johann Sebastian Bach
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Kenneth Pasciak
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Gigue in D Minor from Violin Partita 2
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Kenneth Pasciak
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SheetMusicPlus
Courante in D Minor from Violin Partita 2 (BWV 1004) (for Solo Guitar)
Guitare notes et tablatures
Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque …
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 pages. Published by Kenneth Pasciak
Courante from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 3-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145Courante from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 3-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145
$1.99
1.8 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Courante in D Minor from Violin Partita 2
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SheetMusicPlus
Saint-Saens Mazurka for Recorder Trio
3 Flûtes à bec (trio)
Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Perio…
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Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LLC
Camille Saint-Saens composed his Mazurka in G minor (Op. 21) for solo piano. This piece has an engaging melody and rhythm, and includes a waltz section in G major. Arranged for ATB recorders. Clear score and individual parts; play with or without a conductor.Camille Saint-Saens composed his Mazurka in G minor (Op. 21) for solo piano. This piece has an engaging melody and rhythm, and includes a waltz section in G major. Arranged for ATB recorders. Clear score and individual parts; play with or without a conductor.
$12.00
10.88 €
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3 Flûtes à bec (trio)
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Camille Saint- Saens
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Saint-Saens Mazurka for Recorder Trio
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JGJG Sheet Music LLC
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SheetMusicPlus
Sarabande from Cello Suite II (BWV1008) (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, classical guitar, fingerstyle guitar - Intermediate - Digital Download …
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Guitar Tab, classical guitar, fingerstyle guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 6 pages. Published by Kenneth Pasciak
Sarabande from Cello Suite II by Johann Sebastian Bach, arranged for solo guitar in G minor (original key D minor). Includes two-page score with tablature, plus one-page guitar part without tabs.Sarabande from Cello Suite II by Johann Sebastian Bach, arranged for solo guitar in G minor (original key D minor). Includes two-page score with tablature, plus one-page guitar part without tabs.
$1.99
1.8 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande from Cello Suite II
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SheetMusicPlus
Merry-go-round Of Life (for Flute or Violin and Guitar)
Flûte et Guitare
Flute, Violin, Guitar, Guitar Tab - Advanced Intermediate - Digital Download By Joe H…
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Flute, Violin, Guitar, Guitar Tab - Advanced Intermediate - Digital Download By Joe Hisaishi. Arranged by Kenneth Pasciak. Score, Set of Parts, Tablature. 13 pages. Published by Kenneth Pasciak
Merry-Go-Round of Life by Japanese composer Joe Hisaishi, from the Ghibli animated film Howl's Moving Castle, arranged for flute or violin and guitar in G minor. Includes six-page score with tablature, plus individual flute and guitar (without tabs) parts.<br> <br> Note: guitar retuning required 6=D<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.comMerry-Go-Round of Life by Japanese composer Joe Hisaishi, from the Ghibli animated film Howl's Moving Castle, arranged for flute or violin and guitar in G minor. Includes six-page score with tablature, plus individual flute and guitar (without tabs) parts.<br> <br> Note: guitar retuning required 6=D<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.com
$9.99
9.06 €
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Flûte et Guitare
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Joe Hisaishi
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Kenneth Pasciak
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Merry-go-round Of Life
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Kenneth Pasciak
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SheetMusicPlus
100 Easy Piano Classics
Piano Facile
Composed by Various Classical. Arranged by Misha Stefanuk. Easy Piano Classics. Romantic P…
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Composed by Various Classical. Arranged by Misha Stefanuk. Easy Piano Classics. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. Piano Reduction, Sheet Music Single. 250 pages. Published by Misha Stefanuk (S0.179791). - Piano Reduction,Sheet Music Single - Romantic Period,Classical Period,Baroque Period,Impressionistic,Repertoire - Misha Stefanuk
Greatmusic, easy to learn. From the best-selling arranger, Misha Stefanuk, comes every piece you ever wanted to play, and now you can.Easy, masterful arrangements make everyone immediately sound great.For self learners- wonderful music without too much struggle, a greatsight-reading booster, for teachers- a great intermediate confidencebuilder, tons of fun for everyone! Music List: Morning,Hall of the Mountain King, Canon in D, Pomp and Circumstance, FürElise, Blue Danube, Spring, Beethoven Symphony No. 5, Chopin Nocturnein E-Flat Major, Gymnopédie 1, Bach Minuet In G, Bach Minuet In Dminor, Leopold Mozart Minuet in F, Ode to Joy, Brahms' Lullaby, Jesu,Joy Of Man's Desiring, The Skaters Waltz, Musette, Dance of the SugarPlum Fairy from the Nutcracker, Ave Maria, God Rest You, MerryGentlemen, Happy Farmer, Soldier's March, Poor Orphan, Wild Rider,Toreador Song from CARMEN, Rondo A La Turk, Joy to the World,Symphony No. 5, First Loss, Air on G string, Mozart Minuet in G,Mazurka in Bb, Brahms Waltz in A, Elves Dance, Schubert Waltz in B,Beethoven Russian Folk Song, Gurlitt Scherzo, Kohler Waltz,Arabesque, Morning Prayer, Old French Song, German Song, ItalianSong, Reverie, Sick Doll, Trumpet Tune, Teleman Menuet, LeopoldMozart Burlesque, Mozart Minuet in C, Take Me Out to the Ball Game, Omio babbino caro, Nutcracker March, Waltz Of The Flowers, Lullabyfrom the Nutcracker, Grossfater from Nutcracker, BeethovenEccossaise, Brahms Hungarian Dance no. 5, Bach Little Prelude in C,Amazing Grace, Mozart Allegro, Wagner Wedding March, MendelssohnWedding March, Danny Boy, Waltz from Sleeping Beauty, William TellOverture, Lake by the Mountain, Trish Trash Polka, Ragtime, Musetta'sWaltz, March of the Little People, Serenade, March from Aida,Schubert Military March, Moonlight Sonata, Mozart Symphony no 40,Surprise Symphony, Jingle Bells, Cancan, Hallelujah Chorus,Westminster Chime, Eine Kleine Nachtmusic, Mozart Minuet in F, RameauRondo, Paganini Caprice, Happy Birthday, Sheep May Safely Graze,Tocatta in D minor, Skater's Waltz, Habanera, Humoresque, BoccheriniMinuet,The Entertainer, Maple Leaf Rag, Chopsticks, Also SprachZaratustra, Barcarolle, Hava Nagila, La Donna E Mobile, March fromNutracker, Amazing Grace, Jingle Bells, and God Rest You MerryGentemen.Greatmusic, easy to learn. From the best-selling arranger, Misha Stefanuk, comes every piece you ever wanted to play, and now you can.Easy, masterful arrangements make everyone immediately sound great.For self learners- wonderful music without too much struggle, a greatsight-reading booster, for teachers- a great intermediate confidencebuilder, tons of fun for everyone! Music List: Morning,Hall of the Mountain King, Canon in D, Pomp and Circumstance, FürElise, Blue Danube, Spring, Beethoven Symphony No. 5, Chopin Nocturnein E-Flat Major, Gymnopédie 1, Bach Minuet In G, Bach Minuet In Dminor, Leopold Mozart Minuet in F, Ode to Joy, Brahms' Lullaby, Jesu,Joy Of Man's Desiring, The Skaters Waltz, Musette, Dance of the SugarPlum Fairy from the Nutcracker, Ave Maria, God Rest You, MerryGentlemen, Happy Farmer, Soldier's March, Poor Orphan, Wild Rider,Toreador Song from CARMEN, Rondo A La Turk, Joy to the World,Symphony No. 5, First Loss, Air on G string, Mozart Minuet in G,Mazurka in Bb, Brahms Waltz in A, Elves Dance, Schubert Waltz in B,Beethoven Russian Folk Song, Gurlitt Scherzo, Kohler Waltz,Arabesque, Morning Prayer, Old French Song, German Song, ItalianSong, Reverie, Sick Doll, Trumpet Tune, Teleman Menuet, LeopoldMozart Burlesque, Mozart Minuet in C, Take Me Out to the Ball Game, Omio babbino caro, Nutcracker March, Waltz Of The Flowers, Lullabyfrom the Nutcracker, Grossfater from Nutcracker, BeethovenEccossaise, Brahms Hungarian Dance no. 5, Bach Little Prelude in C,Amazing Grace, Mozart Allegro, Wagner Wedding March, MendelssohnWedding March, Danny Boy, Waltz from Sleeping Beauty, William TellOverture, Lake by the Mountain, Trish Trash Polka, Ragtime, Musetta'sWaltz, March of the Little People, Serenade, March from Aida,Schubert Military March, Moonlight Sonata, Mozart Symphony no 40,Surprise Symphony, Jingle Bells, Cancan, Hallelujah Chorus,Westminster Chime, Eine Kleine Nachtmusic, Mozart Minuet in F, RameauRondo, Paganini Caprice, Happy Birthday, Sheep May Safely Graze,Tocatta in D minor, Skater's Waltz, Habanera, Humoresque, BoccheriniMinuet,The Entertainer, Maple Leaf Rag, Chopsticks, Also SprachZaratustra, Barcarolle, Hava Nagila, La Donna E Mobile, March fromNutracker, Amazing Grace, Jingle Bells, and God Rest You MerryGentemen.
$12.99
11.78 €
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Piano Facile
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Various Classical
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Misha Stefanuk
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100 Easy Piano Classics
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Misha Stefanuk
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SheetMusicPlus
'Without Title' II in G Minor
Orgue, Piano (duo)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Down…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.990436 Composed by Mitch Boucher. Baroque,Instructional. Score and parts. 1 pages. Mitch Boucher #5751295. Published by Mitch Boucher (A0.990436).
$5.00
4.53 €
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Orgue, Piano (duo)
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Mitch Boucher
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'Without Title' II in G Minor
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Mitch Boucher
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477114 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053767. Published by Anastace (A0.1477114). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in the original key of B flat major, and has a vocal range of A3-Bb4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.53 €
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Piano, Voix
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Piano Facile
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
3.62 €
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Piano Facile
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
Sarabande and Double from Violin Partita 1 (BWV 1002) (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Electric Guitar - Intermediate - Digital Download Composed by Johann Seba…
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Guitar Tab, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 9 pages. Published by Kenneth Pasciak
Sarabande & Double from Violin Partita 1 (BWV 1002) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 4-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Gigue in D Minor, S0.904649<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145<br> Sarabande & Double from Violin Partita 1 (BWV 1002) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 4-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Gigue in D Minor, S0.904649<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145<br>
$1.99
1.8 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande and Double from Violin Partita 1
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SheetMusicPlus
Sarabande from Violin Partita 2 (BWV 1004) (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Classical Guitar, Electric Guitar - Intermediate - Digital Download Com…
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Guitar Tab, Classical Guitar, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 7 pages. Published by Kenneth Pasciak
Sarabande from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 2-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145Sarabande from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 2-page score with tablature, plus 2-page guitar part without tabs.<br> <br> Also by Johann Sebastian Bach:<br> <br> Air in D Major: S0.693725<br> Allemande in D Minor, S0.546076<br> Courante in D Minor, S0.904351<br> Prelude in G Major, S0.361231<br> Sarabande in D Minor, S0.422145
$2.25
2.04 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande from Violin Partita 2
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SheetMusicPlus
The Viola and Cello Duet Book - 21 Traditional and Classical Melodies for Viola and Cello
Alto, Violoncelle (duo)
Composed by Tcaikovsky, Vivaldi et al., Wolfgang Amadeus Mozart (1756-1791), Ludwig …
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Composed by Tcaikovsky, Vivaldi et al., Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770- 1827), Franz Schubert (1797- 1828), Georges Bizet (1838- 1875), and George Frideric Handel (1685-1759). Arranged by Elin Korneliussen. Concert, Graduation, Jewish, Standards, Wedding. Score and parts. 30 pages. Elin Korneliussen #4629925. Published by Elin Korneliussen
A whole book of duets for viola and cello, ready to download and enjoy!<br> <br> 21 beautiful melodies, arranged especially to sound good on the viola and cello, without being too difficult. These duets are great to play at students\' recitals, wedding gigs, graduation, or just for fun!<br> <br> Level: from very easy to intermediate.<br> <br> <br> Contents:<br> Anon.: Polonaise from the music book of Anna Magdalena Bach<br> <br> L. v. Beethoven: An die Freude from Symphony no. 9<br> <br> L. v. Beethoven: Sonatina<br> <br> G. F. Händel: Lascia ch’io pianga from Rinaldo<br> <br> G. F. Händel: Sarabande<br> <br> W. A. Mozart: Komm, lieber Mai<br> <br> W. A. Mozart: Horn duet<br> <br> W. A. Mozart: Papageno’s Aria from The Magic Flute<br> <br> G. Bizet: Habanera from Carmen<br> <br> C. G. Neefe: Allegretto<br> <br> J. P. Rameau: Menuet<br> <br> F. Schubert: Willkommen, lieber schöner Mai (canon)<br> <br> Trad.: May Song (Alle Vögel sind schon da)<br> <br> Trad.: Wedding March from Lødingen, Norway<br> <br> Trad.: Wedding March from Seljord, Norway<br> <br> Trad.: Wedding March from Øre, Norway<br> <br> Trad.: Dudlebska, Czech polka<br> <br> Trad: The Beautiful Waltz from Helgeland, Norway<br> <br> P. I. Tchaikovsky: Waltz from Sleeping Beauty<br> <br> A. Vivaldi: Largo & Allegro from Sonata in E minor<br> <br> A. Vivaldi: Theme from SpringA whole book of duets for viola and cello, ready to download and enjoy!<br> <br> 21 beautiful melodies, arranged especially to sound good on the viola and cello, without being too difficult. These duets are great to play at students\' recitals, wedding gigs, graduation, or just for fun!<br> <br> Level: from very easy to intermediate.<br> <br> <br> Contents:<br> Anon.: Polonaise from the music book of Anna Magdalena Bach<br> <br> L. v. Beethoven: An die Freude from Symphony no. 9<br> <br> L. v. Beethoven: Sonatina<br> <br> G. F. Händel: Lascia ch’io pianga from Rinaldo<br> <br> G. F. Händel: Sarabande<br> <br> W. A. Mozart: Komm, lieber Mai<br> <br> W. A. Mozart: Horn duet<br> <br> W. A. Mozart: Papageno’s Aria from The Magic Flute<br> <br> G. Bizet: Habanera from Carmen<br> <br> C. G. Neefe: Allegretto<br> <br> J. P. Rameau: Menuet<br> <br> F. Schubert: Willkommen, lieber schöner Mai (canon)<br> <br> Trad.: May Song (Alle Vögel sind schon da)<br> <br> Trad.: Wedding March from Lødingen, Norway<br> <br> Trad.: Wedding March from Seljord, Norway<br> <br> Trad.: Wedding March from Øre, Norway<br> <br> Trad.: Dudlebska, Czech polka<br> <br> Trad: The Beautiful Waltz from Helgeland, Norway<br> <br> P. I. Tchaikovsky: Waltz from Sleeping Beauty<br> <br> A. Vivaldi: Largo & Allegro from Sonata in E minor<br> <br> A. Vivaldi: Theme from Spring
$6.99
6.34 €
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Alto, Violoncelle (duo)
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Tcaikovsky, Vivaldi et al
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The Viola and Cello Duet Book - 21 Traditional and Classical Melodies for Viola and Cello
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Elin Korneliussen
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SheetMusicPlus
Venetian Gondola Song (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Felix Bartholdy Mendelssohn …
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Guitar Tab - Intermediate - Digital Download Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Kenneth Pasciak. Romantic Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 pages. Published by Kenneth Pasciak
Venetianisches Gondellied (Venetian Gondola Song), Opus 30, No. 6 from Songs Without Words, one of five gondola pieces that Felix Mendelssohn wrote throughout his career, depicts in music his fascination with Venice and its centuries-old means of transportation. This arrangement for guitar in E minor includes a 3-page score with guitar tablature, plus 2-page guitar part without tab.<br> <br> Note: Retuning of G string to F# required.Venetianisches Gondellied (Venetian Gondola Song), Opus 30, No. 6 from Songs Without Words, one of five gondola pieces that Felix Mendelssohn wrote throughout his career, depicts in music his fascination with Venice and its centuries-old means of transportation. This arrangement for guitar in E minor includes a 3-page score with guitar tablature, plus 2-page guitar part without tab.<br> <br> Note: Retuning of G string to F# required.
$1.99
1.8 €
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Guitare notes et tablatures
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Felix Bartholdy Mendelssohn
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Kenneth Pasciak
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Venetian Gondola Song
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Kenneth Pasciak
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SheetMusicPlus
First Lessons Banjo
Banjo
By Jack Hatfield. For Banjo (5-String). Acoustic Music. 32 pages. Published by Mel Bay Pub…
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By Jack Hatfield. For Banjo (5-String). Acoustic Music. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610658089. First Lessons on Banjo is an ultra-easy instruction manual for beginning five-string banjo played in the three fingerstyle in G tuning. It can be used by those with no previous experience with the banjo or music of any sort. It is so basic it can be used even by small children. The book features very detailed descriptions of even the most basic aspects such as wearing the picks properly, the correct picking motion, and noting the strings properly. These are aspects that are so basic most manuals skip over them. There are many detailed photos, several from the player's point of view, not from in front of the banjo. First Lessons on Banjo covers the most basic rolls, the Alternating Thumb Roll and two Forward Rolls, plus the three basic chords plus the relative minor chord. All musical examples are presented in tablature, with the melody notes in boldface type so the student knows which notes to emphasize. All arrangements include lyrics, which is very important to the novice who is trying to train the ear to hear the melody among the fill notes. Several tips and suggestions about the proper mental approach are included that will lead to playing by ear and arranging at an earlier stage in the student's development. There are also suggestions about developing the proper mental approach and about speed reading of tablature. These suggestions are not found in any other banjo instruction book. The 'finale' arrangement is Cripple Creek, a popular banjo standard that when mastered, should give the novice a great sense of accomplishment. The accompanying recording includes all tabbed examples, with the rhythm instruments and lead banjo in separate channels. The songs are played at three tempos, the first tempo VERY slow, then a medium tempo version, and finally at performing speed with guitar, mandolin and bass accompaniment. The up- tempo accompanied versions are all together at the end of the recording so it the final tracks be used as a listening recording. This also allows the student to play along with all the more interesting arrangements in sequence without skipping around the recording. Includes access to online audio.ISBN 9781610658089. First Lessons on Banjo is an ultra-easy instruction manual for beginning five-string banjo played in the three fingerstyle in G tuning. It can be used by those with no previous experience with the banjo or music of any sort. It is so basic it can be used even by small children. The book features very detailed descriptions of even the most basic aspects such as wearing the picks properly, the correct picking motion, and noting the strings properly. These are aspects that are so basic most manuals skip over them. There are many detailed photos, several from the player's point of view, not from in front of the banjo. First Lessons on Banjo covers the most basic rolls, the Alternating Thumb Roll and two Forward Rolls, plus the three basic chords plus the relative minor chord. All musical examples are presented in tablature, with the melody notes in boldface type so the student knows which notes to emphasize. All arrangements include lyrics, which is very important to the novice who is trying to train the ear to hear the melody among the fill notes. Several tips and suggestions about the proper mental approach are included that will lead to playing by ear and arranging at an earlier stage in the student's development. There are also suggestions about developing the proper mental approach and about speed reading of tablature. These suggestions are not found in any other banjo instruction book. The 'finale' arrangement is Cripple Creek, a popular banjo standard that when mastered, should give the novice a great sense of accomplishment. The accompanying recording includes all tabbed examples, with the rhythm instruments and lead banjo in separate channels. The songs are played at three tempos, the first tempo VERY slow, then a medium tempo version, and finally at performing speed with guitar, mandolin and bass accompaniment. The up- tempo accompanied versions are all together at the end of the recording so it the final tracks be used as a listening recording. This also allows the student to play along with all the more interesting arrangements in sequence without skipping around the recording. Includes access to online audio.
$9.99
9.06 €
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Banjo
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Jack Hatfield
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First Lessons Banjo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Allemande from English Suite No. 3 (BWV 808) (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital D…
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Guitar Tab, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 6 pages. Published by Kenneth Pasciak
Allemande from English Suite No. 3 (BWV 808) by Johann Sebastian Bach arranged for classical guitar in A minor (original = G minor). Incudes 3-page score with tablature plus 2-page individual guitar part without tabs.Allemande from English Suite No. 3 (BWV 808) by Johann Sebastian Bach arranged for classical guitar in A minor (original = G minor). Incudes 3-page score with tablature plus 2-page individual guitar part without tabs.
$1.99
1.8 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Allemande from English Suite No. 3
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SheetMusicPlus
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